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Last Updated: 11/3/2009

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City: Madrid
Country: ES
Signup Date: 6/10/2006

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Monday, September 07, 2009 
Vakula es un artista Ucraniano que ha sabido ganarse el respeto internacional con dos grandes referencias en sellos clave: Uzuri y Quintessentials. Estos dos vinilos son joyas abstractas de deep house que beben de multiples influencias, algo que también deja claro en el BrokenMix que nos ocupa. Nuevamente volvemos a contar con la aportación de uno de los artistas llamados a marcar el camino del deep house en los próximos años.
Una sesión cargada de sorpresas, que no solo se centra en producción coetáneas de deep house. Vakula ha seleccionado cortes con un gusto exquisito para hacernos pasar un rato, realmente, placentero.

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[interview boing poumt chak http://www.boingpoumtchak.com/]
Who could imagine that one of the best innovative house / detroit-house sound of the moment comes from East-Europe ? After Russian Anton Zap, let me introduce you Vakula, Ukrainian electronic artist who has signed some experimental warm & groovy underground-house tracks on Uzuri, then Quintessentials, Meakusma, before releasing a record on Firecracker in 2009. Find out more about him, his thoughts on electronic music in Ukraine while listening the mix he did for Boing Poum Tchak! with only unreleased material from him. Vashe zdo..rovye !
Vakula
Special thanks to Anna Iarotska for this excellent translation, for her time and kindness, and Fabienne who has made the connection between us. Great job girls !
Who are you ?
I do not have any special education. So I don’t have any diploma, but I have worked in absolutely different places and performed various kind of work: from construction site worker to the deputy director of restaurant. All what I can do now, I have learnt through my life and an uneducated youth. It is connected with my childhood, I didn’t want to study. Instead of sitting and listening attentively to to the teacher I examined the nature from a window of a school class. Kept getting lost in my dreams. In my head there was a never ending flow of thoughts which were difficult and unclear to me at that age, but I couldn’t stop it. Because of this my parents did not understand me, the same with my friends from neighborhood.
When I became a bit more older, have understood that without education it will be very difficult to live in this world, and especially in Ukraine where there are practically no human rights. The government of Ukraine does not care of its people. Then I have decided to go to a technical school, I wanted to learn how to sew clothes. But I failed the enter examinations for free of charge education…. I had working class family and my parents couldn’t afford paying for my education.
Further I can tell you a lot about how with 16 years I left my parents’ house, left small city Konotop and went to a big Kiev and later on to Moscow to earn money for education, but it will take too much your precious time.
What did you listen when you were young ?
Unfortunately I have not grown up in black quarter where everyone knew name Marvin Gaye, Minnie Repperton, Roberta Flack, and not somewhere in Europe where every 100-th man could listen to the music of Steve Reich. In my native city it was very difficult to find good music at the time of my youth. We were looking forward to everything what arrived from the outer world thanks to rare visits of our older brothers to bigger cities, and copied music on cassettes. At the age of 9 I fall in love with disco music, but not that disco music you could imagine. For us a disco were such groups as Boney M and ABBA. Later on appeared pop electronic, technotronic, snap etc. With time I began to listen to hip-hop from Run DMC, Grand Master Flash, Digable Planets, but in our city then was no concept of HIP-HOP, we called it RAP. In the middle of 90s I started to like the group ORB and similar music. Music of ORB reflected my mood/spirit in 90s. I was very much interested in the psychedelic component of their music. One can say that because of ORB I discovered for myself Steve Reich and Terry Riley later.
How did you discover electronic music ?
1997 with a friend of mine we went to visit his friend. In the apartment of his friend a strange music was playing. I have asked the guy what was playing. He answered with a smile “It’s “Kraftwerk”, don’t you know them??”
After his words I felt ashamed: he was saying this name so confidently as if he knew this group since always.
Being very much impressed I came home and called my friend in Moscow to ask him to get me this music… And at the end of tha month I had to explain my parents why phone bill was so big…. Although at those time we were one big country ” Soviet Union “, negotiations/talks between two countries used to be very expensive and are not least expensive now for common people…
What kind of music people listen to in Ukraine ?
In Ukraine there are three types of people. 50 % from them like to listen to music like chanson with texts telling about difficulties of life in prison. Songs in which the singer is constantly complaining how hard life is. Meaning of such songs is usually negative. 40 % of people listen to Russian/Ukrainian pop music. I do not understand this music either. And 10 % listen more serious music. These ten percent include fans of totally different styles starting from jazz up to electronics.
