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Last Updated: 5/25/2009

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Saturday, April 12, 2008 

Category: Music

Virtually all established music artists maintain web sites – or their record company does it for them. Some use them as a personal connection for fans, by providing periodic blog entries. It's a tool to sell a few CDs from past years, announce show dates and provide some connection for the fans. There are also hardcore fan sites, especially for veteran bands like the Rolling Stones and Aerosmith, who have assembled twenty five or thirty years worth of fans. True also for musicians who have been gone for a long time; you can find many sites for Elvis and others for ground breaking rockers like Eddie Cochran and Buddy Holly.

Many of the newer acts maintain web sites, but virtually all of the emerging musicians who are aggressive use multiple resources on the web. The biggest online phenomenon in the music business has been the emergence of MySpace and, to a lesser extent, other social networking sites such as Pandora and Pure Volume. For some bands, MySpace has supplanted the need for a personal website.

By the end of 2005 more than 600,000 bands were using MySpace to upload songs and videos, announce shows, promote albums and interact with fans. The reason? There are 50 million potential fans on MySpace, and many of them use the site to search for new music as well as established acts. MySpace has acted on the remarkable marriage of music, listeners and their web site by starting a record label.

Established acts like Nine Inch Nails and Madonna, Wheezer and Depeche Mode have previewed albums and videos on the site, prior to releasing them. MySpace Music is a prime convergence point for bands and fans. The lead singer for Dashboard Confessional believes that MySpace is what drove the band's success, leading to their record contract.

What sets MySpace and similar sites such as Pure Volume apart from the web presence of established music powers like MTV.com and Rollingstone.com is the inclusiveness inherent in a social networking site. All artists are welcome on MySpace, from Christian rockers to death metal thrashers. Also important is the format: everything on the site is linked to something else. Click on a user's image and you're sent to a profile featuring pictures, blogs, personal interests and links to cyber pals and bands. Keep clicking and you're sent to more profiles and search results.

The regional rock act Coppermine out of Brooklyn is an example of the promotional power of MySpace. Jonathan Buck, guitarist and lead singer of the group says his band's profile on MySpace has drawn nearly 300,000 visitors. The band can instantly distribute messages and news to more than 115,000 MySpace users who have added Coppermine as a "friend" on their profile. With that network in place, Coppermine no longer has to devote time and money to flooding radio stations with CDs or plastering concert posters around town.

Record labels understand that the Internet is the most effective promotional and communications device out there. Radio is more constrained; formats are fewer and the consolidation in the radio industry has reduced airplay to safe, established acts. When's the last time you saw a video on MTV, or at least a complete one? The Internet and its social networking sites have become the source of choice for both music and music videos for millions of fans.

About  Author:
Madison Lockwood is a customer relations associate, specializing in small business development, for Apollo Hosting. Apollo Hosting provides website hosting, ecommerce hosting, vps hosting, and web design services to a wide range of customers.
Artistopia Music

Artistopia - Indie Music Heaven
Artistopia is the place for independent artists to manage and advance their careers via music marketing and productivity tools, peer-to-peer and peer-to-industry collaboration, and fan base ramp-up and communication.  Join today for free!
Friday, March 21, 2008 

Category: Music

Is your website set up to help you pitch your songs or even sell your songs? Sure you probably have the songs listed with the CD cover photo. And, you might even have those songs set up for streaming audio so anyone can get a sample or even the whole song. So how’s that working for you? Is it selling those songs? Many of my songwriting clients have a wealth of songs ready for other artists to record or publishers and producers to use in a project; but the songs are just not set up so they can access them quickly.

I’d like to share 4 steps to help you pitch your songs more effectively and get your songs licensed more efficiently.

Step 1. Gather your songs from all those that are now recorded and available for purchase on CD or purchase by download, and organize them according to category. For instance: Love songs, ballads, songs of loss, uplifting songs, travel songs, work songs, songs for weddings or special occasions, patriotic songs, holiday songs, songs of triumph and victory, spiritual songs, etc.

Step 2. Now further organize those again into categories for tempo such as hard driving, upbeat, slow, medium, quiet and mellow. Add further information like, predominant instrumentation on each song such as soft strings, electric guitar, heavy drums, horns, piano, etc. I think you get the idea.

