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Scratch DJ Academy - Los Angeles



Last Updated: 7/15/2009

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Status: Single
City: LOS ANGELES
Country: US
Signup Date: 12/29/2004

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Thursday, April 10, 2008 
One Day @ The Scratch DJ Academy
Dj Toshbiko-
Seeking Knowledge from The Cradle 2 The Grave.




It was a Monday I was working behind the desk at the Scratch Dj Academy, doing some paper work, going online and advertising the academy and the Train Wreck Dj Crew.



Working out questions for kids to answer who will attend the Hitmakers Camp, trying to adapt those questions for kid’s ages 12-17. My homeboy Val is the working on the computer as we glance at the TV it bumps the video collection of Redman.



The day was normal; I’m trying to wake up from the 3 buses 2 train ride journey it takes to get to work. Dealing with mass life issues, trying to put them all in perspective, looking for that light in mass darkness, knowing, praying for some balance, between being a Dj and hooking up some gig so the dream wont’ be deferred. Wanting that sign up above to let me know I was on the right path.



Like the gods of music were tuned into my frequency, in walk two very nice ladies, Cathy Fink & Marcy Marxer, little did I know these were not two average ladies, no, just two Grammy Award winning musician.



These two women have been partners for 20 years now; they have been spreading the love of eclectic folk music for children and adults with mass grace and style on their own terms. Two Grammy Awards/ eleven nominations, forty Whammy Awards (Washington Area Music Association) even with all this success they had the kindness you would hope all musician had. With anticipation written on their faces they asked for the Director of the Scratch Dj Academy/ Dj Hapa.



With the huge question that floated in my mind, why would two very polite ladies with what look like guitar cases and what I thought was a violin, want to come to the academy full of DJ’s and hook up with Hapa?

I was about to find out, the correlation of how music bridges gaps, puts people together in ways to express the pure love of music, plain and simple. My stressed out Monday, of not enough this or that for one brief moment was going to vanish.


First of all I love music, all styles; I never wanted to be tied down to any one style or genre that locks me in a box as a Dj. That would not be my definition of freedom of expression.



Cathy Fink & Marcy Marxer’s music of bluegrass/folk music is connected with the history of blues music, jazz; and so on.


We are all connected in some way especially in the world of music.


For me, to be a Dj is not just learning the craft, it’s to continue to have an open mind to music. I hope that will set me apart from other DJ’s.



Growing up as a child, with music as my best friend, my Walkman would bump the sounds of Public Enemy/Krs-One with a blink of eye I could be chilling with the sound track to the movie Shogun or chilling out with James Taylor without missing a beat. Music was and still is my best ally.

I was going to experience, that open minded music connection first hand, not just spin a mix but see one happened live!

When Cathy, Marcy, and Hapa went upstairs to the studio the last thing in the world I thought I was going to hear was the booming sounds of J.J. Fad’s 1988 hit Supersonic.

With the skills of Cathy and Marcy playing a banjo/ukulele then at one point the mandolin riding on top of the beat effortlessly, a beat I grew up with and put on many mix tapes for friends on cassette!

My Dj ear was on blaze, at first my Hip Hop ego comes out and says no way, and the Dj’s ear was like hell ya! Trying to stay focused on my work the Dj ear wins, it always does, it loves music in all its forms, it will not be denied, it feeds on sound.

A fish needs water my Dj ear needs music!

Then Hapa drops Hip Hop is dead by Nas, and Cathy and Marcy instruments are bringing a feel to this beat I never could’ve imagined. I could hear struggle mixed in with hope being played all at the same time.



I thought of records I own that I never thought to put together come together. My artist minds eye was unlock, I couldn’t just hear what they were doing I could sense it. Hapa told us to come upstairs, I ran like a child going to the front gates of Disneyland, when you think anything is possible. Cathy is playing a banjo that looks like if it could talk it would tell you every where it’s traveled. Marcy, with that great smile on her face is playing a small gray ukulele and getting more sound out of it then a full sized guitar.



