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Cindytalk



Last Updated: 12/15/2009

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Status: Single
City: Kobe,Dalston,innit!
Country: JP
Signup Date: 5/13/2006

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Monday, December 07, 2009 

Current mood:  blessed
Category: Life
"Crackle" has been reviewed by Resonance FM's Jonny Mugwump.It's available along with a downloadable laptop live set that i did at Club Otoya,Kobe, Japan in April 2006

"Cindytalk have been in existence as a band since 1982 with transgendered Gordon Sharp as its one constant. Beginning with a heavily European-influenced post-punk sound, Sharp appeared on some of the early records by the 4AD ethereal umbrella project This Mortal Coil. They moved quickly and quietly towards a more fractured ‘ambi-dustrial’ feeling and over the last two decades have released sound sporadically as well as becoming involved in sound-system culture. To be honest, I had lost track of their movements until The Crackle of My Soul landed on my doorstep last month, so I had no idea what to expect barring the unlikelihood of this being a commercial endeavour giving the album’s release on Editions Mego. And what an astoundingly shocking and beautiful band they have become. Crackle sounds like pop music at the absolute extremes of the sonic margins. ‘Signalling Through the Flames’ encroaches slowly around you - something like a glitching bell hovers for a minute before fragmented static eerily creeps into view. Further unidentifiable layers of sound slowly join this ritualistic loop until it dawns that somehow this is still pop music. As you adjust to the strangeness of its unfolding, every layer becomes a refrain, becomes a hook. For all its abstractness though the record is never less than... human. Cindytalk are a band though and repeated listens give an indication of this although it’s impossible to discern the physicality of the sound sources - it feels both played AND sculpted. Closing track ‘Debris of a Smile’ reveals the most: just rain and cracked piano for several minutes before things take a turn for the strange with whispered tweaked voices, shards of ungraspable sound, and digital detritus. The absolute highlight though is ‘Our Shadow, Remembered’ which is one of the most downright eerie things I’ve heard in a long long time. What feels like an internal exotica - abrasive with strange electricity, Sharp’s genderless voice begins to materialise out of nowhere seductively (and destructively) serenading “come here” over and over. The Crackle of My Soul is just that - the inner landscape of the soul breathing through weird electricity."


Currently listening:
Iv
By KTL
Release date: 2009-01-19
Sunday, November 29, 2009 

Current mood:  blessed
Category: Life
FORTHCOMING: 

Split release: 10" vinyl
 
A Side: Cindytalk  "Five Mountains Of Fire"

B Side: Robert Hampson "Antarctica Ends Here"
 
Label: Editions Mego  March 2010

Two 9min 40s pieces. Although recorded separately at different times and in different environments, these pieces complement each other in many ways.A continuity that threads it's path through the more visceral textures of Cindytalk's "Five Mountains Of Fire", it's influence taken from the Kyoto (Obon) fire festival, where huge Japanese Kanji symbols are literally burned on the mountains surrounding Kyoto, to Robert Hampson's "Antarctica Ends Here", where frozen minimalist piano notes, are timestretched to become sinuous multi-layered drones against a backdrop of field recordings of wind and large Bamboo plants rustling in the breeze. 


photograph by spaewaif

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Currently listening:
Vectors
By Robert Hampson
Release date: 2009-06-22
Saturday, November 28, 2009 


http://soundcloud.com/touchedraw/edinapt1

bambule - cosmopolitan scum dj mix pt1  by  touchedraw

bambule prepared dj set for the cindytalk gig at the voodoo rooms, edinburgh, 24.10.09 featuring : cindytalk, ktl, wasteland, daniel menche, eno/fripp, capece/vainio, bruce gilbert, florian hecker, fire room, panasonic, asmus tietchens, sofia gubaidulina, hardfloor/plastikman.

Saturday, November 28, 2009 


http://soundcloud.com/touchedraw/cosmopolitan-scum...

bambule - cosmopolitan scum dj mix pt2  by  touchedraw

bambule prepared dj set for the cindytalk gig at the voodoo rooms, edinburgh, 24.10.09 - featuring : nico, ktl, robert hampson, cindytalk & cloaks.

Thursday, November 12, 2009 

Current mood:  blessed
Category: Life
After reviewing The Crackle Of My Soul in their November issue, Wire magazine has
reviewed it again in their December issue.That was awfully nice of them...       Cx

Cindytalk. The Crackle Of My Soul. Editions Mego CD.

