Tennessee Repertory Theatre Needs YOU! If Tennessee Rep can raise $100,000 by February 28, it will be matched dollar for dollar through a special grant being offered by an anonymous arts philanthropist.

The current economic crisis has impacted not-for-profit arts organizations all of over our nation. All customary revenue sources are in sudden and substantial decline, and the future of Tennessee Repertory Theatre could be in jeopardy. Despite the challenges we face in the current economy, Tennessee Rep has a unique opportunity. 

Please donate now by going to this link: https://www.paypal.com/us/cgi-bin/webscr?cmd=flow&SESSION=OykrhF4xgqXs3jtda6XQt0bbLMdfv4DagrdeRKpW9B9bF6o0h5Mj9a4QPju&dispatch=5885d80a13c0db1f9fecf49521b3f5afc18ba9034b1c79cbd5929eac28412d99
Any amount you give, whether $10 or $10,000, will make a difference—in fact, it will have double the impact.

"A thousand people giving $25 in support is just as good as one person giving $25,000. Every dollar is going to count in this effort to keep live theatre viable and vibrant in Middle Tennessee," said Ed Benson, president of Tennessee Rep's board of directors.

You can provide added impact by forwarding information to your friends, co-workers, and contacts, wherever they may be.  Tennessee Rep needs support not just from Nashvillians but from supporters of live, professional theatre everywhere!

Those interested in making a tax-deductible contribution to Tennessee Rep online may do so securely and directly by clicking this link: https://www.paypal.com/us/cgi-bin/webscr?cmd=_flow&SESSION=OykrhF4xgqXs3jtda6XQt0bbLMdfv4DagrdeRKpW9B9bF6o0h5Mj9a4QPju&dispatch=5885d80a13c0db1f9fecf49521b3f5afc18ba9034b1c79cbd5929eac28412d99 
Or send your tax-deductible donation by check to Tennessee Repertory Theatre, 161 Rains Avenue, Nashville, TN  37203.

We fervently believe that theatre is vital to the intellectual, emotional, and spiritual health of the communities we serve.  Since 1985, the Tennessee Repertory Theatre has been creating high-quality professional theatre experiences that connect human beings to one another.  
To learn more about this fundraising campaign, go to http://www.tennesseerep.org/challenge_grant.php

We are grateful for your support.

Celebrity Cameos

for The Santaland Diaries

Don't miss special appearances in Tennessee Rep's production of The Santaland Diaires.  Guests for this week include News Channel 5's Lelan Statom, WLAC's The Saucy Sisters, and Nashville Predators' Defenseman Kevin Klein.  There will also be a very special surprise from Tennessee Rep during the evening performance on December 20.

 

For a full list of celebrity cameos, please visit tennesseerep.org.

FINAL WEEK

Don't Miss The Santaland Diaries

He wears a yellow turtleneck... a forest green velvet smock... and a perky hat decorated with spangles.  This is his work uniform.  It frightens him.

 

Tennessee Repertory Theatre's production of The Santaland Diaries runs through Saturday, December 20.  Don't miss David Sedaris' sardonic look at portraying an elf at Macy's in New York City during the bustling holiday season.  It's enough to erode the spirit of even the most earnest elf.

 

The critically-acclaimed and hilarious Matt Chiorini returns to don the ears of the elf.

Tennessee Rep 2008-2009 Workshops
"Sundays with the Rep"

Tennessee Rep is thrilled to introduce 35 arts enrichment workshops to its 08-09 season. Workshop instructors are leading professionals in the Nashville area who offer a wide variety of artistic experience. Workshop categories include acting, auditions, combat, dialects, makeup, movement/dance, TV/film, technical theatre, voice, and other (playwriting, producing). Each class is designed for high school age and above. Workshops will take place on Sunday afternoons, October through May.

