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Suite 100 Gallery



Last Updated: 11/25/2008

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Status: Swinger
City: Seattle
State: Washington
Country: US

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September 22, 2008 - Monday 

Current mood:  overstimulated
Category: Art and Photography
Suite 100 Gallery brings artifacts by pioneers of American steampunk to Seattle. Read more about it on the Suite 100 Gallery blog.
March 16, 2008 - Sunday 

On March 14, Suite 100 Gallery opened the show "Feathered Friends," curated by Sohaila Adela. What a great night! Fantastic work by seven artists, a musical performance, and a packed house, we had a lot of fun.

"Feathered Friends", a bird-themed show, is a marriage of art from Seattle and Portland. Seattle artists include Brian Feddern, Stacey Rozich, Sohaila Adela and Justin L’amie. Portland artists include David Wien, Timothy Karpinski and Seth Neefus.

Each artist brings a different style to the show, lending to a rich, diverse collection under a common theme.

"Feathered Friends" goes through April 4. Be sure to stop by; Suite 100 Gallery is open Monday through Saturday, noon to 6pm.

Suite 100 Gallery
2222 2nd AVE, STE 100
Seattle, WA 98121
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suite100gallery.com
info@suite100gallery.com

February 11, 2008 - Monday 

With much anticipation, on February 8, we opened the show, "Girls by Boys."


It has become almost cliché in the common vernacular that the female form is a work of art; and it has, of course, inspired artwork throughout recorded history. It is a source of inspiration in sex and love, wonderment for science, contention for religion and social politics, iconography for product sales. It is a balance of form and function, mystery and attraction, carrying with it innumerable interpretations.


Suite 100 Gallery is proud to present "Girls by Boys," a group show that captures the male perspectives of three distinct artists.


James Dormer Schneider presents pen-and-ink portraits of women in his life that inspires envy. Jonathon Kimbrell contributes mixed-media montages characterizing adult entertainment. Troy Gua renders celebrity icons of popular culture in pen-and-ink portraits, as well as sexy images of anonymous women familiar to the imagination.


"Girls by Boys" is an audacious and sultry look at the stuff that fuels our cultural engine.


February 8 - March 1, 2008
Opening Reception: February 8, 6pm-10pm


For more information:


Suite 100 Gallery
2222 2nd AVE, STE 100
Seattle, WA 98121


suite100gallery.com
info@suite100gallery.com


(206) 956-3900




"Girls by Boys" at Suite 100 Gallery

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Girls by Boys at Suite 100 Gallery

February 2, 2008 - Saturday 

"Left Behind" has come to a close at Suite 100 Gallery. This show has been a lot of fun. It's a little difficult to leave it behind.

We at Suite 100 Gallery want to thank Ninjagrl for curating such a great show. We'd also like to thank all the artists who participated: Andrew Hem, Blütt, Brad Strain, C.Damage, Dave BloomfieldJuri Ueda, Labrona, Lisa Congdon, Ninjagrl, phoneticontrol, Ryan Bubnis, Soopajdelux, Soule, Thylacine Graphics, and Walt Hall.

Now, we're turning our attention to "Girls by Boys."

It has become almost cliché in the common vernacular that the female form is a work of art; and it has, of course, inspired artwork throughout recorded history. It is a source of inspiration in sex and love, wonderment for science, contention for religion and social politics, iconography for product sales. It is a balance of form and function, mystery and attraction, carrying with it innumerable interpretations.

Suite 100 Gallery is proud to present "Girls by Boys," a group show that captures the male perspectives of three distinct artists.

James Dormer Schneider presents pen-and-ink portraits of women in his life that inspires envy. Jonathon Kimbrell contributes mixed-media montages characterizing adult entertainment. Troy Gua renders celebrity icons of popular culture in pen-and-ink portraits, as well as sexy images of anonymous women familiar to the imagination.

"Girls by Boys" is an audacious and sultry look at the stuff that fuels our cultural engine.

