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Bedlam of Cacophony



Last Updated: 12/28/2009

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Status: Single
City: Orange County
State: California
Country: US
Signup Date: 7/9/2006

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Monday, September 14, 2009 
We have just posted a new song entitled 'Endsville'

This is a Live Recording which we recorded at Seahorse Sound Studios and was engineered, mixed, & mastered by Samur.

'Endsville' is just a small taste of what's to come on our upcoming full length album, due out in the somewhat near future
Thanks to Samur and Justin for all their help!

Check out Seahorse Sound Studios:
www.myspace.com/seahorsesound
Sunday, August 16, 2009 

Current mood:  giggly
Hey everyone, here is another review of our ep 'Turmoil Machine' by Brutal Carnage Zine.
The link is below, the review is in Russian, but thanks to good ole GOOGLE you can translate it into english.
Enjoy!

http://zine.brutalcarnage.net/reviews/Bedlam-Of-Ca
cophony/Turmoil-Machine-ep


and if you still dont have our ep....get on that shit!
Tuesday, February 03, 2009 

Current mood:  crazy
If you are interested in booking us for a show feel free to contact us through our myspace page or you can email us at BedlamBooking@yahoo.com we are interested in playing as much as possible.
Currently listening:
The EPs of RP
By Rudimentary Peni
Release date: 1995-04-16
Thursday, July 24, 2008 

Current mood:  aroused
Category: Music

Turmoil Machine EP - (self-released)
Technical grindcore from Orange County, CA.
MeGrindGood's humble opinion:
"Mayhem of Discordance"; "Havoc of Disharmony"; "Do-your-head-in noise-torture". They all amount to the same thing: A Bedlam Of Cacophony. From the melon-scratching clean intro of track one "Turmoil Machine" to the Psyopus-sounding outro of track three "Opium Dreams", this EP delivers the band's namesake.
  It's pretty hard to write a review of only three songs, so it's a good thing I know big words, and the long way of writing something. This EP has as much going on in three songs as most full-length CDs do. There's grindcore and death - not hard to pick - as well as a little hardcore and some funky/jazzy moments here and there. There's a whacky guitar melody (I wouldn't call it a solo), a bass-oriented moment or two, and all screeched and roared over by an almost steady dual-vocal track. He breaks it up a little, but really not that much except for a cool toad-croak style the mic-strangler whips out every now and again. He roars; he shrieks; a lot of it at the same time. It worked for Travis Ryan of Cattle Decapitation and it certainly works for these lads. Maybe those would be the comparisons I'd make. Psyopus meets Cattle Decapitation. All with a definitive Bedlam Of Cacophony overtone. The production's awesome, the musicians are talented, and there's more twists and turns than an episode of Criminal Intent. What more could you ask for from your death/grind?
  If you're reading this, then you're obviously a grinder, so you should at least go and check out their GrindSpace linked below. The three tracks from this EP are up on their player. Hopefully these lads don't take too long to finish the job they did on my senses and sensibilities…

Instruments: 8/10
Throat: 7/10
Originality: 7/10
Production: 8/10

7-and-a-half.gif

www.grindertimes.com
www.myspace.com/grindertimes

http://www.grindertimes.com/?p=318

Thursday, May 29, 2008 

Current mood:  touched
Category: Music

Reviewed by:
Alex Harrison
Editor
Top 10 Reviewer

Overall rating (weighted)   8.2
Musicianship                          9.0
Composition                          8.0
Experimantation                     8.0
Production                             7.0
Value                                     9.0


I don't usually get excited when a new tech band emerges from it's respective town, but that's usually because most new bands waving the tech flag tend to plague the internet with watered down spastic music with a few "fast" sweeps and tapping segments. Boring as fuck. Thankfully this is not the case with Bedlam of Cacophony's debut EP 'Turmoil Machine'. They certainly have the skills to back up their name. The first riff off of the album goes from slow and jazzy to brutal and rampant in seconds and the only break you are given is when the album's eight minute runtime is up. But when it's done, you'll play it all again because it's surely over far before you want it to be. Honestly, I haven't been this excited about an up and coming band's EP since The Crinn's self-titled and "Subhuman Empire" from SWWAATS and just like those two, this EP shows excellent promise. This band is fully aware of what it's doing. I can't say I wasn't skeptical when Ivebeenshot's vocalist Lee Artavia was brought on as Bedlam's official vocalist. Nothing against the guy but I don't really see "reeeeeeeeee ree" going over technical grindcore very well. Artavia proved me wrong, he shows a remarkably more dynamic range on "Turmoil Machine" than with Ivebeenshot and if anyone's voice can match the brutality of this music, it's him. I really don't know much about the rest of the band but of thing is for sure, they know how to write intense music. Their demo followed by this EP has certainly set Bedlam of Cacophony in the right direction, it's a sin that a band with this much talent has not yet been picked up by a record label but I suppose it's because hardcore kids can't dance to this, nor sing along to any pretty choruses.

Stop reading and buy it.



http://www.grindingtheapparatus.net/music/bedlam-of-cacophony-turmoil-machine.html

Currently listening:
Hell Songs
By Daughters
Release date: 2006-08-08
Saturday, February 09, 2008 

Current mood:  good

7.7

This is some pretty awesome technical death metal in the vein of Psycroptic and Atheretic coming from California. The state has been a hotbed for this kind of music, such as Ivebeenshot, Odious Mortem, Brain Drill, and Decrepit Birth. Now, this band has delivered a promising 3-song demo that showcases their creative compositional skills that bow to death metal conventions but also create new paths leading to the furious tech metal pools like The Crinn, Orgone and Psyopus.

The guitar works shows a ton of dexterity and a good ear for knowing when to let up the grinding parts and blend them seamlessly and uniquely with the odd-sounding tech parts. I can't hear the bass clearly, unfortunately, but I'm sure it's doing its job. Drums, however, sound pretty good and can change up tempos at the drop of a hat. There are plenty of crashes here; rides are used, but only to add subtle accents to choice parts of each song. This gives the music an immediate, devastating nature. The major element here is the vocal performance. I can take prevalent vocals, but these vocals never really give up. It seems as if the vocalist was trying too hard to be tonally diverse. He succeeds most of the time, but the vocals end up distracting from the rest of the instruments.

These three songs are pretty indicative of what BOC is going for. The first track is a highly satisfying 75-second mini-masterpiece of technical grind. The second track goes for more atmosphere and space; the chuggy parts are highly tasteful and only add to the many layers and textures of this song. Finally, the last track gives way to a very surprising twist: halfway through, it breaks down into a math-rock ditty not unlike 80s King Crimson or an "Imogen's Puzzle." This proves to me that BOC has even more going on upstairs than this demo previously led me to believe. They are interested in creating intense technical death metal that also leaves room for experimentation, space, a diverse tonal palette, and plenty of room for improving their already well-defined sound.Lee Artavia, vocalist for Ivebeenshot, has joined BOC in this year of 2008 to fulfill vocal duties. Expect this band to become even more devastating.
 
Link: