According to many people who knew Hitchcock, he couldn't stand to even look at his wife, Alma Reville, while she was pregnant.
Once dressed up in drag for a party he threw. Footage of this was in his office, but his office was cleaned out after his death, and it is not known if the footage still exists.
According to Alfred himself, he was required to stand at the foot of his mothers bed, and tell her what happened to him each day. This explains Anthony Perkins in Psycho (1960) standing at the foot of his mother's bed.
Born only one day before his wife, Alma Reville.
Hitch's suggestion for his tombstone inscription was "This is what we do to bad little boys." (It finally read "I'm in on a plot.")
Was a close friend of Albert R. Broccoli, well known as the producer of the James Bond - 007 franchise. Hitchcock's North by Northwest (1959) was the influence for the helicopter scene in From Russia with Love (1963)
He appears on a 32 cent U.S. postage stamp, in the legends of Hollywood series, that debuted 8/3/98 in Los Angeles, California.
In his childhood days, he was sent by his father with a letter to the local police station. The officer read the letter and, without further ado, locked young Alfred up for ten minutes. Then he let him go, explaining that this is what happens to people who do bad things. Hitchcock was frightened of the police from that day on.
On April 29, 1974, the Film Society of Lincoln Center in New York sponsored a gala homage to Alfred Hitchcock and his contributions to the cinema. Three hours of film excerpts were shown that night. François Truffaut who had published a book of interviews with Hitchcock a few years earlier, was there that night to present "two brilliant sequences: the clash of the symbols in the second version of The Man Who Knew Too Much (1956) , and the plane attack on Cary Grant in North by Northwest (1959)." After the gala, Truffaut reflected again on what made Hitchcock unique and concluded: "It was impossible not to see that the love scenes were filmed like murder scenes, and the murder scenes like love scenes...It occurred to me that in Hitchcock's cinema...to make love and to die are one and the same."
He never won a best director Oscar in competition, although he was awarded the Irving Thalberg Memorial Award at the 1967 Oscars.
Alma Reville and Hitch had one daughter, Patricia Hitchcock, who appeared in several of his movies: Stage Fright (1950), Strangers on a Train (1951) and Psycho (1960)
He made a cameo appearance in all of his movies beginning with The Lodger (1927) except for Lifeboat (1944), in which he appeared in a newspaper advertisement.
In the New Year's Honour's list of 1980 (only a few months before his death), he was named an Honorary (as he was a U.S. citizen) Knight Commander of the British Empire.
From 1977 until his death, he worked with a succession of writers on a film to be known as "The Short Night". The majority of the writing was done by David Freeman, who published the final screenplay after Hitchcock's death.
He made his appearances in the beginning of the films, because he knew viewers were watching for him and he didn't want to divert their attention away from the story's plot.
His bridling under the heavy hand of producer David O. Selznick was exemplified by the final scene of Rebecca (1940). Selznick wanted his director to show smoke coming out of the burning house's chimney forming the letter 'R." Hitch thought the touch lacked any subtlety; instead, he showed flames licking at a pillow embroidered with the letter 'R.'
First visited Hollywood in 1940, but was turned down by virtually all major motion picture studios because they thought he could not make a "Hollywood" picture. He was finally offered a seven-year directing contract by producer David O. Selznick. His first project was supposed to be a film about the Titanic, but Selznick scrapped the project because he "couldn't find a boat to sink." Selznick assigned Hitch to direct Rebecca (1940) instead.
The famous Hitchcock profile sketch, most often associated with "Alfred Hitchcock Presents" (1955), was actually from a Christmas card Hitchcock designed himself while still living in England.
When finishing a cup of tea while on the set, he would often non-discriminatingly toss the cup and saucer over his shoulder, letting it fall (or break) wherever it may.
He was director William Girdler's idol. Girdler made Day of the Animals (1977) borrowing elements from Hitchcock's The Birds (1963).
Asked writers Pierre Boileau and Thomas Narcejac to write a novel for him after Henri-Georges Clouzot had been faster in buying the rights for "Celle qui n'était plus" which became Diaboliques, Les (1955). The novel they wrote, "From Among the Dead", was shot as Vertigo (1958).
He delivered the shortest acceptance speech in Oscar history: while accepting the Irving Thalberg Memorial Award at the 1967 Oscars, he simply said "Thank you."
Müde Tod, Der (1921) by Fritz Lang was his declared favorite movie.
In a recent USC class on Hitchcock (fall of 2000), guest speaker Patricia Hitchcock revealed that two guilty pleasures of Hitch's were Smokey and the Bandit (1977) and Benji (1974)!
His 'MacGuffins' were objects or devices which drove the plot but which were otherwise inconsequential and could be forgotten once they had served their purpose.