February 8 - March 1, 2008
Opening Reception: February 8, 6pm-10pm

For more information:

Suite 100 Gallery
2222 2nd AVE, STE 100
Seattle, WA 98121

suite100gallery.com
info@suite100gallery.com

(206) 956-3900

Girls by Boys at Suite 100 Gallery

January 9, 2008 - Wednesday 

Suite 100 Gallery pinned popular artist Ninjagrl down this week, and squeezed an interview out of her. Visibly uncomfortable talking about herself (as if granting an interview was an act of shameless self-promotion), she took her time, and gave us a remarkable and rare glimpse into her life and her art, and showed us how those terms can be interchangeable.

Suite 100 Gallery: How long have you been painting your primary character? Does she have a name?

Ninjagrl: The character "Ninjagrl" has only been around for a few years. She appeared sometime in October, 2005. Although, people have pointed out to me that a lot of my earlier works contained girls with very similar characteristics, so I think in a way it's been an evolution over the course of my life. Which ties in to your next question…

S100: Yes, I get the feeling that these paintings are distinctly autobiographical. Is this the case? If so, can you give some examples of how?

Ninjagrl: Yeah, I don't think I could deny that she's pretty much me. Some paintings are too personal for me to actually verbalize, but I can say that when she first started showing up a lot, I had recently gone through a breakup and was feeling quite blue. It was so amazingly cathartic to put all my sadness and anger and loneliness into this girl on canvas. Whatever I was feeling would be what she felt, hence a lot of early ninjas appear rather heartbroken. I will admit she often doesn't look too cheerful, but that isn't to say she's always sad. She's just a quiet, introspective girl with a bent towards the melancholy.

Her sidekick, Turtle, also tends to have a lot of the same qualities as my cat, who happens to be named Turtle. Sometimes you just need a little friend to share your secrets with and to keep you company when you are sad.

S100: In addition to Turtle, there seems to be several other recurring side characters and themes in your work. For example, a stuffed bunny seems to pop up pretty regularly these days. Any significance to these characters?

Ninjagrl: Oh yeah, well, I talked about Turtle. She really does provide the comic relief in real life that he/she does in my paintings and drawings, too. And, since Turtle and I are temporarily parted, I couldn't very well incorporate her in my art, since she isn't here. Well, okay, so I have this stuffed chococat here, who may or may not sometimes play the role of the bunny in my more recent works. (I can't believe I'm saying this…this is so un-stealth. Turtle would so be laughing at me…) Actually, the very first ninjagrl I drew was holding a stuffed bunny and a book. I think the bunny's always been a kind of symbol of security, and the manner in which she interacts with him indicates her level of need at the moment. Sometimes she's holding him close, sometimes down at her side indifferently, in one she's leaving him behind, and maybe on one occasion he may have "accidentally" been decapitated…

S100: Where do you see your ninjagrl in ten years?

Ninjagrl: I really have no idea. Probably because I have no idea where I will be! That sort of thing used to kinda scare me, but now I find it exciting. Things keep changing. I don't know how ninjagrl will change or where she'll go. I don't know if she'll evolve with me, or if we'll have to just part ways, but I hope we both have many more adventures ahead of us!

S100: People seem to have an intuitive connection with the characters in your paintings. Why do you think that is?

Ninjagrl: I'm not really sure… The only thing I can say about that is that I think she is feeling what a lot of people can relate to. I think she's rather unassuming and, I hope, genuine. There's nothing guarded about her, and her vulnerability probably opens people up to recognizing their own feelings? [Laughs] What a load of crap. When I try to answer these questions, it sounds like there is some deep philosophical ninja principal, but I really just paint what I'm feeling.

S100: Tell us about the name "Ninjagrl." Where did it come from, and why is it missing an "I"?

Ninjagrl: I get asked that a lot, and I wish I had a better story! I've had that name myself for many years, and I don't know why, other than I tend to be a really, really, quiet (shy and desiring to be unseen!), stealth girl, so somehow I got that name. Which is why answering these questions goes against everything in my nature, but I'm trying!

The missing "I", to be honest, came about during my dating-a-hacker-boy years. I've wanted to rename her since, to something less "common" and, well, kinda silly, but it just doesn't seem right. I think it's too late. Although, I am amused when my five-year-old niece calls me "Inja Girl" and my three-year-old nephew, "Ginger Girl," so maybe there could be something there.

S100: Who have been your major artistic influences? What have you gained from them?

