Gender: Female
Status: Married
Age: 20
Sign: Libra
City: Nizhneangarsk
Country: RU
Signup Date: 6/25/2006
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Tuesday, May 08, 2007
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Everything is supposed to be quite after a massacre, and it always is, except for the birds.
I have told my sons that they are not under any circumstances to take part in massacres, and that the news of massacres of enemies is not to fill them with glee. I have also told them not to work for companies which make massacre machinery, and to express contempt for people who think we need machinery like that.
I became a non-person in the Boston fog.
The time would not pass. Somebody was playing with the clocks, and not only with the electric clocks, but with the wind-up kind, too. The second hand on my watch would twitch once, and a year would pass, and then it would twitch again. There was nothing i could do about it. As an Earthling, I had to believe whatever clocks said- and calendars.
No art is possible without a dance with death.
And Lot's wife, of course, was told not to look back where all those people and their homes had been. But she did look back, and i love her for that, because it was so human. So she was turned to a pillar of salt. So it goes.
Listen: Billy Pilgrim has come unstuck in time.
If I hadn't spent so much time studying Earthlings," said the Tralfamadorian, "I wouldn't have any idea what was meant by 'free will.' I've visited thirty-one inhabited planets in the universe, and I have studied reports on one hundred more. Only on Earth is there any talk of free will.
The most important thing I learned was that when a person dies he only appears to die. he is still very much alive in the past, so it is very silly for people to cry at his funeral. All moments, past, present, and future, always will exist. It is just an illusion we have here on earth that one moment follows another one, like beads on a string, and that once a moment is gone it is gone forever.
Billy answered. There was a drunk on the other end. Billy could almost smell his breath—mustard gas and roses. It was a wrong number. Billy hung up.
Like so many Americans, she was trying to construct a life that made sense from things she had found in gift shops.
How nice--to feel nothing, and still get full credit for being alive.
His eyes were closed. when he opened his eyes, he was on the bottom of the pool, and there was beautiful music everywhere. He lost consciousness, but the music went on. he dimly sensed that somebody was rescuing him. Billy resented that.
"well, here we are Mr. Pilgrim, trapped in the amber of this moment. There is no why."
I want to stay as close to the edge as I can without going over. Out on the edge you see all kinds of things you can't see from the center.
Say what you will about the sweet miracle of unquestioning faith, I consider a capacity for it terrifying and absolutely vile!
Those who believe in telekinetics, raise my hand
Here is a lesson in creative writing. First rule: Do not use semicolons. They are transvestite hermaphrodites representing absolutely nothing. All they do is show you've been to college.
I think that novels that leave out technology misrepresent life as badly as Victorians misrepresented life by leaving out sex.
1492. As children we were taught to memorize this year with pride and joy as the year people began living full and imaginative lives on the continent of North America. Actually, people had been living full and imaginative lives on the continent of North America for hundreds of years before that. 1492 was simply the year sea pirates began to rob, cheat, and kill them.
The chief weapon of sea pirates, however, was their capacity to astonish. Nobody else could believe, until it was too late, how heartless and greedy they were.
We are what we pretend to be, so we must be careful what we pretend to be.
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Saturday, May 05, 2007
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The tears of the world are a constant quantity. For each one who begins to weep somewhere else another stops. The same is true of the laugh. Let us not then speak ill of our generation, it is not any unhappier than its predecessors. Let us not speak well of it either. Let us not speak of it at all. It is true the population has increased'
Pozzo: I don't seem to be able . . . (long hesitation) to depart. Estragon: Such is life
Vladimir: Our Saviour. Two thieves. One is supposed to have been saved and the other (he searches for the contrary of saved) damned. Estragon: Saved from what?
We are all born mad. Some remain so
Let us not waste our time in idle discourse! (Pause. Vehemently.) Let us do something, while we have the chance! It is not every day that we are needed. But at this place, at this moment of time, all mankind is us, whether we like it or not. Let us make the most of it, before it is too late!
But that is not the question. Why are we here, that is the question. And we are blessed in this, that we happen to know the answer. Yes, in this immense confusion one thing alone is clear. We are waiting for Godot to come.
To-morrow, when I wake, or think I do, what shall I say of to-day?
The bastard! He doesn't exist!
