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ScottBrown

Scott Brown


Last Updated: 12/3/2009

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Gender: Male
Status: In a Relationship
Age: 36
Sign: Capricorn

City: Glasgow
Country: UK
Signup Date: 6/26/2006

Blog Archive
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Friday, February 06, 2009 
Dates and Mp3 news to follow:

EV 93 - Scott Brown
1 - Bring that shit back
2 - Endurance

EV 94 - Q-Tex - Equazion Part 9 remix project
1- Ultravibes remix
2 - E-motion remix

EV 95 - Scott Brown
1 - False Prophet
2 - Stamina

EV 96 - Weaver & Andy L Feat Fran - Rebuild your heart
1 - Original
2 - Scott Brown remix

EV 97 - Scott Brown
1 - Turn up the Music (Marc Smith & Al Storm's 'live' mix)

EV 98 - Scott Brown & Weaver - Time to Runaway
1 - Scott Brown mix
2 - Dj Weaver mix

EV 99 - Interstate
1 - Move your body (Al Storm and Bishop remix

EV100 - THE BIG ONE.............!
Monday, August 11, 2008 

I get asked a lot why I'm never on CD packs. I also get told a lot that people are disappointed that I'm not on there.

It's an unfortunate situation but recording of dj's is illegal without prior consent from the DJ (this is law, not a made up statement). If the promoter or a label then wants to release a compilation legitimately then an MCPS agreement must be obtained, licenses for tracks must be made to labels and publishing must be paid. This is common practice in most countries (and in most UK scenes).

Most of the above generally doesn't happen therefore my mixes can't be recorded and released.

Promoters and dj's have tried to reach compromises in the past where the dj is paid extra for the set but this doesn't take into account all the writers of the music and the amount of labels / publishers involved. It's a good bung for the dj, but noone else makes money. It was suggested that the dj should be responsible for paying royalties but this isn't practical in any way (and ultimately it ISN'T the dj's resposibility).

My publisher WILL NOT allow illegal recordings of my music to go on sale. There's no logic in me writing new music, and letting another company release it on cd before I get the chance: making money and not distributing profits to mcps, me, the label or my publisher.

It's a very contentious subject and one which I know has cost me bookings. Many dj's in the scene are too scared to voice their opinions for fear of repercussions and would rather sit on the fence, take the booking and shut up.

I only want what's right and fair.

I am happy to play at events for promoters and don't want them to get into trouble from the MCPS/PRS alliance (in theory they can close them down with the perpetrators facing serious legal charges).

This year I've played more smaller events / abroad as the cd pack situation is getting out of hand. Only the other day a 'bedroom dj' managed to get a triple mixed cd onto juno and trackitdown - who made the profits - 100% him. I got confirmation today from mcps via my publisher of its removal:

"Just to confirm - our anti-piracy unit have confirmed to me they have had all traces of this product removed from sale as requested."

So before asking me why I'm not on a pack, please take a minute to read this and think about it.

Thanks

Scott

More info at MCPS and what should be done:

http://www.mcps-prs-alliance.co.uk/about_us/whyneedpayformusic/Pages/whyneedpayformusic.aspx

http://www.mcps-prs-alliance.co.uk/playingbroadcastingonline/live_venues_events/Pages/default.aspx

Wednesday, August 06, 2008 

Scott Brown, one of the World's most formidable Hardcore Dj's and Producers, breaks the mould with the long awaited released of his DVD and CD double pack 'Livewired'.

Since filming started in April 2007, Nocturnal media followed Scott as he toured across Europe, in Glasgow, London, Amsterdam and Rotterdam at some of the largest events in each country.

Nocturnal have managed to capture many aspects of Scott's life which people have been curious to see for a long time.

Backstage and pre-gig interviews, live performances, travelling to and from gigs, brand new music, history of how he started and studio interviews have all been included.

Special interviews with other Dj's & MC's such as Brisk, Hixxy, Storm, Joey Riot, Paul Elstak, Whizzkid and many more have also been captured, many giving an insight to how they feel about Scott even he didn't know about!

Additional extras have been added such as full uncut live sets from Fantazia in Glasgow, out-takes and music videos.

The CD accompanying the DVD includes 3 sets recorded live at different venues throughout the year including 'Back to the Future' (Glasgow) 'NYE NEC' (Birmingham) and Oxygen, Lakota (Bristol).

