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James Roper



Last Updated: 11/19/2009

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Gender: Male
Status: Single
Age: 27
Sign: Libra

City: Manchester
State: Northwest
Country: UK
Signup Date: 4/30/2006

Blog Archive
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Wednesday, April 29, 2009 

Current mood:  thirsty
Category: Games
Currently reading:
Sex, Drugs and Chocolate: The Science of Pleasure
By Paul Martin
Monday, April 20, 2009 

Current mood:  vital
Category: Automotive


Currently reading:
Crash
By J.G. Ballard
Wednesday, April 08, 2009 

Current mood:  breezy
Category: Fashion, Style, Shopping
Currently reading:
ZEN Wrapped in Karma and Dipped in Chocolate
By Brad Warner
Sunday, March 29, 2009 

Current mood:  electric
Category: Quiz/Survey








Interview by Nathan Spoor




Currently reading:
How the World Can be the Way it is: Inquiry for the New Millennium into Science, Philosophy and Perception
By Steve Hagen
Friday, February 27, 2009 

Current mood:  busy


Co-written by myself, Robert Bailey and Tom Wightman won funding through Northwest Vision and Media's Virgin Shorts 2008 competition. was shot over four consecutive days in locations around the North of England. Directed by Wightman with production design by myself and Bailey the short is currently in post-production...and yes, that symbol is the films title.





images courtesy of Auto-9   

Tuesday, February 24, 2009 




Saturday, January 24, 2009 

Current mood:  blank


Some questions I answered (i.e. an interview) for theextrafinger.blogspot.com


What is your name and what do you do?

I art James Roper

When did you really get into art?

The typical (and boring) answer is “from a young age” but I think
most people liked art when they were young they just stopped doing it
because more emphasis is put on academia in most schools. I really got
'into art' properly when I was about 17 when I discovered art isn't
just about visuals it's also about ideas, it's really a branch of
philosophy i.e. aesthetics.

How did you come to the realization that you should try your luck at art on a more serious level?

I hate the mental dullness that seems to arise from working 'real
world' 9 to 5 jobs so that forced me to get serious about making a
living from my art.

How did you discover the particular style that you have?

I used to always copy images out of comic books and love the
visuals in Japanese animation (I don't care about the story lines that
much!). I also love Christian art especially from the Baroque period,
the billowing clouds, the streams of light, the flowing robes. It does
have an emotional effect on me, and I guess I could say it 'stirs my
soul' but I don't believe in all that nonsense. No matter how emotive
you want to get it's just chemical synapses firing off in your brain.

How would you describe your style?

Polymathic hyperemesis. I'm basically regurgitating concepts and
imagery informed from a variety of subjects and sources. Via the
process of filtration through my own preferences and by channeling it
into my art I try and create a synthesis of those different parts in a
way I (and hopefully no one else) haven't seen before.

Who or what influences your art?

I could list a number of artists, films, books etc. that I love
but to be honest a lot of the time I'm simply trying to avoid making
the kind of art I hate – apathy inducing, unoriginal, introverted art
about art, cynical, poorly conceived – it basically comes down to not
being lazy both with what you make and the ideas you're trying to
communicate.

How often do you create a new piece?

For my paintings, roughly once a month, but I'd like to start
spending more time on each painting. I also try and do sculptural
pieces, the last two took three years each to complete, the next one I
have in mind will probably take the same amount of time, maybe longer.
Ideas usually ferment in my mind for a while, sometimes if I trace them
back I realise they've taken years to come to fruition.

What kind of success have you had with your art?

I just had a solo show in London which I guess you could say is
successful but I'd rather be judged on a work by work, painting by
painting basis, if the painting I'm doing now is bad, right now I'm a
bad artist. I sometimes prefer criticism to praise, it creates a much
more interesting dialogue.

What would be the ultimate goal for you and your art?

To keep earning enough money from it to live, it's up to the viewer (and
the critics) to define where my art stands in the bigger context of the
art world. Hopefully by being honest with myself I can avoid the things
I listed above.

What do you see as an accomplishment in the way of art?

