...Goss has put together a quartet that reflects his aesthetic admirably, both as performer and composer; Downes and Maddren are currently studying at the Royal Academy of Music, while Mason is one of the most in-demand bassists on the London jazz scene. It says something for the situation in London that Mason told me he works almost every day (or night) of the week, and that Goss is able to maintain this quartet as a working group, which was evident from their cohesive performance on this occasion.

In front of a small but appreciative audience, Goss presented four of his own compositions, "Banyan," "Palekastro," "Hmm, Hmm, Hmm," and "K.O.," along with jazz classics "Spontaneous Combustion" by Cannonball Adderley, Fats Waller's "Jitterbig Waltz," "Recordame," (sometimes known as "No Me Esquera") and Coltrane's "Equinox," and the Vernon Duke ballad "Autumn in New York." It was a well balanced program that gave each of the group members a chance to shine. Goss is a fluent, often fiery soloist with a post-bop orientation, who also understands how to tackle a ballad. Downes demonstrated a lovely touch, both as accompanist and soloist, clearly enjoying the fine instrument supplied by Yamaha. He is definitely someone to watch. The rhythm team provided solid support throughout, and contributed some solo time of their own, Maddren demonstrating a youthful exuberance nicely tempered with good taste, and Mason showing why he is in such demand.

Britain has always produced excellent jazz players. On this evidence, the emerging generation is no exception. And the subway and bus rides to Barnes are definitely worth the effort.