Status: Single
City: East Los Angeles
State: California
Country: US
Signup Date: 7/9/2006
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Monday, August 25, 2008
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CELESTIAL TERRESTRIAL COMMUTERS this is a classic Mahavishnu Orchestra composition we have been playing for years, you can see us playing it on YOUTUBE in 1991, (OUCH!) We have been playing this, and our own music since 1987. Our own arrangement, since we have no guitar or violin, bass plays the keyboard part, keys/sax play the gtr/violin parts. we decided to get together and rehearse our music, try out new ideas for specific pieces and see what we can do with, be a part of it, instead of imposing ourselves on it. The only way to do that is to CREATE and PLAY music.
FOREIGN OBJECTS this is originally a percussion ensemble piece written by the great musician/composer/percussionist - John Bergamo. CG arranged this piece for the ensemble.
most of our pieces are very different from eachother, it keeps us on our toes. Some tunes have a lot of written material, some have very little. Our joy is in the process of discovering what can't do, then doing it to make it SING.
VOICES this piece is by keyboardist Craig Ochikubo, it is a ballad(!) a ferocious one, at that. The sax solo is over the "form", the keyboard solo is over a truncated form. Ochisan gets to blow over this, using his breath controlled synth, the YAMAHA VL1, allowing him to incorporate the breath element into his solo, he grew up playing bass clarinet as well as keyboards. His sound, approach and touch are truly unique. You can also check out Craigs playing on the CRYPTOGRAMOPHONE release, THE NORTHERN LIGHTS ENSEMBLE.
CONTINUUM ACOUSTIC(?) actually sans drumset World music with a piano instead of a stringed instrument(?) sax, piano/synths/electric bass and tabla and cymbals played in real time, no percussion overdubs we went into Scott Frasers studio, best known for his work with the KRONOS QUARTET walked in and 4 hours later we had 9 tunes done
THOUSAND ISLAND PARK arranged by cg, the John McLaughlin composition, same melody, changed the rhythm
EARLY MOURNING SHADOWS composed by cg, for the loss of an old friend
CEGO DE ADERALDO the blind man of Aderaldo, composed by Egberto Gismonti, with a CONTINUUM twidn
We will be posting more and more stuff, THANKS FOR CHECKING THIS OUT feel free to drop us a line continuummusic@gmail.com THANKS cg
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Friday, June 13, 2008
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Category: Music
CONTINUUM HISTORY: What originally started as a rehearsal band in 1987 in East Los Angeles, has evolved into one of the most original voices in contemporary improvisational music today. Utilizing their considerable skills the group has evolved "organically" over the last few years building a repertoire rich in influences and directions. Whether playing fatback funk, odd-time pieces, standards or open-ended improvisations the group has an easily identifiable sound. "Our strength is our diversity" says drummer and spokesperson for the group Christopher Garcia, "you won't find a more different group of people, culturally or musically, playing in a band - and we're proud to say we are a band". While other ensembles change personnel and 'plug people in the way you change socks' CONTINUUM has never played a gig using a sub, even though their individual schedules have become increasingly hectic. "Being a band is a whole different commitment and responsibility. It's only because we are a band that we're able to pull off certain tunes and give the music the respect it deserves, which means we can play what we want, when we want, and not have to worry about the notes," which has been a problem for some critics and most record labels. "We received so many rejection notices asking us to dump specific kinds of tunes and do more 'groove tunes', or the band would be great if 'you just played acoustic instruments and dumped that electronic stuff.' But one thing we've never done is compromise our music by underestimating the intelligence of an audience". And thanks to 9Winds and the advent of the internet, it seems their audience has been listening, and growing intently. "People are hip enough to go through the changes we put them through without getting apathetic about it. We always wanted to have a band with the depth of someone like Mingus, John McLaughlin, Oregon, or Weather Report - a band that can rip your head off one minute, then turn around and play a ballad with just as much conviction." Though the group has recently been described as a fusion band in various reviews they refuse to be pigeonholed by such references. "Now I understand why Mingus didn't want his music to be called jazz, but Mingus' music. We draw from so many wells that we've grown up with that our repertoire feels very natural for us. We don't play something because we're eclectic. We play what we want to hear. " Whether tearing it up, or laying it down, grooving in 21/8, or 4/4, playing a Monk tune or an original composition CONTINUUM continues to grow and confound.
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Saturday, March 29, 2008
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One of the groups that drummer Chris Garcia actively works and tours with is the Grande Mothers.
THE GRANDE MOTHERS RE:INVENTED IN ENGLAND 2008
Napoleon Murphy Brock vocals, tenor saxophone, flute, suavenicity, dancing(!)
