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The Masters of Funk, Soul and Blues



Last Updated: 8/30/2009

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City: PHILADELPHIA
State: Pennsylvania
Country: US
Signup Date: 6/8/2006

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Wednesday, March 25, 2009 

Current mood:  sad
Wednesday, March 25, 2009
Uriel Jones, Detroit
Hard-rockin' drummer was key Funk Brother
Susan Whitall / The Detroit News

Uriel Jones, whose muscular, hard-rocking drum style was an integral part of the Motown sound on classics such as "Ain't No Mountain High Enough" by Marvin Gaye and Tammi Terrell and "Ain't Too Proud to Beg" and "Cloud Nine" by the Temptations, died at Oakwood Hospital Tuesday afternoon, according to his friend, Motown arranger Paul Riser. Jones was 74.

Jones suffered heart problems in recent years, including a heart attack in early February when he was in the hospital getting a blood transfusion. While he seemed to be on the mend, he hadn't been able to go home yet.

"I feel blessed to have worked with him," said Bob Babbitt, who played bass with Jones on many Motown hits as part of the Funk Brothers, Motown's core backing band. "As a musician he was incredible."

"Uriel was one of the great R&B drummers," said Allan Slutsky, who made the 2002 movie about the Funk Brothers, "Standing in the Shadows of Motown" and managed the Funks for a while.

"Of the Funk Brothers drummers, Uriel was the hardest rocking," Slutsky said. "Benny (Benjamin) and Pistol (Allen) were more finesse, jazz players. Uriel was a beast, that's why he and (Motown pianist) Earl Van Dyke were such a pair. He would hit really hard."

Born in Detroit, Jones always credited music with saving him; like many musicians of his generation, including Levi Stubbs of the Four Tops, Jones did a stint at Moore School for Boys, which was for Detroit public school boys who were a discipline problem.

But Moore had a strong music program, and it was there that Jones found himself, using the drums as an outlet for his energy.

Jones started out backing Marvin Gaye on the road, and segued into a role as a session drummer at Motown in 1964, the year when the label had exploded on the national pop charts.

A clip from the Funk Brothers film "Standing in the Shadows of Motown" will air on one of this week's "American Idol" "Motown week" programs, to air tonight and Thursday on WJBK-TV (Channel 2).

Surviving Jones are his wife June Jones and three children, Lynnaire Barnett, Gary Jones and Brooke Gardner; as well as seven grandchildren and two great-grandchildren. Funeral arrangements are pending.

You can reach Susan Whitall at (313) 222-2156 or swhitall@detnews.com.

Find this article at: http://www.detnews.com/apps/pbcs.dll/article?AID=/20090325/ENT04/903250400
 
© Copyright 2008 The Detroit News. All rights reserved.

Saturday, July 26, 2008 

Category: Music
Masters of Funk, Soul, and Blues
Written by Norman (Otis) Richmond      
Tuesday, 08 July 2008

Africans in the United States have produced some of the most popular music
in the world. The world knows about the Motown sound. Equally, the earth
knows about the sound of Philadelphia.

Detroit-born Donald Byrd remembers the Philadelphia.-born Lee Morgan
whispering in his ear while he's was playing on stage, "We (Philadelphia
musicians) are badder than you guys in Detroit."

Phil Hurtt and Bunny Sigler have squashed   the "beef" and brought the two
power house cities together on the CD, Masters of Funk Soul and Blues: A
Soulful Tale of Two Cities.

Hurt and Sigler have the two cities making mad passionate love and not
war. Philadelphia artists like Hurtt, Sigler, Jean Carne, Carl Helms,
Russell Thompkins, Jr. (Stylistics); Ted Mills (Blue Magic), Barbara
Mason, Jimmy Ellis (Trammps),Kathy Sledge (Sister Sledge)  Major Harris
and William "Poogie"Hart of the Delfonics represent the city of brotherly
love.