What the club scene in Ukraine looks like ? What’s your point of view about it?
I go seldom to Ukrainian clubs as far as one third of my life I spent in Moscow. I can only tell that in Ukrainian clubs they play commercial music, music without any deep thoughts. There are very few people in Ukrainian club culture who are trying to create something innovative, something different.
I know only rumours which say that the pro-European Ukraine people feel music and understand it better. And I know by myself for sure, that the main part of interesting people in Ukraine come from pro-European part of the country.
When did you start composing ?
Actually I never though about myself that I’m a musician. If I am not wrong, at the end of 2002 in a musical shop “Дискоксид” in Moscow I met a guy. His name like mine was Mikhail. We were buying there together vinyl records. This person influenced me by showing me the musical computer program REASON. It seemed to be interesting to me. At that time I had no computer and didn’t even know how to handle a computer. But Mikhail having seen my interest left me his laptop so that I could study this program… And for days I was sitting sat at the laptop creating interesting sounds.8-))) I am very grateful to Mikhail for that. I can say, he was my sensei.
A year later in Moscow I met Alexey Stratonov aka Seldom and together with him we created the project with the name “Casual Undeground”. At this time we were interested in the deep sound of techno music and tried to express own depth by means of analogue sounds.
Two years ago Vakula was born. During my trip home I visited a small city of Putivl, it is near Konotop. Putivl inspired me, and there I understood how much I love Ukraine. Places there are very historical, full of secrets of the past. Inspired by this trip I had a desire to create a national hero Vakula, like in old Ukrainian fairy tales.
What’s a good definition of your sound ?
Noise and confusion 8)). I Think, my music is a fixing of certain thoughts which lasts to the end of the sound.
Who are your “godfathers” ?
My grandfather was a skilful bandura player. In my childhood he used to set us around himself to sing the next verse written by our national Ukrainian hero Taras Shevchenko.
Now I am inspired by music of mid 60s, 70s and beginning of 80s.
How do you work on your tracks ?
When I lived in Moscow, we used to gather in the apartment of my friend and recorder our experiences on a tape delay or Akai 2000. We used the Soviet analogue synthesizers, a bass guitar and were looking for harmonies needed by pressing various chords 8).
We used to go out to the centre of Moscow and recorder surrounding sounds. During the inspiration moments it is important for me to concentrate, otherwise it won’t work 8).
Now I have transported a part of my equipment to Konotop and temporarily work in the private house of my parents and with help of my nephews I’m working on new loops. 8).
How was the connection between Uzuri, Meakusma, then Quintessential ?
I know only that they are in contact with each other. They are different people from different countries. Probably they have a common goal. I love these people that they try to keep vinyl manufacture/production alive.
What’s your projects for 2009 (records / djing / live…)
In 2009 there will be two or three releases from Vakula, one of them, I hope, will come out this spring. Also I plan to collect group for live performances, but probably it will last longer, up to 2010. And of course I will continue to do dj-sets in the Moscow club “Propaganda”.
What is your biggest dream ?
To collect studio equipped with a maximum quantity of musical analogue instruments and to twist handles for hours without a break 8).
How did you work on the mix for Boing Poum Tchak ! ?
While answering your questions I listened several times Ash Ra Tempel “Eloquentes wiesel” and decided to give away a mix of several unpublished works. Maybe it will be slightly different from your expectations 8-). But I do compilation of my tracks for the first time in my life. And I feel a little bit excited. Please do not judge strictly, I’m just learning.
A last word to say ?
Be happy, people! 8).
2:21 AM 
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Thursday, July 16, 2009 
2:38 AM 
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Thursday, July 16, 2009 
Volvemos a repetir con Maritina en la serie de los BrokenMixes, casi un año después de su primera incursión en BrokenLoop. En plena efervescencia artística nos ha remitido un set cargando de jazz, funk, disco y psycodelia, donde sorprende disco a disco.
Una apuesta segura para estos días de calor y sudor…
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BIO Maritina
Starting her musical adventure as a drummer in early years, mari.cha went through various musical influences, like all styles of rock, jazz, funk, electronica and many more.
In 2002 she started djing, mostly house music and became part of a team named Dance Without Complex. She participated in various venues and also in some private parties and had a couple of residencies in local bars. Through the years the musical influences grew more and in september of 2007 she was chosen as a participant for the Red Bull Music Academy at Toronto.
Last year she started the “HIGHER LOVE” theme, which is the name for some parties she throws and the idea behind what she does: deep love for music and exchange with other people.
Disco, house, soul, techno, funk, hip hop, acid is what you will probably hear during her sets.
Some production will also come soon.

