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THE SCANDAL



Last Updated: 11/18/2009

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City: Hobart
State: Tasmania
Country: AU

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Thursday, August 13, 2009 


Ace label Poison City Records has included the A side from our Edges / Seasickness 7" on its brand new sampler disc, Poison The World IV.

The disc also features BLUELINE MEDIC, CHRIS WOLLARD & THE SHIP THIEVES, LUNGS, THE GIFTHORSE, GRAND FATAL, GOOD LUCK, O'PIONEERS!!!, MILLOY, A DEATH IN THE FAMILY, LEAD SKETCH UNION, THE OPTIONALS, ARROWS, TYRE SWANS, LIKE...ALASKA, NORTH LINCOLN, DAYSWORTH FIGHTING as well as previously unreleased gems by CONATION, BLACK IS THE COLOUR, GRIM FANDANGO and KILL WHITEY.

Killer artwork design by Glenn Smith!
Order Poison The World IV here
Currently listening:
The Shape of Punk to Come: A Chimerical Bombation In 12 Bursts
By Refused
Release date: 1998-10-27
Thursday, August 13, 2009 


Image: Sean Fennessy
Interview: Audrey Millman

“We describe it as ‘progressive punk’ - but
it’s really hard to pigeonhole. We think and
act like punks, but sometimes the music is
kinda removed from what a layperson’s idea
of ‘punk’ might be” says Liam White, singer/
guitarist for Hobart band The Scandal. 

So, Liam, what are you plugging?

“We release our vinyl 7” EP Edges /
Seasickness on Monday 18 May on
Disconnect Records. The record will be
distributed by Melbourne label Poison
City Records. It will be our third release
on Disconnect Records and our first vinyl
release. We recorded it with Linc le Fevre
[Fell To Erin, Enola Fall], who recorded our
previous album, Never Hold To Shore, and
it was mastered with Chad Clark (Fugazi,
Jawbox) at Silver Sonya in Arlington, Virginia,
USA”

How would The Scandal solve this
bothersome financial crisis?

“Oh, boy. To start with, I think we need to
cap executive salaries. Money starts getting
really abstract when you’re taking home in
excess of $200k a year. When you get up
around a million, shit is getting ridiculous.
There are people dying on the other side
of the world because they don’t have the
30 cents per day to eat. It’s disgusting.
People also need to take responsibility for
themselves as well. We’ve been spoon-fed
for so long that we’ve forgotten how to be
self-sufficient. We’re in a position now where
enough things are falling apart that some
people are re-evaluating how they live, which
is awesome. We’ve been too greedy for
too long now. It’d be great if more people
stopped buying useless shit and started
behaving like we’re all part of the same
species. That’d be a pretty solid start!”

Sounds like a plan. I’m on it! How did your
musical career come to be?

“‘Career’, haha. I don’t know about the other
two guys in the band, but I definitely started
playing music because I wanted to have
something that was an outlet. You gotta do
something to stay sane when pretty much
the only way of being accepted in the town
you grow up in is to play football and /
or have a sick car. Music let me connect
with people and speak a common language
when almost everyone else in your town is
a scumbag. As soon as you figure out that
you can play shows in other cities, and
hook up with other like-minded bands, that’s
when you start to see a whole other part of
life, and it changes you completely”

How is The Scandal dealing with the
iRevolution?

“We are about to release a vinyl EP, which
some would say is completely stupid in the
‘download age’. We figured that we needed
to give people a way of being able to listen
to the songs on their mp3 player or their
computer, so we have included a bonus CD
version of the two songs with the record.
Hopefully this will keep the kids happy. You
can’t stop people downloading your music
if they really want to, so you have to figure
out other ways of appealing to people.
Having the neat packaging that you get with
vinyl goes some way towards it, I reckon”

What’s your stance on the Aussie scene
then?

“Within the punk scene, people can be
really supportive. There are of course still
people who are in it for selfish reasons, but
in general, people and bands in the punk
scene in Australia operate on a ‘I’ll help
you and you help me’ kind of thing. This is
great for bands that don’t ever have much
money, and need to tour on a shoestring,
like us, and most of the bands we play with.
It makes for close-knit touring companions
and I think gives you a healthy perspective
on shit. If you ever need bringing down to
earth, try driving eight hours to play a show
to under ten payers for no money, then
sleeping on a tiled floor. It’s a healthy thing
to do once in a while”

Is there much difficulty in being from Hobart
as opposed to the mainland?