Ninjagrl: For many years, I claimed Egon Schiele as my favorite artist. I have always been most interested in art that deals with the human form, as well as human emotion, and his has both to the extreme. I went through some pretty dark years in my life, too, and I think his work—feeling somewhat tortured but always passionate and evocative—really moved me. A lot of my earlier drawings and paintings had a much darker, sketchier quality, too. But since the first time I saw Yoshitomo Nara's work, I don't think I've seen anything else I've related to or admired more. His characters have such a unique combination of qualities—looking young and innocent while at the same time angry or mean, sad or vulnerable. I love how "simple" the paintings can be—a lone character on a plain background—yet so full of feeling. To be honest, I often go through "what am I doing? This isn't art, you're just painting a silly little girl" periods, but for some reason Nara's work helps remind me that something doesn't have to be complex in subject or detail to be moving.

S100: You will be curating and participating in "Left Behind," the Suite 100 Gallery exhibition in January. Tell us about your inspiration for this show, and how you selected the contributing artists.

Ninjagrl: The idea for the painting entitled "Don't Go" and the idea for the show developed somewhat simultaneously. The painting was about leaving Turtle. When I moved out to the Bay Area last August, I had to leave Turtle with my parents for awhile. I miss her and feel bad for leaving. Funny, I guess that painting is pretty straightforward, huh? Then I started thinking about all the times I've felt left behind, or what and whom I've left. Having just picked up and moved across the country I've left a lot: friends, job, my home. And, that led me to thinking about parts of myself that have been left behind over the years as my personality changes and grows. I thought it would be really interesting to see how different artists would interpret the subject in their works.

The artists are all people whose work I admire. Some I know personally, others I've seen their work in galleries or online. I didn't choose based upon subject, but rather on style, so I imagine the show will have a wide variety of takes on the theme.

S100: How were you educated in art? Do you feel that formal art education is important to make great artists, or to advance art culture in society?

Ninjagrl: My first two years of college consisted mainly of fine arts courses at a small liberal arts college, but after that, I switched to architecture where I earned my BArch from the University of Minnesota. I feel really lucky to have gone there as my studies were based a lot more on design and theory than practice. Not that it wasn't a good base for a career in architecture, but I always had this feeling I'd rather do something slightly off the beaten path. I still don't know exactly what that is; it might keep changing!

I had been working as a 3D modeler/animator for an architectural visualization company in Chicago until I moved out here, but I am not sure what is next. Sometimes, I would like to have had more of a formal art education, because I sometimes feel I'm not "doing it right' and that I don't have any right to be showing people my work, but a lot of the artists I know haven't had much training either.

I'm all for art education, but even if it didn't exist formally, there would still be great artists, as there are in any society, whether recognized or not. I don't feel like I can speak too much on the subject as I haven't experienced much in the way of the art scene except that which has grown out of the streets.

S100: If you were not painting these popular characters, what would be your creative outlet? Do you do other art as well?

Ninjagrl: I just draw and paint stuff. Years ago it was a lot of really dark self-portraits, and I've since realized that during the Dark Years, as I so fondly refer to them, I had all but stopped making any art. Which came first I don't know, but now I know it's got to be a part of me to feel whole.

S100: Rumor has it you like to paint in unsanctioned places. (Some might call it graffiti, some might call it vandalism, some might call it street art, and some might call it "free art.") I can name one personal sighting. Care to talk about it?

Ninjagrl: Not really. [Smiles]

Actually, since leaving Chicago I've not been wandering the streets alone so much, but hopefully that will change again soon.

S100: You seem to have a fair amount of artwork done on found pieces of wood, thrown out cardboard and random stuff found at thrift stores. Is there more to this than just finding cheap canvases for you to work on?

Ninjagrl: The more I learn about the need for sustainable living and for each of us to do our part, the harder it gets to buy new products, when there are so many perfectly usable things out there that will just end up in landfills if we keep producing/buying more instead of using what we've got. I do not maintain to live as efficiently as I could, so I do not mean to preach, but I think the more that people become aware of the need and the more mainstream it becomes, the easier it will be for all of us.

People had to teach me these things, so if we could all just spread the word… I used to be embarrassed that my family shopped at Goodwill, because it was what we could afford, but now I love getting interesting and unique things, as well as helping the environment! That having been said, yes, I still do a lot of work on canvas, but I also like finding unique pieces to paint on as well, be they on the street, in the trash, or at a thrift store. Usually, it's something that I see some inherent beauty in. Today, I picked up a really cool Thai fish sauce box on the curb!