Hapa is spinning records, dropping beats with ease, they are jamming like no other. The technology of the turntables mixed with classic instruments, this moment is all that matters. All my worries, concerns about life have now been washed away in music even if was for a moment.



I’m in the mist of a Hip Hop-Hoe Down; nobody could tell me this was not cool. Marcy, Cathy, and Hapa connected worlds, connected culture. It was an honor to see it, hear it, and feel it. When they stop playing, I notice Cathy’s banjo had Pete Seeker’s signature on it. I knew about him from my grandmother, and my studies about the civil rights movement and the protest of the Vietnam War. Seekers music had its roots grounded in the voice of the people demanding change.



Seeker was green; way before the term was used to sell cars or to remind us that the polar ice caps are an issue. Maybe we should think about gas/oil as not the only substance for fuel. He was a pioneer of protest music, and I had admired him as much as Bob Marley or Peter Tosh, freedom fighters for truth that used music to change the world.



His last name is Seeker, I seek knowledge from the cradle to the grave, that’s my Dj tag line Seeker lived his life by my tag line everyday. Cathy, told us about working with Seeker on cretin projects and before you know it I was listening to true history from someone who had been through it.



Seeker’s ability to share music to such a diverse crowd and his ability to give music to the world, I hope to be that kind of Dj, to inspire others through music. After the amazing music history lesson, Hapa drops this sick ass beat, Cathy has got me reading lines from Mark Twain out loud, my brother in sound Printz Paul is video taping it. Marcy whips out this wash board, with a bell, on top, a pan lid with a wooden block at the bottom all attached as one instrument and hits beats on it with spoons.



Then she pulls out her mandolin that looks more like a piece of art then an instrument this was no violin, but the sound it creates fills the room then rests right on top of the beat; ever see a bird fly then land so smooth and graceful on a tree branch it was something like that. I watch the huge grin on Marcy’s face as Hapa uses some of the effects on the mixer to tweak the music.



Hapa would drop the beat for four bars Cathy and Marcy would follow right along. Watching the communication between two turntables a laptop, banjo and a mandolin kinda wish people could get along with each other as well as these instruments did.

The only thing I could think of was the commercial when the chocolate went into the peanut butter and vise versa before you new it you had a something really good!

The whole experience was on point! It will be a moment I will never forget. That late night journey on the bus home, I kept thinking, that will be me someday, sharing my gift to others. I know I’m on the right path.

If an obstacle comes my way I will just play a banjo slash mandolin song!

From the bottom of my heart I say thank you to Cathy Fink and Marcy Marxer for sharing their gift and their zeal for music, thank you for respecting us Dj’s and treating us like musicians.


Just one day @ Scratch Dj Academy Los Angeles.



PEACE-MUSIC-AND-FREEDOM TO YOU BOTH.

MAY YOU GET BACK EVERY DAY, THE JOY YOU BRING TO OTHERS!


DJ TOSHBIKO- ((FINDING OTHER’S WHO SEEK KNOWLEDGE FROM THE CRADLE TO THE GRAVE.))

((Music Home Work))
Pete Seeger
Ella Jenkins
Woody Guthrie
Leadbelly
The Byrds
The Weavers
The history of blue grass and folk music
The history of the song "We Shall Overcome"
Cathy Fink
Marcy Marxer
J.J.