Step 3. Create a new page on your site with a new link button on the navigation bar. Give it a title compatible with your site and marketing style, but one that specifically invites and calls out to those who might be searching for songs. Some possible titles might be, Songs for Your Project, Songs by Category, Songs for Pitching, Your Project-My Song, Publisher’s Paradise, Producer’s Paradise or Record These Songs, etc.

Step 4. Design your web page with the various categories of songs, with links to streaming audio for immediate listening, (don’t make them wait for the download), a link to the lyrics for reading while listening and a link to your licensing policy, publishing and performing rights information and contact information to the appropriate person who would be making any deals on your behalf or directly to you.

Now your website is making it easy for those looking for songs to record, or for a project needing songs. They know that you have them available on your site. If they are looking for a specific type of song, they can find it quickly without having to listen through all of your material. You have helped them zoom in on a potential song just right for their project. They can easily determine the category, the tempo, read the words, get all the necessary deal-making information they need to use your song.

Put your website to work for you as your song-pitcher 24/7. If you would like more helpful tips on how to maximize your performing career in the areas of booking, marketing and touring strategies, check out the articles and other resources by Jeri Goldstein at http://www.performingbiz.com

Artistopia Music

Artistopia - Indie Music Heaven
Artistopia is the place for independent artists to manage and advance their careers via music marketing and productivity tools, peer-to-peer and peer-to-industry collaboration, and fan base ramp-up and communication.  Join today for free!
Thursday, March 20, 2008 

Category: Music
Here are tips to improve the reliability of your computer for use as a recording studio for your music. Working with Audio can place a high demand on your computer’s capabilities - from the CPU to storage and memory. Below are some tips that will increase the performance of your computer and make it less prone to crashes when you are recording or editing your music.

Preparation: Before you install recording software check the following:

System requirements:

CPU speed and memory: Most modern computers that are only a couple of years old will have a processor that is equal to or exceeding the minimum CPU speed your editing software requires but it is still worth checking - particularly if you have machine that is earlier than this (be aware that processor speed, along with memory will determine how many tracks of audio you can record and the number of effects you can have running simultaneously.

The same goes for required RAM (most good recording programs state a minimum of 512 megabytes) More is better- a gigabyte or higher (in fact increasing the memory of your computer can compensate for a slower processor to some degree and is probably the cheapest way to add more speed to your machine).

Storage space:

In most cases you will have enough storage on your operating system hard drive to install the software and related effects - what I’m referring to is a second drive dedicated to storing your songs and all the files they are created from. This is a must, because having both your software and songs on the same drive will place a high demand both on your drive and CPU as it tries to find, read and write and execute a program all at the same time from one location.

Also note that music files are large so you’ll need a lot of space one five minute recording can easily be 250 megabytes or more- multiply that by eight for a song consisting of eight different instruments, (each on an individual track) such as drums, bass, guitar, keyboard and vocals and you begin to get the idea that a 40 gigabyte drive will fill up fairly quickly so go for something bigger (say 150 gigs or larger). Choose a reliable brand and get an external drive to keep your files backed up. While we are on the subject of hard drives if you are planning on using an external drive and writing directly to it, choose a unit that has a cooling fan. Enclosed drives can generate and trap a lot of heat and if you are doing a long session without much ventilation you can cook your drive and cause it to fail prematurely. (internal drives are less prone to this because they usually receive cooling from the power supply fan and you can mount them in such a way that there is an air gap between each of them for circulation).

Removal or disabling of other programs:

The absolute best computer based recording studios in terms of speed and stability are those that are dedicated units - in other words they are set up to specifically record and edit music. This means they are not connected to the internet (except for updates and registering the software), they don’t have anti virus running, screen savers or other widgets running in the background that use up memory and CPU. The result is that dedicated computers are far more reliable and tend to have significantly less problems. Windows is particularly notorious for having many programs running in the background and can cause havoc with your audio work. Mac is less so. Consult an expert when disabling background programs some are vital for the operation of your computer and should be left alone others are ok to shut down (you just need to know what can and cannot be touched).

If you are financially able, and serious about recording try to get yourself a computer just for audio work and keep your current machine for the internet and any other work you might be doing.

If you can’t do this and are stuck with just one machine do the following.