S100: One day you decided to open an old music book and start drawing in it with markers. Is that how it happened?

Ninjagrl: Just over a year ago my siblings and I were helping my mom clean out their basement. We had piles to be saved—piles of trash and piles for Goodwill. I saw this old music book on the Goodwill pile. It was from 1898. The pages are yellowed and have a soft, worn feel to them. The songs in the book were a wonderful mix of ethnic folk tunes, religious hymns, patriotic anthems, nursery rhymes, seasonal tunes. I claimed it from the pile, and that night I sat down with it and a pile of Prismas and drew a ninja on a page with a song called "Night," about the moon, "she's come in silver silence keeping." I think I did four that night, while we watched a movie. I liked the way the paper felt, I liked picking out subject matter in the songs and drawing something related to it, and I liked carrying the book with me wherever I went. It's probably about half empty now, but my mom actually found me a new old music book from the 50's to start on next.

S100: You have recently moved to the West Coast from Chicago. Which things have you found to be different between the Bay Area and Chicago? Which things have you found to be similar?

Ninjagrl: That is so hard for me to answer… I feel like I just got here and don't know the area very well at all! I'm still getting used to the difference in weather and topography! I think right now I am a bit overwhelmed by the variety here… of everything. Before moving here I had been to San Francisco a number of times and always loved it and wanted to move there… but never had been anywhere else in the Bay Area. Now I find myself living on the east bay and am amazed at how much else there is around here. There are so many pockets of different communities. Some of the smaller towns along BART on the East Bay remind me a lot of Chicago neighborhoods. But nothing is like living by the ocean. And near mountains. It's stunning.

S100: If you knew someone was going to be coming to the Bay Area for the first time, what would your suggestions be for places to go, things to do, and foods to eat? Any favorite galleries/showrooms?

Ninjagrl: Again, I still feel like I am too new to be of much help there! I am finding new places every day. I'd suggest hitting any of the ethnic festivals that seem to be going on all the time. And maybe checking out Café Gratitude in Berkeley.

S100: California. Going to be called home for awhile?

Ninjagrl: I'm not prepared to answer that yet. [Smiles]

S100: While exploring Seattle, which things and places have you found most interesting?

Ninjagrl: Cargo ships, cargo ships. Cargo ships. I don't know what it is…. (If anyone can get me onto a cargo ship I'd owe you lots of ninjas.) What I've seen of Seattle I love. I want to explore more neighborhoods… but mostly I'm enthralled with the waterfront. Starfish off the piers and all the traffic in the sound. And there seem to be a lot of tracks on the south side of downtown.

 

To see more Suite 100 interviews, click here.

January 1, 2008 - Tuesday 

2007 has come and gone so fast.  We at Suite 100 Gallery have had a lot of fun this year, and have had the pleasure of showing great art by great artists.  Every show seemed to be unique in both theme and style.


We're looking forward to the next year.  May yours be fruitful, prosperous, and everything you hope it will be.


Cheers,


Doug, Josh & Beau
Suite 100 Gallery
2222 2nd AVE, STE 100
Seattle, WA 98121


suite100gallery.com



December 25, 2007 - Tuesday 

"Sweet 100" has come to a close after an exciting two-month stretch.  With 107 pieces of art by 36 artists, it was a breathtaking rollercoaster ride.

Now we're setting our sights on "Left Behind."

The stuffed bunny on the sidewalk, a love that didn't last, the ugly duckling, old behaviors, childhood dreams. That mitten you dropped somewhere, your first best friend, the 80's (before they came back). An alien pod baby, your family, the slow kid. Whether it was advantageous or tragic, with resolution or unbeknownst to us, we've all left stuff (or someone) in our wake; and most likely, we know what it feels like to have been left behind at one time, too.

Suite 100 Gallery is proud to present "Left Behind," a group show that captures various aspects of what being left behind entails, interpreted by each artist with personal experiences coloring his or her work. From humorous to tragic, the possibilities are endless.