"Cindytalk’s moniker has always been deceptively winsome. Founded in Scotland in 198č by Gordon Sharp, their one constant member, they began life on the fractious periphery of post-punk and have extended outwards since. The Crackle Of My Soul comprises tracks recorded between č001 and č009. Opener “Signalling Through The Flames” impacts like laser treatment on the sinuses, while “Of Ghosts And Buildings” is similarly searing, as if monogramming precious metals with cryptic graffiti. As the album progresses, the camera pulls back to reveal a broader spatial context. “Maglev” hints at the acoustics of a giant hangar; “One Hundred Years Tomorrow” takes place against a cosmic tableau, proceeding like a giant obelisk burning up in space. Genres like Industrial, Ambient and Noise work as distant reference points for Cindytalk, like planets departed from long ago."

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Currently listening:
Spiritual Unity
By Albert Ayler
Release date: 2008-06-30
Monday, November 02, 2009 

Current mood:  blissful
Today is the official release date of our new album The Crackle of My Soul.It's been a long time coming - I started recording it in Long Beach, California, as early as 2001 and it wasn't properly finished until 2006 in Kobe, Japan.A further 3 years later and it gets a glorious release on a very special label.A massive thank you from Cindytalk to Peter Rehberg and everybody at Editions Mego.They have been wonderful beyond words, exactly the kind of label we always dreamed of being involved with.This is the follow-up to our 1995 album Wappinschaw and though much has been done in between (Bambule,Darkmatter Soundsystem & unfinished album "FieryPlanetEyes") i'm personally very happy with this album as the natural follow-up.Listen loud and on headphones if you are interested.Cheers, Cinder x.
Photobucket"Since the early ‘80s, Cindytalk has transformed from post-punk band to experimental electronic improvisation ensemble. Eight years in the making, The Crackle of My Soul marks a new transformation of Cindytalk's sound, a new step in the abstraction of the group's music. The sheer fact that it is released by Editions Mego (synonymous with glitch electronica and experimental noise) is a sign one shouldn't ignore. For this outing, Gordon Sharp has worked alone, in three different studios, to concoct a gorgeous set of shimmering high frequencies, delicate rumblings, and obliterating white noise. Forget the song-based approach of the early days: this is sound-sculpting, the transmogrification of raw thoughts into sounds without harnessing them to melodies or beats. The music on The Crackle of My Soul has the depth of Fennesz's best work but some of the harshness found in the works of Kevin Drumm and Pita. It's a subtle blend, a heady one too, as the album takes you on a continuous journey, all tracks sounding like variations on a single theme (except for a quiet piano-based piece). "Signalling Through the Flames" and "Transgender Warrior" (the latter previously released on a 7" EP) are the highlights, but the overall quality of this album is very high, and it is clear that a lot of thought and care have been put into its composition. An impressive comeback."
(by François Couture,review for Allmusic)
Currently listening:
In This Light And On This Evening
By Editors
Release date: 2009-10-12
Thursday, October 22, 2009 

Current mood:  blessed
Category: Life
We're back from our travels abroad - we had an absolutely brilliant time.Once we 
are settled again,we will thank everyone who assisted us and looked after us but meantime we have one more show to prepare for.... We will be in Edinburgh at the Voodoo Rooms on Saturday night (24th Oct) along with Somatic Responses, The Tenebrous Liar and Blackmass Plastics (dj.)It should be a special night so if you're in the vicinity please try to come along and say hello...

Cheers,
Cindytalk


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Currently listening:
Acid In The Style Of David Tudor
By Hecker
Release date: 2009-05-04
Tuesday, September 22, 2009 

Category: Life
CINDYTALK will be warming-up for their forthcoming tour by supporting good friends  THE TENEBROUS LIAR  at a gig in Brighton next tuesday evening.Come and join us if you can...

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Sunday, July 19, 2009 

Category: Life
after a terribly sad and painful 2008 - a year which saw the passing of our dearest friend matt kinnison and also the theft of our back catalogue by italian robbers abraxas records (they even stole the name wheesht for the current re-issues of "camouflage heart" and "in this world".please stop buying these records as they were part of a calculated rip-off) - 2009 is shaping up to be a much more productive and heartening year...

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we are delighted to announce that CINDYTALK will be releasing three albums with possibly our favourite record label in the world - editions MEGO.for me personally, this is one of the highest moments of a 33 year long musical journey.praxis is the only label i have previously been this excited to have had an association with.eMEGO will be releasing "THE CRACKLE OF MY SOUL" on the 2nd of november 2009 and will follow that with "UP HERE IN THE CLOUDS" in early 2010.the third album "HOLD EVERYTHING DEAR" still needs a little tweaking but will hopefully be released between spring and summer 2010.these albums are, in the main, abstract computer electronics and will hopefully help to reposition cindytalk musically.

we are equally thrilled to announce that we will be taking our brand of abstract electronics and live band organics to FRANCE,SWITZERLAND & SCOTLAND in october this year.a short tour has been organised with friends in those countries and we are all very much looking forward to the experience.hope to see you there...