Upgrade the RAM if you need to. Uninstall any programs you don’t use and do a thorough clean up. Disable background processes that are not essential to the running of your machine (This applies to Windows only) again if in doubt get expert help. Close your internet connection and disable automatic updates and anti virus etc while you are recording (you can re-enable them later when you are done). Use a plain background as wallpaper. Defragment your hard drive and (make sure your operating system has no errors first and is up to date) before installing your recording software and any drivers you might be using for your sound card or external inputs.

You are now good to go - install your recording gear and enjoy less problems on a faster,more efficient and stable computer.

About Author

Mark Spivey is a musician and recording artist with experience in operating his own home recording studio , live sound production and music promotion. You can visit his website www.createandrecordmusic.com to find out more about how you can create, record and promote your own music successfully.

Article Source: http://www.goarticles.com/cgi-bin/showa.cgi?C=834979

Artistopia Music

Artistopia - Indie Music Heaven
Artistopia is the place for independent artists to manage and advance their careers via music marketing and productivity tools, peer-to-peer and peer-to-industry collaboration, and fan base ramp-up and communication.  Join today for free!
Tuesday, March 18, 2008 

Category: Music

What is more important in today’s music business?

A.) Having a great sound?

B.) Executing a great marketing strategy?

If you chose "B", you may be on your way to stardom. In today’s music business, having an effective web marketing strategy can make the difference between you being a local, national or international music star.

A key element in your web marketing strategy should be the selection of your bands name. Why? Because your bands name will also become your bands keyword on the Internet.

I’m sure you’ve heard of references to AOL Keywords, but AOL isn’t the only place where people use keywords for search. Google, Yahoo, MSN, ASK and many other search engines use keywords to help millions of people find what they are looking for on-line.

If someone is looking for information about your band on the Internet, they are most likely, going to type your bands name into a search engine. When the search engine returns the results, you’ll want your website, or your myspace page to be in the top of the listings.

My suggestion is to choose a crazy (or very creative) keyword. A crazy band name, when used as a keyword, will help your listings in search engines beyond your wildest imagination.

For example, let’s examine two keywords for two music acts - "Panic At the Disco", a rock band and "Algebra" a soul and r&b group.

When I Googled Panic at the Disico, Google returned 10,300,000 results. On the first page of Googles search results, every listing led me to information about the rock band, Panic At the Disco.

The very first Google listing, for Panic at the Disco, was for the bands video "It’s Better If You Do".

The second listing for Panic at the Disco was their bands website, panicatthedisco.com.

The third result was Panic At the Disco at purevolume.com.

The fourth result was Panic at the Discos’ myspace page.

Fith was Panic at the Disco lyrics.

Get the picture? The first page in Googles’ search results was all Panic at the Disco. Panic at the Disco is on an Indie Label.

Now let’s briefly look a Algebra, a R&B Group on a Major Label.

I Googled Algebra, and you can guess my results. The term "Algebra" returned 86,000,000 results in Google. Algebra, the R&B Group wasn’t listed anywhere in the first 10 pages of results. Most people doing searches will not dig past page two - in any search engine. The likelihood of the R&B Group Algebra, having any success on the Internet (from a marketing stand-point) is very slim.

So the lesson to be learned here is: choose a crazy or creative keyword and band name. With a crazy keyword people can find you easily on the Internet and that can improve your on-line marketing efforts by over 100%.

About Author:

Jerome C. Ford works directly with national, local, Indie and Major Label aritsts. Jerome is a 20 year Radio and Records veteran, Music Marketing expert, Music Business Consultant and Vice President of http://www.simbiz.info, a music business consultancy. Find out more about succeeding in today’s music business by logging onto http://www.simbiz.info.

Artistopia Music

Artistopia - Indie Music Heaven
Artistopia is the place for independent artists to manage and advance their careers via music marketing and productivity tools, peer-to-peer and peer-to-industry collaboration, and fan base ramp-up and communication.  Join today for free!
Monday, March 17, 2008 

Category: Music

If you want to learn how to sing better, the key lies with larynx control. If you can learn to control your larynx, you will be singing like a pro in no time. Larynx control will help you improve the range and quality of your singing voice.

Your larynx, also known as a voice box, is a group of ligaments, muscles and cartilage in your throat. It is responsible for making your voice sound the way it does. If you want to be singing like a pro, you need to understand larynx position.