Roy Estrada bass, pachuco falsettos, and operatic madness
Don Preston piano, keyboard synthesizers, electronics, vocals
with
Miroslav Tadic stunt guitar, electric guitar
Christopher Garcia drumset, percussion, marimba, vocals
www.thrgrandmothers.com
SAME MEMBERS SINCE FEB 2003 Guitarist Miroslav Tadic replaced original guitarist Ken Rosser in 2005 91 performances and counting since 2003
"I SAW YOU IN ’77" After taking off a well deserved vacation in 2007, the GMS hit the road hard returning to England, playing 13 concerts in 14 days throughout England including:
3/01 Holmfirth Picturedrome 3/02 Manchester Academy 3/03 Brighton The Komedia 3/04 Cardiff The Point 3/05 Penzance The Acorn 3/06 Exeter Arts Centre 3/07 Southampton The Brook 3/08 Deal Astor Theatre 3/09 Cambridge The Junction 3/10 London Mean Fiddler 3/11 Sheffield Boardwalk 3/12 Birkenhead Pacific Road Arts Centre 3/13 Wolverhampton Robin 2
the last time they were in England was 2004
SAME PEOPLE, SAME COFFEE........... they had 4 sets of music to choose from every night and instead of playing the same show to every audience they changed it up for every performance so the fans were always surprised the song list for this tour included:
Andy AyBe Sea Big Swifty The Blimp AKA Charles Ives The Brain Police Call Any Vegetable Carolina Hard Core Ecstasy Chunga’s Revenge Click Clack - Beefheart Debra Kadabra Dog Breath Echidnas Arf Evelyn a modified dog Florentine Pogen Holiday In Berlin Hungry Freaks, Daddy I come from nowhere I Am The Slime Idiot Bastard Son Lets make the water turn black Little House I Used To Live In Let’s make the water turn black Let’s Move To Cleveland Lonely Little Girl Montana Mother People Oh In The Sky Oh No Peaches en Regalia Pound for a brown Pygmy Twylyte San Bernardino Smoke on the Water - Deep Purple Son of Orange County Sofa 2 T’Mershi D’ween The Air Trouble Comin’ Every Day 20 Small Cigars Uncle Meat Village Of The Sun
I BLAME A, MYSELF.................. as always, the GMS played a 2 1/2 hour show, including encores
they were informed that most groups only play 1 hour(?) the same set(!) night after night
so the fans who didn’t come early missed out on about an hours worth of FZ music but by the end of each gig the place was usually packed and the GMS came out after each show to sign anything and everything for the fans including:
albums CDS DVDs tshirts body parts(!)
they were also given "gifts" (!) by the fans
Don Preston received a rubber chicken to "measure" things with(!) along with a pair of green panties (more below on that one) he also played his usual from another planet moog solos
Roy Estrada received a popes hat, to reprise his, dejected Mexican Pope from the Uncle Meat movie he also sang HOLIDAY IN BERLIN with Dr. Don Preston on piano accompaniment holding the down the bottom with his bass and the top end with his pachuco falsetto madness
Napoleon Murphy Brock was, as always, stellar giving 1000%, whether belting it out, dancing and/or ripping it up with his sax solos and with a bad cold and cough to boot
Miroslav Tadic and Christopher Garcia
most common ?’s asked these 2:
who are you guys? where did they find you? how did you learn to play this music? do you play with any other groups? do you have any CDs?
answers
us LA/CROATIA lots of listening and playing FZ music for percussion ensemble under the direction of John Bergamo some a few
Miroslav continued to delight the fans with his guitar playing (without mimicking FZ) while (obviously) playing the music with the respect it deserves and CG continually held it down and then some
many of the sound crews came forward to tell the GMS that it was the best concert they had ever had the pleasure of doing sound for guys who do bands day in and day out, hundreds of shows every year
ENGLISH FANS SPEAK OUT AND UP
the fans were, as always, mostly gracious, totally alive and FUN
but let them speak for themselves we have removed their email addresses and full names to respect their privacy see below
EXETER
Dear Grande Mothers, Thank you so very much for coming to Exeter last Thursday. Of all the hundreds of gigs I have seen over the years, your performance at the Phoenix was, for me, one of the most enjoyable.
It was great to hear your wonderful musicianship and to see you all looking so good. I would also like to say that I thought Miroslav and Chris were also tremendous. I was lucky to a have seen Frank perform many times but never with any of you guys in the band.
I never thought I would get the chance, but to actually see you in my home town of Exeter was fantastic. My only major regret was that, as I no longer live in Exeter, and due to my travel arrangements back home, I could not hang around to meet you guys. Please come back again. I know so many people who would have loved to have seen you.