Making work that makes people think and not just thoughts about how good the work will look on their living room wall.

What kind of message, if any, do you try to convey through your art?

When you draw an object your mind is basically analysing the object, pulling
it apart in order to understand it so it can reconstruct it on the
page. I think most people take for granted the world around them, see
it as concrete and unchanging to a certain degree, basically solid – it
isn't, hopefully in my work by pulling things apart and restructuring
them the viewer's mind will loosen up a little. I'm not sure I have
done this successfully as of yet but I'm working on it!

Sum up your art in one word.

Limbic

Any additional comments?

I bought a pair of jeans recently and on the inside label it reads:
“Denim is dead. Long live denim”. I hope the person who came up with
that can get to sleep at night knowing they've contributed such inane
drivel to the world. But then again maybe I shouldn't be looking to
something that rubs up against my arse for philosophical profundity.








Currently reading:
Sit Down and Shut Up: Punk Rock Commentaries on Zen and Dogen's Treasury of the Right Dharma Eye
By Brad Warner
Wednesday, December 10, 2008 

Current mood:  busy
Category: Blogging

 For news and exhibition updates subscribe to jamesroper.blogspot.com.




Currently reading:
The Kid Stays in the Picture: A Hollywood Life
By Robert Evans
Wednesday, November 12, 2008 

Current mood:  blah
Category: Religion and Philosophy

Into the Fold
7th November - 20th December 2008


FORSTER is proud to present James Roper's forthcoming solo show, 'Into The Fold', a much anticipated collection of stunning new paintings and a site-specific installation in his first exhibition at the gallery.

Roper draws upon his own library of photographs as a foundation for his striking paintings, whilst also obsessively trawling and utilizing a plethora of visual material found on the internet, including fashion, animation, and advertising. Each of the artist's paintings result from his re-digestion and translation of these collected pictorial tools, with his superior use of paint.

'I predominantly choose images and try to create forms which I feel register a visual 'peak shift', a term given to the phenomena of 'neurological attraction' that appears in both humans and animals to an extreme characterization of an object.' – James Roper

This 'peakshift' is core to the artists work. Present within advertising, Hollywood blockbusters, haute couture fashion, as well as in extreme forms of body exaggeration such as bodybuilding and pornography, the artist extracts the key element of the image, that causes such heightened visual excitement. By isolating 'peakshift' images and merging them through collage, the intention is to intensify the visual triggers so that they form a sort of neurological hyperactivity.

In addition to contemporary source material, James Roper's work has been heavily influenced by Catholic imagery from the Baroque period and he specifically sites Bernini - the exaggerated depiction of texture, flesh and folds in robes and cloth as key source of inspiration.

"I see the fold of things through the dust they stir up, and whose folds I cast aside. I do not see into God, but I do see into the folds." Deleuze – The Fold

The excessive use of pleats in the artists work surround the viewer as if they are housed within this lavish world of colour and texture. They themselves are engulfed by these surfaces and become part of the folds that are beyond the canvas but are indeed hinted at. The sublime titles of the paintings point towards an otherworldly suggestion of infinity or the constant shift of perception and understanding of space, time and quantity. We have to ask what is it that we are looking for – an answer, solution, reason or cause? Surely the best option is to enjoy this visual feast laid before us, and submerge ourselves into the fold?

Since completing his BA (Hons) in Fine Art at Manchester Metropolitan University in 2005 James Roper has exhibited widely across the UK and has been featured in such publications as Belio Magazine and Dazed and Confused. Roper is currently art directing a short film he co-wrote that won funding from NorthWest Vision and Media as part of their Virgin Shorts 2008.

For further information and images please contact Suzanne at the gallery on +44 (0)20 7739 7572 or Suzanne@forstergallery.com

www.forstergallery.com


Currently reading:
Hardcore Zen: Punk Rock, Monster Movies, & the Truth about Reality
By Brad Warner
Saturday, November 01, 2008 

Current mood:  animated
Category: Dreams and the Supernatural
Currently reading:
Religion Explained
By Pascal Boyer
Release date: 2002-04-30