Both the DVD and CD are cram packed with music, and cover all sides of Scott's styles, from his humble beginnings playing 'Rezerection' style sets to the popular UK hardcore style as well as the darker Dutch / European side.

As no-one has done a DVD like this in the Hardcore scene, it truly is a first and interest in its release has been awesome.

When the trailer was first shown on Brightcove.com it reached 20 thousand hits in a matter of days, it is still regularly viewed on youtube (5 star rated), myspace, bebo and facebook.

Available everywhere....

http://hmv.com/hmvweb/displayProductDetails.do?ctx=280;-1;-1;-1&sku=838523

http://www.amazon.co.uk/Live-Wired-DVD-Scott-Brown/dp/B001ASIS6Y/ref=sr_1_1?ie=UTF8&s=music&qid=1218031117&sr=8-1

http://www.woolworths.co.uk/web/jsp/product/index.jsp?pid=51604638

Sunday, July 13, 2008 

Alright guys..

If you're reading this then you already know I never made it to the party in Pittsburgh on July 12th.  I'm really sorry about not being able to make it but spritis of change, you and myself have been unbelievable victims of misfortune.

I DID NOT miss this booking due to fatigue, or sickness, I'm sitting at home in perfect health.

The problem only came to light around the 9th of July when my agent in New York noticed the flights were going to PHILADELPHIA and not Pittsburgh. How this happened none of us are quite sure as the flights were booked online some time ago and everything appeared to be in order (obviously not). The only feasible conclusion is that when the flights were booked online, the wrong airport code was entered. The travel agent refused to acknowledge this may have happened. I had no business going to Philly, so this is where the problems began.

I spent about 5 hours last week on the phone to Delta airlines and the travel company trying to come to some kind of agreement. I could change my tickets for the incredibly cheap price of $3500 dollars or buy new tickets and lose the old ones (again at great personal cost). After a lot of calls, I managed to get flights to New York, however connections to PIT were terrible. I had either a 1 hour connection with Delta (impossible) or 7 hours sitting in JFK (both ways).

We managed to find new flights with another airline which meant more money, another 6 hour layover in JFK and me pretty much having to come directly from the airport to the party.

I was looking at spending the whole weekend sitting in planes / airports / hotels and this is probably where I mentioned 'fatigue' - who wouldn't be?! The last thing I want to do is turn up to a party, pissed off, tired and try to give a good performance. I want to give 110%, not some half arsed show where people would be left disappointed.

The bottom line is, flights were to the wrong destination, the prices were getting beyond a joke, and I had to make a decision as to whether or not to come. In all fairness to Rose from Spirits of Change, I felt the costs were spiralling out of control and way beyond her budget. If Delta had been more accomodating, I would have been there, no question.

I had to make the decision at the very last minute not to come. It wasn't an easy one as I'm not in the habit of missing events (in any country) - in fact I've bent over backwards on many occasions to try and keep everyone happy.

I'm gutted I never made it to Pittsburgh as I've never been before - in fact I was in Spain only 3 weeks ago talking to a lot of people who were going and how much we were looking forward to it.

I really hope something can be worked out in the future and again I can only apologise for not being able to make it. It's been one of the most bizarre, frustrating weeks I've ever had to deal with and already I'm getting negative comments & emails. Not nice.

Rose did everything she did to get me there, I feel I did my part trying to get there (I had to cancel the tickets at my expense and this was after changing the flights to NY flights at my expense - don't ask why Delta wouldn't change everything to Pittsburgh flights at a reasonable cost, they wouldn't explain themselves).

So there it is, the truth, rather than give you some bullshit about missing flights or feeling sick.

I hope the party was good regardless and hope I can make it up to you in the future.

Thanks

Scott

Thursday, May 15, 2008 

Hey Guys

First of all I wan't to apologise for not appearing at Mayday in Tucson on Sat 10th May 2008.

I arrived in Phoenix that night at around 6pm, drove down to Tucson and caught up on some sleep. After that I headed out the the party but the entrance was  blocked out by about 7 police cars. I was told if I didn't turn around I'd be arrested, this was about 1.20am.

At this point I headed back down one junction on the freeway and waited for news. I heard about 15 minutes later police had broke up the party. At this moment I'm still not completely sure what happened but I just wanted to say how disappointed I was at not being able to play. I had to then go back to Tucson with my tail between my legs!!

Jason and his family looked after me, rented more than decent accomodation and did everything to make sure I got there.