The workshop calendar, workshop descriptions, instructor bios and registration form can be found on our website: http://tennesseerep.org/workshop_intro.php

*November Workshops*

MOVEMENT/DANCE

Viewpoints
Sunday, November 9; 1:00-4:00pm; maximum participants: 20
Instructor: Claire Syler
Viewpoints is a technique of improvisation that grew out of the postmodern dance world. It was first articulated by choreographer Mary Overlie who broke down the two dominant issues performers deal with—time and space—into six categories. She called her approach the Six Viewpoints. Since that time, Artistic Director Anne Bogart and SITI Company have expanded her notions and adapted them for actors. The Viewpoints allows a group of actors to function together spontaneously and intuitively and to generate bold, theatrical work quickly. It develops flexibility, articulation, and strength in movement and makes ensemble playing really possible. 3 hours.
Cost: $35

TECH

What? I Have to Do Costumes, Too?
Sunday, November 16; 1:00-4:00pm; maximum participants: 15
Instructor: Trish Clark
This workshop will explore that frightening question of how to get organized for a big show on a small budget. Tennessee Rep Resident Costume Designer Trish Clark will discuss possibilities for making resources stretch as far as they will go to make a professional-quality production. Participants will learn about costume plots, organizing volunteers, conducting show-specific research, and costume rentals. Participants will also have the opportunity to ask questions to a resident costume designer and glean advice for their specific shows. The workshop will provide artists with the knowledge for making good design decisions. 3 hours.
Cost: $35

Stagecraft 101
Sunday, November 30; 1:00-5:00pm; maximum participants: 8
Instructor: Jonathan Hammel
This workshop will cover basic MIG welding, flat/platform construction, and other basic carpentry used when creating sets for theatrical productions. 4 hours.
Cost: $40

VOICE

Introduction to Voice & Diction for the Stage
Sunday, November 16; 1:00-5:00pm; maximum participants: 20
Instructor: David Alford
This workshop will present the basics on warming up, the mechanics of good vocal production, how everything works in there, tips for good vocal health, group exercises, stretches to physically "free the voice," etc. Another goal will be to identify individual problem areas and recommend what to seek help/work on. 4 hours.
Cost: $40


*December Workshops*

ACTING

Tableaux: Artful Specificity
Sunday, December 7; 1:00-4:00pm; maximum participants: 20
Instructors: Robert Kiefer, Carol Ponder
Tableaux are windows into the world of theatre. Relying mostly on body language and physical interpretations of events and emotions rather than words, they're often less intimidating than other types of improvisatory theatre work. They also allow actors—inexperienced or old hands—the opportunity to experience or remember what it feels like to make very specific choices about posture, breath, gesture, center-of-gravity placement, balance, focus, and intention: things that make the difference between a stellar and an adequate performance. Participants will be guided through several types of tableaux (single, sequential, moving, with and without words) starting from various stimuli (photographs, paintings, and abstract concepts). Actors will take away new habits of mind and body to help them create their next on-stage characters in vivid, revealing detail. 3 hours. Cost: $35

COMBAT

Broadsword: 14's a Crowd
Sunday, December 21; 1:00-5:00pm; maximum participants: 14
Instructor: David Wilkerson
This workshop will focus on the basics of broadsword combat: movement, parries, attacks, special moves, etc. In the second half, we'll focus on the unique skills required by the group fight. Ever dreamed of being Conan hacking through a horde of enemies? Well, now's your chance! 4 hours. Cost: $45

OTHER

Producing 101
Sunday, December 14; 1:00-5:00pm; maximum participants: 25
Instructor: David Alford
The basics of how to set up production companies, the realistic costs involved, the realistic time commitments involved, the ins and outs of finding a space, advertising, etc.—A primer for people who want to get their own vision out there and are tired of waiting. 4 hours. Cost: $35

TECH

Fun with Caulk
Sunday, December 7; 1:00-3:00pm; maximum participants: 12
Instructor: Gary C. Hoff
Is your set missing that extra bit of detail that would take it from just okay to great? Join us for a workshop in how to create dimensional decoration with everyday latex caulk. This simple technique can turn ordinary molding, furniture, and props into something really unique. With a standard tube of white latex caulk, a caulk gun, and some simple steps you can be on your way. 2 hours. Cost: $50 (includes a $20 materials fee)

Scene Painting Basics: Wood & Stone
Sunday, December 14; 1:00-4:00pm; maximum participants: 8
Instructor: Erica Edmondson
This hands-on workshop will begin with a complete introduction to the tools and materials common in theatrical scenic painting. An explanation of basic techniques will be given, and participants will use demonstrated skills to create four different samples to take home. Participants will also be given a basic brush set and printed handouts. 3 hours. Cost: $55 (includes a $20 materials fee)

TV/FILM

Auditioning for the Camera
Sunday, December 14; 1:00-5:00pm; maximum participants: 16
Instructor: Holly Allen
This workshop will include a variety of topics including what casting directors look for, empowering yourself as an actor, calming your nerves, taking risks, analyzing a script, making strong choices, audition etiquette, working with a partner, image and type and how to book a job. In this workshop, you will have the opportunity to work on camera and receive direction in the takes and feedback in the review. Each participant will receive information to take home with tons of tips, advice, local acting websites, books to read, union info, and agency contact information. 4 hours. Cost: $50

By EVANS DONNELL • For The Tennessean • October 5, 2008

The Tennessee Repertory Theatre's solid production of Sweeney Todd: The Demon Barber of Fleet Street is worth seeing.