Sigler, who has been described as "Philadelphia's secret weapon" stands
out on this project. He performs Marvin Gaye's "Got To Give It Up", Gaye
and Tammie Terrell's, "Ain't Nothing Like The Real Thing", Smokey Robinson and the Miracles', "Ooh Baby, Baby", The Temptations' "Baby, Baby, I Need You" and Rick James and Teena Marie's "Fire and Desire." Sigler does justice to these Motown classics. He is joined by Carne on James' "Fire And Desire."

The soulful Ted "The Wizard" Mills does an outstanding rendition of Eddie
Kendricks' and the Temptations' "Just My Imagination." I personally love
Hart's take on the Four Tops, "Just Ask the Lonely". While Levi
Stubbs'rendition of the song is sandpaper, Hart's version is silk.

Bobby Taylor is featured a 2006 CD, "Masters of Funk, Soul and Blues: A
Soulful Tale of Two Cities". Taylor performs The O'Jay's "Love Train",
"Sunshine", "When the World is at Peace" and The Spinners "Sadie".

Taylor was one of the oldest on this project and still has a nice set of
pipes.

 I saw Taylor and The Vancouver's at the Fox Theatre in Detroit in 1967. He
and his group shared the stage with the Temptations (Dennis Edwards,
Eddie, Paul, Melvin and Otis), Stevie Wonder, and Blinky Williams, who
grew up in my neighbourhood in Los Angeles.

The biggest surprise on this CD is George "Doctor Funkenstein's" Clinton
performance of "Love Won't Let Me Wait". Freda Payne's magnificent
reworking of Russell Thompkins Jr. and The Stylistics', "Betcha by Golly
Wow" is a gem. Ali Ollie Woodson's "Ain't No Stopping Us Now"'.

This CD is the brainchild of Phil Hurtt and Bunny Sigler. Hurtt
established himself in the early 70's as one of the Young Professionals.
They were a group of talented songwriters and producers on the
Philadelphia R & B scene. One of Hurtt's biggest song writing successes
was "I'll Be Around" which he co-wrote with Thom Bell in 1973, a classic
soul recording for the Spinners and later a U.K. hit for Terri Wells.

At the same time he began working closely with Sigler, an early
co-production being a 1973 Atlantic album "Sweet Charlie Babe" for Jackie
Moore. He also co-produced "The Weathermen" and "Mama Never Told Me," the first two singles for Sister Sledge that year. As a recording artist he
signed briefly with Fantasy in 1978, his single release 'Giving It Back'
being a popular soul / dance record that year and a U.K. Top 40 hit.
Sigler, who has been described as "Philadelphia International's "secret
weapon", is also a songwriter and record producer and  has done extensive
work with the team of Kenny Gamble and Leon Huff, and who was instrumental
in creating the "Philly Sound" in the early 1970s. He is nicknamed "Mr.
Emotion."

Sigler has worked with most of the acts associated with the Philadelphia
stable including The O'Jays, Jackie Moore, Harold Melvin & The Blue Notes,
Barbara Mason, Billy Paul, Lou Rawls and Stephanie Mills. He also co-wrote
"The Ruler's Back", the opening song on the widely respected and
critically acclaimed album The Blueprint by Jay-Z.

Masters of Funk Soul and Blues: A Soulful Tale of Two Cities is a must
have for lovers of Black Music. This CD proves that great music is still
being made; however, radio is unwilling or unable to play it. In the 21st
century to hear current music from classic r& b artists is next to
impossible. Gerald Alston sings Sam Cooke featuring Gerald Albright and
the Masters of Funk Soul and Blues is getting little or no airplay.

Toronto-based journalist and radio producer Norman (Otis) Richmond is the
co-founder, along with the late Milton Blake, of the BMA/TC. He can be
heard on Diasporic Music, Thursdays, 8 p.m.-10 p. m., and Saturday Morning
Live, Saturdays, 10 a.m.-1 p. m. on CKLN-FM 88.1 and on the internet at
http://www.ckln.fm . He can be reached by phone at 416-979-5251 x2372 or
by e-mail at norman@ckln.fm.