2:37 AM 
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Thursday, July 16, 2009 
BrokenLoop celebra su 6º aniversario y continuamos la linea de grandes productores internacionales en los BrokenMixes. Hoy le toca el turno a la mitad de Morphosis, Ra.H. Este productor Italitano dirige junto a Ksoul uno de los sellos que mas esta haciendo por dar un aire nuevo al sonido techno y deep en Europa.
Como dj no abandona su propuesta arriesgada y nos sorprende track a track, esquivando estereotipos y ofreciendo sesiones repletas de ritmo sin recurrir a formulas faciles y carentes de alma. Todo un lujo para BrokenLoop poder ofrecer una sesion de Ra.H, un artista en plena explosion que esta abriendo senderos nuevos para la musica de baile.
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RA.H
Ra.H is Morphosis, is Upperground orchestra producer and member. Ra.H’s name is Rabih, is renew and revival. Ra.H is Sun, is Light, and Insanity. Ra.H is a state of mind that goes beyond sound and image
You are Ra.H
Ra.H is Ra.H
Music is a Language.
Through it you will express yourself. You will be opening new frontiers and knowing more people. Discovering a whole new world.
Music is a Universal language.
Through it you will understand the meaning of life, it will guide you and save you. You will speak and comunicate your feelings. And like every language you learn, a new personality you will acquire, You will find a new world, and through this language you will guide a revolution.

2:36 AM 
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Thursday, July 16, 2009 
A puntito de celebrar el 6º aniversario de BrokenLoop nos llega todo un regalo en forma de sesión. 2 horas y media para saborear Chicago de la mano de Specter, al que muchos alabamos como uno de los mejores productores en esto del deep house.
El americano, de ascendencia latina, es propietario junto a Damon Lamar del sello Tretode Music, un sello mas que respetado que solo cuenta con 3 referencias que son autenticas joyas del ultradeep house. Recientemente ha editado tracks para Eargasmic y Deep Explorer Music, lo que afianza la vigencia de su trabajo y como ha servido de influencia para una nueva hornada de sellos en todo el mundo.
Retomando la sesión que ha grabado para la ultima entrega de los BrokenMixes. Specter nos presenta un mix sorprendente donde resulta imposible adivinar con que nos sorprenderá después de cada tema pero manteniendo la coherencia de un artista que nos muestra sus influencias presentes y las que lo forjaron como artista en una perfecta armonía
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SPECTER BIO
Andres Ordoñez – aka Specter – developed and crafted his signature style of the Chicago house sound over a span of 19 years. Specter’s ambience-driven, organic touch exudes a infectious groove that’s deeply soulful, sensual, earthy, warm and nocturnal with a good measure of sublime disco, acid house, jazzy inflections and pure funk.
Specter’s interest in house music piqued in the 80’s, when the wunderkind genre blew up in the city of Chicago. Specter would tape and devour the novel, often raw and eventually legendary mixes from radio stations like WBMX, WCYC, WCRX, WKKC and WGCI. Early influences include DJs like Farley Jackmaster Funk, Edward “Get Down” Crosby, Mickey Oliver, Bobby “Q” bobby,Lee Collins, lil louis, the Hot Mix 5 and the inimitable Ron Hardy. Specter started DJ’ing at 15 playing house, disco and italo . Spinning at basement parties around the city and suburbs. When Chicago’s loft-party and rave scene started to take off in the mid-90s, Specter began incorporating the edgier, minimal heat of Detroit techno into his sound.
By 1999 and 2000, Specter had established himself as a respected DJ through his many mix tapes and playing loft parties around the city, He Also co-founded a production label with Damon Lamar aka Baby pop called Tetrode Music. The first EP release from Tetrode dropped in 2000 and became a underground classic. ‘’For All the Music/Mystery”. Following up with the second release “Mediterranean/Defining Moment” in 2002. Tetrode 03 came out two years later in 2004 titled “The Deep Theory Ep”. Years later after taking off some time for personal reasons, specter has returned in 08 and has released a track on Deep Explorer out of spain (Windtalker) And another track on Chicago label Eargasmic Recordings ( I don’t need). The track was recently licensed for a harley and muscle mix comp called Deep house part 1. Tetrode Music is back in full swing again and will be releasing more music before the year ends…

