MySpace
myspace music


Fernando Daxta



Last Updated: 1/6/2010

Send Message
Instant Message
Email to a Friend
Subscribe

Status: Single
City: Canary Is. via Brussels, Belgium
State: Brussels-capital
Country: BE
Signup Date: 4/22/2006

Blog Archive
[Older      Newer]
 /  / 
Wednesday, December 09, 2009 

Fernando Daxta is one of the newer faces of “world electronic” music, and no, that doesn’t mean tacky “ethnic” vocal samples or sitar solos. In Fernando’s sense, “world” means taking his experience growing up in Spain, living in South America, and now based in Belgium, to create a sophisticated, cosmopolitan sound. Following his string of releases on his own label Sirius Pandi (which received support from Josh Wink, Troy Pierce and Alexi Delano among others), Señr Daxta now teams up with his fellow Brussells residents from the Toys For Boys crew for the Entre Gachos y Gandayas EP.
Fernando counts new beat, acid, and breakbeat among his influences, and while this EP is definitely classified as tech-house, he finds space between the 4/4 beats to weave in other influences, true to the Toys For Boys manifesto. The title track features a stomping, controlling bass thump as a storm of disembodied voices surface in the high end for a truly mesmerizing effect. “Javi Go” is equally hypnotic, and “Puerto Nao” shows some discreet breakbeat inspiration, while “Ophy’s Fairies” is more subtle, venturing into deeper waters as a voice asks, “Do you believe?” And with this rising, worldly talented producer, hearing is believing.



http://soundcloud.com/toysforboysrecords/sets/tfbr...
Out Soon
Sunday, October 25, 2009 

Cat: SiriusPandi008....

Format: 12”....

Tracklisting: ....



A.Drunvalo’s Drums (Age of Consciousness Mix)

B1.Drunvalos’s Drums (Mr.Statik’s Drumatic Remix)

B2. Quien Anda Ahi (Original Mix)



The Brussels based Sirius Pandi Label reaches a rounded 8th vinyl release with two tracks from Spaniard label’s boss Fernando Daxta and a remix by Greek man of our time Mr.Statik (Memo, Rotary Cocktail, Immigrant, Perplex, Karloff…).



“Drunvalo’s Drums” is a track that has been being tested by Fernando with positive audience reactions during live and dj sets in demanding places like Finca (Stuttgart) Electrosonic Festival (Burgos) Spartacus (Aix en Provence) or Rioma (Mexico City). Its frequencies between house, techno and minimal make a celebrative ravy drummy atmosphere perfect for those times where warm ups are over… Colombian singer Natalia Davila recently added the “consciousness speech” during a studio session in Mexico City giving the track that special femenine touch.



The flip side of the record is completed by a perfect more retained still criminal drumatic treatment by chief Mr. Statik and an extra Daxta’s track, “Quien Anda Ahi”, a more small room title featured in French Trax Magazine June’s edition cd sampler.



DJ FEEDBACK


AGARIC - We Are

Sounds great I want to play it at the rave party please! ;)

ALEX FISCHER – Bayerischer RundFunk / One3 radio

Quien Anda Ahi (Original Mix)
14.08.09 Airplay number14

ALEXI DELANO- AD Limited

I like the original and Mr.Statik’s, 100

ALLAND BYALLO- LiebeDetail, Immigrant, Nightlight Music

Playing “Quien Anda Ahi ” non stop!!!I love it!! Also like Mr. Statik’s remix,
the guy is on a roll!!

ANDREAS KINZL- Aromabar/Telemark

All tunes very functional, full support.

ANGEL MOLINA- Sonarmusic

Love this dark deep tech,thanks!!

BEANER/PABLO-Bar25/DoC

All pretty good. People seem to be trying to be more safe thèse days, glad to
see some people are still being weird and dancefloor at the same time.

BENJAMIN FEHR – Catenaccio Records

Very cool Mr. Static remix, he’s so great , crazy remix, will play for sure.

BENJI B – Deviation / North Nineteen Production

My favorite is Drunvalo’s Drums (Age of Consciousness Mix)

thanks!!

BUTANE - Alphahouse

Really nice record.

