http://www.myspace.com/vivalafever
This is just a snibit. Get to the bottom for the video Lanyo talks about talks about talks about references yeah.
IN YOUR MUSIC DESCRIPTION YOU WRITE ‘JAPANESE CLASSIC MUSIC’. NOW, I LISTENED TO YOUR TRACKS AND I DON’T HEAR ANYTHING JAPANESE IS YOUR SONGS?! I NEED AN EXPLANATION...
Law: “We were drunk in Dallas at the What? Records compound and everyone was creeping on the Myspace, changing things. I think I did that one.”
LB: “I wish we could go to Japan. I've been into "Kure Kure Takora". Check it out on Youtube. I love to eat baby octopus at the sushi bar!” -
AS WELL AS FOR THE NAME OF THE DRUMMER. AND WHY IS HE THE ONLY ONE WITH SUCH A STRANGE NAME?
Haque: “What's wrong with my name?”
Law: “He is strange indeed.”
LB: “He is a hack!” -
‘IKILLCARS’. WHERE DO YOU GET SUCH A NAME. IT’S PROBABLY THE FUNNIEST NAME I’VE HEARD IN YEARS!
Law: “Ran into a trash can, ran into a fire hydrant, ran into a tree. Ran into a telephone post. Got ran into. Ran into a truck. Yeah.” (I don’t understand this part but decided not to delete that, because it made me laugh. J)
Haque: “I haven't killed any cars, but I've definitely got it out for them. They get in my way and their horns are so much more powerful than the little bell on my bike. And they're fucking up my planet.”
LB: “I leave the name to J. LAW. It’s better than iliketrains at least.”
JUST IMAGINE THAT CARS WERE NEVER INVENTED. HOW DO YOU THINK WE WOULD MOVE AROUND?
Law: “Quietly?”
LB: “We would move around with disposable teleporters.”
YOU SAID THAT YOU WANT TO COME AND PLAY IN BELGIUM. WHY IS THAT? WHAT DO YOU KNOW ABOUT MY COUNTRY?
Law: “Kwak beer and Dr. Pepper Family. Love the latter more.”
Haque: “And a lot of you speak English, right?”
LB: “Wiertz the Romantic artist. I always liked his painting "The Suicide". He painted depictions of hell, decapitation, and the rage of a Belgian woman!”
Law: “And James Ensor. Skeletons are cool.”
IN AMERICA YOU ONLY SPEAK ENGLISH. BUT WHEN YOU’LL COME TO BELGIUM YOU’LL HAVE TO TALK FRENCH, DUTCH OR GERMAN! CAN YOU SAY ANY SENTENCE IN ONE OF THESE LANGUAGES?
Law: « Vas tu fes en coulie! (I think what he wanted to say was: Vas te faire enculer! J) Montez le volume (very good! J). Spreichen ze deutch? (again, that sounds like Sprechen Sie Deutsch? J).”
Haque: “Ooops”
LB: "pass.”

The official 'tangible' release of our newest EP 'At Ease With Your Haste' is yet to be determined, but the digital release is NOW! We have completed the mastering and all that, and its available at Insound.com

In case you missed it, we are iKiLLCaRS. You know it. That's Lanyo Bourgeoise and Johny Law rattling out vocals and guitar and bass noises. Featuring Mike Fonseca on these At Ease sessions drums. Mike not only banged the shit out of the drums here, but also helped out with the arrangements on a few tunes here. That kinda cred goes a long way. Right.

These tracks were recorded and mixed at the Bubble here in Austin by Frenchie and CB. They rocked it. And then mastered by Jeff Lipton @ Peerless Mastering. Big fuck yeahs to all yall. And to you listeners too. Buy the shit here....

And read what some folks are saying about it...

Matt Coppens, Terminal Boredom - "iKillCars is a three piece Austin, TX punk rock band combining many elements of garage, post-punk, and straightforward punk, sounding like a good mix of Velvet Underground, Television, Minutemen, and the best of the 1980's SST bands. It's really a very unique and refreshing sound all their own. It's catchy, hard, weird, and just really fucking good.  This is what the Velvet Underground would have sounded like if Lou Reed were growing up in 1980's Southern California. You get 5 songs that sound nothing like the previous track before it. Very solid release."

The Austinist - "In case the name embodying misplaced aggression spelled in an unorthodox fashion that says, "You know what, I don't have to follow your stupid rules of capitalization!" coupled with members' pseudonyms like Johnny Law didn't clue you in, these guys play garagey, punk/rock and roll. The Austin trio's second EP, At Ease With Your Haste, released last month, is replete with distorted guitar riffs, grubby vocals borrowing verse from Allen Ginsberg and steady, medium-paced beats.

One of the stand-out tracks on the 5-song disc is "Hartsfield-Jackson". It has a jangly grit to it, and the scratchy vocals and unpolished production give the track a great rock and roll sound that's hard not to enjoy. When you get to "The Teeners" and you hear the group – guitarist and vocalist Law, bassist and vocalist Lanyo Bourgeois – along with what sounds like a few others singing along to a chorus of "We love The Teeners!" it's hard to decipher whether or not this is a genuine shout-out of appreciation to another Austin band or it's meant to be sarcastic and there's a hip-hop-style rivalry here. It's probably the former, but what do you think?"