Fad’s 1988 Supersonic
Thursday, March 20, 2008 

Current mood:  artistic
Category: Music
Wednesday, March 19, 2008

THE DJ BALANCE LIFETIME SCHOLARSHIP

Category: Music  
Dj- Toshbiko (Seeking Knowledge From The Cradle 2 The Grave) is my Dj name or Tosh if you like. There would be no Dj Toshbiko if it was not for certain people who have been there believing in my dream.
One such person was someone I never met; I didn’t know how this one man would help me reach some major high points in my journey to become a professional Dj. His name was Dj Balance (Daniel Lara) he was a student @ the Scratch Dj Academy in Los Angeles. I’m told by those who knew him well; we both shared a deep passion for the skills of the Dj, as a way to express our love for music, and to share it with others. We both saw the Scratch Dj Academy as a very special place to be apart of. I never got a chance to meet him, shake his hand or talk about our favorite music together. In November 2006 he passed away, he left a special mark in the heart of staff members and students.
In his memory, the Scratch Dj Academy created the
DJ BALANCE- LIFETIME SCHOLARSHIP.
With this scholarship a student’s tuition with the academy will be lower then one could imagine. Including having the support of the academy your entire life as you gain the skills necessary to be able to become the best Dj possible. It’s with honor to be able to say I’m the first and only recipient of this very special scholarship. I was awarded this scholarship on Sun-Feb-18-2007 @ the Scratch Dj Academy Graduation, after performing my first mix ever, representing the Dj 151 class.
This scholarship has changed my life, because of it I was able to become a, Scratch Dj Academy teacher assistant, staff member, 2 graduation performances, accepted into the TRAIN WRECK DJ CREW, perform @ Club Tantra in Los Angeles for the Karma/remembering J-Dilla event and attend the 3 day One Stop Shop Producer’s Conference in Phoenix Arizona.
He has reminded me to never take these moments for granted, to appreciate the Dj’s that have come before me, to share the art form to student’s just like you.

Dj. Toshbiko (SKFTC2TG) Thank you so much Balance, every time I step up to the turntables, put on my headphones I hope I’m making you proud. Forever-Dj- Balance- (Daniel Lara) - R.I.P.
Thursday, March 13, 2008 

Current mood:  awake
Category: Music
Wednesday, March 12, 2008
ONE STOP SHOP-PRODUCER’S CONFERENCE,MARCH 8-9, 2008 PHONIX, ARIZONA

When I went on this voyage to be a Dj I had no idea that it would be so mind altering? The first time I stepped on to the grounds of the Scratch Dj Academy I opened the door to my destiny.

 

 After being given the Dj Balance Lifetime Scholarship ((R.I.P. DJ BALANCE)), becoming a member of the

TRAIN WRECK DJ CREW, J-DILLA EVENT TANTRA CLUB and staff at the SCRATCH DJ ACADEMY, I was on cloud 9 and feeling anything is possible. I got an opportunity to go to Phoenix, Arizona and witness the powerful event known as the One Stop Shop Producers Conference to watch and hear, feel upcoming producers slam down music like warriors.

 

The place was loaded down with legendary soldiers in the game of producing music, legends of sound. 3 days in Arizona to rub shoulders with up and coming producers and masters in the game of music. I was stunned and knew for me this was huge, larger then my mind could rap around. I wasn’t going to spin music but it felt like going on tour for the first time. It was the One Stop Shop an event from Sha Money XL founder of Money Management Group.

The creative concept to put upcoming producers in the same room as Swift Beats, Dj Premier, Don Cannon  

((CANNON! CANNON! CANNON!)) 9TH Wonder and A.R. reps like the powerful Wendy Day. These legends in the music game have come together to school the next generation of music makers. Corporation was there like Microsoft, Xbox, Zune, to expand youre market and get to connect youre music to people around the world.   Educational panels on subject matter like publishing, technology in music the internet and what to do and not do as a producer.   

 

To put in my mind what my main focus is as a Dj.

With all the music thats surrounding me I have come to the realization that as a Dj its my job to not just spin what people know, but to break new records and new sounds to the public. The first step is to master the art of spinning records, and then use those skills to be able to create my own music. I can taste my own creativity on the tip of my tongue, beats, music flowing through my heart. The power of all these people in one room with a shot to share their music to a mass group of people business cards passed from one person to another; listen to my demo was the theme.

 

Quote Sha Money "Youre network determines youre net worth"  

 

 

One minute Im talking to Victor Wong founder & chairman President of Artist Relations for Open labs. Then the next thing you know I got his business cards in one hand and vodka tonic in another.

 

 So that is the major goal, to make those connections, to establish those relationships, to open doors for my self and others that have been by my side and have invested in me to be the best Dj/Turntablist I can be.