“A little. It’s cheaper to tour when you’re
based in Melbourne or Sydney simply
because you have to fly everywhere when
you’re based in Hobart. Some people can
also be a little prejudiced towards bands
from smaller cities. But, you know what?
Fuck ‘em. If anything, it gives us a little
more of a point to prove”

Now, why should the punters come down to
a Scandal show?

“I like to think that we work pretty hard
when we’re on stage. We give everything we
have to give when we are playing. I think we
are pretty different to every other band, if
not in Australia, then definitely in Tasmania.
This tour may be the only time you’ll get to
see us for a while too - I’m living interstate
now, so we don’t get to see each other that
often. We’ll see what happens but as of now
we don’t have any shows booked after this
tour”

What’s for dinner?

“I just ate - pumpkin soup and garlic bread.
Winter’s kicking in again, and that means
warming food and being productive. Winter
can be depressing, but boy it makes for
some conducive songwriting environments”

The Scandal’s Edges / Seasickness is out
now through Disconnect Records.
Currently listening:
Red Medicine
By Fugazi
Release date: 1995-06-12
Thursday, May 28, 2009 
Firstly, we would like to thank all of you who made it out to a show on our launch tour for our new 7", Edges / Seasickness. Touring is what we like best and we feel very lucky to be able to play music in other cities and catch up with friends, old and new.

Secondly, a bit of an update on the new record. It's out, and should be in stores as of now. If you don't have it at your local store, ask if they can order it in through Poison City Records (poisoncityrecords.com). Thanks to those of you who have been playing it on the radio and spinning it at home.

It's a limited edition of 200 only, so if you're keen to get hold of a copy, just giving you a heads up that around half have gone already.

Thirdly, we have been doing a few interviews as part of the release of the new record.

Bombshellzine featured an interview with Nic about Edges / Seasickness in On The Record.
Liam went into the studio with Damon from PBS' Punk Drunk Love on Tuesday 12 May.
Liam did an interview with Sauce where the interviewer was a little death-obsessed.

We also have an interview coming up in the next issue streetpress A Fine Line, so keep an eye out for that one if you're in Tasmania.

Cheers!
L / N / M
Currently listening:
All the Footprints You've Ever Left and the Fear Expecting Ahead
By Envy
Release date: 2008-01-22
Thursday, April 30, 2009 

To celebrate the release of our new double A side 7” I thought I’d take a couple of minutes to nerd out with you for those who are interested in recording and the process for these songs. Disclaimer: this is for fellow nerds, others; geek out at your own risk.

The record was produced by Linc le Fevre and engineered by Linc and yours truly.

The tracking for the 3 songs that we recorded (one we’re keeping for a rainy day!) was done at Red Planet studio in Hobart. They have two similar sized live rooms and we used one for the drums and the other for guitars. The bass amp was tucked away in a hallway. Liam played his guitar in the room with the amps (they were fucking loud too) and I played bass in the drum room so I could really watch Matt and try to play tight. We were sepeated from liam by some huge glass doors so we could all see each other the whole time.

We tracked live for this record so we were really concentrating on getting guitar and bass tones right from the outset. Here is a quick rundown of the gear we used.

Liam’s guitar was a Maton Mastersound 2000 with stock pickups split into a Marshall JCM 800 2205 feeding a vintage Marshall cabinet, and a Marshall JMP feeding another vinatage Marshall cab. The JMP was juiced up a little by a Super-Hardon pedal. Both cabs got an SM57 and MD421 on the grill so we were taking 4 tracks of guitar for each section. We double tracked the guitars later as well, playing the exact same part through the same setup just to thicken things out a bit so we ended with 8 tracks of guitars. There were very few extra overdubs.

My bass was a ’76 Ibanez P-bass with Jim Dyson pickups. It was split into a Jensen DI and a Sansamp into an Ampeg SVT3 and an Ampeg Classic 4x10. We used a Shure Unidyne3 and a Rode Classic to mic the cabinet and we ended up blending from the Jensen and the two mics. All the bass tracks went to Studer preamps.

