MySpace
myspace music


Peter Marinari



Last Updated: 11/20/2009

Send Message
Instant Message
Email to a Friend
Subscribe

Status: Single
City: PHILADELPHIA
State: Pennsylvania
Country: US
Signup Date: 4/30/2006

Blog Archive
[Older      Newer]
 /  / 
Friday, June 05, 2009 

Category: Music
This is post 4 of 30 featuring live, single-take demos of each of the 30 songs I'm considering for my upcoming studio album. Each potential album tune is accompanied by a B-Side, to make each post a virtual 45 single (remember those?).

Thankfully, my voice was back tonight. Also, I actually managed to improve some of my engineering. Woot.



Song #205: None of These (live demo)
Originally recorded as an instrumental on 7/31/06

A rare instance of my noodling in a peculiar alternate tuning winding up as an actual song. The tuning is DA#DDAD, and after choosing the title I decided the song would be my version of Gina's "Fisher Price." And it is. Some bits of it are incredibly hard to play - not to mention singing them at the same time (me and my damned overly-literate lyrics).




Song #149: Spin (live demo)
Last recorded for Blogathon 2003

"Spin" was written in 2002 as the result of perhaps my first serious fight with Elise. I have always used that as an excuse for why it is so unapologetically emo. We both have a bit of a soft spot for this song. It was maybe the first time I had ever intentionally used a diminished chord.




If you dig one (or both) of these songs, please leave a comment - your feedback will have a big effect on the songs I ultimately choose for the album.
Thursday, June 04, 2009 

Category: Music
This is post 3 of 30 featuring live, single-take demos of each of the 30 songs I'm considering for my upcoming studio album. Each potential album tune is accompanied by a B-Side, to make each post a virtual 45 single (remember those?).

I don't have too much voice after my night of covering over an hour of open mic time, so tomorrow's foray should be pretty entertaining. But, first, tonight's.

Song #208: Real You (live demo)
Never previously recorded

In spring of 2007 I got the idea that I was going to write a song about each person I knew, but when this one came out first I realized it might not be such a great idea.



Song #182: Let It Be (live demo)
Never previously recorded

I wrote this perfectly serviceable, sweet song in May 2004 - two weeks before writing "A Little Bit." Considering that I wound up quoting that song in my wedding vows, it isn't entirely surprising that this one fell by the wayside. I'm happy to finally hear it.



If you dig one (or both) of these songs, please leave a comment - your feedback will have a big effect on the songs I ultimately choose for the album.
Wednesday, June 03, 2009 

Category: Music
This is post 2 of 30 featuring live, single-take demos of each of the 30 songs I'm considering for my upcoming studio album. Each potential album tune is accompanied by a B-Side, to make each post a virtual 45 single (remember those?).

If we're all lucky my mixing skills will begin to audibly improve at some point in the series :)


Song #218: Gone Baby Gone (live demo)
Never previously recorded

Started in March of 2008 - the synthesis of a night watching Darjeeling Limited and Gone Baby Gone back to back, perhaps with the song from Once spinning in the rear of my brain. It took forever to finish; the bridge came last (and in two different keys).


Song #8: Afterglow (live demo)
Last recorded in early 2002

Written on January 6, 1998 about a girl I dreamt with blue hair who turned out to be real. Legendarily, when I brought this to Lit Mag they told me, "I think you've stopped writing poems and started writing songs." Again, note my early disregard of key signatures.


If you dig one (or both) of these songs, please leave a comment - your feedback will have a big effect on the songs I ultimately choose for the album.
Tuesday, June 02, 2009 
This is post 1 of 30 featuring live, single-take demos of each of the 30 songs I'm considering for my upcoming studio album. Each potential album tune is accompanied by a B-Side, to make each demo post a digital 45 single.


Song #222: Small & Lonely (live demo)
Never previously recorded

I wrote "Small & Lonely" in May and June of 2008, largely while in-transit in Philly. Elise helped me with the melody of the chorus one day on the Broad Street Line.

Song #20: Sweet Nothing (live demo)
Last recorded sometime in 1999

I wrote "Sweet Nothing" in spring of 1998, in my childhood home. It's heavily influenced by PJ Harvey's "Ecstasy." Note that in my youth I didn't care so much about what key I was in.


If you dig one (or both) of these songs, please leave a comment - your feedback will have a big effect on the songs I ultimately choose for the album.
Tuesday, June 02, 2009 
Sometime before autumn arrives I will begin to record my first full-length, multi-tracked, studio album since 2001's Relief.

Wow. I knew that was true, but it's pretty monumental to see it in print.

In 2001 I had 117 songs to choose from and two weeks of studio time to record and mix in Drexel's tiny, single-room, analog recording studio. (They've vastly improved their resources since then.)

In 2009 I have 241 songs to choose from and an unlimited amount of studio time to record and mix in my own tiny, single-room, digital recording studio. (I've also vastly improved my resources since then.)

Of my 241 songs, 30 of them are in fierce competition for 13ish spots on the album. There's also the other 211 songs, many of which are long overdue a fresh recording even though I'm not considering them for the album (and, maybe I would consider them if I had a fresh recording to listen to).

So, I'm planning to record live, single-take demos for each of my 30 top picks for the album, accompanying each one with a B-side from the other 211 songs. I'm sure I'll toss a few covers in as well.

If I record every day this month I'll be ready to record by July! And, although that sounds implausible to me (and you) at the moment, CK reminds me that on three separate occasions I recorded 24 songs in less than a single week, and once I actually recorded 30 songs in a single month.