A portion of Tennessee Performing Arts Center's Johnson Theater has been transformed into a gloomy, brownish-gray 19th century London for this intimate revival of Stephen Sondheim and Hugh Wheeler's 1979 musical masterwork. There's wicked fun to be had with this tale of a wronged man seeking revenge with a razor, and director Rene D. Copeland's production makes the most of it.

Much has been written about Sweeney Todd since Len Cariou and Angela Lansbury led a cast across the Uris Theatre's vast expanse nearly 30 years ago — a production that possessed a wonderfully melodramatic, darkly comedic, delightfully bloody Grand Guignol structure, story and score.

That multiple Tony Award-winning original, and a subsequent national tour with Lansbury and George Hearn that was also recorded for television, were enormously-staged shows with parts of an iron foundry on stage. A 1989 New York revival by York Theatre Company made it clear Sweeney Todd worked well on a smaller scale, too. A smash 2005 Broadway reimagining was essentially a chamber music-styled performance with 10 actors doubling as orchestra players.

The Rep's production takes from the best of the large and small approaches. Gary C. Hoff's well-crafted set design, and elements of costume by Trish Clark, technical staging by Jonathan Hammel and lighting by Michael Barnett give us appropriately scaled-down reminders of this work's early mountings.

But Copeland's intimate staging at the Johnson, her 10-member cast and lead actors Lane Davies and Martha Wilkinson's interpretations of their characters remind us of how this work has progressed through theater circles over three decades.

Davies plays the title character as a hollow man, clearly embittered and left without desire for anything but revenge against an evil judge (Matthew Carlton) who sent him to a penal colony on a trumped up charge years before. He knows how to smile when that's required, but beneath the smile is a contemptuous sneer for a world that no longer holds hope.

Wilkinson's Mrs. Lovett has a wicked sense of humor, but longs for love from Sweeney so desperately that her attempts to woo him are both funny and supremely sad. She's bawdy, but there is engaging pathos alongside the vulgarity.

Their firm foundation is well-supported by Carlton, Patrick Waller, Brooke Bryant, Zachary Hess, Bobby Wyckoff, Holly Wooten, Samuel Whited and Marguerite Lowell. Two particularly moving moments stand out — Hess's beautiful rendition of the love ballad Johanna and Waller's shining contribution to the Not While I'm Around duet he has with Wilkinson. The fine singing voices in this cast make the show a pleasure on the ear while their solid acting makes it entertaining.

There's also fine musicianship from the orchestra led by Timothy Fudge. They remind us there's no good substitute for live players.

Yes, there's no place like London, to borrow from one of the show's songs, and there's no show like Sweeney Todd. Catch it while you can.

Hello all you Facebook lovers out there! Besides having a brand new website and the opening of Sweeney Todd being just around the corner, Tennessee Repertory Theatre is now on Facebook.
So feel free to check out our page and become a fan for updates on future performances, events, and workshops! We'll be looking for ya! ;)

Tennessee Rep 2008-2009 Workshops
"Sundays with the Rep"

Tennessee Rep is thrilled to introduce 35 arts enrichment workshops to its 08-09 season. Workshop instructors are leading professionals in the Nashville area who offer a wide variety of artistic experience. Workshop categories include acting, auditions, combat, dialects, makeup, movement/dance, TV/film, technical theatre, voice, and other (playwriting, producing). Each class is designed for high school age and above. Workshops will take place on Sunday afternoons, October through May.
The workshop calendar, workshop descriptions, instructor bios and registration form can be found on our website: https:www. tennesseerep. org