2:36 AM 
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Thursday, July 16, 2009 
STEREOCiTI es uno de esos productores japoneses de nueva hornada, con una buena educación musical, que están enseñándonos a muchos como sentir el deep house de una forma especial. A pesar de no compartir ninguna raiz cultural con productores americanos o europeos STEREOCiTI ha sabido captar ese poso melancólico de Detroit y enriquecerlo con sus dotes como guitarrista y bajista.
En su faceta como dj tenemos que abstraernos y situar nuestro punto de vista de nuevo en Japon. STEREOCiTI es como una esponja para todas las influencias que llegan de Europa y Norte América. No esta coaccionado y sus sets son pura fusión, consigue transportarnos de un lado al otro del atlántico sin perder en ningún momento su discurso.
Posiblemente estemos delante de una futura figura del panorama deep internacional que junto a otros artistas como Rondeniom reivindican la fuerza de la escena nipona.
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STEREOCiTI
伝説のclub、maniac loveにて毎週土曜日に開催されていたパーティ「cycle」にてhouse DJのキャリアをスタートする。ブラックルーツミュージックに奥深く、一貫した意味でのディープネスなスタイルを、ハウスを軸に表現する。宇宙にも及ぶ音の風景を表現したスタイルは、言葉で表すにはあまりにも深い。Mike Huckaby やRuss Gabrielらにその才能を見いだされ、世界に向けてDJ mixや楽曲が発信された後、08年にスペインのDeep explorer musicよりEP『Citifunk EP』、Scott FergusonやBaazらとのカップリングEP『Up to the surface』をリリースする。また同時期にmix CD『Better days』もリリースしている。2009年はドイツのMojubaとの専属契約にサイン、EP『early light』が発売された。現在、東京の地下よりworldwideに発信するnew deep houseムーヴメントの核に立つDJ／プロデューサーである。www.myspace.com/stereociti
He has started a career of house DJ at the party “cycle” held in Tokyo in the legendary club, maniac love on every Saturday. expression of the deep style that deep side of the black roots music centering on a house.08’ He has just released a coupling EP with Scott Ferguson and Baaz『 Up to the surface EP』and『 Citifunk EP』from Spanish Deep explorer music after Mike Huckaby and Russ Gabriel found his talent.He has also signed a contract with Mojuba records in germany this year, Latest EP “early light” is released in February.He is a nucleus of the new deep house movement,sending it to the world from the basement of Tokyo now.
2:35 AM 
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Thursday, July 16, 2009 
Despues del bombazo que supuso el ultimo brokenmix a cargo de Mike “Agent x” Clark no podemos bajar la guardia y para continuar con la sección tenemos a un reputado dj de House perteneciente a la escena Valenciana. Ha pasado mucho tiempo trabajando para una de las mejores tiendas de disco nacionales 3mv y con anterioridad estuvo ligado a otros proyectos dentro de la distribución musical. Este bagaje profesional no hay hecho mas que enriquecer sus cualidades como selector y afianzar un gusto exquisito centrado en el House americano y los sonidos funk.
Dj Salvation se ha puesto el groove por montera para ofrecernos una sesión de Olé!!! de la que solo se puede criticar la duración porque nos deja con ganas de mas y mas. Todo un despliegue de tecnica y buen House para celebrar la llegada de la primavera.
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DJ Salvation lleva más de 15 años en contacto con la música. Sus comienzos se remontan a principios de los 90 en Lyon, Francia, su ciudad natal. Su pasión por los vinilos hace que se interese por DJ’s internacionales que a principios de los 90 actúan en los clubes más emblemáticos de Lyon y de Paris (Laurent Garnier, François Kevorkian, Carl Craig, Inner City, Daft Punk, Derrick May…..).