Its my responsibility to heal my past, so the future is bright and filled with music. The 3 buses and 2 trains it takes to get to L.A. Scratch Dj Academy is worth it. The carrying my records from backyard gigs or to a club in L.A. is worth it, the New Years Eve party ended up getting $50.00 is worth it.

Staying up until 6: am just to put sets together, is worth it, being recognized for the moves I have made and underestimated in some cases is worth it  

Its my dream it will not be put in box and locked away. I will not always be on the outside looking in, I will makes moves, smash down obstacles in my way and continue to do what Ive always done, put my heart and soul on the line, but to do it with grace, honor, and respect.     

 

 The producers battles were on point, inspiring to watch some one stand in front of a mass crowd and play the music they have created, or to see the peoples reactions to the music they like as they nod their heads, or dont react at all, beat vs. beat, mass rejection for some mass love for others, the gladiators of sound; Im watching music get denied for lack of energy being told by the masses nice try but back to the studio you go.

 

 The amount of bravery and determination of these artists spreads around the room like fire in the woods, to stand in front of your peers and try to hype up the crowd, to get them to feel the music you have created. You can walk away a loser or a winner, the point is you have to stand up for what you want.

 

 Win or lose there must be courage to try in the first place. There were times I felt like a small fish in a big pond. I didnt have anything to offer at this point but I will. I made connections to be able to further my career. It will not happened over night and Im not so simple minded to think it will not take more dues to pay to get there, for that I say, so be it!

 

Thanks Phoenix, My hotel room was great. The people I traveled with I consider family and brothers of sound, and hope to make them mass proud one day with the music I have created. A personal thanks to Scratch Dj Academy for putting me in a position to watch what it takes to make my dreams come true. Got to practice, the tables are waiting, the music is here, and my time will come!

 

DJ TOSHBIKO

SEEKING KNOWELDGE FROM THE CRADLE 2 THE GRAVE

((TRAIN WRECK DJ CREW- SCRATCH DJ ACADEMY STAFF))

 

 

  

 

ONE STOP SHOP-

PRODUCER’S CONFERENCE

PHOENIX, ARIZONA

 

MASS PROPS TO - SHA MONEY --DJ PREMIER

SWIFT BEATS- DON CANNON ((CANNON! CANNON! CANNON!))

WENDY DAY-SCRAM JONES - Statik Selektah -   

DJ HAPA- PAUL-


Wednesday, September 19, 2007 

 

Saturday, August 11, 2007 

Current mood:  artistic
Category: Music
Friday, August 10, 2007

Los Angeles Business Journal-By ANNE RILEY-KATZ-

Scratch Academy spins out turntable maestros

Posted date: 4/30/2007
Ph.D.-Jays

Scratch Academy spins out turntable maestros

By ANNE RILEY-KATZ
Los Angeles Business Journal

Student bodies don’t get more diverse than the one at Scratch DJ Academy in West Los Angeles.

On a given night, you can find 12-year-olds and senior citizens, accountants and janitors, all rubbing elbows in class. They are aspiring disc jockeys, learning the fine art of working a turntable from local radio fixture DJ Hapa, whose real name is Brandon Perdue. He runs the academy that he opened in 2004 out of his Rehab Records warehouse space.

"It’s really a music appreciation class, as much as a DJ-ing class," Perdue said. "People just open their eyes, or ears, to a new way of listening to it."

Regardless of the students’ motivation, things are spinning quickly at the academy. It has turned out about 2,500 graduates to date and now has six classes in the course catalog, including an introduction to mixing, advanced scratching, beat juggling and beat-making on a computer.

Perdue opened Rehab Records in 2001 in conjunction with online vinyl record sales operation, DJcity.com, that Perdue and two college buddies started while studying at UCLA. The business grew to the point where the trio shipped more than 100 orders a day, so they moved into the warehouse.

Once they got into the 2,500-square-foot space on Cotner Avenue, Perdue and his pals realized that they had the potential to go beyond a record sales operation and affiliated themselves with a DJ school in New York.

"We wanted to actually interact with people, with other DJs in the community," Perdue said. "Despite its size, the DJ-ing world is very niche, very tight knit."