***
October - Novermber Workshops.
(Updates on future workshops will be posted every month!)

AUDITIONS
Auditions: Unclassified
Sunday, October 12; 1:00-5:00pm; maximum participants: 20
Instructors: Ross Brooks, René Copeland, Scot Copeland, Denice Hicks
In order to take away some of the mystery from the audition process, this workshop brings together the Producing/Artistic Directors from Nashville's four most established professional theatres—People's Branch Theatre, Tennessee Repertory Theatre, Nashville Children's Theatre, and Nashville Shakespeare Festival. Participants will present a three-minute audition consisting of two contrasting monologues and receive immediate feedback from these directors—what the monologue said about the actor's experience/skill level; what the actor would need to show to be considered for callbacks and casting; in general, what the directors look for in open call auditions. In addition to hearing other participants' audition feedback, there will be a half-hour break midway through the master class to provide an opportunity for more informal discussion—a unique chance to talk with the producers about creating theatre in Nashville, to garner specific advice, and to get to know, and be known by, these professionals. 4 hours.
Cost: $100

COMBAT
Pratfalls Are Funny
Sunday, November 30; 1:00-4:00pm; maximum participants: 16
Instructor: Eric Pasto-Crosby
Ever laughed at someone falling on his face? Well, you shouldn't! Ever wanted to replicate that onstage? Well, you should! Here is your chance to learn how to do pratfalls and rolls safely and convincingly for both stage and film. We'll learn how to safely hit other people in the crotch, slip on a banana peel, run into furniture and walls, roll comically across the floor, and fall without hurting ourselves or the performance space. 3 hours.
Cost: $35

DIALECTS
Standard British/Cockney
Sunday, October 26; 1:00-4:00pm; maximum participants: 16
Instructor: Richard Daniel
This workshop will cover the sound substitutions, rhythm patterns, and other parts of the Standard British and Cockney dialects. 3 hours.
Cost: $35

Irish/Scottish
Sunday, November 9; 1:00-4:00pm; maximum participants: 16
Instructor: Richard Daniel
This workshop will cover the sound substitutions, rhythm patterns, and other parts of the Irish and Scottish dialects. 3 hours.
Cost: $35

MAKEUP
It's Halloween!
Sunday, October 19; 1:00pm-4:00pm; maximum participants: 15
Instructor: Samuel Whited
Just in time for Halloween, this workshop will teach how to create creepy effects using theatrical makeup techniques. Participants will be able to take their supplies home so they can use what they've learned to scare the neighborhood kids. 3 hours.
Cost: $50 (includes $20 materials fee)

MOVEMENT/DANCE
Viewpoints
Sunday, November 9; 1:00-4:00pm; maximum participants: 20
Instructor: Claire Syler
Viewpoints is a technique of improvisation that grew out of the postmodern dance world. It was first articulated by choreographer Mary Overlie who broke down the two dominant issues performers deal with—time and space—into six categories. She called her approach the Six Viewpoints. Since that time, Artistic Director Anne Bogart and SITI Company have expanded her notions and adapted them for actors. The Viewpoints allows a group of actors to function together spontaneously and intuitively and to generate bold, theatrical work quickly. It develops flexibility, articulation, and strength in movement and makes ensemble playing really possible. 3 hours.
Cost: $35

TECH
What? I Have to Do Costumes, Too?
Sunday, November 16; 1:00-4:00pm; maximum participants: 15
Instructor: Trish Clark
This workshop will explore that frightening question of how to get organized for a big show on a small budget. Tennessee Rep Resident Costume Designer Trish Clark will discuss possibilities for making resources stretch as far as they will go to make a professional-quality production. Participants will learn about costume plots, organizing volunteers, conducting show-specific research, and costume rentals. Participants will also have the opportunity to ask questions to a resident costume designer and glean advice for their specific shows. The workshop will provide artists with the knowledge for making good design decisions. 3 hours.
Cost: $35

Stagecraft 101
Sunday, November 30; 1:00-5:00pm; maximum participants: 8
Instructor: Jonathan Hammel
This workshop will cover basic MIG welding, flat/platform construction, and other basic carpentry used when creating sets for theatrical productions. 4 hours.
Cost: $40

VOICE
Introduction to Voice & Diction for the Stage
Sunday, November 16; 1:00-5:00pm; maximum participants: 20
Instructor: David Alford
This workshop will present the basics on warming up, the mechanics of good vocal production, how everything works in there, tips for good vocal health, group exercises, stretches to physically "free the voice," etc. Another goal will be to identify individual problem areas and recommend what to seek help/work on. 4 hours.
Cost: $40

Tennessee Rep Announces Casts for 2008-2009 Season:

Tennessee Repertory Theatre will celebrate its 24th season of live, professional theatre by welcoming a mix of familiar favorites and new faces.