Francés aunque de origen español, decide cambiar de aires y se traslada a Valencia a finales de los 90. Será aquí cuando comenzará a desarrollar su carrera como DJ pinchando en los clubes de moda del momento.

En el año 2000 entra a trabajar en la distribuidora, especializada en vinilos, Lovesonico, entonces pionera en importar los sonidos del House americano más puntero, desde el sonido elegante San Francisco y New York hasta lo más Deep de Detroit.

Unos años después entra a formar parte del equipo de 3mv Disc-Unit , una de las tiendas especializadas y también distribuidora de vinilos más importante a nivel nacional. Desde entonces se encargaba de la distribución. En el catálogo podemos encontrar desde el más puro Funk de los 70’s hasta el sonido electrónico más actual.

Desde el año 2008, Salvation ha retomado su faceta de cocinero….siempre entre platos!

Tras años de experiencia como DJ y contacto directo con la música, en la maleta de DJ Salvation podemos encontrar desde vinilos en 45” originales de artistas como James Brown ó Roy Ayers, hasta sonidos electrónicos de los 80’s, 90’s… A pasar de la gran diversidad de estilos en sus sesiones siempre encontraremos un denominador común: mucho Groove.

En agosto de 2008, sale al mercado un 2xCD . recopilado por los DJ’s de la tienda y productora musical valenciana 3mv disc-unit. Desde la inauguración de Estrella Damm Lounge en 2006 hasta hoy, todo el equipo ha aportado su experiencia y gusto tras los platos a este mágico espacio.

Actualemente, podremos escuchar a Salvation mensualemente en DiscoCity/ Barrio del Carmen Valencia.


http://www.myspace.com/djsalvation
http://www.myspace.com/funkeluya

2:34 AM 
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Thursday, July 16, 2009 
Hoy me he quitado una espinitita que tenia clavada desde hace tiempo. Mike Agen- X Clark pasa por ser toda una figura en la escena house de Detroit y junto a sus compañeros del colectivo “Detroit Beat Down”  no hace mas que recoger elogios por un magnifico trabajo extendiendo el espíritu de la ciudad del motor por toda Europa.
Se podría decir que lo que le diferencia de otros artistas es la fuerza y crudeza de los sonidos que imprime en sus producciones y sesiones, todo un derroche de energía para elevarnos del suelo con cada beat. Su estilo emana del sonido Motown, huele a WestEnd… autentico sonido funk y  soul adaptado a la vida moderna. Un artista que puede escribir con letras mayúsculas la palabra HOUSE, porque es de esos pocos que hacen de este estilo de música algo grande.
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Bio Mike Agent-X Clark
Born on the North-end of downtown Detroit to an energetic mother and an electrician, and raised on the West side off the infamous 7 Mile Road, surrounded by the electrifying energy of the Funk and Disco era, Mike “Agent X” Clark served his time during the late 1970s in the gang-riddled 7 Mile / 8 Mile youth environment that was West Detroit.  He spent much time shadowing his father on various electrical jobs, as well as installing sound systems in local bars, including one where his father also DJ’d during the 1960s.
The 1980s dawned and Clark’s older brother began sneaking him into the hottest local dance clubs, soon becoming a regular at legendary discotheques such as L’Uomo, Cheeks, Studio 54, and the Park Avenue Club.  This is when Clark first saw three of his models, Ken Collier, Darryl Shannon and Delano Smith, spin.  These three jocks can lay claim to selling Agent X on his life’s mission.  To this day, he specifically remembers that Detroit’s earliest DJs such as Dwayne Montgomery, Kevin Dysard, and the iconic Ken Collier, never ceased to amaze him with their skill, craft, and showmanship.  It was the competitive nature of this era of DJing that influenced Mike the most.
High School for Clark meant several months of longing – longing to belong to the popular new youth subculture phenomenon of DJ crews – opposing teams of turntable masters.  At this time there were three main crews; the now world-renown “Deep Space,” “Direct Drive” (eventually Clark’s crew), and “Audio Crew” (home to UR member, Buzz Goree).  From then on there was no turning back -  DD founder, Todd Johnson, along with members Hassan, Darryl Shannon, Al Heath, Kevin Dysard, and Dwayne Montgomery welcomed their newest addition, Mike Clark.  He was now playing with the best… in Clark’s eyes.
Mike notes that joining Direct Drive, or any of these prime DJ crews, came with a benefits package – instant popularity.  During these late high school years, and those immediately following, Clark spent much time playing backyard parties and underground club gigs – battling his peers in full-on exhibitionist turntablist showcases (the athletic, quick-limbed DJ style Terrence Parker and the like are still known for today) – all the time wearing the prized DJ crew jacket, a mid-1980s ticket to celebrity status.  Everyone wanted to be down, yet only a select few made the cut.  Eventually, Clark landed a residency at club Cheeks – his first favorite residency to date – and later at Studio 54 (now known as the City Club / Labrynth).
For Clark though, channeling his abundant supply of energy into the turntables, through the speakers, and onto the dancefloor replaced his turbulent junior high years in a field of gang violence and fulfilled his yen for a challenge.  Yet, the discovery of the magic and mystery of the maestro of the dancefloor had an even greater, arguably more profound, impact in changing his life – not only did music and club life, alongside a strong tie to martial arts, literally save him from the dangerous and risky world of gang life around him, but it opened is eyes to the amazingly endless and enigmatic nature of the human race.  He saw people and their possibilities for the first time as this powerful force.
Ever since, seeking to connect with people through the dancefloor has proven, at least for Clark, to be one solid path to a universal communication – one without the rigid lines of class, color, creed, or gender.