CHRIS FORTIER

hi guys thanks for sending. i like the "quien anda ahi" al ot for early mid set
and "drums" is ace for twisted and peak times. thanks again :)


DEREK PLASLAIKO – The Bunker / Spectral

Really into Drunvalo’s Drums (Age of Consciousness Mix) A perfect transition
track from deep to the harder side of things. Also liking « Quien Anda Ahi »
too. VERY cool! Thanks!

DAN SYKES - Vivamusic

Loving "Quien Anda Ahi" Really cool track, the synth/organ sound pulls you right
into the track.

DIMITRI VERNIER - Overmars

Quien Anda Ahi is Very pleasant!

DAVID MARTIN - Technique

Favorite is Quien Anda Ahi

ED2000 CORIN ARNOLD – Dangerous Drums

Excellent, great tunes. Love the original, evolving new styles!l Supporting in
club and radio.

ELECTRIC INDIGO - Indigo:inc

I like the subtle sounds of Mr.Statik’s remix. Niceone.

FCSHUTTLE - on3radio/harryklein

My favorite is Quien Anda Ahi Deepest pre-dawn House! Very cool Vocal cuts.
Favorite Sound: The Wobble Organ:-)


HIFIBROWN-Klangsucht

Die ganze 12” ist der absolute Hammer! Sehr ausgefuchste beats-ganz grandiose
remixe! totally in love with daxta! ...wirklich-unfassbargut!!


JOSH WINK - Ovum

Go Fernando!! Like the hypnotic Age of Consciousness mix and not only because of
the name! HAHA. Then the Mr.Statik mix. Fun release.


JORGE SAVORETTI-Esperanza

Nice Mr.Statik remix!


JURGEN KIRSCH

Mr.Statik's mix is cool, will play it!

JAJA - Defi

Amazing release...Full Support...Especially Age of Consciousness mix...

JULIETTA - HarryKlein/Munich

Niceone!

JAMIE RIAL - Audiojack

Quien Anda Ahi, might be nice to start a mix with, will try !

KREDE - Self

Drunvalo’s Drums, top build up and production!!!

KARRI O.-Thoughtless Music

Drunvalo’s drums works powerfully on the dancefloor !

LIAPIN/AFRILOUNGE - Connaisseur Rec.

Drunvalos’s Drums (Mr.Statik’s Drumatic Remix) is my favorite!

LUKE STOKES – Abstract Science

« Quien Anda Ahi » is the track

LEE JONES - Playhouse/AusMusic

Support for "Quien Anda Ahi"

MARK HENNING

Quien Anda Ahi is really nice, thanks !!

MARCUS WAGNER - Orf.at-fm4

My fave is Drunvalo’s Drums (Age of Consciousness Mix)

MYAKO - Martialfunk

Nice tunes !

NOAH PRED – Thoughtless Music

Drunvalo’s Drums, Super spacey drum workout!!!

ORDE MEIKLE - Slam- Soma Records

Nice stuff !!

OSCAR BARILA (Parquet, My little Dog, Sirius Pandi)

I love "Quien anda ahi" I have been playing it all summer long and will keep on playing it for a long time -

PATRICK TURNER

My favorite is Quien Anda Ahi

PEOPLE GET REAL - Wax:On/MagicBag

Quien Anda Ahi, the haunting vocal is excellent.....can’twait to play this!

PELLE BUYS

Wow !! The age of consciousness is a very nice deep track!

PIERRE BLASZCZYK - Stammheim

Massive groove!!!

RICK WARNER – Resident Advisor

I really like the A track a lot.

RICH NXT- FUSE/MightyRumble

Nice feel to Quien Anda Ahi, track works for me!

SIMON DEHANY

Quien Anda Ahi Nice warm production...chug chug!!!

SOMEONE ELSE - Foundsound

Tracks 1 and 3 are nice!!

SNOOBA – Contre bandeon14 fm radios + Panik

Quien Anda Ahi, Deepy groovy houser Rêveuse et dansante..

TOMAZ - Studio Brussel

Quien Anda Ahi is the best for me !

TIM SCHÄFER - Zitty Verlag / Elroq Entertainment

Drunvalo’s Drums (Age of Consciousness Mix) is Pretty Cool. Trippy. Dubby.
Teletubby. Other Versions also.