They trolled junkyards to remodel the space by hand and give it an urban flavor that fits the name Rehab, an acronym for Real Experiences in Hip-hop and Beats. And the first semester the school opened there were 68 students who signed up – not quite the 120 students per session Scratch has now, but a fast start.

The classes may come relatively cheap at $300 a semester, but the goods a DJ needs to get the job do not. A basic setup of two turntables, a mixer, and speakers runs $1,600, and that’s before building a significant record collection to use in the pursuit of mix mastery. Some of the 18 staff members and instructors are paid out of enrollment fees (some of the staff is volunteer, though). The business clears $350,000 a year and awards scholarships to eligible students.

"I had been searching for the place like Neo looking for the Matrix," said Tosh Biko, a Scratch student who works side jobs to afford classes and commutes to the school each week via bus and train from his Orange County apartment. "I had always been looking for my instrument. It wasn’t drums and wasn’t guitar – it’s the turntables and records. This is serious if you are an artist; you love it with a passion."

Aside from spinning gigs at regular shows and at special engagements internationally, Hapa is also currently the resident DJ on the KTLA (Channel 5) "Morning Show" in Los Angeles.

"All of our professors are working DJs," he said. "If you take piano lessons you probably won’t be taking them from Elton John, but here you are learning from big names."

Each student must have a DJ name upon enrollment, and staff rarely knows any student’s formal name. One student, a freelance writer whom Perdue describes as "well over 50" – a testament to the age diversity welcomed at the institution – chose the moniker DJ Icy Hot.


http://labusinessjournal.com/article.asp?aid=65273097.2918314.1467076.6957148.5792184.074

Tuesday, April 26, 2005 
Scratch - LA Spring Semester Showcase Saturday, April 30th 1-4pm Please join us as we showcase the DJ skills of Scratch - LA's current students & professors. Spring Semester I students will showcase what they've learned, while professors and celebrity guest DJs will perform live! The Spring Semester Showcase will also serve as an Open House for new students and their friends. Come through for FREE DJ tutorials! Please RSVP: info-la@scratch.com
Thursday, December 30, 2004 
SCRATCH DJ ACADEMY® OPEN HOUSE, JANUARY 8TH, 2005 Scratch DJ Academy– Los Angeles will host an OPEN HOUSE on Saturday January 8th from 3-7pm to preview the classes thru free DJ lessons. The family-oriented OPEN HOUSE will also celebrate the opening of its doors for classes which begin on Saturday January 15th, 2005. Scratch DJ Academy is the first ever DJ Academy to feature copy written curriculum and hands-on turntable training from celebrity DJ's; Los Angeles is its first location outside of New York City. The OPEN HOUSE will include a jam-packed schedule of events including: . Light Refreshments. Drinks provided by Vitamin Water and 32 Below Vodka The Los Angeles location’s first semester will feature the same ground breaking curriculum, lesson plans, instructional LP’s, professional teachers and class offerings made famous at the New York City headquarters. Scratch DJ Academy – LA will be opening inside of the premier record store, Rehab Records, located at 2324 Cotner Street, West Los Angeles. The classes will feature celebrity DJ’s such as Mr. Choc (Power 106 and Rawkus Records recording artist), Jahi Sundance, DJ Tony Naranjo and others. Students will be taught on eight DJ set ups featuring sixteen turntables. Classes will be part lecture and part lab. “We plan to educate beginners and professional DJ’s through a curriculum that treats the turntable as an instrument and the DJ as a musician, allowing students of all ages and backgrounds to bring their own creativity to the art form,” added Hapa, Academy Director for the Los Angeles location. About Scratch In early 2002, Rob Principe, the late Jam Master Jay from Run DMC (Jason Mizell) and Reg E. Gaines (author, Bring in Da Noise, Bring in Da Funk) created the Scratch DJ Academy® to educate amateur DJ's and enthusiasts by providing them with the necessary equipment and instruction to learn this popular art form. For more information, log on to www.scratch.com or contact Candice Clarke at 310-312-6599.