2:33 AM 
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Thursday, July 16, 2009 
Todos los días surgen nuevos productores y artistas que llaman nuestra atención, seria todo un drama si esto no fuera así. Hoy queremos fijarnos en una promesa del deep europeo. Por el momento su trabajo se ha limitado a un par de producciones para el mercado digitial y quizas el salto al vinilo sea el ultimo escalon que le falte para despegar en su carrera.
Para este BrokenMix Deymare nos ha ofrecido un set cargado de temas propios que ha sabido conjugar de una forma acertadisima. Sus dotes como mezclador no desmerecen para nada su labor como productor y acentuan su personal vision del deep house, pasajes humeantes y llenos de groove.
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BIO Deymare
Deymare lives in Finland, he’s been into house/techno music since 1991 when he bought his first techno record and started to attend parties aswell as djing,
nowadays his focus is on the music production, which started in the tracker scene around 1994
then after some years he stopped producing because other things in life took up all his time.
A couple of years ago he felt the inspiration and had the time to start makin music again,
since then he have had relases on on labels like 616 records, refo recordings, stupendous music.
His productions are mainly deephouse tracks, often with some jazzy flavours

2:32 AM 
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Thursday, February 05, 2009 
Es sorprendente ver como algunos estilos musicales desaparecen de
las pistas de baile y vuelven a recuperarse con el tiempo. Sorprende
también ver la facilidad como en Europa vamos desechando formulas bajo
la mascara del “minimal” para retomar el genuino groove americano y
volver a vibrar con ese “Jack” nacido en Chicago.
En un momento como este, de cambio, es normal que artistas como
Dubbyman, que ha trabajado durante años un mismo sonido, cojan la mejor
ola para surfear hasta la playa. Ellos estaban allí, antes que el
resto, mirando el mar y esperando.
Para los que componemos BrokenLoop ha sido muy interesante ver de
cerca los inicios del sello Deep Explorer y comprobar en lo que se ha
convertido, un puente para el deep house entre Europa y Estados Unidos.
Como hacia tiempo que no contábamos con una colaboración de Dubbyman
nos ha obsequiado con algo realmente especial. Un precioso tríptico
donde nos susurra al oído una historia con sus mejores discos, 3
sesiones indispensables para adentrarnos en el espíritu de la ciudad
del motor.