TODD BURNS – Resident Advisor

Supporting Quien Anda Ahi (Original Mix)

TROY PIERCE

Fave is Drunvalos’s Drums (Mr.Statik’s Drumatic Remix)

XPANSUL

Loving Original and Mr. Statik's remix, thanks!!!
Wednesday, July 16, 2008 


"It seems today that we move further & further into the digital domain as far as DJing is concerned & as our piers & contemporaries move into this domain there's an added pressure for all & sundry to follow suit.
The whole world seems to be going digital & our beloved analog is slowly disappearing from our lives.
This is the case with film, both moving & still, being replaced by digital high definition which is simply not as good, not as rich, but much cheaper to produce. The same is happening with sound, with the warmth of recording to tape a distant memory, analog synths are being replaced by soft synths & vinyl being replaced by CD's & laptops.
As an aging DJ who's been a professional in the art of spinning records for over 20 years there is always the temptation to switch to digital from vinyl. My first thoughts about this were almost 2 years ago when suffering severe back problems. Due to not being 21 anymore & not having the discipline to do my stretching exercises or any exercises for that matter as well as suffering the stress of losing my mother, I had a serious back problem. The bottom but 1 disk in my spine came completely out of place whilst sleeping on my sister's sofa.
Of course I went to the Osteopath immediately who gave me some back adjustments putting my spine back into line & doing muscle manipulations & he also gave me specific stretching exercises to straighten & strengthen my back. Through DJing, carrying heavy records & bad posture when sitting, mostly from many long haul flights, I'd earned for my trouble a slight curvature in my mid spine that had developed over the years due to what is now becoming commonly known as the DJ stance. This curvature has caused me to lose over 1mm in height over 20+ years as well as causing my muscles in my back to take on a form that isn't completely natural to them.
Of course being the undisciplined idiot that I am, as soon as the stretching exercises that my Osteopath gave to me had rendered my back OK & pain free, I stopped doing the exercises only for the problem to come back & for the disk to come out again, indeed 5 times in the last year & a half.
This would be the perfect excuse for me to switch from lugging around heavy record boxes to maybe carrying only a couple of CD cases or switching to Serato or Final Scratch, thus alleviating my back from the said pressure of carrying heavy records.
After much mental deliberation I simply couldn't do it!
This is why.
I truly believe that the people that pay good money to come & hear me spin deserve the very best sound that I can possibly give them & with vinyl being indisputably the best sound, I've chosen to stick with this format even though it's not good for my health.
Vinyl sounds better than both CD's & laptops for a few simple reasons.
The first is MP3's sound like shit. Even the high rate MP3's are only a quarter of the quality of CD's. This is because the digital information is compressed which in turn compresses the sound which not only starts to make all kick drums sound a little similar & bass tones become a little similar but also the width of the high end becomes squashed making the music much less dynamic. Also the space between the sounds completely disappears as the compression pulls frequencies out of the sounds in the track that were not meant to be there which is why the producer didn't compress those sounds when he/she made the track in the first place. This brings me swiftly to my next point of contention.
Laptops. Not only has the sound of the tune been all but ruined by converting it into an MP3 file but there is also compression in the system within these digital computer DJ formats that compresses the sound even more causing more of the problem mentioned above. By removing the space between the sounds the individual sounds do become a lot less dynamic.
Use AIFF or WAV files I hear you say. Even playing AIFF & WAV files on computers still doesn't sound as good as if you burned the file directly to CD because of the compression in the computer system.
So why not use CD's? The music was recorded digitally using digital software, it's how it sounded in the studio. Correct, but there is still room for improvement which is why when you cut to vinyl from a 24 bit WAV or from a DAT it always improves in sound. Just the process of cutting the record onto a slate or a copper plate ads a warmth & richness to the music that sounds better than the original digital recording. Any record label will tell that they've been impressed with the improved "feel" of the music after it's been well cut for vinyl.
Next is for me the most important issue. The needle on a turntable is a tiny microphone, which picks up the sound of the room, which feeds back when the needle touches the playing surface of the vinyl & when played on a big system gives the music another warmth again. The sound of the system, the sound of the monitors & even the sound of the crowd come through the needle, it's these sounds regenerating on themselves that give this extra warmth to you, the end user, who's experiencing the sound on the dance floor.
How many times have you been listening to a recording of a live mix & when it breaks down you can hear the crowd screaming & whistling? This is coming through the needles & is completely lost when playing with CD's or computers. This sound of the crowd screaming etc comes back out of the speakers so the crowd subliminally hear themselves in real time coming through the speakers. This is a spiritual thing, a body thing, a soul thing, which is simply lost in all digital DJ sets. There is a solution to this problem, which can be obtained by setting up a microphone that picks up & amplifies the crowd & the room, which I urge all digital DJs to do. But even with the spirit of the crowd back in the mix, the warmth provided by the sound of the room feeding back through the needle which is touching a piece of material called vinyl is still lost.
I understand that the DJ does not want to carry heavy records anymore as I'm so there myself but the DJs are getting paid a hell of a lot of money for this small piece of labour. Too much to ask? I understand female DJ's switching as it's so difficult for them to carry heavy records in their high heel shoes & all but then they can stipulate in their contracts that some big guy is to carry them for them. These girls don't mind dragging heavy suitcases full of their favourite clothes off of baggage reclaim belts, all of which are much heavier than a 70 record capacity box which usually comes in at around 16 kilos, full of tunes!
Also, the actual playing of vinyl, the looking through the record box for that tune you love, pulling it out of a well designed sleeve & throwing it onto the turntables is also an interactive thing with the crowd which the dancing public love to see. The interaction is completely lost when watching a DJ play from a laptop who looks like he's standing there doing his or her emails. Not a pretty sight. Does watching a DJ flipping the pages of his / her CD case & whipping one out turn you on? I didn't think so.
Lastly, spare a thought for the artists & the record labels that make so much effort in creating the finished product & a thought for the dedicated record store that continues to struggle to make ends meet & the distributers that are now going under because the DJs who really should be supporting these artists, labels et al are simply to lazy to carry vinyl! They should be ashamed of themselves!
The only valid exceptions for me, are DJs spinning with computers or CDs because they live in a third world country & simply don't have access, or indeed the funds to buy real tunes, which is why I'm happy that digital formats even exist.
So, I for one will be sticking with the vinyl, as I believe that the paying public deserves the very best sound that I can possibly give them. If only all DJs were made this way?
Oh, & another thing, VINYL IS ART!"