As you use your voices, your larynx moves up and down. That is why some people sound clear and crisp and others make a sort of nasal sound when they sing. It is all in the larynx control. If you want a better singing voice, you need to learn to keep your larynx in the best position. What is the best position? Well, your voice will sound best if you keep your larynx centered.

The problem is that, when you sing, the muscles which are in charge of raising and lowering your larynx have trouble relaxing. So, particularly if you are trying to sing high notes, your tone will suffer.

To begin learning how to sing better, you first need to learn some larynx control exercises. Start by yawning intentionally while resting your finger on your adams apple, the uppermost of two small notches on your throat. As you let the air out when you yawn, say "Ahhhhhh!" You should notice that your throat feels relaxed, your tone is richer and you can feel your larynx being gently pulled down. By doing that, you are actually going to cause sound to have to travel a greater distance. The extra distance helps to amplify the sound waves and give you a better singing voice.

If, on the other hand, you were to say the word "nay" in a nasal tone of voice and feel your throat, you will notice that your larynx is forced upward. That will reduce the distance that the sound travels and cause you to lose voice quality. So, it is important to both understand how your larynx works and practice relaxing your larynx muscles, if you want to be singing like a pro.

There is a technique called speech level singing, which can help you learn larynx control. It helps you to train your voice to be less tense and more relaxed. Your tone will gradually become richer and you will be able to sing better than ever before.

The bottom line is that your larynx is an important part of your body, especially if you want to sing better. So, learn to control your larynx muscles and you’ll be singing like a pro in no time at all!

Author: Wincent Loh

Artistopia Music

Artistopia - Indie Music Heaven
Artistopia is the place for independent artists to manage and advance their careers via music marketing and productivity tools, peer-to-peer and peer-to-industry collaboration, and fan base ramp-up and communication.  Join today for free!
Thursday, March 13, 2008 

Category: Music

Today, music is bigger than ever! Making it big in the music business or even being in the spotlight is more attainable than ever before. With American Idol and other competition shows begging for your participation, this country has finally come up with a unique way to bring forth dozens of talented people into the limelight.

So what does this have to do with CDs? Well, not everyone can be selected for American Idol. Just because you don’t win a spot on the show, doesn’t mean you don’t have talent. There are many ways to exploit your music and vocal ability. If competition shows aren’t your cup of tea, then making a CD is the next best thing in showing off your talent to the public.

Of course, the first process is to record your music. In the past, recording studios used to be so darn expensive that you nearly had to take out a loan to get your project done. But now with all the new technology for home studios and hungry studio owners, you can get your music recorded at reasonable prices.

Once your master CD is recorded and ready to go, your next move is to check out CD duplication companies. With all the different avenues for getting duplication, this may be harder than you think. Looking for CD quotes on the internet is a grueling, time consuming and sometimes a confusing ordeal. Bargain shopping and finding a good deal with top quality, just doesn’t happen in a day.

For most new bands, they start off their advertising campaign by giving away their CDs to everyone they know. They generally choose 5 or 6 tunes and make a demo CD that is sometimes referred to as a pre-release "EP". The most economical way to make this type of CD is to buy a "fast demo pack" or "promotional CD". This consists of a silver CDR with black thermal printing on the face, slipped into a slim line jewel case. It’s an easy and economical way of putting your music out there, without breaking the bank. Handing out the promo when your band plays at different venues helps introduce your music and gets the word out.

After your demo is exposed, you may want to create what the music industry calls a "Retail Ready" CD. This is the real deal that can make you money. This CD consists of your artwork, maybe even your picture or your band’s picture placed on the front cover of your CD with a detailed song list on the back. You see this form of packaging mostly in music stores or wherever you buy music CDs. Once you have a real professional CD in hand, you can sell your product at live gigs, on amazon.com and many other places on the internet or on your website.

So what do I look for in a CD duplication company? Well, first off, you need to know that the duplication process is about the same no matter who does the work. The only thing you may want to make sure of is that the duplicators have the ability to verify errors on CDs. This feature can detect any scratches, flaws or imperfections prior to being duplicated. So listen closely to your CD. Make sure your master is free of any pops or unfamiliar sounds to avoid making a bunch of bad copies. If you give a bad master to a company to duplicate, chances are you will probably be stuck with a batch of defective copies.

