Gender: Male
Status: Single
Age: 35
Sign: Capricorn
State: California
Country: US
Signup Date: 2/12/2005
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Thursday, July 30, 2009
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Sunday, May 31, 2009
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Current mood:  selective
Category: Music
I really enjoyed playing this set in Avalon Bar, Costa Mesa, California last night:
Harmonic 313 - Arc light Love Lee - Again Son (Harder) Luke Vibert & Jeremy Simmonds - Fishing Ray Jupiter Black - We Like Moroder Lindstrøm & Prins Thomas - Cisco Stranger - Physical Tribe - Living in a New Day (C2 Remix) Gary Davis - The Professor Here (40 Thieves Mix) Foxy - Devil Boogie Randaberg Ego Ensemble - Orangotango *Bootleg* - Dangerous Liaison to The Inner City The Fatback Band - Midnight Freak (Lee Douglas Edit) Moonstarr - Detriot Jamie Finlay - Don't Sleep
I still be keeping shit real with a full vinyl set too innit
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Saturday, March 28, 2009
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I love this guy, I share his concerns and I eagerly anticipate his "proposed new series about musicians in post-Katrina New Orleans".
http://www.guardian.co.uk/media/2009/mar/27/david-simon-wire-newspapers
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Friday, March 27, 2009
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Bob is one of my fave musicians, DJs and music journalists. Here he is waxing lyrical regarding another fave of mine: the 45... Come on, Let's Keep Vinyl Alive!!... Bob Stanley explains why he would happily spend £100 on a song he hates - just to get it on the most beautful, tactile format: the 45rpm vinyl single Bob Stanley The Guardian
Friday 27 March 2009 Seven-inch heaven ... A collection of early vinyl records. Photograph: Felix Clay/Guardian The 45rpm single, the hard, black centrepiece of the teenage revolution, turns 60 next Tuesday. Few would argue that its rise and fall mirrors pop's golden age. Just the look of a 1957 single on the London label, with gold lettering, or the angles and DIY smudges of a 1979 Rough Trade release can raise the pulse, cause feelings of nostalgia, pride, envy. The 45 is easy to love. There are more of them in the shops than there were 10 years ago, yet it's tough to think of the 21st-century 45 as anything beyond a novelty, a sop to indie kid pop one-upmanship that is irrelevant to most music consumers.Go back five decades and it was, no question, central to the teenage way of life. You would talk about records before school, between classes, during lunch. After school, the only places you could hear rock'n'roll were the coffee bars. The jukebox in the corner would contain the Gene Vincent and Chuck Berry 45s you craved, the records that you weren't allowed to play on your parents' pricy new radiogram - you were left with the wind-up, 78-playing gramophone if you were lucky. Another few years later and you may have owned a Dansette with a spindle for stacking your 45s, the only way to soundtrack your 16th birthday party. Come the punk era, 45s were broadsides to the next generation from the suburbs, on a back-to-basics, prog-trashing, R'n'R format, and too fierce for airplay. In the 80s there were the Smiths singles, so perfectly packaged, so aesthetically desirable next to the straights' music of choice - Dire Straits' Brothers in Arms on a compact disc. When Culture Beat's Mr Vain did the dirty and got to No 1 without any 7in means of support in 1993, the golden era of the 45 came to an end. The next few years were a transition period in which the downright ugly CD single and "cassingle" bossed before the dawn of a new century and the internet finally consigned the 45 to cute relic status.In 1949, RCA Victor had no thoughts of feeding vinyl-hungry kids, or of how Mr Vain would eventually spoil the party. All they were thinking was how to counter the Columbia label's new 33rpm vinyl, launched in mid-1948, with a different format and different machinery. RCA's 45-only record players plugged into the back of your radio, cheaply and cheerfully, but you needed a separate machine to play your albums, a state of affairs that lasted a few years before RCA and Columbia decided to share their technologies.The first single, ever, was a country record by Eddy Arnold called Texarkana Baby. Arnold was managed by Colonel Tom Parker, who saw another of his charges, Elvis Presley, sign to RCA Victor in 1956. Texarkana Baby was pressed on a slightly odd green vinyl; RCA figured that, in the format wars, they needed a novelty, and so they pressed country music on green vinyl, children's music on yellow, classical on red, and "race" music - rhythm and blues - on "cerise", or what looked like orange to the average Joe. Straightahead pop was released on straightahead black.RCA described the 45 in their press release as "the finest record ever made" and claimed "more than 150 single records or 18 symphonies fit in one foot of bookshelf space", which seems like an outright fib. In Britain, some way behind the US, the single wasn't introduced until November 1952, when EMI launched a bunch of desirable looking classical 45s on a dark red HMV label. The same month, New Musical Express launched the Hit Parade of best selling singles, all of which were on 78. EMI very quickly realised the three- or four-minute playing