Sunday, January 20, 2008 
Phil Hurtt and Bunny Sigler on air RIGHT NOW discussing  "A Soulful Tale of Two Cities" on the Spider Jones Show - CFRB FM in Toronto, ON. (5:15pm to 6pm Sunday, Jan 20th)
TUNE IN
Sunday, November 04, 2007 

A Soulful Tale Of Two Cities Receives Multiple Entries
in the Official 50th Grammy Awards Balloting!

~ 50TH GRAMMY LIST & A Soulful Tale Of Two Cities~
Yup!... We are eligible for multiple Grammy nominations!... (Nov 1, 2007)

~~~see details here~~~

~ 50TH GRAMMY LIST & A Soulful Tale Of Two Cities~ (click here)
at SoulfulPlanet.com

Keep in mind this is just the preliminary round, but it is still exciting to see! 10 nominations in all!!

Fingers crossed!!

Friday, August 17, 2007 

Hey good people!

We'll be down on Ben Franklin Parkway on Sunday, with about a million of our closest friends.

Unity Day has become a staple for the City of Philadelphia, and continues to get bigger and better every year. It has grown from an event with 20,000 to over a million people! This landmark Philadelphia event celebrating family values, pride, and empowerment runs from 11AM to 8PM. The Ben Franklin Parkway will be filled with delicious food, vendors, art exhibitions, a softball game, children's activities, and free performances.

Music, food, fun things to buy, music, food and even food and music!

We'll have balloons for the kiddies and lots of other great giveaways, so stop by and say hello. Pick up a fresh copy of A Soulful Tale of Two Cities, we know the one you bought is already worn out, you've played it so much. ;)

Come meet some of the Masters of Funk, Soul and Blues. Get an autograph, take a snapshot, ask a burning question. It'll be fun, we promise! And the weather is supposed to be gorgeous too.

See you Sunday!

Thursday, August 09, 2007 

Current mood:  determined

Make some noise!

I suppose you think we've been a little quiet this summer. Boy, do we have you fooled! We're stealthy, see? Acting on the QT to take over this thing called the universe.

In the last month alone, we picked up a dozen or so stations across the Atlantic in the good ol' UK.

Thanks, mates! We're really feelin' the love!

Phil will be doing another interview there soon, so stayed tuned for details.

Our very own Gene Leone has been fighting alongside our good friend, Mixey, to bring attention to the Internet radio debacle that has virtually smothered Independent music here stateside. If you haven't checked out Mixey's new site, Soulful Forum, please do.

Right now, we're all gearing up for Philadelphia's 29th Annual Unity Day which takes place on Sunday, August 19th. The Soul Renaissance crew will be out in full force with cool giveaways, and of course we'll be cranking up the tunes.

Maybe we'll get Bunny Sigler to sing a few hits. Hey, who are we kidding? Does Bunny ever pass up a chance to show off his incredible talent? Thankfully, the answer is no! Sang on, Bundino. Sang on!

So, nap time is over folks. These are the dog days of summer and it is time to get down and get funky.

Won't you join the party?

~the MoFSaB

Saturday, July 07, 2007 

A very special Happy Birthday to our very own Gene Leone!

39 looks good on ya! ;)

All the best always!

Sunday, June 03, 2007 

Skip Reeves will sit down with Phil Hurtt tonight to discuss 'A Soulful Tale of Two Cities'

Tune in at Midnight (2am EST/11pm PST)  on Saturday to check out A Funk Above the Rest with Skip and Phil!

http://www.kuvo.org/jzstream.htm

Saturday, June 02, 2007 

"Motown" does Philly.  Philly does "Motown".  Philadelphia producer Phil Hurtt, who has 11 gold and platinum records, is releasing "A Soulful Tale of Two Cities."
The concept is simple. Let the Motown stars record the Philadelphia classic soul jams.  Have the troops from the Philadelphia International school record some Motor City tracks.