Of course, your artwork is certainly more subjective. The cost for your artwork can fluctuate in price depending on the company. A lot of companies may have a rate sheet on their website for Retail Ready prices. So you’ll have to do a lot of digging. If you are looking for a person to design the front cover of your CD, don’t assume that paying a high price means better quality. Remember, you can always ask for a "proof" after the design is done and see for yourself if that is the right company for you. Some companies might charge for printing a proof, but it may be worth it. Don’t disregard companies that are more affordable, thinking that the quality of the work is sub par. Their work could be great, while you save tons of money.

So, do your research to find the best deals out there. Once you find the company that’s right for you, it becomes real easy to do another run of CD’s or get through a new project with very little hassle or questions.

About Author:

Jim Wilson is owner of "Uptown Duplication Services" in Dallas Texas. For the best prices and to get more information, go to his website: http://uptownduplication.com or call @214-232-0637.

Artistopia Music

Artistopia - Indie Music Heaven
Artistopia is the place for independent artists to manage and advance their careers via music marketing and productivity tools, peer-to-peer and peer-to-industry collaboration, and fan base ramp-up and communication.  Join today for free!
Tuesday, March 11, 2008 

Category: Music
Polar Patterns describe the way in which a microphone picks up the sound from around it. Some microphones are directional and only pick up from a particular direction whereas others will pick up from all around.

There are essentially five main polar responses or pick-up patterns, these are:

Cardioid

With a Cardioid pattern (the name coming from the heart shape of the pattern) the vast majority of the sound is picked up from the front of the microphone with a reasonable amount from the sides. Very little, however, is picked up from behind.

As a result, you can point this mic at the sound you want to pick up. This is probably the most commonly used pattern you will come across as it is very versatile and can be used in practically all situations.

Hyper-Cardioid –

Hyper-Cardioid microphones have a similar pattern to cardioid but the response from the sides (referred to as off-axis) is less. This makes it more directional than the Cardioid. Hyper cardioid microphones are used when isolation between sound sources is important.

They are less sensitive to off-axis sounds and will not pick up near-by sources as easily. Another common use is when used live and there is a feedback problem. Hyper-Cardioid microphones are less likely to pick up sound spill from speakers due to their more directional nature and thus reduce the chances of feedback occurring.

Shotgun –

Shotgun microphones have a very tight pickup pattern and are highly directional. They are used primarily to pick up sounds from a distance. Common uses are in broadcast/film recording work where the mic can be held or suspended 'off-camera' and in the theatre for picking up actors on stage without having to individually mic them all.

Due to the sensitivity of these microphones, they are all condensers and, as such, require a phantom power supply.

Omni-directional –

Omni-directional microphones pick up sound from all directions equally as can be seen from the polar response. They tend to produce the most natural sound of all the pickup patterns, capturing the sound source plus all the other acoustic reverberations and nuances.

They are also not susceptible to the Proximity Effect as are Cardioids. As such, they are used mainly for recording work. Omni's are not normally used for live work, as they would pick up unwanted sounds such as the audience and sound from speakers, creating one horrendous feedback problem.

Figure 8 –

Figure-of-8 microphones again tend to find their use for recording work, picking up sound from the front and rear of the mic but not from the sides. They are often used when making stereo recordings

About Author:

Ian Marples has been playing guitar for over 10 years, and now runs the website www.uncleslinky.co.uk to help other guitarists learn how to succesfully record music at home. For similar information to this article subscribe to his FREE Newsletter by sending a blank email to homerecording@uncleslinky.co.uk

Article Source: http://www.articleblotter.com/

Artistopia Music

Artistopia - Indie Music Heaven
Artistopia is the place for independent artists to manage and advance their careers via music marketing and productivity tools, peer-to-peer and peer-to-industry collaboration, and fan base ramp-up and communication.  Join today for free!
Sunday, March 09, 2008 

Category: Music

If you want to learn how to sing better, the key lies with larynx control. If you can learn to control your larynx, you will be singing like a pro in no time. Larynx control will help you improve the range and quality of your singing voice.

Your larynx, also known as a voice box, is a group of ligaments, muscles and cartilage in your throat. It is responsible for making your voice sound the way it does. If you want to be singing like a pro, you need to understand larynx position.