And Adam Scott's review in the Norman Transcript one blog down... 

Whole shindig of an interview is here - http://www.madeloud.com/article/446 - listed below are the greatest hits

Law and Bourgeois converged

 "I lose focus"

Francesca Camillo

then we went to dallas to play parade of flesh show at the pasttime tavern but the crackhead stole the electric power and we went to doublewide and they told us to fuck off so finally we ended up on this dudes roof and rocked it. if you have pics of this send em fuckers. ross and john and allen were there and they are new friends. we like them alright. they do some shit like this-
http://www.myspace.com/absplitrecords
http://www.myspace.com/rossbhere
http://www.myspace.com/paradeofflesh



then we came home coz Free Shit had to graduate from Faggot High and we left to new orleans a few days later to practice with our 7th drummer in 2 years. he was a pro, we rocked the circle bar, broke a table, ate a lot of good food and stayed at bobos house. thanks bobo. we also went to hammond LA for lonnie to skate. we swam in a very kinda segregated pool. i felt a little like rosa parks in bloomers. it was nice.

and the koreans rocked shit. we met them outside the club and all went in.

and you must listen to the Koreans - top friends - tune fucking Mud Blood.

so we're all rocking and having agood time but we're in BR w/o a drummer now then got this bad mother fucker Danny from BR db16core band called,,, shit i forget, but i couldnt find them on myspace anyways. but it was the fastest very furious set played. Broke Beads also rocked that, and some great bands from SF and Seattle. we'll report back with names. Koreans rocked it to. Jesus. Oh and big ups to Reno and something 9 skate shop. Lon, a little help here?

Beaumont the Vortex always fun. No ikillcars, so BB opened up, Followed By Static followed, then the Koreans. more later. some shit went down all over the place.
http://www.myspace.com/followedbystatic
NO SURRENDER NO REMORSE. we made it happen with 4 fucking drummers. Free shit, we really really missed you, dont fucking leave us again!

And if you made it this far you obviously have nothing better to do so GO VOTE FOR US HERE !!!!!

http://www.sonicbids.com/lollapalooza08/BandProfile.aspx?candidate_id=4741

by adam scott

http://www.normantranscript.com/archivesearch/local_story_060010558.html

Fun iKiLLCaRS EP easy to get 'At Ease With'


The Norman Transcript

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iKiLLCaRS

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At Ease With Your Haste

What? Records

I was privileged to catch one of the last shows at Liberty D's last February, shortly before its too-briefly-reopened doors closed forever (and mysteriously vanished). The bill that night was the always-entertaining local band Drives Like a Dream (sadly now also of similar status to Liberty D's) and Austin-based garage-punkers iKiLLCaRS.

Around that time I also reviewed the then-trio's first EP "Becky" after it was generously given to me by a member of DLAD.

Down to two members, Johnny Law on vocals and guitar and Lanyo Bourgeois on bass (plus drums by whichever kind/talented soul from the Austin scene can help out here and there), iKiLLCaRS' new EP release, "At Ease With Your Haste" preserves the energy of "Becky," and packs in a few more minutes of music (21 as opposed to 18 minutes) to boot.

Opening track "Hartsfield-Jackson" gets things rolling nicely with jangly rough guitar-centric post-punk. And it just gets better from there.

"San Jose, 1972" is a cover of sorts, doing a skillful job of setting the off-kilter rage of the late iconoclastic Beat poet Allen Ginsberg to music and evoked some of the early-punk feel of their first effort's "Donuts (Make Great Girlfriends)."

"The Teeners" is apparently an unabashed shout-out to the band's younger fans and has some catchy-as-all-get-out guitar grooves that doubtless make it a fave at their live shows down South.

"Butcher's Block" gets a little heavy and reminded me of what a lost "B" side from the earliest days of Alice in Chains might sound like; it's echo-y fun and somehow captures the spirit of a blackout-preceded hangover of uncertain origin at 5 p.m. on a cold, cloudy Sunday on an unfamiliar floor. It's a long one at right about seven minutes, but I found it to be a good break from the otherwise forceful energy of the rest of "At Ease With Your Haste."

It's a part of the album's definite build that culminates with energetic closing track "Radio Roche."

With such lyrics as "You can live the vision/On this one condition/When you feel the friction/Blow 'em all away," iKiLLCaRS reminds us why the Lone Star State's special zeitgeist yields great music even as it terrifies those unfortunate or stupid enough to get on the bad side of its well-armed citizenry.

Yes, it's an EP, but between this and the likewise-affordable "Becky," iKiLLCaRS makes the equivalent of a caliber of get-up-and-skank album to which this music reviewer is seldom treated.

Be on the lookout for "At Ease with Your Haste" and be blown away too; the CD is dropping at an as-yet-unnamed date this spring.