. .in all that what truth will there be? Astride of a grave and a difficult birth. Down in the hole, lingeringly, the grave-digger puts on the forceps. We have time to grow old. The air is full of our cries. (He listens.) But habit is a great deadener.
Vladimir: That passed the time. Estragon: It would have passed in any case. Vladimir: Yes, but not so rapidly.
We are not saints, but we have kept our appointment. How many people can boast as much?
We wait. We are bored. (He throws up his hand.) No, don't protest, we are bored to death, there's no denying it. Good. A diversion comes along and what do we do? We let it go to waste. . .In an instant all will vanish and we'll be alone once more, in the midst of nothingness!
Vladimir: Well? Shall we go? Estragon: Yes, let's go. [they do not move]
SAMUEL BECKETT QUOTES
Each word seemed to me an unnecessary stain on silence and nothingness.
I dont like animals. It's a strange thing, I dont like man and I dont like animals. As for God, he is beginning to disgust me.
Ever tried. Ever failed. No matter. Try again. Fail again. Fail better.
Yes, I don't know why, but I have never been disappointed, and I often was in the early days, without feeling at the same time, or a moment later, an undeniable relief.
All I know is what the words know, and dead things, and that makes a handsome little sum, with a beginning and a middle and an end, as in the well-built phrase and the long sonata of the dead
Birth was the death of him.
Dublin university contains the cream of Ireland: Rich and thick
If I had the use of my body, I would throw it out the window
If you do not love me I shall not be loved If I do not love you I shall not love
In the landscape of extinction, precision is next to godliness
It is right that he too should have his little chronicle, his memories, his reason, and be able to recognize the good in the bad, the bad in the worst, and so grow gently old down all the unchanging days, and die one day like any other day, only shorter.
James Joyce was a synthesizer, trying to bring in as much as he could. I am an analyzer, trying to leave out as much as I can
Just under the surface I shall be, all together at first, then separate and drift, through all the earth and perhaps in the end through a cliff into the sea, something of me. A ton of worms in an acre, that is a wonderful thought, a ton of worms, I believe it.
Let me go to hell, that's all I ask, and go on cursing them there, and them look down and hear me, that might take some of the shine off their bliss.
My characters have nothing. I'm working with impotence, ignorance... that whole zone of being that has always been set aside by artists as something unusable - something by definition incompatible with art.
Nothing happens, nobody comes, nobody goes, it's awful!
Nothing is funnier than unhappiness, I grant you that. Yes, yes, it's the most comical thing in the world.
Nothing matters but the writing. There has been nothing else worthwhile... a stain upon the silence.
Personally I have no bone to pick with graveyards, I take the air there willingly, perhaps more willingly than elsewhere, when take the air I must.
What do I know of man's destiny? I could tell you more about radishes.
Where I am, I don't know, I'll never know, in the silence you don't know, you must go on, I can't go on, I'll go on
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Sunday, April 29, 2007
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"Sex is something I really don't understand too hot. You never know where the hell you are. I keep making up these sex rules for myself, and then I break them right away. Last year I made a rule that I was going to quit horsing around with girls that, deep down, gave me a pain in the ass. I broke it, though, the same week I made it - the same night, as a matter of fact."
"I don't even know what I was running for - I guess I just felt like it."
"People always think something's all true."
"I'm the most terrific liar you ever saw in your life. It's awful. If I'm on my way to the store to buy a magazine, even, and somebody asks me where I'm going, I'm liable to say I'm going to the opera. It's terrible."
"If a girl looks swell when she meets you, who gives a damn if she's late? Nobody."
"Anyway, I'm sort of glad they've got the atomic bomb invented. If there's ever another war, I'm going to sit right the hell on top of it. I'll volunteer for it, I swear to God I will."
"Boy, when you're dead, they really fix you up. I hope to hell when I do die somebody has sense enough to just dump me in the river or something. Anything except sticking me in a goddam cemetery. People coming and putting a bunch of flowers on your stomach on Sunday, and all that crap. Who wants flowers when you're dead? Nobody."
"This fall I think you're riding for - it's a special kind of fall, a horrible kind. The man falling isn't permitted to feel or hear himself hit bottom. He just keeps falling and falling. The whole arrangement's designed for men who, at some time or other in their lives, were looking for something their own environment couldn't supply them with. Or they thought their own environment couldn't supply them with. So they gave up looking. They gave it up before they ever really even got started."