As you use your voices, your larynx moves up and down. That is why some people sound clear and crisp and others make a sort of nasal sound when they sing. It is all in the larynx control. If you want a better singing voice, you need to learn to keep your larynx in the best position. What is the best position? Well, your voice will sound best if you keep your larynx centered.

The problem is that, when you sing, the muscles which are in charge of raising and lowering your larynx have trouble relaxing. So, particularly if you are trying to sing high notes, your tone will suffer.

To begin learning how to sing better, you first need to learn some larynx control exercises. Start by yawning intentionally while resting your finger on your adams apple, the uppermost of two small notches on your throat. As you let the air out when you yawn, say "Ahhhhhh!" You should notice that your throat feels relaxed, your tone is richer and you can feel your larynx being gently pulled down. By doing that, you are actually going to cause sound to have to travel a greater distance. The extra distance helps to amplify the sound waves and give you a better singing voice.

If, on the other hand, you were to say the word "nay" in a nasal tone of voice and feel your throat, you will notice that your larynx is forced upward. That will reduce the distance that the sound travels and cause you to lose voice quality. So, it is important to both understand how your larynx works and practice relaxing your larynx muscles, if you want to be singing like a pro.

There is a technique called speech level singing, which can help you learn larynx control. It helps you to train your voice to be less tense and more relaxed. Your tone will gradually become richer and you will be able to sing better than ever before.

The bottom line is that your larynx is an important part of your body, especially if you want to sing better. So, learn to control your larynx muscles and you'll be singing like a pro in no time at all!

About Author:
Wincent Loh - Learn how to sing better like a Pro at http://www.singinglikepro.com

Artistopia Music
Artistopia - Indie Music Heaven
Artistopia is the place for independent artists to manage and advance their careers via music marketing and productivity tools, peer-to-peer and peer-to-industry collaboration, and fan base ramp-up and communication.  Join today for free!
Saturday, March 08, 2008 

Category: Music

American Idol is unquestionably the greatest marketing (and money making) machine in the history of the music industry. Their uncanny ability to position, promote, and transform obscure talent into household names before they record or release a single, is unparalleled and unprecedented. Some hate the show, others love it, but everyone has an opinion about it. With the American Idol 5 tour grossing 35.2 million dollars in only 59 dates and the Nielsen ratings for the debut of the sixth season coming in at a whopping 37 million viewers, it's more than just a show; it's a franchise with a show - and the show is a runaway hit with no signs of slowing down.

This article sheds light on five invaluable lessons that are imparted upon music artists who watch the show with dreams of one day becoming a commercial music success, or the next American Idol.

5.) MAINTAIN UNDERDOG STATUS. Taking tons of voice lessons, having a previous record deal, a famous family member, or great looks should be downplayed. America loves to root for the underdog in general - and on this show in particular. The show's viewers recognize that there's a thin line between confidence and cockiness. Chris Daughtry (season five contestant) crossed that line and walked into a brick wall of humility and exited from the show wearing a genuine expression of shock and dismay on his face that was perfectly captured by the cameras and re-played constantly by the media. Lesson learned: The minute you display cockiness, people pick up on it and are less willing to help you.

4.) USE THE FEEDBACK. Simon, Randy and Paula provide "constructive feedback" to contestants after every performance for the purpose of correcting flaws and improving future performances. Some use it. Some don't. Every American Idol winner does. This feedback (as entertaining or critical as it can be) often proves to be the tipping point for contestants on the edge like Elliott Yamin, who was advised to loosen up. Had he taken heed to that advice, the American Idol title would not have eluded the competition's best male vocalist of season five. Lesson learned: Use the advice offered by those with experience to your advantage.

3.) BE HUMBLE. Justin Guarini (a crowd favorite among the show's coveted female viewers) fell from grace and front-runner status in the first season during an egotistical exchange with Simon Cowell (while he was getting constructive feedback) in which he pronounced, "I don't care what you think...they like me," he said, pointing to the crowd and being rooted on by their cheers. "That's all that matters." He apologized the next week...but it was a mistake that would haunt him and inevitably cost him what appeared to be a certain victory. With one ill-timed (and ill-advised) exchange, he displayed cockiness and arrogance, which allowed Kelly Clarkson to surge from behind and clinch the victory. Lesson learned: Don't cheer for yourself; let the voters do it for you.

