City: NEAR THE CONDOS
State: Georgia
Country: US
Signup Date: 1/14/2005
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Wednesday, September 24, 2008
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Hi folks, Well, these are hard and strange times for an honest man, indeed. As I write all the gas pumps near my apartment are dry and my car is sitting in the driveway on empty. Democrats are suddenly fiscally responsible and republicans have suddenly become feminists who are champions of alternative family lifestyles. Who would've ever thunk it? The gov't has decided to bail out Wall St. for something like a trillion dollars and those free market fundamentalists, who often like to make fun of welfare recipients, are only too glad to take it. It has got me thinking about my own money problems and I think I've come up with a solution: I am having my name legally changed to AIG. I don't have an upcoming show to tell you about or any new CD I'm hawking, I just wanted you to know that from now on I will only answer to the name "AIG," pronounced a-eye-gee. And I'm reworking an old folk song to suit my purposes. It goes like this: "I am changing my name to AIG I am heading up to Washington D.C. So when they hand a trillion grand out I'll be standing with my hand out Yes sir, I'll get mine." In other news: Did anyone in the Atlanta area see my article in the Sunday Paper last week? The one about the new Waffle House museum? If you missed it it's gone for good and, well, you missed it. If you're one of those people who are into this internet thing, here's a link to it. Although it looks much better in person, it's still all the same words. http://www.sundaypaper.com/More/Archives/tabid/98/articleType/ArticleView/articleId/3022/Whose-House.aspxOh, and I'm still available to play house concerts, as long as you don't mind coming to pick me up. Just let me know when you're coming so I'll be ready. Peace out, Blake. http://blakeguthrie.comemail: blake@blakeguthrie.com
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Sunday, August 17, 2008
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...I'm finally doing it now too. Here's a link to my music page, which I'm still figuring out how to pimp, but become my fan anyway.
http://www. facebook. com/pages/Blake-Guthrie/20879802848
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Friday, January 04, 2008
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Today the only time I left my apartment was to go to the Hop 'n' Shop three different times.
The first time: I bought a copy of the morning paper at one in the afternoon. (.50 cents.)
The second time: I bought a six-pack of Sweetwater IPA. ($7.99)
The third time: I bought some hot 'n' spicy peanuts and a tiny bag of salt and vinegar potato chips. ($1.01)
The feeling of living a life of unfulfilled early promise: priceless.
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Monday, May 14, 2007
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Tonight I was walking my dog, Geraldine (okay, it's my girlfriend's dog), when I ran into a neighbor that I'd never met before. She was walking her dog too. We both stopped to let our dogs sniff each other in the butt. After a moment she said she recognized me from somewhere. I said "yeah, I'm your neighbor." She said no, that she recognized me from somewhere else. We then figured out that she had seen me play a gig at Eddie's Attic nightclub. As our dogs continued sniffing each other she said, "Yeah, you're very cynical." Then, after a short pause, she added, "but entertaining."
So, this is the best thing that's happened to me all week-- being recognized by my neighbor and finding out that I'm cynical, but entertaining.
Hey, I'll take what I can get.
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Thursday, April 12, 2007
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If you've never read him and you want to, try Mother Night and/or Slaughterhouse Five. Or start with the short stories. Below is the news report. I'm very saddened right now, but I hope I live to be 84. ------------------------------------------------------------------------------------ April 11, 2007, 11:59PM Kurt Vonnegut dies at 84 NEW YORK — Kurt Vonnegut, the satirical novelist who captured the absurdity of war and questioned the advances of science in darkly humorous works such as "Slaughterhouse-Five" and "Cat's Cradle," died Wednesday. He was 84. Vonnegut, who often marveled that he had lived so long despite his lifelong smoking habit, had suffered brain injuries after a fall at his Manhattan home weeks ago, said his wife, photographer Jill Krementz. The author of at least 19 novels, many of them best-sellers, as well as dozens of short stories, essays and plays, Vonnegut relished the role of a social critic. He lectured regularly, exhorting audiences to think for themselves and delighting in barbed commentary against the institutions he felt were dehumanizing people. "I will say anything to be funny, often in the most horrible situations," Vonnegut, whose watery, heavy-lidded eyes and unruly hair made him seem to be in existential pain, once told a gathering of psychiatrists. A self-described religious skeptic and freethinking humanist, Vonnegut used protagonists such as Billy Pilgrim and Eliot Rosewater as transparent vehicles for his points of view. He also filled his novels with satirical commentary and even drawings that were only loosely connected to the plot. In "Slaughterhouse-Five," he drew a headstone with the epitaph: "Everything was beautiful, and nothing hurt." But much in his life was traumatic, and left him in pain. Despite his commercial success, Vonnegut battled depression throughout his life, and in 1984, he attempted suicide with pills and alcohol, joking later about how he botched the job. His mother had succeeded in killing herself just before he left for Germany during World War II, where he was quickly taken prisoner during the Battle of the Bulge. He was being held in Dresden when Allied bombs created a firestorm that killed an estimated tens of thousands of people in the city. "The firebombing of Dresden explains absolutely nothing about why I write what I write and am what I am," Vonnegut wrote in "Fates Worse Than Death," his 1991 autobiography of sorts. But he spent 23 years struggling to write about the ordeal, which he survived by huddling with other POW's inside an underground meat locker labeled slaughterhouse-five. The novel, in which Pvt. Pilgrim is transported from Dresden by time-traveling aliens from the planet Tralfamadore, was published at the height of the Vietnam War, and solidified his reputation as an iconoclast. "He was sort of like nobody else," said Gore Vidal, who noted that he, Vonnegut and Norman Mailer were among the last writers around who served in World War II. "He was imaginative; our generation of writers didn't go in for imagination very much. Literary realism was the general style. Those of us who came out of the war in the 1940s made it sort of the official American prose, and it was often a bit on the dull side. Kurt was never dull." Vonnegut was born on Nov. 11, 1922, in Indianapolis, a "fourth-generation German-American religious skeptic Freethinker," and studied chemistry at Cornell University before joining the Army. When he returned, he reported for Chicago's City News Bureau, then did public relations for General Electric, a job he loathed. He wrote his first novel, "Player Piano," in 1951, followed by "The Sirens of Titan," "Canary in a Cat House" and "Mother Night," making ends meet by selling Saabs on Cape Cod. Critics ignored him at first, then denigrated his deliberately bizarre stories and disjointed plots as haphazardly written science fiction. But his novels became cult classics, especially "Cat's Cradle" in 1963, in which scientists create "ice-nine," a crystal that turns water solid and destroys the earth. Many of his novels were best-sellers. Some also were banned and burned for suspected obscenity. Vonnegut took on censorship as an active member of the PEN writers' aid group and the American Civil Liberties Union. The American Humanist Association, which promotes individual freedom, rational thought and scientific skepticism, made him its honorary president. His characters tended to be miserable anti-heros with little control over their fate. Pilgrim was an ungainly, lonely goof. The hero of "God Bless You, Mr. Rosewater" was a sniveling, obese volunteer fireman. Vonnegut said the villains in his books were never individuals, but culture, society and history, which he said were making a mess of the planet. "We probably could have saved ourselves, but we were too damned lazy to try very hard ... and too damn cheap," he once suggested carving into a wall on the Grand Canyon, as a message for flying-saucer creatures. He retired from novel writing in his later years, but continued to publish short articles. He had a best-seller in 2005 with "A Man Without a Country," a collection of his nonfiction, including jabs at the Bush administration ("upper-crust C-students who know no history or geography") and the uncertain future of the planet. He called the book's success "a nice glass of champagne at the end of a life." In recent years, Vonnegut worked as a senior editor and columnist at "In These Times." Editor Joel Bleifuss said he had been trying recently to get Vonnegut to write something more for the magazine, but was unsuccessful. "He would just say he's too old and that he had nothing more to say. He realized, I think, he was at the end of his life," Bleifuss said. Vonnegut, who had homes in Manhattan and the Hamptons in New York, adopted his sister's three young children after she died. He also had three children of his own with his first wife, Ann Cox, and later adopted a daughter, Lily, with his second wife, the noted photographer Jill Krementz. Vonnegut once said that of all the ways to die, he'd prefer to go out in an airplane crash on the peak of Mount Kilimanjaro. He often joked about the difficulties of old age. "When Hemingway killed himself he put a period at the end of his life; old age is more like a semicolon," Vonnegut told The Associated Press in 2005. "My father, like Hemingway, was a gun nut and was very unhappy late in life. But he was proud of not committing suicide. And I'll do the same, so as not to set a bad example for my children." ___
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Saturday, March 03, 2007
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While I was writing out my set list before the show he approached the table and just stood there. "Uh-oh," I thought, "here he is--the local, crazy drunk." Every bar has one of these guys--the old regular who comes in at sundown and stays until last call. The guy who just walks up to your table and stands there with a shit-eating grin on his grey-bearded, wrinkled, old-before-its-time face. What would THIS one want?