"Among other things, you'll find that you're not the first person who was ever confused and frightened and even sickened by human behavior. You're by no means alone on that score, you'll be excited and stimulated to know. Many, many men have been just as troubled morally and spiritually as you are right now. Happily, some of them kept records of their troubles. You'll learn from them - if you want to. Just as someday, if you have something to offer, someone will learn something from you. It's a beautiful reciprocal arrangement. And it isn't education. It's history. It's poetry."
"She knocked me out. I mean it. I was half in love with her by the time we sat down. That's the thing about girls. Every time they do something pretty, even if they're not much to look at, or even if they're sort of stupid, you fall half in love with them, and then you never know where the hell you are. Girls. Jesus Christ. They can drive you crazy. They really can."
"I felt like praying or something, when I was in bed, but I couldn't do it. I can't always pray when i feel like it. In the first place, I'm sort of an atheist. i like Jesus and all, but I dont care too much for most of the other stuff in the Bible. Take the disciples, for instance. They annoy the Hell out of me, if you want to know the truth. they were all right after Jesus was dead and all, but while he was alive, they were about as much use to him as a hole in the head. All they did was keep letting him down. I like almost anybody in the bible better than the disciples. If you want to know the truth, the guy I like best in the Bible, next to Jesus was that lunatic and all, that lived in the tombs and kept cutting himself with stones. I like him ten times as much as the Disciples, that poor bastard. I used to get in quite a few arguments about it, when i was at Whooton School, with this boy that lived down the corridor, Arthur Childs. Old Childs was a quaker and all, and he read the bible all the time. He was a nice kid, and I liked him, but i could never see eye to eye with him on a lot of stuff in the bible, especially the disciples. He kept telling me that if i didn't like the disciples, then I didn't like Jesus and all. He said because jesus picked the disciples, you were supposed to like them. I said I knew he picked them, but that he picked them at random. I said he didn't have time to go around analyzing everybody. I said i wasn't blaming Jesus or anything it wasn't his fault that he didnt have any time. I remember I asked old Childs if he thought Judas, the one that betrayed Jesus and all, went to Hell after he commited suicide. Childs said certainly. That's exactly where i disagreed with him. I said I'd bet a thousand bucks that Jesus never sent old Judas to hell. I still would, too, if I had a thousand bucks. I think any of the disciples would've sent him to Hell and all - and fast, too- but I'll bet anything Jesus didn't do it."
"I stayed in the bathroom for about an hour, taking a bath and all. Then I got back in bed. It took me quite a while to get to sleep- i wasn't even tired- but finaly I did. what i really felt like, though, was committing suicide. I felt like jumping out the window. I probably would've done it, too, if I'd been sure somebody'd cover me up as soon as I landed. I didn't want a bunch of rubbernecks looking at me when I was all gory."
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Sunday, April 29, 2007
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"We're more of the love, blood, and rhetoric school. Well, we can do you blood and love without the rhetoric, and we can do you blood and rhetoric without the love, and we can do you all three concurrent or consecutive. But we can't give you love and rhetoric without the blood. Blood is compulsory. They're all blood, you see." "All your life you live so close to truth it becomes a permanent blur in the corner of your eye. And when something nudges it into outline, it's like being ambushed by the grotesque" Rosencrantz: Did you ever think of yourself as actually dead, lying in a box with a lid on it? Guildenstern: No. Rosencrantz: Nor do I, really. It's silly to be depressed by it. I mean, one thinks of it like being alive in a box. One keeps forgetting to take into account the fact that one is dead, which should make all the difference, shouldn't it? I mean, you'd never *know* you were in a box, would you? It would be just like you were asleep in a box. Not that I'd like to sleep in a box, mind you. Not without any air. You'd wake up dead for a start, and then where would you be? In a box. That's the bit I don't like, frankly. That's why I don't think of it. Because you'd be helpless, wouldn't you? Stuffed in a box like that. I mean, you'd be in there forever, even taking into account the fact that you're dead. It isn't a pleasant thought. Especially if you're dead, really. Ask yourself, if I asked you straight off, "I'm going to stuff you in this box. Now, would you rather be alive or dead?" naturally, you'd prefer to be alive. Life in a box is better than no life at all, I expect. You'd have a chance, at least. You could lie there thinking, "Well, at least I'm not dead. In a minute somebody is going to bang on the lid, and tell me to come out." "Whatever became of the moment when one first knew about death? There must have been one. A moment. In childhood. When it first occured to you that you don't go on forever. Must have been shattering. Stamped into one's memory. And yet, I can't remember it. It never occured to me at all. We must be born with an intuition of mortality. Before we know the word for it. Before we know that there are words. Out we come, bloodied and squawling, with the knowledge that for all the points of the compass, theres only one direction. And time is its only measure." " Rosencrantz: Do you think Death could possibly be a boat? Guildenstern: No, no, no... Death is "not." Death isn't. Take my meaning? Death is the ultimate negative. Not-being. You can't not be on a boat. Rosencrantz: I've frequently not been on boats." " Rosencrantz: I don't believe in it anyway. Guildenstern: What? Rosencrantz: England. Guildenstern: Just a conspiracy of cartographers, then?" "If this is our destiny, then that was his, and if there are no explanations for us, let there be none for him. " " Rosencrantz: What are you playing at? Guildenstern: Words. Words. They're all we have to go on." "Generally speaking, things have gone about as far as they can possibly go, when things have gotten about as bad as they can reasonably get." "Audiences know what they expect and that is all they are prepared to believe in."