The remaining members of Motowns house band The Funk Brothers with other Motown Artists 'Freda Payne', 'Bobby Taylor' and 'Lamont Dozier'  performs the Philly penned classic hits such as 'Close the Door', 'Ain't No Stopping Us Now', 'Betcha by Golly Wow', 'Me & Mrs. Jones', 'Love Train', 'For the Love of Money', 'TSOP' and others. 

And vice versa Philly's renown MFSB (Mother Father Sister Brother) with well known Philly artists 'Jean Carne', 'Bunny Sigler'  performs the Motown penned classic jams such as 'Ain't Nothing Like the Real Thing', 'Dancing in the Street', 'Knocks Me Off My Feet', 'Fire and Desire', 'Isn't She Lovely', 'Baby, Baby, I Need You' and other tracks. The tracks are recorded, produced with respectively Motown and Philly influences.

Here's just a sample of what we can expect on the CD from the Philly artists:


Jean Carn sings Stevie Wonder's "Higher Ground"
Blue Magic's Ted Mills sings the Miracles "Shop Around"
The Delfonics' William Hart sings the Four Tops "Just Ask the Lonely"
Writer, producer, artist Bunny Sigler sings Marvin & Tammi's "Ain't Nothing Like the Real Thing"
And from our Motown friends:

Freda Payne, (remember her), does the Stylistics "Betcha by Golly Wow"
Bobby Taylor of the Vancouvers sings "If You Don't Know me By Now" of Harold Melvin & the Blue Notes fame
Lamont Dozier croons "Me and Mrs. Jones" from the Billy Paul song book
In on the project is Detroit native George Clinton, who tackles "Love Won't Let Me Wait", Clinton also covers "Expressway to Your Heart," the big Philly hit by the Soul Survivors.

The Motown folks are recording the Philly songs in Detroit, and the Philly International crew are cutting their Motown songs in the city of brotherly love.

It's a really fresh idea. Some songs did reach the charts in the UK.

This double CD consist thirty tracks and is released by Phil Hurtt's Soul Renaissance Records  and is a must for the real soul lover.
 
www.soulandfunkmusic.com

Wednesday, May 30, 2007 

PHIL HURTT (A SOULFUL TALE OF TWO CITIES)
by David Nathan


'Masterful' is the probably the best word to describe the concept behind "A Soulful
Tale Of Two Cities," the two-CD set released a few months back on the independent
Soul Renaissance Records which has been a consistent best seller at the Soul Music
Store.  The original brainchild of Philly producer/songwriter Phil Hurtt (whose impressive
credits have included hit records on The Spinners, Jackie Moore, Bettye Swann, Sister
Sledge among others), the project brings together some of the most beloved artists
associated with the music of Philadelphia - such as Bunny Sigler, Jean Carne, Ted Mills
(of Blue Magic), Major Harris, Barbara Mason, William Hart (of The Delfonics), Jimmy Ellis
(of The Trammps)   and Kathy Sledge – with their counterparts from Detroit including
Lamont Dozier, Freda Payne, Ali 'Ollie' Woodson, Bobby Taylor, George Clinton, Carolyn
Crawford and The Velvelettes. 

In a unique twist, the Philly folks are singing Motown songs and the Motor City artists are
giving their renditions of material from the City of Brotherly Love with some most
interesting combinations!  Prime examples:  Jean Carne and Bunny Sigler give the
Teena Marie/Rick James' classic duet, "Fire & Desire" a veritable workout while the
usually-funky George Clinton turns soulful balladeer for this rendition of the Major Harris
chestnut, "Love Won't Let Me Wait."

Hurtt, who worked with Sigler, fellow renowned Philly producer Bobby Eli, Dozier and
former Motown alumnus Clay McMurray as producers for the thirty-song set explains, "I
realized that there was no arena for the people who created this music (from Philly and
Detroit) to write and perform.  The idea for doing this stemmed from frustration on my
part: the industry has changed so much and what is called R&B or soul music now is
quite different from what it was.  I thought about what it could mean for the artists from
Philadelphia and Detroit as well as for the generations of listeners who don't even know
them…"
      
Focusing in on the vision of bringing together Motown and Philly artists that became