Featuring the work of Andrew Hem, Blütt, Brad Strain, C.Damage, Dave Bloomfield, Deuce Seven, Juri Ueda, Labrona, Lisa Congdon, Ninjagrl, phoneticontrol, Ryan Bubnis, Soopajdelux, Soule, Thylacine Graphics, and Walt Hall.

January 11 - February 1

Artists' Reception: January 11, 6pm

Curated by Ninjagrl.

Suite 100 Gallery
2222 2nd AVE, STE 100
Seattle, WA 98121
www.suite100gallery.com
info@suite100gallery.com

December 19, 2007 - Wednesday 

Suite 100 Gallery veteran artist Jonathon Kimbrell, in addition to showing several works in "Sweet 100", is busy organizing a show called "Rock N' Roll Ain't Dead Yet" at The Soda Gallery in Dallas, Texas.  From The Soda Gallery's blog:

Hey boys and girls. The Soda Gallery is having an open call for artists for our February art show, "Rock N' Roll Ain't Dead Yet."

The Concept:

We want to pay homage to rock n' roll by exhibiting portraits of our artist's favorite musicians. Portraits can be any size, any medium, any musician. Feel ambitious enough to do individual portraits of an entire band, like The Ramones, The Rolling Stones, The Beatles, or even The Polyphonic Spree? Go for it! We want to cover all of our wallspace with rock star portraits! The cooler the better! Any genre works with us. It's all rock n' roll in the end.

Details:

If you'd like to submit work for consideration, please email 2-3 sample pieces, along with your artist bio and resume to: jonathon@thesodagallery.com. (Please be sure to include "Rock N' Roll" in the subject headline, as I get a lot of spam emails. I don't want to overlook anyone.) If we like your stuff, we'll contact you with further details. OPEN CALL WILL END ON DECEMBER 31ST, 2007, SO DON'T LOLLYGAG!

The show opens Saturday, February 16, 2008. Deadline for all submitted artwork is February 11, 2008.

Please contact The Soda Gallery if you have any further questions. Feel free to pass this webflyer around, as we want many participating artists for this show!

The Soda Gallery
408 N. Bishop Ave Suite 101
Dallas, TX 75208
214-946-7632
thesodagallery.com

Thanks! ~TSG

December 9, 2007 - Sunday 

"Sweet 100" the holiday-time variety show at Suite 100 Gallery, featuring 107 works by 36 distinctive artists, is in it's final stretch. The show will close on December 21, just in time for holiday merrymaking.


"Sweet 100" has been quite a thrill. The caliber of artists, the variety of works, and the public response is nearly intoxicating, with or without special-recipe eggnog.


Stop by, have a look. You'll love what you see.



November 12, 2007 - Monday 

November 9 marked the opening of "Sweet 100," Suite 100 Gallery's 2-month holiday extravaganza.  We planned on packing the gallery with one hundred pieces of art, and we overshot it a bit by hanging 107 works by many of our favorite artists, plus work by artists new to Suite 100.  The result is a very full little gallery brimming with eye candy.

Sweet 100 Panorama

The opening night of Sweet 100 was like a family reunion of sorts.  Suite 100 veterans were flowing in and out throughout the night.  Returning artists include 2H, Andrea Heimer, Andrew Hem, Counsel Langley, Deth P. Sun, Greg Gossel, Jeremiah Ketner, Jessixa, Jonathon Kimbrell, Jose Torres Jr., KE Alexander Jr., Leanne Biank, Todd Karam and Tracy Curley.

On the other hand, it was great getting to know the new artists who contributed some incredible work.  New artists include: Aaron Bagley, Andre Martin, Anika Wilson, Douglas March, James Hannibal, Janette Cavecche, Kerry Smith, Kim Sciarrone, Marianne Maksirisombat, Ninjagrl, Noferin, Parskid, Patrick Fatica, Sarah Coleman, Saratoga Sake, Seamus, Soso, Thaneeya, Thylacine Graphics and Troy Gua.

Sweet 100 will show through December 23, long enough for the gift-giving season.  But, if you're thinking of buying one of these high-caliber works, don't wait until the last minute.  Whatever the case, be sure to stop by.  Sensory overload awaits.

Suite 100 Gallery
2222 2nd AVE, STE 100
Seattle, WA 98121

Sweet 100 at Suite 100 Gallery