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it will be especially thrilling for me to play in EDINBURGH.cindytalk started life there in 1982 but moved to london soon after.the last time i performed in my home country was in 1981,with the freeze.2009 will definately be a homecoming year for cindytalk... can't wait.

cinder x

tour dates as follows : 

2 Oct 2009

Bordeaux, Aquitaine        
with Oharu and Hypos

3 Oct 2009

Nantes, Bretagne
with Les Modules Etranges,Hide &
Seek and Wehwalt

6 Oct 2009

Geneve,Switzerland
with Blind Cave Salamander

8 Oct 2009

Paris, Ile-de-France
with Hide & Seek

10 Oct 2009

Cherbourg, Basse-Normandie

24 Oct 2009

Edinburgh, Scotland
plus guests and dj's.

Currently listening:
Repercussions
By Distance
Release date: 2008-11-17
Friday, June 05, 2009 

Category: Life
With the help of Timothy Wilson (Seedhill Bruiser) we have uncovered a "forgotten" track from the Wappinschaw sessions.Old Jack Must Die,(which was also titled Bambule for a while) features Matt Kinnison on bass,Paul Middleton & Andrew Moon on drums/percussion and David Ros on mixing desk & guitar.The wonderful Spaewaif has put the track up on the player of her blog Of Ghosts and Buildings... it dates from 1990/1991.i think it fell foul of a period when we didn't quite have the full compliment of players to bring the piece to fruition.It was eventually deemed not strong enough for the  album and was shelved.The main lyric made it onto the album in text form whereas the "Wallace Rise" theme mutated into the much more full blooded "Muster".For this Ghosts posting we tied it into the Scottish political theme which was an undercurrant throughout the Wappinschaw project.Once Spaewaif had alerted me to the post,it brought to mind a maxim that i'd seen often on the pages of Alasdair Gray's books, "Work as 
if you live in the early days of a better nation"...after a little research i found this article by Alasdair Gray from Glasgow's Sunday Herald newspaper,i thought it would be fitting to attach it to this post.
Have a listen to the track at http://of-ghosts-and-buildings.blogspot.com/
Thanks to Spaewaif,Timfy and as ever Alasdair Gray.
Cinder x
Work as if you live in the early days of a better nation
An essay by Alasdair Gray

THE EDITOR of the Sunday Herald and Alex Salmond were wrong to call me author of the slogan Work as if you live in the early days of a better nation'. I found it in a long poem by the Canadian author, Dennis Leigh. I read it in the late '70s and put it on the cover of a novel in 1984. It is inspiring but not boastful. I hate hearing folk say I'm Scots and proud of it'. All people should love their land where the government does not punish them for saying what they think, but the only people who think their nation can only be made worse, not better, are likely to be very rich.
All should be glad to live where we can be good for others because our work helps them. The essential do-gooders in any nation work to provide food, clothes, and necessary transport. They build our houses and roads, mend the plumbing, empty our middens but such folk are the most lowly paid and have little time to improve their nation, having first to silence (as John Locke said) the croaking in their hungry bellies and those of their children.' Unlike professional folk, most reach the peak of their earning power in their early 20s, and since Thatcher's regime destroyed most trade union powers, their only chance of altering their state is through an election like that of May 3, 2007.
But no wonder only about 50% bothered to vote. Every government since Margaret Thatcher has continued her policies. Blair's only original idea was a Scottish Parliament with no power to do what Westminster did not want. He set up an Edinburgh talking-shop of very well paid MSPs chosen by proportional representation, hoping it would keep Scots dissidents squabbling between themselves without interrupting his management of Britain along lines favoured by its chief bankers and stockbrokers.
Three times in the 20thC the English Establishment let in a Scottish prime minister because it was hard to choose one of themselves. They knew Campbell Bannerman and Ramsay MacDonald were too old, tired and sick to be anything but conformists, knew Tony Blair's New Labour policy was wholly conformist. But his Scottish Parliament was a small step in a better direction. The May 3 election is a slightly larger good step. I can only explain how I think of Scotland today by giving my personal history of this United Kingdom's politics for readers too young to remember it.
I grew up believing, with my dad and his friends, that doctors, teachers and Labour politicians were the noblest works of God - doctors worked to reduce pain, teachers to spread knowledge, Labour politicians to reduce poverty and increase social equality. I was born in 1934 Riddrie which, with Knightswood, was the best scheme built by Glasgow Corporation (now called Glasgow City Council) being the earliest built under the Wheatley Act. This, the only Socialist Act of the first brief Labour Government after world war I, let local councils start improving the British workers' rotten rented homes by building public housing schemes. These were added to a Glasgow whose pure water supply, plumbing, roads, street lighting, public transport and schools had been municipalised by the former Liberal Party that had also introduced old age pensions, labour exchanges and doles, paying for them by taxing more highly the owners of richer properties. In this way Glasgow resembled London, Birmingham and many big industrial towns.
When we add tothesea nationalised General Post Officethat ran a cheap firstclass mail service for everyone and the telephone service, with the uncommercial BBC transmitting all radio and television broadcasts, so we knew Britain had the foundation of a completely Socialist state.
When world war II began the London Government was rightly terrified of a Nazi conquest because Britain stood alone against European Fascism. It did not threaten the USA and the USSR had signed a pact with it. A Tory and Labour coalition united the country by nationalising every big British business, industry and bank. Profits were frozen, rents and wages fixed, young men were conscripted into coal mines, girls into factories, rationed food ensured none ate luxuriously while others starved. It signed agreements with our trade unions that lasted for two decades after the war ended. All these Socialist acts had been rejected as Socialist by the same government before the war, leading the novelist Joyce Carey to write, the only good government is a bad government in a fright.' To make post-war Britain a better nation for everyone a government committee drew up a plan for the future of the welfare state. It was called the Beveridge Report.
The main politicians who accepted and carried out that report were Tories and Labourites who agreed Britain should have more social equality. Many had survived the first world war which the British Government said was being fought to make A Land Fit for Heroes to Live in.' After it, reduced wages caused the 1920s General Strike followed by a worldwide economic depression with widespread unemployment caused by overproduction of essential goods. Well, the war had cured that. The last bill passed by a Tory minister in the wartime coalition was an education bill which let any student who passed entrance exams enter universities or colleges without them or their parents having to pay. Peacetime Britain was expected to be better for all the well educated folk it could get. Student grants allowed me, many friends and thousands of other working class kids train for professions. They let clever Margaret Thatcher, a grocer's daughter, pass through Oxford into politics.
Then a Labour government created the National Health Service while keeping railways, coalmines, gas and electricity supplies, steel production and road haulage as public property. We believed Britain had achieved a social revolution better than the Russian one because a democratically elected government had achieved it without killing, jailing or deporting folk. We were also an example to the USA because Britain was not mainly ruled by millionaires. We were naive about money.
The class with greatest power in Britain still came from posh private schools and Oxbridge. They were glad the government had bought their railway and coal mine shares because since the 1920s they had brought a very low return, and now they invested in big private enterprise businesses, allied to petroleum industries. They were still the salaried directors of British Rail, coal, electricity and gas whose boards contained no train drivers, miners or meter readers. When geologists working for British Gas, then a public corporation, found reservoirs of natural gas and oil under the North Sea, these were quickly passed to private corporations. The Norwegian Government kept a controlling share of its offshore oil wells - not the British! The lord put in charge of our oil industries by parliament owned shares in them, Beaching, in charge of British Rail, had shares in road building. He saw no future in public transport and closed most of British Rail's branch lines. That was before Margaret Thatcher started privatising the United Kingdom.
Let me amuse you with the adjacent poster issued by the Board of Trade when it tried encouraging British industry by appealing to the workforce. The designersdidnotmeanitto suggestthatScottish industriesshouldfill English shops. It does, but also reminds us that Scottish industries before the late 1960s were internationally famous. Clydeside made more ships than the USA, with good furniture in ocean liners made by Scottish craftsmen and carpets by Templeton's of Bridgeton who also made carpets for state capitals in Canada, Australia and elsewhere. Railway trains were exported to South America from Shettleston, cars made in Linwood, cranes in Govan, Ravenscraig made steel for these in furnaces from the coal in Scottish mines.
In 1979 the Westminster Labour Party held a Scottish referendum to find if a majority of Scots wanted their own Parliament. Before it, the leaders of the Tory and Labour parties told Scottish voters that if they achieved independence investors would pull out money, Scottish industries would fail and general poverty increase.
The referendum showed more Scots voted for independence than voted against, and in any other democracy we would have gained a parliament. But the government had changed the normal rules of democracy and announced that since the pro-independence voters had won the race by a short head, they had lost it. After which investors pulled money out of Scotland, more and more of our industries failed and what had been built as reaosnably good housing schemes deteriorated into slums.
Every productive work except farming, and whisky distilling seems to have stopped - Denny's of Dumbarton who built the first hovercraft, Singers' Clydebank sewing machine works, Paisley spinning and weaving mills, Bryant & Mays Maryhill Matches, Greenock's Tate & Lyle sugar and Golden Syrup, Dunfermline bed and table linen, Jean MacGregor's Scotch Broth, Caithness Glass perished last year - I can hugely enlarge the list but it would bring me to tears. I believe a Scottish government could have protected some of these industries, encouraging them to modernise by putting them in contact with university research departments that were not in the pockets of global corporations. Pessimists will say there is now nothing left in Scotland for Home Rule to improve. I deny that, if we work as if in the early days of a better nation.
Currently listening:
Valentin Silvestrov: Drama
Release date: 2007-11-20