"I'm very excited about the casts for this season's productions," says Producing Artistic Director Rene Copeland. "Nashville has a truly amazing talent pool of actors, and I am proud to be a part of bringing their work to the stage for you.
"

Copeland continues, "This season features many favorites coming back to the Tennessee Rep stage, as well as some new faces that I am very pleased to bring into the mix for the first time. Each and every show this season will feature terrific actors working with terrific material, so if you love good acting you are really in for a treat. I really look forward to working with these folks, and I know they will make your theatre experience with Tennessee Rep unforgettable.
"


A list of cast members by show is as follows (listed alphabetically by cast member):


Sweeney Todd: The Demon Barber of Fleet Street *(October 4 – 18)

Brooke Bryant (Johanna Barker)

Matthew Carlton (Judge Turpin)

Lane Davies (Sweeney Todd)

Holly Goldman (Beggar Woman/Lucy)

Zachary Hess (Anthony Hope)

Marguerite Lowell (Bird Seller)

Patrick Waller (Tobias Ragg)

Sam Whited (Beadle Bamford)

Martha Wilkinson (Mrs.
Nellie Lovett)

Bobby Wyckoff (Adolfo Pirelli)



Moonlight and Magnolias *(November 8 – 22)

Evelyn Blythe (Mrs.
Poppenguhl)

Shane Bridges (David O.
Selznick)

Eric Pasto-Crosby (Victor Fleming)

Pete Vann (Ben Hecht)



Glengarry Glen Ross *(February 7 – 21)

David Alford (Richard Roma)

Kamal Bolden (Baylen)

David Compton (Dave Moss)

Henry Haggard (George Aronow)

Eric Pasto-Crosby (John Williamson)

Brian Russell (Shelly Levene)

Chris Strand (James Lingk)



Rabbit Hole *(March 21 – April 4)

Shane Bridges (Howie)

Jamie Farmer (Izzy)

Andy Kanies (Jason)

Peggy Walton-Walker (Nat)

Erin Whited (Becca)



Darwin in Malibu *(May 2 – 16)

Chip Arnold (Thomas Huxley)

Henry Haggard (Charles Darwin)

Kahle Reardon (Sarah)

Sam Whited (Samuel Wilberforce, Bishop of Oxford)



HOLIDAY SPECIAL: The Santaland Diaries *(November 28 – December 20)

Matt Chiorini (Crumpet, the Elf)



Subscription information is available at www. tennesseerep. org or by visiting TPAC box offices (downtown or at Davis-Kidd Booksellers in the Mall at Green Hills).




Since 1985, the Tennessee Repertory Theatre is a flagship regional theatre, creating the highest quality professional productions and by serving as a prime cultural, educational, and economic resource within the Nashville and Middle Tennessee communities. Tennessee Rep produces work that is designed, built, and rehearsed in Nashville by highly skilled actors, designers, directors, and technicians. A non-profit organization, Tennessee Rep is committed to consistently delivering edgy, thought-provoking theatre each year.
For more information on the Tennessee Repertory Theatre, please visit www. tennesseerep. org.

TENNESSEE REP MASTER CLASS

Auditions: Unclassified

Sunday, October 12;
1:00pm-5:00pm;
maximum participants: 20
master class leaders – Ross Brooks, René Copeland, Scot Copeland, Denice Hicks

Tennessee Rep is thrilled to offer local actors a unique opportunity. In order to take away some of the mystery from the audition process, we have brought together the Producing/Artistic Directors from Nashville's four most established professional theatres—People's Branch Theatre, Tennessee Repertory Theatre, Nashville Children's Theatre, and Nashville Shakespeare Festival. In "Auditions: Unclassified," participants will present a three-minute audition consisting of two contrasting monologues. But that is where the similarity to a normal auditions ends. Rather than waiting for a callback notice that may never come, participants will receive immediate feedback from these directors—what did the monologue say about the actor's experience/skill level; what would the actor need to show to be considered for callbacks and casting; in general, what do the directors look for in open call auditions. In addition to hearing other participants' audition feedback, there will be a half-hour break midway through the master class. This break will provide an opportunity for more informal discussion—a unique chance to talk with the producers about creating theatre in Nashville, to garner specific advice, and to get to know, and be known by, these professionals.
Cost: $100

To receive the sign-up form, please email David Wilkerson at davidw@tennesseerep.org.