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Dubbyman (Deep Explorer Music) - Slowly Baby Slowly Part.1

Dubbyman (Deep Explorer Music) - Slowly Baby Slowly Part.2

Dubbyman (Deep Explorer Music) - Slowly Baby Slowly Part.3



BIO

José Manuel Alvarez, also known as Dubbyman, made his
debut as a DJ in 1992, hidden under the name of José Vertice. Acid
house, funk, drum&bass and hip hop were just some of the
ingredients of his firsts sets, backed up by his collective Dogs
Connected.

Latter incursions into dubbed house and electrofunk sounds took him
to visit most important clubs in Madrid like Deep and Danzoo, while
maintaining his own club, Freak. By 2002, and thanks to his new facet
as a producer he became Dubbyman, moves his residency from Freak to
Café Bar Las Descalzas and expands his sessions across Madrid, in clubs
like Morpheus, Ohm, Taboo, Deep, Danzoo,or Goldfield and outside, in
places like Le Club (Valencia), El Sol (Salamanca), Telefunken, House
café, Foxx (La Coruña), La casa de la música (Badajoz).
In 2006 he finds the most highly recognition for his participation
in Sonar festival 2006 making a powerful session mixing dub with black
music. 2007 was a year of consolidation with his showcase in
Observatori Festival in Valencia and a great comeback to Sonar 2007
sharing turntables with the cream of the Dubstep UK scene (Kode 9, Oris
Jay and Mary Anne Hobbs.
Nowadays he and his brother Above Smoke still directs the Deep
Explorer music label where their productions are released along with
other Spanish artists like Robert Calvin (Turbo records), Loudest
(Odori, D-Press), Gauss Control (Undress music), Tempostop (Aeróbic
studio), and other international artists like Rob Paine
(Worship/Philadelphia), Marvin Belton and Scott Ferguson from
Ferrispark, Mike Huckaby, Nick Sole etc… They..ll reach the 10th
release in this year 2007.
He keeps Djing at Sybaris club , where he shows his best selection of the latest funk, soul and Nujazz tendencies.
12″

.Icarus ep (Strike 002)

.Into the Dub ep (Strike 003)

.Love and Hate ep (Tranquilo 008)

.Icarus remixes (Deep Explorer 002)

.Fire, sex & corrosion ep (Signs of authority 001)

.Roots and culture ep feat G.Pilatti (Minuendo 003)

.Endtropia ep feat. Hoheluft (Deep explorer 005)

.Jazz Pollution ep (Sybaris 003)

.More Divers In the abyss ep (Deep explorer 006)

.Crazy menu Ep (Bucketround 002)

.Ocean species (Deep Explorer 008)

.Cancer city Ep (Dubhe records 001)

.Dubtroit ep (Deep Explorer 009)

.Rise of the equality Ep (Ferrispark records 014)

.Cornuta explorers (Deep Explorer 012)

.Dubless Ep (Yore records)

.Strange days feat Jus Ed (Deep Explorer 014)

.Equinox (Grand deep auto compilation) (Minuendo 013)
Remixes:

.Above Smoke One for Detroit (Tranquilo recordings 008)

.Rob Paine Excerpts from the past (Deep explorer 001)

.Above Smoke Hysteria (Deep explorer 004)

.Gauss Control The old shed (Signs of authority 002)

.O.F.F. Stay (Bucketround 01)

.Ernie Escarabajos (Signs of Authority 003)

.Aerobic Studio “Load casette” (Aeróbic studio 003)

.Above Smoke “You are divine” (Signs of authoriry 004)

.Pulshar “Mr.moneyman” (Dubbyman & Above Smoke remix) Phonobox

.The Asphalt (Dubbyman remix) Deep explorer 011

.Cornuta explorers vol 2 (Cornuta sound 003)
Next releases:

.Tales from the Deep (Signs of Authority 005)

.Above smoke “Awfully” (Dubbyman remix) (Dubhe 002)

.Soul candy “This is real” (Dubbyman remix) Bass & breaks records

.Calling Detroit (Dubbyman remix (Stupendous records)

.Kai Alce (Dubbyman remix ) Deep explorer
+ info

http://www.myspace.com/dubbyman

http://www.deepexplorermusic.com


11:32 PM 
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