Once again, thank you so very much. Wishing you the very best and good luck with the rest of the tour,
Best wishes, David ~~~~~~~~~~~~~~~~ SOUTHAMPTON
Dear Grande Mothers, saw you play in southampton last night. it was amazing. you really are keeping that music alive and well, it sounded so fresh. you’re all brilliant musicians and it looked like you were having so much fun. i never thought i’d get to see you guys play, so thanks for coming. it made my birthday really great. please come back soon. love ian ~~~~~~~~~~~~~~~~ EXETER
Dear Grande Mothers, My wife and I would like to thank you all for a fantastic nite of musical whimsy, technical genius, great tunes and general good fun when you performed at The Phoenix Arts Centre in Exeter recently. I was genuinely moved by this truly memorable event and consider it a rare privilege to have had the chance to see not one, but five musical greats who still deliver! I think Frank would have approved- you certainly blew us away.......... Best wishes, Paul and Katherine ~~~~~~~~~~~~~~~~ LONDON
just to say that the Grandmothers were absolutely fantastic the other night at the Astor, one of the best gigs I have ever had the pleasure of attending anytime, anywhere. all the best Howard ~~~~~~~~~~~~~~~~ Just want to say loved the gig and........ I felt very happy (and a great load of emotions that emerged from watching and listening the Grande Mothers Re:Invented). ~~~~~~~~~~~~~~~~ Exeter
I was at the Exeter show the other night, highlights were Debra Kadabra (never thought they’d play that one!), Holiday in Berlin/Little House, Uncle Meat, More Trouble, Village Of The Sun/Echidna’s Arf, Montana... Roy is hilarious, he cracked up just looking at Don most of the time! ~~~~~~~~~~~~~~~~ LONDON
The London show last night was fantastic. Don and Napoleon came out after the show to sign stuff, and meet everyone too...... An all round great, intimate night....
Shame those who packed out venues for ZPZ couldn’t be bothered to come out for these shows, they missed out.
Talk about supporting Franks legacy... ~~~~~~~~~~~~~~~~ The Brook- Southampton
What a lovely venue, the sound was crystal clear. The theme of last nights show was FUN, Don, Napi and Roy looked liked they were enjoying themselves and I certainly did. Set list from what I remember was;
Pound for a Brown on the Bus Sofa 20 Small Cigars Hungry Freaks Daddy Lonely Little Girl Take Your Clothes off Chungas Revenge I’m the Slime Lets Make the Water Turn Black Harry you’re a Beast The Orange County Lumber Truck Oh No San Berdino Peaches en Regalia Take your clothes off when you dance What’s the Ugliest Part of Your Body Florentine Pogen Evelyn a modified dog Son of Orange County Lumber Truck Montana Trouble Every Day In The Sky (featuring Roy’s insane falsetto) Big Swifty with snippets from I come from nowhere Charles Ives AKA The Blimp Click Clack Smoke on the Water(!) Dog Breath and of course Evelyn Andy
There were others but I forget. The Jazz noises in Big Swifty had to be heard.
In fact, Don stuck Evelyn in the middle of it all. Conceptual Continuity Clues were bandied around throughout the night, The Rubber Chicken (with incorporated ruler) found its way on stage, as did a bishops hat, duly donned by Roy, prompting cries of ’the Mexican pope enters the stage’ from Don.
A wet pair of knickers were hurled at Don who, in that Great American Tradition, took a great big sniff and declared ’either she’s been drinking a lot of beer- or that’s beer’. Ah well, I could go on….but who gives a fuck anyhow. Go see ’em if you get the chance ~~~~~~~~~~~~~~~~ Someone at both shows thought London even better than Cambridge. London sure sounded good to me. Here’s the set list:
1. Hungry Freaks Daddy 2. Let’s Move To Cleveland 3. Lonely Little Girl 4. Take Your Clothes Off When You Dance 5. Chunga’s Revenge 6. Call Any Vegetable 7. The Idiot Bastard Son (dedicated to me!) 8. Uncle Meat 9. Drum solo/T’Mershi Duween - ODS = obligatory drum solo 10. Pygmy Twylyte
INTERMISSION
11. Peaches en Regalia 12. Montana 13. Big Swifty 14. I’m the Slime 15. In The Sky 16. Let’s Make The Water Turn Black 17. Harry, You’re A Beast 18. Oh No 19. Son Of Orange County 20. More Trouble Every Day 21. San Ber’dino 22. Sofa No. 1 23. I’m The Slime
ENCORES
24. Little House I Used To Live In/Merely A Blues In A actually in F 25. Mother People
were you there too? if so, drop us a line every email is sent to the GMS
WHAT’S UP NEXT??? stay tuuuuuuuuuuuuuuned for more we know you’ll be surprised..........
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Saturday, October 20, 2007
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Current mood:  calm
Category: Music
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