No matter how long it takes, it'll be a chance for me (and you) to hear 60 of my songs in crisp, multi-tracked audio - and that should be enough new stuff to hold us over through however interminably long it takes me to record an actual album in my present state of dotage.
Friday, May 29, 2009 
(1) A few years ago I saw Malcolm Gladwell deliver a speech at the New Yorker Festival that is largely recapitulated in the second chapter of Outliers, called "The 10,000 Hour Rule."

In it, Gladwell draws our attention to a data point converged upon by countless studies of experts in a variety of fields. He says, "In fact, researchers have settled on what they believe is the magic number for true expertise: ten thousand hours." He goes on to quote neurologist Daniel Levitin:

In study after study, of composers, basketball players, fiction writers, ice skaters, concert pianists, chess players, master criminals, and what have you, this number come sup again and again. ... It seems that it takes the brain this long to assimilate all that it needs to know to achieve true mastery.


Gladwell supports the rule using Mozart, Bill Gates, Bill Joy, and the Beatles as his examples. Not to say that their genius and success is purely a result of 10,000 hours of practice - the book as a whole explains other facets - just that it was an essential component of their expertise.

.

(2a) 10,000 hours is a long time.

If as a child starting at age five you had piano lessons two times a week (an hour each) and also practiced an hour a day, you would clock nine hours a week. 468 hours a year. 4,680 hours a decade.

If you kept that up until age 26 you'd finally have served your time.

(2b) 10,000 hours can go by before you know it.

Maybe you got into video games at age 11. You played them every night after homework and dinner, let's say from 7:30 to 11:00 p.m. on most nights, plus extra on the weekend. That's more than 25 hours a week. 1,300 plus a year.

You'd be a master by the time you started college. Most kids are.

(2c) Time is relative.

.

(3) In the car today Gina and I were singing in harmony to the amazing Hezekiah Jones album Hezekiah Says You're A-OK, on the way to see his band split a bill with the equally fantastic Up the Chain.

"You know, Gina," I said, breaking from my lead vocal, "I've been thinking about this 10,000 hour thing. Not everyone's an expert at something. I mean, what do most people spend 10,000 hours doing by the time they're 25? Watching teevee, I suppose."

"More than likely," she replied.

"But, think about me. I watched a lot of television, sure. Mostly, though, I read until I was old enough to write, and then I wrote and read. That's what I spent my 10k on."

(Perhaps she interjected, "Oh, I remember.")

"And, you know, is it any surprise that I'm good at communications? I'm not an expert, but no wonder it's my calling. I spent my whole life practicing for it."

We sat and sang for a moment, contemplating that.

"What about you?"

Gina paused in her harmony. "Hmm, me?"

"Yeah. What did you spend 10,000 hours doing?"

"This. Listening to music. Singing harmony."

"Really your whole life, right? Your mother singing, your father playing guitar..."

"Yeah, since I can remember."

"Right. So, no matter how much I rehearse, you'll always have the edge. It'll always come easier to you, until I reach that threshold."

"I suppose."

We paused as the song wound down.

"What do you think Hezekiah spent 10,000 hours doing?"

We thought on that for a few moments, and then sang together to "Albert Hash."

.

(4) We're not all Mozart. I might not ever be Hezekiah Jones. But, we've all spent 10,000 hours doing something other than sleeping, and hopefully other than watching television. Maybe something incidental that we do out of necessity or habit. Driving? Social-networking? Cleaning? Taking care of children?

I've put in more than my share on communications - reading cereal boxes and trashy fantasy novels, writing stories at eight on my manual typewriter and almost nine years of blogs.

I got an early start on 10,000 hours of being Gina's best friend, which I keep padding. I'm really good at that. More recently I've attained well-in-excess of 10,000 hours of being in love with Elise.

I hope eventually I'll reach my 10,000th hour of serious focus on music. It's a large piggy-bank of time to fill.

What about you? What have you spent your life mastering, intentionally or unintentionally?
Monday, May 25, 2009 
After a few months of worrying about the big events in my life more than my music, I decided to spend the past week focusing on my musical life.

Well, that and American Idol. (Hey, at least it's thematically connected!)

Here's a list of what I did:
- Installed backend software on my band's webpage
- Worked on a new layout in Photoshop
- Ordered new recording hardware
- Uploaded videos
- Talked to Gina about band strategy for the upcoming months
- Listened to some new recordings for changes to EQ
- Scheduled a rehearsal with a drummer
- Changed my guitar strings
- Networked with other musicians
- Practiced piano with a metronome
- Played through 20 or 30 cover songs looking for a new one

Do you notice anything missing from that list?

If you said, "playing your original music," you'd be right.

Now, imagine if I was on a record label ... or on American Idol. I certainly wouldn't be doing any design, or working with software or hardware. Someone else would probably help me steer my strategy and mixing. Hell, I probably wouldn't even have to change my own guitar strings, and I could hire someone to play piano for me!

If I was a major label musician the only thing on the list I would have definitely done for myself is the last thing - choosing cover songs. And, you know, maybe I would have fit in some practice time on my own songs.

Clearly, being an independent musician isn't easy. Not only do you have to learn how to make compelling music, you have to take care of all of the other facets of being a musician on your own or with your bandmates. You don't have anyone to do those things for you. You either do it yourself or make do without it.

This post is the start of a new CK feature aimed at sharing knowledge with other indie musicians to make all of those non-musical tasks easier to understand and achieve. I'm not an expert in the field, but I'm a rare Type-A musician that loves the process of making music as much as the music itself, and I'm happy to talk about what I've learned so far.

Whether you're a musician gigging around town or just someone thinking about writing a song, you can help me get this series started. Is there something you can't figure out how to do? What do you wish you had some help with? And, how often would you be interested in reading about this stuff?