2.) BE LIKEABLE. Taylor Hicks (winner of season five), ingratiated himself with his animated personality and off-beat dancing. The light-hearted sassiness of Fantasia (winner of season three), the mild-mannered southern charm of Ruben Studdard (season two winner), and the wholesomeness of Carrie Underwood (winner of season four), exemplify the endearing qualities that American Idol viewers relate to and vote for. Lesson learned: We are motivated to do things for those we like - voting is just one of them.

1.) CHOOSE THE RIGHT SONGS. Ruben Studdard did a masterful job of choosing songs that not only showcased his vocal talents and strengths, but also his versatility. His rendition of Lynyrd Skynyrd's "Sweet Home Alabama" distanced him from the pack and assured his victory. Fanatasia's rendition of "Summertime" assured her of a record deal, and Kelly Clarkson's courageous cover of Aretha Franklin's "Natural Woman," helped to position her as a true vocalist. In each scenario, the consistent selection of the right song and its perfect marriage with the singers' voice, vocal range, and performance skill, proved to be the winning formula for American Idol winners, and it's also the formula for a successful career as a commercial recording artist.

About Author:

Gian Fiero is a recognized authority on commercial music and Independent A&R Specialist who is best known for his comprehensive and insightful music reviews on The Muse's Muse.com. He has been an influential factor in obtaining record deals for artists signed to RCA, Bust It!, Gasoline Alley and Interscope Records. He currently does A&R for signed and independent music artists, and music producers including Grammy nominated music producer Cori Jacobs (Pussy Cat Dolls) and San Francisco Bay Area Producer, Chris Carter, (Jasmine Trias/Back Street Boys), in addition to being an Adjunct professor of Music Industry Studies at San Francisco State's Music/Recording Industry Program.

Artistopia Music

Artistopia - Indie Music Heaven
Artistopia is the place for independent artists to manage and advance their careers via music marketing and productivity tools, peer-to-peer and peer-to-industry collaboration, and fan base ramp-up and communication.  Join today for free!
Friday, March 07, 2008 

Category: Music
Did you know it was possible for you to release your very own record without the aid of record labels, music contracts, recording contracts, whether they be from indie or major? Yes, the process of doing this all yourself can be a little intimidating simply because it can be easy to miss some of the legalities of the process but it is possible!

There are many issues to be considered when releasing a record without the help of good ole music business contracts. Now remember every artist and their goal is not the same so it is ok if you must deviate from some of these suggestions. As with writing about music contracts and such, some of these tips may be extremely reduced or put into layman's terms in order for the average guy or girl to understand them completely. Use this as a guide to help you on your journey to releasing your own record.

1. First, let's discuss investors. There are several types of investors but more importantly you will need to devise music business contracts for you and these parties to sign. This will ensure everything is not only legal but fully agreed upon.

2. Unless you are solo, you are going to have to have some sort of agreement within your group. You may need to devise music contracts on your own for the whole group to sign. This is because, whether you realize it or not, you are forming a partnership with the other members of the band. This should include finances, recording contracts, ownership, the group's identity or name and any other topics that the group decides needs to be agreed upon as a whole.

3. Along the way you are going to need people. You may need people for management, sound, engineering, recording or handling equipment. These people are considered "work for hire." To protect you and your group, these guys need to sign music business contracts stating their exact purpose and even include that they will not be entitled to anything such as royalties or ownership rights.

4. When releasing your own record, advertising, distribution and promotion is all up to you! This is serious stuff and needs to be considered ahead of time. People who sign music contracts usually have these sorts of things handled for them but the ball is in your court on this one. Write up a budget that thoroughly describes how much will be spent where. There are marketing, recording and manufacturing costs that need to be considered to name a few.

These are four mega important things to keep in mind when releasing your own album. The music industry is full of sharks and frankly some people don't want to deal with music contracts and recording contracts and all that jazz. Now a day, you don't have to! Releasing your own album is hard work but it can be done with the right preparation and a will to survive!

About Author:
Ty Cohen is the owner of Platinum Millennium publishing, former record label owner & national music industry seminar speaker/panelist. Author/creator of best-selling music biz books, courses, audio products & "How to" resources that helped 1000s. Go to http://www.order-yours-now.com for more info on music contacts, recording contracts & music business contracts.

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