time was much better suited to pop than classics and in March 1953 HMV, Columbia, Parlophone and MGM issued, respectively, Eddie Fisher's I'm Yours, Ray Martin's Blue Tango, Humphrey Lyttelton's Out of the Gallion, and Judy Garland and Mickey Rooney's A Couple of Swells as their opening shots. By the end of the year, EMI had issued close to 300 titles and the raw materials for a revolution were coming together. According to their promotional bumph, RCA had discovered "the school set loves 'em" as far back as back as November 1949 - "neat little records they can slip in their pockets, they go for the lowest priced at the new speed, they go for the little disc that fits on the shelf beside their paper-backed novels". The portable 45's disposability was mirrored by the thin paper sleeve and lack of glossy artwork that accompanied the album. The look and feel of the labels therefore became a secret teenage code, and certain labels belonged to certain acts. The Beatles had the black Parlophone label with its pound logo (to signify they were minted?); the Kinks were on the suitably fey pink Pye label; the Rolling Stones were kings of the dark blue Decca label, with its curious giant ear logo, housed in an orange and white candy-striped bag. The red "A" labels on EMI's mid-1960s promotional copies were pieces of true pop art, then and now highly prized by pop snobs.Led by the rock musician's need to "stretch out", and by the rise of albums-only acts such as Led Zeppelin, the single was rather marginalised in the 70s. Its second coming was inspired by punk, not only because it brought bite-sized music back into fashion and spurned Mellotron-led rock symphonies, but because it revitalised the look of the 45. By 1976 just about everyone in pop had got lazy. Glam was a fading memory, the charts were clogged with novelties (the Wurzels, Demis Roussos) and slick country from the likes of Billie Jo Spears and JJ Barrie. In fact, even record buyers became sloppy - how else to explain a country single by a Dutch band, Pussycat's tedious Mississippi, spending a month at No 1? You could hardly blame record labels for packaging this nonsense with the most basic, ugly, moulded plastic labels and sticking them in plain white bags. Even Anarchy in the UK, issued in December 1976, came in a crappy paper sleeve. If punk's new independent labels wanted to stand out, then, the solution was simple: Stiff released the Damned's New Rose, New Hormones issued the Buzzcocks' Spiral Scratch EP, and both came in picture sleeves. This was previously unheard of. Soon, Beggars Banquet was issuing the Lurkers' 45s on vinyl the colour of which hadn't been seen since Eddy Arnold's day. Countering the indies late in the day, major label Elektra put out the Cars' My Best Friend's Girl on car-shaped vinyl and earned a No 3 hit. The public went 45 crazy, buying more in 1978 than in any other year; by the year's end, even Boney M's Mary's Boy Child had advance sales of half a million and remains the 10th best-selling UK single ever. Possibly record buyers were hypnotised by the spinning coloured vinyl singles that were introducing Top of the Pops. These, it recently transpired, were purloined by Swap Shop's Maggie Philbin when the opening credits changed, and have just been sold on eBay. I'd have doubled the price, whatever it was.That's because for obsessive collectors like me, 45s remain the ultimate pop format and retain their allure in an era when pop formats are done with. Listening to Kid Cudi's Day and Night on Spotify just doesn't give me the thrill of taking the record from the sleeve, placing it on the deck and guiding the arm into what RCA Victor called the "microgroove". Scouring the internet for contemporary pop 45s by, say, Girls Aloud or the Sugababes, is a miserable experience; the fact that Push the Button and The Show were never even issued as 45s I find profoundly sad. I'd dearly love to file Push the Button alongside Sam Cooke's You Send Me, Shanice's I Love Your Smile and the Beach Boys' You're So Good to Me - 45s to suit the first buds of spring. Knowing I can't, and that Push the Button was only ever issued digitally, sets me on the edge of a panic attack. If I were under 30, attuned to CDs, then Napster, then Spotify, I probably wouldn't give two hoots. And yet, I sit surrounded by Schweppes crates full of redundant 45s that are now just an instant click away. I still hunt down rare pressings of the earliest 45s, which were easily outsold by 78s, and ones from the turn of the 21st century, which were only pressed for aging vinyl jukeboxes. The result of this mania is a 45 wants list that includes Lita Roza's How Much Is That Doggie in the Window (which even the singer hated), for which I would gladly lay down a ton. I don't think I'm alone in my sickness. Major labels could be missing a trick by not issuing everything that hits the Top 10 on a 45. They could be limited editions, maybe even car-shaped, Rolex-shaped, Pussycat Doll-shaped. Or maybe not. Thomas Edison continued making wax cylinders, for an ever shrinking market, until his death in 1931, because he refused to believe the format would die. So, for sanity's sake, I'll concede that 45s are a product of a bygone era, beautiful and desirable as they are. The heart of a cultural revolution, though, they will survive in the collective memory as more than just the snuff boxes of the mid-20th century.