I was in Hunstville, AL, in the foothills of the Appalachians, with my girl and her dog. It was my first gig in this high-tech rocket town--a major hub of NASA--but still encroached on all sides by gun-toting, good ol' boys who don't take kindly to strangers. Pool halls here actually have "Check your gun" signs out front. My girlfriend was sitting at the table with me--the dog was in the car, windows cracked. Of course, the drunk started talking to my girlfriend. He was asking her what kind of music I played. She's a sweetheart who knows how to handle a drunk--being a jazz singer herself who has had many blathering men slobber over her at gigs. She said something about John Prine, Johnny Cash, Jonathan Richman, "anyone named John," before kindly deferring to me, happy to get rid of the guy. "I'm like John Prine and Johnny Cash," I said, knowing that if I said Velvet Underground or the Replacements I would get a blank stare. He stood up, almost fell over, righted himself and said, "Awwww, hell, if you're anything like those guys I'm buying you a drink." He also told me that his brother made moonshine, in a hollow up on Kill Mountain, pointing his hand in a direction away from Huntsville and towards the hills.
Right before I took the stage, still working out my set list, he came back up to the table and placed a glass down in front of me. "What's this?" I asked. "This is real moonshine--190 proof. Go ahead." I smelled it, passed it to my girlfriend, she smelled it, gagged, passed it back to me. He was standing there waiting for me to taste his brother's moonshine. I desperately wanted to get this guy on my good side so he wouldn't disrupt my set, so I hit the white lightning. It wasn't as bad as I thought it would be--tasted kind of like really strong, really cheap tequila, mixed with bathtub gin. I mean, that's bad, but I was expecting rot-gut liquor.
When I took the stage he kept challenging me to impress him. My first couple of songs didn't do it, I guess, because he kept on heckling me--yelling out for some Cash or Prine. Then I played one of my older songs called "I Hate Your Boyfriend," a song I hadn't played in years, a song that is a fantasy about murdering my romantic rival so I can be with the one I love. He left his barstool and took a seat at a table down in front. When the song was over he leaned back in his chair and nodded his head at me. "I fucking hate that guy too," he said holding up his glass of illegal moonshine. I pointed at him from the stage, glass in hand, and said, "You just gave me the first honest-to-God bootleg moonshine I've ever had in my life, so this one is for you, brother." Then I launched into the great, old folk ballad "Moonshiner Blues."
I now had the old drunkard eating out of my hand, and he, in turn, began to ask the ladies to dance. I actually played a couple of Johnny Cash songs too.
By the end of the evening I--with the help of Mr. Moonshine--had most of the crowd up and dancing, even though I was playing solo, without a band. That is something that has never happened to me before. I ended with a solo/acoustic medley of "Louie, Louie" "Hang On Sloopy" "Wild Thing" and that "Summer Lovin'" song from the soundtrack of Grease. I was called back for an encore. When I came off stage a drunk woman with a thick Alabama accent told me I was "just a doll" as she rubbed my hair. My girlfriend looked at me and said "You're having a good time aren't you."
I went out to walk the dog in the pasture that was next to the bar. I peed in the pasture, as did the dog. When I came back in they made me get up and sing two more songs. Everyone slow danced to "Georgia In Summertime." Then, since I'm originally from Birmingham, Alabama, I said "It's good to be home," and ended with "Sweet Home Alabama." Everyone went nuts. Seriously, not embellishing here. It was that kind of a magical night for me, especially since I've had so many crappy gigs of late. After it was all over the moonshine guy finally bought me a drink, like he said he would; a Jack and Coke--because, I told him, that I'd prefer Jack Daniels to more moonshine. "Jack?" he said, "well, hell, they make that just up the road in Lynchburg, so it's still local moonshine, any way you look at it."
You gotta love it when a gig turns in your favor like that.
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Sunday, February 11, 2007
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..>
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| here's a new bio I just scribbled for my musical self: "Bruce Springsteen meets Jonathan Richman and together they kick Lou Reed's ass while listening to Johnny Cash cover some Dylan songs. Neil Young stands aside and watches, not wanting to get involved; he then goes to write a song about it, which Pete Townsend later covers. The song doesn't chart but is admired by scattered fans across the globe." Feel free to edit this and post me back. I'm guessing if you clicked on this bulletin/blog you are one of two people: one of my 1000 fake friends who could care less. Or one of my 30 or so real friends--who could also care less but might have something to say about it. If you post a comment and it comes back as "this user requires approval of comments" or something, well, there's a good reason for that. I don't want another virus on my computer and everything goes through "safe edit" mode now. I love all of you, even those of you who don't like me so much. | ..>
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Sunday, September 03, 2006
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Okay, since I've written two blogs this week about my recent life on the road, I must complete the trilogy--bad things come in three's right?