LEADERS

Ross Brooks is the Artistic Director of People's Branch Theatre, Nashville's professional progressive theatre. Mr. Brooks is an accomplished actor and playwright. He performs regularly with Tennessee Repertory Theatre, the Nashville Children's Theatre, and the Nashville Shakespeare Festival. He is a graduate of the Creative Writing program at Boston University and an alumnus of the Boston Playwrights' Theatre, where he studied play writing with Nobel laureate poet and playwright Derek Walcott as well as Heidemann Award-winning playwright Kate Snodgrass. Mr. Brooks has had works produced by Kentucky Repertory Theatre and by People's Branch. His play WONDERLAND, part of PBT's 2004-2005 season, was acclaimed by critics and audiences alike. He is a teaching artist-in-residence at the Nashville Children's Theatre, and he has taught and directed for Columbia State Community College's Commercial Entertainment Division.


René Copeland is Tennessee Rep's Producing Artistic Director and holds her MFA in Acting and Directing from the University of North Carolina at Greensboro. Since she joined Tennessee Rep in 2004, her directing slate has included Doubt, The Goat or, Who is Sylvia?, Noises Off, Three Days of Rain, The Crucible, Speed-the-Plow, Intimate Apparel, 1776, and Oleanna. Before joining the staff of Tennessee Rep, she completed a decade with Mockingbird Theatre, beginning with its first show, Becket. She eventually directed a majority of Mockingbird's productions, including Of Mice and Men, The Importance of Being Earnest, The Glass Menagerie, Gross Indecency: The Three Trials of Oscar Wilde, Hamlet (co-directed with David Alford), and The Night of the Iguana. She has directed for other theatres in Nashville, including Nashville Children's Theatre, Nashville Shakespeare Festival, and Chaffin's Barn Dinner Theater and has extensive acting and teaching experience on the professional, collegiate, and high school levels, including Tennessee Governor's School for the Arts. She serves on the board of the Tennessee Shakespeare Festival and has twice been named Best Director by the Nashville Scene, most recently in 2007.


Scot Copeland has been Producing Director of Nashville Children's Theatre since 1985. He has directed over a hundred plays for young audiences and has written twelve. In 1972 he was a founding member of the Whole Backstage Theatre in Guntersville, Alabama—a theatre that serves its community to this day. He earned his undergraduate degree from the University of Montevallo and his MFA in Child Drama from the University of North Carolina at Greensboro. He has served on the boards of the Southeastern Theatre Conference, the American Alliance for Theatre and Education, and the Children's Theatre Foundation of America. He served two terms as President of ASSITEJ/USA—the US division of the International Association of Professional Theatre for Children and Young People. Mr. Copeland is proud to be a native Tennessean.


Denice Hicks is the Artistic Director of the Nashville Shakespeare Festival, a position she held from 1998-2002 and since 2005. Educated at Point Park University in Pittsburgh, Pa, she moved to Nashville in 1980 to perform at Opryland. Ms. Hicks was an original company member of the Tennessee Repertory Theatre, and was among the founders of both the Darkhorse Theater and of People's Branch Theatre. An Ingram Fellowship award winner, her work has been praised by the Tennessean, Nashville City Search, and The City Paper, among other publications, from which she has received "Best Actor" and "Best Director" acknowledgments. A teaching artist and advocate for Arts in Education, she has edited and directed touring productions of Shakespeare's works, developed and facilitated workshops for students of all ages, and designed and implemented the Apprentice Company Training Program for Nashville Shakes. Ms. Hicks also does film, video, and voice over work.

Tennessee Repertory Theatre seeks a Master Carpenter for a 9 month contract.  Benefits are not available.  Pay is weekly and depends on exp.  Abilities must include strong carpentry, MIG welding, rigging, and organizational skills. Must be able to lift 75 lbs. Electrical knowledge and ability to drive a 24' truck is a plus.  TN REP will produce six shows in the 2008-2009 season.  Send resume to jonathan@tennesseerep.org. Thanks.

Tennessee Repertory Theatre