"Half of what he said meant something else and the other half didn't mean anything at all."
"We drift down time, clutching at straws. But what good's a brick to a drowning man?"
"The scientific approach to the examination of phenomena is a defence against the pure emotion of fear"
"There must have been a time, in the beginning, where we could have said - no. But somehow we missed it."
"No, no, no... you've got it all wrong... you can't act death. The fact of it is nothing to do with seeing it happen — it's not gasps and blood and falling about — that isn't what makes it death. It's just a man failing to reappear, that's all — now you see him, now you don't, that's the only thing that's real: here one minute and gone the next and never coming back — an exit, unobtrusive and unannounced, a disappearance gathering weight as it goes on, until, finally, it is heavy with death"
"We do on stage things that are supposed to happen off. Which is a kind of integrity, if you look on every exit as being an entrance somewhere else"
"Life is a gamble, at terrible odds — if it was a bet you wouldn't take it"
"There we were — demented children mincing about in clothes that no one ever wore, speaking as no man ever spoke, swearing love in wigs and rhymed couplets, killing each other with wooden swords, hollow protestations of faith hurled after empty promises of vengeance — and every gesture, every pose, vanishing into the thin unpopulated air. We ransomed our dignity to the clouds, and the uncomprehending birds listened. Don't you see!? We're actors — we're the opposite of people! "
"We are tied down to a language which makes up in obscurity what it lacks in style"
"Pirates could happen to anyone"
"My talent is more general. I extract significance from melodrama, a significance which it does not, in fact, contain"
Player: Events must play themselves out to aesthetic, moral and logical conclusion.
Guildenstern: And what's that, in this case?
Player: It never varies — we aim at the point where everyone who is marked for death dies.
Guildenstern: Marked?
Player: Between 'just desserts' and 'tragic irony' we are given quite a large scope for our particular talent. Generally speaking, things have gone about as far as they can possibly go when things have gotten about as bad as they can reasonably get.
Guildenstern: Who decides?
Player: Decides? It is written
Guildenstern: A man, breaking his journey between one place and another, at a third place of no name, character, population, or significance sees a unicorn cross his path and dissapear. That in itself is startling, but there are precedents for this sort of mystical encounter, or rather, a choice of presuasions to put it down to fancy, until — "My god!" shouts a second man, "I must be dreaming! I thought I just saw a unicorn!" At which point a dimension is added which makes the experience as alarming as it will ever be. A third witness, you understand, adds no new demension, only spreads it thinner, and a forth thinner still, and the more witnesses there are the thinner it spreads and the more reasonable it becomes until it is as thin as reality — the name we give to the common experience. "Look! Look!" recites the crowd, "A horse, with an arrow in its forhead! It must have been mistaken for a deer!"
Rosencrantz: I knew all along it was a band.
Guildenstern: He knew all along it was a band.
Rosencrantz: And here they come!
Guildenstern: I'm sorry it wasn't a unicorn. It would have been nice to have unicorns
The sight is dismal; And our affairs from England come too late: The ears are senseless that should give us hearing, to tell him his commandment is fulfill'd — that Rosencrantz and Guildenstern are dead
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