Thursday, August 30, 2007 
Friday, December 08, 2006 
Sandalphon es como si te hubieras encerrado en el estudio con un niño de 5 años, y el niño no dejase de darte por culo tocando los botoncitos. Niño tate quieto!!

El tema me gusta pq parece que te estés riendo de lo que haces, como si le quitases hierro al asunto, le restases importancia y dramatismo. Y en parte está muy bien, pq la electrónica en ocasiones es demasiado seria...y se puede convertir en aburrida.

Es un tema muy bailable, muy divertido, y que puede romper una sesión de minimal techno con pedigrí. No es un hit, pero está claro que tampoco lo pretende. Pero es un muy buen tema, super pinchable.

Quizás hubiera dejado elementos fuera, para no sobrecargar, y le daría más caña a esa caja que suena super bien...para hacerlo más technazo. Pero vaya, eso ya son gustos personales que no vienen a cuento.

Lo apunto para mi chart de enero, of course!

Sunday, November 12, 2006 
Crossfader "Tirando de novedades" 2006 11 04
Fonoteca - Crossfader
Play Crossfader 2006 11 04. Novedades. David Puente and Mastergoist. Electrònica de ball.
  Crossfader
Electrònica de ball
04-11-2006
 
Play Crossfader Novedades 2006 11 04
   CAT

Tracklist:
01.implog. "Holland tunnel dive". In-Fidelity Records
02.Henrik Schwarz. "Imagination Limitation". Studio !K7
03.Deetron. "Life Soundtrack". Music Man
04.Laurent Garnier. "Coloured city". F-Communications
05.The infiltrator. "Mindsweeper". Underground Resistance
06.Scan 7. "Random soul". Tresor
07.Dubbyman. "Acid risoto". Deep Explorer
08.Daxta. "CQ EA8AK". Sirius Pandi
09.Dj Surgeon. "I am Detroit". Cratesavers

 
< Anterior   Siguiente >