From http://www.guardian.co.uk/music/2009/mar/27/45rpm-vinyl-singles

Adam and Joe's Record Store Guide (I miss these days - sob...)
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Monday, February 16, 2009
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Bill Hicks was perhaps the all-time greatest comedian; the comedian's comedian. The legendary lost Letterman performance from 1993 was finally aired last month, here: http://popwatch.ew.com/popwatch/2009/02/david-letterman.htmlThe censorship of this back in 1993 caused a lot of upset to Hicks at the time as he was a staunch believer in freedom of speech and felt heavily betrayed by the TV comedy establishment which was ran by the same guys he had done the comedy circuits with over previous years. He wrote letters to Letterman (no pun intended) and the network expressing his feelings on the matter but the censorship was never explained to him. He had watched as the Leno's and Letterman's rose to their compromised mainstream roles in professional despair, as he, relatively unnoticed, solidly stuck to his considered comedy: anarchic, political, witty, realistic and honest interpretations of the world he/we lived in and the oppressing regimes placed upon us. Sadly, Hicks died shortly after this affair aged 32. Listening to his work and watching his performances today over 15 years later, little has changed with the governing of the world and the society issues Bill addressed. Today his comedy is as potent, vital, thought provoking, positive, relevant and as amusing as it ever was. RIP Bill. Oh and this looks interesting: http://americanthemovie.com/
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Tuesday, January 20, 2009
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Current mood:  loved
Early warning notice for all y'all assess...

Girls,... if I ain't out romancin' ya 2/14, it's cos' I'm here.
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Wednesday, January 14, 2009
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Category: Music
 All off vinyl! The Black Science Orchestra - Philadelphia The Invisible Man's Band - All Night Thing Kerrier District - Disco Nasty (AKA 110) Hercules and Love Affair - Blind (Frankie Knuckles Dub) Nitro Deluxe - This Brutal House (UK Edit) Nightlife Unlimited - Peaches & Prunes (Ron Hardy Edit) Gary Davis - The Professor Here (40 Thieves Mix) Holy Ghost - Hold On Lindstrom - Breakfast in Heaven (diskJokke remix) Chicken Lips - He Not In The Beat Broker - My Way On The Highway Umek - Utopia A Tribe Called Quest - Pubic Enemy (Saturday Night Virus Discomix) Gary Davis - Remember Me (Kenny Dope Mix) Back again Valentine's Day come check it...