Lent his name and character to a series of adolescent books entitled "Alfred Hitchcock and the Three Investigators" (circa late 1960s-early 1970s). The premise was that main character and crime-solver Jupiter Jones won the use of Mr. Hitchcock's limousine in a contest. Hitch also wrote forewords to this series of books. After his death, his famous silhouette was taken off the spine of the books, and the forewords (obviously) stopped appearing as well.
He was listed as the editor of a series of anthologies containing mysteries and thrillers. However, he had little to do with them. Even the introductions, credited to him, were, like the introductions on his television series, written by others.
One of the most successful Hitchcock tie-ins is a pulp publication titled "Alfred Hitchcock's Mystery Magazine." The publication is highly respected and has become one of the longest running mystery anthologies. It continues to be published almost a quarter century after Hitchcock's death.
He allegedly refused the British honor of C.B.E. (Commander of the order of the British Empire) in 1962.
When he won his Lifetime Achievement award in 1979, he joked with friends that he must be about to die soon. He died a year later.
Was voted the Greatest Director of all time by Entertainment Weekly. The same magazine's list of the 100 Greatest Films of all time includes more films directed by Hitchcock than by any other director, with four. On the list were his masterworks Psycho (1960) (11), Vertigo (1958) (19), North by Northwest (1959) (44) and Notorious (1946) (66).
Was at his heaviest in the late 1930s, when he weighed over 300 pounds. Although always overweight, he dieted and lost a considerable amount of weight in the early 50s, with pictures from sets like To Catch a Thief (1955) showing a surprisingly thin Hitchcock. His weight continued to fluctuate throughout his life.
He had a hard time devising one of his signature walk-ons for Lifeboat (1944), a film about a small group of people trying to survive on a small boat. What he eventually came up with was to have his picture in a newspaper advertisement for weight loss that floated among some debris around the boat. He had happened to have lost a considerable amount of weight from dieting around that time, so he was seen in both the "Before" and the "After" pictures.
Often said that his favorite film was Shadow of a Doubt (1943).
He claimed to have an intense fear of the police. He cited this phobia as the reason he never learned to drive; a person who doesn't drive can never be pulled over and given a ticket. It was also cited as the reason for the recurring "innocent man" themes in his films.
Supported West Ham United Football Club - told colleagues in Hollywood that he subscribed to English newspapers in order to keep track of their results.
Steven Spielberg has named him as an influence.
Always wore a suit on film sets.
He was infamous with cast and crews for his "practical jokes." While some inspired laughs, such as suddenly showing up in a dress, most were said to have been more cruel than funny. Usually he found out about somebody's phobias, such as mice or spiders, and in turn sent them a box full of them.
He almost never socialized when not shooting films, with most of his evenings spent quietly at home with his wife Alma Reville.
Directed the pilot episode of the radio series "Suspense" which aired from 1942-1962, and made a brief appearance at the end. It was an adaptation of his 1927 film The Lodger (1927) and starred Herbert Marshall and Edmund Gwenn , who reprised his brother Arthur Chesney 's role as Mr. Bunting.
He would work closely with screenwriters, giving them a series of scenes that he wanted in the films, thus closely controlling what he considered the most important aspect of the filmmaking process. Although the screenwriter would write the actual dialogue and blocking, many of the scripts for his films were rigidly based on his ideas.
Directed 8 different actors in Oscar-nominated performances: Laurence Olivier, Joan Fontaine, Judith Anderson, Albert Bassermann, Michael Chekhov, Claude Rains, Ethel Barrymore and Janet Leigh. Fontaine won an Oscar for Suspicion (1941).
Praised Luis Buñuel as the best director ever.
As with W.C. Fields and Arthur Godfrey before him, he was legendary for gently tweaking his sponsors during the run of his TV show. One typical example runs, "We now interrupt our story for an important announcement. I needn't tell you to whom it will be most important of all."
Ranked 2 in Empire (UK) magazine's "The Greatest directors ever!" [2005]
Education: St. Ignatius College, London, School of Engineering and Navigation (Studied mechanics, electricity, acoustics and navigation). University Of London (Studied art).
Told François Truffaut that although he had made two films prior to The Lodger (1927), he considered that to be his first real film.
Due to his death in 1980, he never got to see Psycho II (1983) . It remains unsure as to whether or not he was approached regarding the second movie, or any other "Psycho (1960) -Expansion" motion picture.
He hated to shoot on location. He preferred to shoot at the studio where he could have full control of lighting and other factors. This is why even his later films contain special effects composite and rear screen shots.
Grandfather of Mary Stone, Tere Carrubba and Katie Fiala.
Inspired the adjective "Hitchcockian" for suspense thrillers.