The drums were Mapex Mars-Pro drums with a 13x7 Pearl Masters snare and were miced like so:

Snare top: SM57 through a UA6176

Snare bottom: SM57

Toms: 421’s

Kick in: M88

Kick out: D12

Overheads: Neuman KM 184

Rooms: mono ribbon (Fig8) through an SSL strip + stereo pair of NT2s tracked through dbx160s

We wound up tuning the snare to the key of the song to get it to sound massive.

Vocals went throught a C414 into a UA6176 for most parts, some additional vocals were into an NT1 at Linc’s house afterwards.


Hope you guys like the results.

Peace,

Dicko

Currently listening:
Clumsy
By Samiam
Release date: 1994-08-16
Sunday, April 26, 2009 
Our brand new 7" EP, Edges / Seasickness, is now available to pre-order through the Poison City Records E-Store. Just click the link below to order.

Pre-order Edges / Seasickness at the Poison City E-Store

We will be selling copies on our upcoming launch tour, but if you can't make it along to the shows, you can now order the EP and it will be mailed to you as soon as the EP is released on Monday 18 May.

Each copy of the 7" will come with a complimentary CD copy of the two songs, Edges and Seasickness.

For those of you in North America, No Idea Records should have copies of the 7" available through their distro soon after release.

Our launch tour kicks off on the 1st of May at Melbourne's The Arthouse as part of its 18th birthday weekend - it should be a great way to start the tour. Hope to see you at the shows!

Cheers,
Liam / Mat / Nic
Currently listening:
Warnings/Promises
By Idlewild
Release date: 2005-09-06
Thursday, April 16, 2009 

Hey hey,

Well, our soon-to-be-released 7" vinyl EP is at the pressing plant, and should be back in a couple of weeks. Very exciting stuff indeed. We are really happy with the sound of the record, and really happy with the design of the packaging. Our friends Jess Lillico and Sean Fennessy have done a great job.

To celebrate the release of the record, we are doing a national launch tour through May. The new EP, Edges / Seasickness, will be released in stores on Monday 18 May but we will have copies available at all shows for your purchasing pleasure.

Here are the dates:

Fri 1 May - The Arthouse, Melbourne w/ Awayfromnow, Kimbo, Kill Whitey
Sat 2 May - Crown & Anchor, Adelaide w/ Stolen Youth, Craterface
Fri 8 May - The Rat Palace, Hobart w/ Paper Arms, Your Demise, Sunday Something Ruined (all ages, early show - 6 til 9pm)
Sat 9 May - The Brisbane Hotel, Hobart w/ Paper Arms, The Ghost And The Storm Outside, Ivy St
Fri 15 May - Hamilton Station, Newcastle w/ Lungs, Like... Alaska
Sat 16 May - Sandringham Hotel, Sydney, w/ Lungs, Like... Alaska

Hope to see you at the shows! We can't wait.

Liam, Mat, and Nic.

Currently listening:
Wavering Radiant
By Isis
Release date: 2009-05-05
Thursday, April 02, 2009 

We have uploaded a new song 'Edges' to our myspace page. The song comes from our forthcoming 7" vinyl release Edges / Seasickness, which is due out on Disconnect Records on 18 May. It will be nationally distributed by Poison City Records, which we are really excited about.

The record was tracked and mixed with the excellent Linc le Fevre at Red Planet Studios, Hobart. Linc recorded and mixed our previous record, Never Hold To Shore, and not only is he a great engineer but a stellar human too.

Chad Clark at Silver Sonya mastered the record at Silver Sonya in Arlington, Virginia, USA, and we are super happy with how the record ended up. It's been mastered for optimum audio quality so it sounds a little quieter than NHTS. We think it sounds great and we hope you will too.

We are doing some launch shows around the country through May with our friends Lungs, Awayfromnow, and Stolen Youth, as well as our new friends Paper Arms, from Adelaide. The dates are up on our page so check those out if you haven't done so already.

We also have a new promo photo, courtesy of our friend Sean Fennessy. Check out his website for more good stuff.

Hope to see you in May!

Love,
Liam / Nic / Mat





Currently reading:
The Border Trilogy
By Cormac McCarthy
Tuesday, October 21, 2008 
Hi,

In August we went into Red Planet Studios in Hobart to record three new songs with producer Linc le Fevre, who we previously worked with on our album Never Hold To Shore. This time around we went in with the aim of tracking the three songs live, instead of doing everything piece-by-piece. We wanted to get more energy on to tape. After three long, long days in the studio, we finished around 4am on the last night with all the basic instruments tracked.