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Monday, January 05, 2009
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Charlie BrookerThe Guardian, Monday 5 January 2009 Only one thing's going to get us through 2009, and that's romance. And possibly cannibalism. But mainly romance.In case you missed the bulletin in your post-festive daze, let me bring you up to speed. According to the latest predictions, here's what we're in for this year: MISERY. Yes, not just misery, but MISERY. In capitals. Just like that. Dim your lights. Here's the highlights reel. The worst recession in 60 years. Broken windows and artless graffiti. Howling winds blowing empty cans past boarded-up shopfronts. Feral children eating sloppy handfuls of decomposed-pigeon-and-baked-bean mulch scraped from the bottom of dustbins in a desperate bid to survive. The pound worth less than the acorn. The City worth less than the pound. Your house worth so little it'll collapse out of shame, crushing you in your bed. Not that you'll die peacefully in your sleep - no, you'll be wide awake with fear, worrying about the situation in the Middle East at the precise moment a chunk of ceiling plaster the size of a flagstone tumbles from on high to flatten your skull like a biscuit under a shoe, sending your brain twizzling out of your earholes like pink-grey toothpaste squeezed from a tube. All those language skills and precious memories splattered over your pillows. It'll ruin the bedclothes. And instead of buying expensive new ones, your grieving, impoverished relatives will have to handwash those bedclothes in cold water for six hours to shift the most upsetting stains before passing them down to your orphaned offspring, who are fated to sleep on them in a disused underground station for the rest of their lives, shivering in the dark as they hear bombs dipped in bird flu dropping on the shattered remains of the desiccated city above. Welcome to 2009. So what do we do? Well, as with any scary situation, we could try scrunching up our eyes and wishing it all away, but that rarely works, unless you're driving a bus across a busy junction and couldn't give a fig for convention. Instead, we're going to have to co-operate with one another if we're going to get through this. I know, I know: ugh. The concept of sharing has been knocked out of us. For years it's been all about you, your nice things, your signature dish and your plasma screen, and everyone else can go swing. Now we'll have to knock on doors and swap cups of sugar. But maybe it won't be so bad. Picture yourself sharing a meal with a neighbour. Or maybe a bath. A bubble bath. Look, there are little tealight candles round the edge of the tub. And you're having a glass of red wine together! It's lovely! Assuming you have attractive neighbours. If not, sorry. Just close your eyes and wish it away, especially when they stand up, turn round and bend over to search for the soap. Actually that whole bath scenario might represent the way forward. It sounds quite romantic, and authentic romance has been in short supply of late. Authentic romance makes life more enjoyable, but more importantly it costs nothing. Buying flowers and baubles and Parisian city breaks - that's not authentic romance. That's lazy showboating. Authentic romance could flourish in a skip. Prove this to yourself. Invite someone on a date and spend the evening sitting in a skip making each other laugh with limericks or something. Get through that and you've bonded for life. Or maybe a week. It's hard to tell when you embark on a new relationship. Still, if you split up: time for more romance with someone else. Everybody wins. Mark my words, you'd be wise to practice your romancing skills now, because when, circa October, we're huddled together in shelters sharing body heat to survive, the ability to whisper sweet nothings could prove useful. Come the dawn, you'll need to pair up with someone to go hunting for supplies with, and it'll help if you've been cuddling all night. The world outside will be dangerous, so there'll have to be two of you. One to root through the abandoned Woolworth's stockrooms and another to stand outside warding off fellow scavengers with a flaming rag on a stick. Obviously if two is better than one, it follows that three is better than two, especially in the thick of a food riot. Rather than forming boring old duos as per tradition, polygamous unions involving up to 30 or 40 participants will emerge victorious, roving the landscape in packs by day, writhing around in obscene configurations in their papier-mache huts by night - strictly for the purposes of generating heat, of course. We can all do our bit. I, for one, am fully prepared to take on 50 wives if it'll help make the world more manageable, provided I don't have to talk to them and I get to wear a crown and issue decrees and everything. We'll create a kingdom in a cave somewhere and kill and eat unfortunate passers-by, like Sawney Bean and his family. Now they had vision. First potential wife to contact me with full Ordnance Survey reference numbers for a suitable location (warm cave, close to major thoroughfare) gets to be Minister of Skinning Trespassers Alive and Sticking Their Heads On Poles as a Warning to Others of Their Kind. All things considered, this may be a bleak year but at least it'll be more interesting than, say, 2006, during which nothing happened. So grit your teeth and meet 2009 head-on, because it's not going anywhere until 2010 at the very earliest. In summary: happy new year. http://www.guardian.co.uk/commentisfree/2009/jan/05/ch
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Wednesday, December 17, 2008
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Q Tip - The Renaissance Flying Lotus - Los Angeles Paul Weller - 22 Dreams Lindstrom - Where You Go I Go Too Spiritualized - Songs in A & E Squarepusher - Just a Souvenir The Last Shadow Puppets - The Age Of The Understatement Daedulus - Love to Make Music To Padded Cell - Night Must Fall James Pants - Welcome
What are yours?
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Sunday, November 23, 2008
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