clear to him in May 2004, Phil recalls, "I thought I would try the idea out on a friend and it
blew his mind completely!  I then went about getting the financing together and checking
to see which artists were available.  Unfortunately, we started losing some of the guys
that were on the original wish list like Gene McFadden, John Whitehead, Lou Rawls…" 

Noting that it was "easier to get to the Philly folks," Phil began getting the Motown/Detroit
contingent involved starting with Freda Payne and then reaching out to Lamont Dozier,
who not only produced several of the former Motown artists but also sang on tunes like
Billy Paul's "Me & Mrs Jones" and Teddy Pendergrass' "Close The Door."  Through
Lamont, Clay McMurray came on board and that resulted in the participation of Bobby
Taylor, who contributed his vocal skills to two O'Jays tunes, "Love Train" and
"Sunshine."     

Probably the biggest challenge was choosing the material from the Philly and Motown
catalogs: "It was difficult!" recalls Phil. "We looked at the vast body of music and finally
selected fifty songs.  Then we shared our selections with the artists involved and said,
'Figure out what you want to do and go do it!'  I did tell the artists, 'Don't just do a cover!'
because we wanted each person to bring something to the songs they chose – and to a
man and a woman they did just that.  One of the big surprises was having George Clinton
do "Love Won't Let Me Wait" and seeing what a dramatic change from what might have
been expected.  And then, Bunny (Sigler) did Marvin Gaye's "Got To Give It Up" in just
one take!"

Phil himself took center stage vocally for The Temptations' "The Girl's Alright With Me"
using a big band arrangement: "We definitely tried to make each one a little different
than the original versions.  I think it was a little easier for us Philly folks to do the Motown
songs because we grew up on them.  We went to Detroit and worked with the Funk
Brothers and the feeling we had in the studio was like we were brothers and sisters.  So
many of us had similar stories to share and when people began to leave, there were
tears… It was a real feeling of family, like a love fest.  That really touched me. It was an
awesome experience working with everyone.  We had a lot of fun and it was wonderful
how easily it all came together.  There was no 'attitude' and if there was any ego, folks
checked it at the door before they came into the studio.  I've never experienced anything
like it and working with artists like Jean Carne, who knows what she's doing, was
great."  Phil's association with some of the Philly folks goes back: for instance, he wrote
a number of songs and produced soul singers like Jackie Moore and Bettye Swann with
Bunny Sigler and he comments, "we know each other so well from working together, it's
almost like we know what each other thinks." 

With a total of forty-seven tracks completed, Phil and co. had to cut it back to thirty songs
for the project and when released a few months ago on his Soul Renaissance imprint,
the appropriately-titled "A Soulful Tale Of Two Cities" began getting an immediate
response "especially from buyers in the UK and Japan through online sites like Soul
Tracks, Amazon and CD Baby.  We don't have a million-dollar budget so it's been all
about word of mouth. We've had some radio stations in Chicago, Philly, Detroit and L.A.
playing different tracks and we know there's a huge demographic out there for this kind
of music. All of the artists want to do a live show of the music but there has to be a
demand for it through the sales.  It's going to take the public letting us know for that to
happen and it's the same thing with recording new material with the artists on this
project.  We just have to let them know the CD is here." We at Soul Music.com are happy
to do our part in letting Motown and Philly music buyers know that "A Soulful Tale Of
Two Cities" is indeed here and ready for you to purchase at The Soul Music Store!

www.soulmusic.com