Part 2: CONVERSATIONS BY THE COOLER:..:namespace prefix = o ns = "urn:schemas-microsoft-com:office:office" />
Before long we fell into those things. My appetite for water grew greater. Really though it was just a need to scarpe some hust, clod some time back into my black brown sack. I was always in a hurry, yet had time to pour out ad infinitum; as ever I wasn't certain what it was I wanted to do. Nonetheless we had a job.
"Well bollocks to the review !"
Mr Charles Charles was sat in beige surrounded by a massive cheeseplant and more unwanted papers than a dentist's surgery could ever want.
"What took you ?"
He shot the words out without looking or turning his head.
"I came by myself. Where's your company ?"
"I work alone. There's reasons. Let's sit"
"Don't want to sit. Can't be arsed. Could use a coffee though. Why do I keep talking like a t.v cop ? Get me a coffee, muthafucka !
His laugh fell out his face.
"No fuck it I'll make the muthafucka, mesen. You sit"
I climbed the stairs & some reason- the smell of disinfectant or just some reason- took me back to Mrs.Honnighty. She had been big with a huge brown birthmark on her tiny neck. She had been German and perhaps she was even still alive.
On the automatic door was a sign that had been taped up the wrong way. You read it from the other side. The floors were parched and the air smelt dry and green. Forgive me if this last bit reads strange. As a general thumb rule, I have had this since the age of 8 when the Dachsund on that Welsh farm shook me; this compulsion to describe the air in colour ever since.
Sharing this with you, because I see it, no reason not to.
(key index:
green= musty
red= danger in air
yellow= all is not well
black= fine n dandy
blue= you lose some, you draw some
orange=the future's fuckin' DIM !
etc)
I can't say I hated the coffee but if had it been a woman's face I didn't fall in love with its eyes (mouth, neck etc). Generally there are reasons why we resist; the crap falls out of us & we go on regardless or not but there are impediments or imperatives.
I half expected Mr.Charles gone.
"What took you ?"
"Stuff. A conversation by the cooler. Stuff"
"Where's Motson ?"
"We work separate. That way we like it best. Then one night in a mauve moon we concur."
A girl grinned, hanging onto a red apron, her mum filed past to the kitchen, we were like men fishing in a river that both suspects is only batched up with bikes.
He asked me if I wanted a game of draughts; I refused. A game of backgammon ? poker ? twister ? gin rummy ? How about Mah Jong ?
We agreed on bagatelle.
"Seems like Motson has a reason for staying away ?"
"Did I say that ?"
"It's what you didn't say"
"I didn't say to stay away, Charles. I said we work separate.
He's right here."
"Where ?"
"Up on the roof. There's a shed just beside"
A text hurried past the moment of silence that followed. It was as unobtrusive as an ambulance hurtling beside a wake.
After a long gap, Charles pulled out a gobstopper.
"My teeth are bad, there's no way I should have these. But the taste in my mouth gets worse. You know ?"
We lean forward.
He didn't offer anything, I didn't persist. I let him go about his gobstopping ways alone.
I said, "Motson has the papers, Charles."
He said
"Weather's bright now, Cuzzie. Isn't it fine now ? We need a parasol. All of us need that thing. People up on rooves need the damn thing too"
Charles held up his hand, as always he did, and then he walked out. It would be the same time the next time but next time he would make the coffee.
Part 3: ROOVES & ROADS
Motson looked drawn. Like a pair of old house curtains. He ran his hand through his hair, his palms on his trousers (as if he'd dug a grave) and coughed.
I could've sat down but there was a Simaese cat on the chair.
"Cuzzie, I'm fading on this case."
I didn't sigh, I just thought it.
"Truth is Motson we all are. There's as much and as little for us both to do"
"But why this job ? There's nothing in there, you know that"
"I don't know…I don't know. We just get paid and hope that'll will turn a worm. I haven't given up. Why should you ?"
The fizz in his cola fuzzed, loud and peremptory.
"Let's go to the dogs then, Cuzzie"
"let's not" I returned.
* * * * * * * * * *
I was lyin g omn thee banke. Twelve year apart. I lookit up and sawe the starre they pushede me back down.
" I say wicked Mr.Winston give me bluey, I hav all me lokup in me last green chewey
Shavin all the stuffel out me big tough face; dangling a haddock for thee last rum race"
Motson remembered the words & the melody crept back.
* 8 * ( * ( 9 * * * *
Hearing all this, struck me song was gone.
Song by a riverbank, by a fireside, with a belt on yr back in the field & a dig in yr hands or with a farmer in his den; sad, abolished, not wanting a wife, not wanting anything…
Why is Motson's childhood relevant to all this slop ?
That is why, here, you have bus timetables to consider, I mean to wade back through …It was time for the 14 baby teeth Motson had smuggled through the yeards until his 14th birthday, it was time for these bright bab fools to go.
He turned to the dentist
"incidentally d'you fuckin' want some ?"
Part 4:
CUZZIE's CUSTARD:
Cuzzie's aunt owned a shop. Owned is a dubious word. She owned it only because no one else in the family was ailing enough, willing enough to take it on.
Was there he had met Motson. Rather, Motson's cromby & then Motson himself. The absent-minded sleuth had left his trademark garment at the dry cleaners next door, then forgotten about the traditional 1 week the business was closed for the long holiday. Mrs.Vermont had placed it next door as Cuzzie's aunt Susan was closing.
"Promise to stash this will you, Eileen ? The daft gentleman forgets"
Foraging in the pockets what fell out…
"Lotus: Quality biscuits & Shoewear"
* * * *