We recorded about half the vocals at Red Planet on the last of the three nights but I kept blowing my voice out. I guess trying to sing at 2am after having been at work all day then at the studio from 6pm wasn't the best scenario for screaming into a microphone and having your voice last longer than half an hour. We went back to Linc's home studio during the week and knocked over the rest of the vocals in a night.

It's being mixed at the moment and will be sent off to mastering with Chad Clark at Silver Sonya, in Arlington, Virginia, USA in November. Needless to say we are very excited about having Chad work on the record. We will keep you updated as we know more about release dates, etc.

The songs are a little different to the ones on the album - I guess this is only natural as we had a break of two years between recording Never Hold To Shore and recording these three songs. Either way, they're slower, more measured, and we hope, heavier, in a different way. We'll put up a song as soon as we have one back from mastering so you can spend less time reading and more time listening.

We are on a break from playing live shows for at least the near future, as I have moved cities and we are all busy pursuing music, work, and life in general from both sides of the Bass Strait. It looks like our beloved rehearsal / arts space in Hobart is changing hands too, so we're a little sad about the loss of a great, cheap, artist-run space that we sweated in two nights a week for the last couple of years. RIP The Rat Palace. Viva La Scandal.

Cheers,
Liam / THE SCANDAL













Currently reading:
White Noise
By Don DeLillo
Friday, August 08, 2008 
Hey everyone,

We have a bit of an update from Team Scandal Mucho Destructo.

We are getting ready to go into the studio next week to record a couple of new songs. We will be recording the two newies we've been playing live for the past couple of months, 'Diamonds' and 'Seasickness'. We haven't recorded anything since this time two years ago so we are amped to get back in the studio.

This time around we will be working at Red Planet in Hobart, and will be again working with producer Linc le Fevre. The new songs follow a bit of a new direction from the ones on the album and we are excited to get them onto tape (well, onto a computer, anyway).

After taking 2007 off from playing, Mat's arm is better than ever and we have managed to play shows in TAS, VIC, NSW, QLD, SA, and WA this year, as well as supporting OFF MINOR, STRUNG OUT, NO USE FOR A NAME, THE GASLIGHT ANTHEM, and MY DISCO in our hometown of Hobart. We also got to play in St Helens on the North-East coast of Tasmania last weekend which was a blast. We have had some great times, made some new lifelong friends, caught up with some old friends, and we have you all to thank for it.

We have put up a swag of photos from our Summer and Winter tours this year so go check them out if you haven't done so already.

We will be taking an extended break from playing shows for at least the rest of this year as I will be moving cities and Mat has plans to travel overseas. Nic will continue developing his skills as a recording engineer, having recently worked on the upcoming YOUR DEMISE EP and demoing the upcoming album from STAND DEFIANT.

Keep checking back for more updates,
Liam
Currently listening:
Sink or Swim
By The Gaslight Anthem
Release date: 2008-07-08
Monday, July 07, 2008 
Wednesday June 25 - Day Off  
Thursday June 26 - Day Off
Friday June 27 - Pony, Melbourne
Saturday June 28 - The Espy, Melbourne
Sunday June 29 - Catfood Press, AA, Melbourne

Wednesday night was another unexpectedly cool night. After lazing about all day, Mike came home with another bike nut, Aaron in tow. We jumped onto bikes and headed out to the outdoor velodrome in East Brunswick for a couple of laps in some crazy wind. It was gusting up to 100km! Dinner followed at the East Brunswick club where they serve fake meat so convincing that the vegans were getting a little suspicious that they might actuall be eating a real cheese and bacon burger. Beers were had and once again it was back home via the arthouse for more drinks.

Another day, more of the same ensued on Thursday. A late start, some coffee and time spent bumming around waiting for dinner time to roll around. I went out to meet my Dad who was in town and we grabbed some food from an Italian restraunt. A bottle of wine and a few beers later and we met Liam at an irish pub for a couple of quick pints before the two of us headed to the Public Bar to catch up with the crew and watch Donnie Deurou play some tunes followed by cocktails and cheese platters at a cool bar in North Melbourne.

Friday was another free day for me, hanging out at Mike and Bec's house while they and Liam were at work. I wandered around some shops and met up with Liam and some of his workmates for a beer when they knocked off. We hit Pony early to get gear loaded in and to have a few beers while Grim Fandango set up.