Although nothing really bad or crazy happened this trip. Nothing worth reporting at all, really.
I played in Charlotte, NC and I took my girlfriend and her dog, Geraldine, with me. The good thing about taking my girlfriend on the road with me is that her car is much nicer than mine and has AC and there's no way her and Geraldine would ever ride in my natty-ass car. So I get to travel in style, although I must do all the driving. That's fine, I don't like the way she drives anyway. Too jerky. I'm a smooth driver.
The main concern was Geraldine. We'd have to leave her in the car during the gig, we figured. But when we got to Charlotte we realized we couldn't be in a more dog friendly place. There was a nice grassy area to walk her across the street from the club; there was a family that lived in a house behind the club who fell in love with her (as most people do) and they told us about a dog bar just around the corner.
I thought the woman said "dog park." We take Geraldine around the corner looking for the dog park. There was nothing but a bar there, but alas, it was called "The Dog Bar." A bar where you could take your dog with you inside--and the patio was all soft pebbles to absorb the dog pee. What a novel concept. My girlfriend and I liked it more than Geraldine did. What the hell did she care, she doesn't drink. She was overwhelmed by the plethora of frantic dogs and their slobbering half-drunk owners.
We had a beer and went to the club for my gig. The chick behind the bar said it was okay to bring Geraldine inside for my show. I was beginning to get the feeling that Charlotte was a lot more laid back than Atlanta. This was the north part of town. There's a word for it--NoDa or something. Whatever, it was cool. Good vibes in the air. The gig was early and there weren't a lot of people there, but the 15 or so people in attendence enjoyed my set enough to give me enough gas money for the trip.
We drove home that same night, stopping for a late night Taco Bell binge along the way. So, like I said, this probably wasn't worth writing about, but I'm superstitous; I just had to make it a trilogy. I guess I'm kinda like George Lucas that way. I just don't know when to leave a good thing alone.
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Friday, September 01, 2006
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Dateline: 8-30-06
As I was setting up for the gig I realized I forgot to bring the adaptor to plug the mic in to my amp. I decided to act like nothing was wrong--I have a fairly loud voice when I want to--so I played the gig with no vocal mic and an amped acoustic guitar. They had me in this gazebo singing to people who were sitting around a goldfish pond, eating ice cream and paninis. The bugs were ferocious. I even sprayed my guitar with bug spray.
The trick is to always act like you know what you're doing, even when something's not quite right.
I guess my voice carried because none of the customers seemed to notice that I had no microphone. As I was swatting flies away between songs this couple seated near the gazebo turned and asked me if I knew any James Taylor songs. "Uhhh, no," I said. "Well, what are you into?" asked the man. "I mostly play originals, but I'm into Dylan, Springsteen, Cash, the Americana stuff, ya know." "Oh," he said and turned back around to his ice cream. I started playing one of my originals and they got up and went inside. I guess the bugs were to much for them.
Two older, gray-haired couples took their place at the table and seemed excited that there was live music. I decided I should play instrumentals and my tamer love songs for them. They ate their ice cream then threw a wad of bills into my guitar case before leaving. Then a younger woman sat directly in front of the gazebo, tipped me before she'd even heard me, and proceeded to talk on her cell phone the whole time. I guess her tip gave her the right. When she wasn't talking on the cell phone she was smiling while she wrote poetry and filled out a job application.
I broke a string 5 minutes before my stop time, so I ended the gig there. A man approached the front of the gazebo, introduced himself as "Byron" and reached his hand out. "Blake Guthrie," I said shaking his hand. "Blake Guthrie?! Man, I've been following you for a long time. Yeah, yeah. I know about you. Been following you for years." It was then that I noticed the wild look in his eye. The man was obviously crazy. He was the last guy you'd want to meet at the end of a gig: the crazy, non-stop talking man.
As I rolled up my cables and packed up my guitar he kept talking to me, asking me questions and I kept giving short, vague answers.
"You gotta wife?" "No." "Girlfriend?" "Uh, yeah." "You gonna marry her?" "Not there yet."
On and on it went. Out of the corner of my eye I could see the woman with the job application staring at the interaction. I was hoping the crazy man would start talking to her so I could bolt. But he kept on. He wanted to talk to me about writing. He said he'd written a novel. Usually when someone says something like that to me I ask them if they've been published, but I knew that question wouldn't bear any fruit. Instead I asked, "What's the title?"
"I'm Not Afraid of My Wife's Vagina," he said.
I paused as I was locking up my guitar case, shook my head and said, "I just never could find the time to write a novel." As I stood up he fixed me in his wild gaze and said, "Well, Blake, when you're in prison you have lot's of time on your hands."