I just hope I can make up for it another time. Sorry guys, and no doubt I'll see you soon (and you'll HEAR me soon)!

If you want to cut and paste this (or link it) to other forums please feel free.

Scott

Wednesday, February 20, 2008 

For all you crazy guys in Arizona... James Rize added me to the line up last night to take part in the Hyperbass PA.

I'll also be bringing my tunes so make sure he lets me play them for you :)

I also plan bringing a camera crew with me to shoot for Livewired 2 (it's in the planning stages but not confirmed).

Anyway, can't wait to get back and see you there!

Tuesday, December 18, 2007 

Just to let you know this DVD and CD compilation is still scheduled for release.

We just signed a new deal which will probably make this the biggest hardcore DVD movie ever, more news to come soon!!

Again, sorry for the delay, but this is completely outwith my control. If I DID go ahead with the original release date, chances are there'd be a massive amount of stock stuck with Amato's liquidators and noone would get to see it at all!

Thanks

Scott

Wednesday, December 05, 2007 

Just to let you know after discussions with Icon Distribution, they will be taking over distribution of Evolution as of 17th December when I'll be releasing the next batch of EV promos for full release in January.

Retailers can buy the stock from www.icondistribution.co.uk, vinyl will also be available from the usual outlets for dj's, consumers etc.

It's transpired that Unique who owned Amato distribution, ran the company into the ground with massive debts. One of my last releases sold 1000 units in 1 week proving the vinyl market is very much alive and I've been a victim of bad business management. Torrents and illegal cd's aren't helping the whole hardcore scene but I'll continue to make records as long as people want to buy them

Releases due 17th December (yes I work fast)

Plus 34a - Weaver & DMO - Burning
Plus 34b - Weaver & DMO - Paradise

Evolve 9a - Scott Brown - Do what ya like (Hyperbass remix)
Evolve 9b - Scott Brown - Do it like we do (Al Storm remix)

Ev 90a - Scott Brown & Kelly C - Need you in my arms (one sided colour vinyl, special edition)

Ev 91a - Scott Brown - Livewired
Ev 91b - Scott Brown - Enlightened (Weaver Remix)

Scott

Thursday, November 29, 2007 

NEW INFO:

Evolution now distributed by icon www.icondistribution.co.uk

Thanks

Scott

Hello all

As you will be aware, our distributors Amato have went into liquidation, leaving Evolution without a distributor. But fear not, there's already 4 decent offers on the table and I'm happy to say that business will be back to usual in no time. I'll update you as and when.

Amato were bought over by a company 'Unique' who seemed to run Amato into the ground, leaving all it's staff and labels stunned when they closed doors 2 weeks ago.

As far as I know, many labels have went to Icon Distribution but with Offers from IMO, SHELLSHOCK and SRD I really have to consider my options.

As for Resist going down, this was NOT a direct result of hardcore. Bad sales in general, massive returns on some other dance albums coupled with a huge MCPS bill forced the company under. Hardcore got hit hard, but what could we do....

This isn't the death of hardcore, merely a new beginning and a fresh start for 2008. Exciting times ahead....

Thanks for your continued support

Scott
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Thursday, September 20, 2007 

Copied for an email I sent around:

Album Licenses!

Alright guys.. there seems to be a bit of 'jobs for the boys' going on when it comes to albums.

It seems these days that whenever someone is mixing an album, very few tracks are 'licensed in' and most of the dj's own tracks are used. A very unfair representation of the scene.

However, as I'm about to mix Bonkers, it seems a lot of people who wouldn't otherwise speak to me have suddenly become my friend, wanting a track on there, asking if the deadline has passed. I find this somewhat hypocritical. "I'll license my own stuff and you can also license my stuff". Some of these artists haven't contacted me in months if not years.

I'm not having a go at anyone in particular but it's plainly obvious who's doing it. If someone writes a bad track, don't license it, simple, but don't fill an album with your own tracks just to keep your own bank manager happy.

Not only do we have dj's playing all their own tracks, they're now only licensing their own tracks. I know we're all well known for doing our own thing, but releasing a 'best ever hardcore' album filled with tracks from 2 labels isn't a fair reflection of the scene. Shouldn't we be helping each other like the 'good old days' or am I supposed to license tracks in without any return?

Just check some albums and count how many tracks are on there by that particular artist.

What a way to make the scene implode.

Food for thought...

Scott