He then started going off on his ex-wife, what a no-good slut she was, but he said he still loved her. I begged leave to go inside and collect my check. When I came back out I saw that he was presently talking to the job-application girl. They were so engaged in conversation that I was able to make my getaway. As I was walking away I heard the woman introduce herself to Byron. Something made me stop, to see how Byron would respond. "I'm Michael," he said to her. I resumed walking to the car, hoping I wouldn't be spotted.
As I drove out of the parking lot I looked over my shoulder to make sure Byron/Michael wasn't following me anymore. But since I had no idea he'd been following me for years before, how the hell would I know if he was following me anymore or not?
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Tuesday, August 29, 2006
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I've had many flat tires in my time, but last Sun. I learned what a "blow out" really is. I was trying to make an afternoon gig in Chattanooga and I was an hour away, driving 70 m.p.h. on I-75. Suddenly, a bomb went off. I knew it wasn't a flat tire because it sounded (and felt) like al-Queda had just struck my car. It seemed as if both my axels were suddenly gone and I was scraping down the Interstate going 70, with a deafening, corse rumble coming up from under neath the floorboards. Somehow I made it onto the shoulder and got out to inspect the damage. Turns out al-Queda only struck my left rear tire. It was completely decimated. Shards of rubber and steel going in all directions and nothing left that could be called "a tire." This former tire used to have plenty of tread on it. It simply exploded for reasons I can't explain.
I didn't cry or cuss or bitch or moan. I had a gig to make. So, I put on the spare, which, in good condition, could only go for 50 miles but this doughnut was almost rotten. Trucks were wizzing past, almost knocking me over with their back draft, but within a few minutes (I'm an expert tire changer) my '97 Geo Metro was hobbling to the next exit. There I found a truck stop garage that only had truck tires. The mechanic, who had one milk-white eye, a few tabacco-stained teeth and reminded me of a character from the X-Files whenever it was set in a rural area, was actually quite helpful. He said, "There's a Wal-Mart next exit, six miles up. You might make it there on that doughnut. That's the only place 'round here that can help you on a Sunday."
I made it to the Wal-Mart and was informed there was a two hour wait. I told the teenaged girl at the counter that if one of those mechanics in the garage could get me out of there in a half-hour there would be a nice tip in it for him. I simply had to be in Chatanooga for a gig at 2:30, which meant I should be there by 2:15 at the latest, to load in and sound check. I was an hour away from Chattanooga. It was one o'clock.
I went and stood by my car, which was parked in front of the garage bay doors. Then, from my hatchback, I took out the tire rim with the exploded remenants of my tire. I leaned it against my car, in plain view of the mechanics as the teenaged girl told them of my situation. They looked indifferent. I didn't go into the waiting area, I just stood there until one of the mechanics came out from the garage. Two minutes had gone by. He didn't say anything to me, just took my keys, drove the car into the bay and eight minutes later he was done. He walked up, handed me my keys and said I could pay inside at the counter. I opened up my wallet and gave him a ten spot, a dollar for each minute, and said, "Thanks for doing that." "No problem," he said, pocketing the bill.
I went back inside to pay for the tire and was caught behind a couple that must've been part of a COPS episode back in the day. They were actually buying their groceries at the Tire and Lube section at the back of the Wal-Mart, instead of the actual check-out lanes up front. Some secret they'd firgured out, I guess. They seemed very proud--especially when the cow of a wife made a point to edge in front of me in the line after my name was called, when the print out of the invoice came through from the garage mechanic. The cow copped an "we were here first" attitude. She had me on a technicality, with her basket full of groceries at the Tire and Lube desk. I'm sure their trailer was well stocked that night. But I digress.
I made it to the gig by 2:15, thanks to the Wal-Mart employees who were willing to take bribes. So, I'm not thanking Wal-Mart for getting me to my gig on time, just their employees.
Epilogue:
Turns out the festival I was playing at also had a dog show going on that the booker had forgotten to tell me about. I didn't have to go on until 2:45.
At 2:45 sharp I took the stage playing to a house that was packed full--half of them dogs, the other half their owners--very few of them caring about me or what I had to sing. What the hell, I was getting paid.
I told them about my dog and how I wished I'd brought her. I got a few chuckles. I told them about my road demons on the way up from Atlanta and received some sympathy. I was sweating so profusely that all my clothes were soaked. I said, "Anyone who buys a beer and sets it at the foot of the stage for me gets a free CD." I placed a CD where I wanted the beer to be. Within 30 seconds the CD was gone and I had a nice cold beer.
It was shaping up to be a good gig after all.
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