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Tuesday, August 25, 2009
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Friday, July 17, 2009
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Current mood:  animated
Category: Movies, TV, Celebrities
What's Up Y'all!
Just letting Y'all know that Our 1970's track "Cynthy-Ruth" is featured in the upcoming HBO documentary "The Nine Lives Of Marion Barry" about the former controversial Mayor of Washington, D.C. "Cynthy-Ruth" is featured in trailer for the documentary as well as in the doc itself. NOW CAN YOU DIG THAT! IF YOU CAN'T! LET ME LEND YOU A SHOVEL!
DIG YA LATER! VC L "The Mighty V!" Veasey for Black Merda!
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Thursday, July 24, 2008
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Current mood:  animated
Category: Music
The houseband surrendered its spot for several performances. The reunited Black Merda--my favorite performance of the night--did a funky version of "Cynthy Ruth" and proved they're not just a great '60s band, not just "the first black rock band," not just a great psychedelic act, and not just a great Detroit act. They rock. Period.
Bill Degenaro, Blogger July 21, 2008
Review of Black Merda's performance at The Concert of Colors, The Max Fisher theater, Detroit, MI July 20, 2008
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Thursday, May 29, 2008
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Category: Music
- Comment by wedge on April 23, 2008 9:30 pm
actually got to see Black Merda in January of 2006…had the Funk Brothers as drummer & keyboards…they played early in the night cos 1 of the guitar players religious beliefs prevented them going after midnight…30 years on & only doing the gig to see if they were ready for some planned european festival shows that upcoming summer ( so they said)…WOW!!! there was a difference in sound with the age & different drummer, but it was still pretty amazing. did about 15 tunes which rocked, but their last tune was the KILLER!!! they said it was a 'pre-view' to their upcoming new stuff…not sure if they ever followed up on the gigs or recording, but this particular tune (which i never got the name of) just destroyed in a total "jimi-meets-lou-ragland-while-'black rock'-by-the-bar-kays-is-on-the-stereo" way that left the club speechless & silent as they put down their instruments & walked off the stage…even left a few "in the know" dorks muttering something like 'i thought 'cinthy-ruth' was great…JEEZUS!!'. im so glad i saw a line-up of these guys;even if it was 30 years after the fact, COS THEY STILL GOT IT!!!

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Thursday, April 24, 2008
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Category: Quiz/Survey
CYNTHY-RUTH was chosen as number one hundred of "The Best 100 Songs To Come Out of Detroit Ever!" by The Detroit Metrotimes see link below
http://www.metrotimes.com/editorial/story.asp?id=12036
Considering the competition (which you can checkout at the link above) it's very significant that the song made the list at all, because it didn't come into a greater public awareness until around 1997 or 2000, and then only as a cult record. It didn't get much airplay or sell millions of records, when it was originally released in 1970.
So in a sense being chosen as "the one hundredth best song to ever come out of Detroit", is almost like being chosen the number one best song ever...do ya feel me? Dig what they wrote about "Cynthy-Ruth" below. VC L. Veasey
100 "Cynthy-Ruth" Black Merda (Chess) 1970
The inventors of a bluesy, fuzz-drenched strain of psychedelic funk they dubbed "Black Rock," the band that would become Black Merda formed at Western High School and soon found themselves playing on records by everyone from Nathaniel Mayer ("I Had a Dream") to Edwin Starr ("Agent Double O Soul"). After having their minds blown by Muddy Waters' 1968 Electric Mud LP — and getting themselves signed to the label that released it — they waxed "Cynthy-Ruth," with lyrics as bitterly unforgiving as its guitars were bone-crushing. Black Merda is currently at work on a new album.
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Monday, January 22, 2007
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Current mood:  bouncy
Category: Music
Black Merda - The much whispered about, seldom heard, original brothers from another planet, Black Merda will lay it down on Friday night.
Bridging the chronological gap between Hendrix and Funkadelic, these 'black rock' pioneers are not to be missed.
Minds will be blown, souls will be shaken and a room full of white guys in natty sport coats and shaggy haircuts will nod in approval.
(Friday 12:45am - Small's Hamtramck, MI 2006)
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Monday, October 09, 2006
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Current mood:  bouncy
Category: Music
WEVE BEEN READING WITH GREAT AMUSEMENT ON VARIOUS INTERNET SITES THAT IN PORTUGUESE, FRENCH AND ITALIAN MERDA MEANS, SH!T! ORIGINALLY OUR NAME WAS "BLACK MURDER" WE CHANGED THE SPELLING TO "MERDA." SO OUR USE OF THE WORD MERDA DIDN'T COME FROM PORTUGUESE, FRENCH OR ITALIAN, IT CAME FROM THE ENGLISH WORD "MURDER". IT'S JUST OUR WAY OF SPELLING THE ENGLISH WORD MURDER AND IS STILL PRONOUNCED MURDER". BE THAT AS IT MAY SH!T IS USED IN A VARIETY OF WAYS IN AFRICAN AMERICAN CULTURE: YOU NEED TO GET YOUR SH!T TOGETHER! WHAT KIND OF SH!T IS THAT? WHERES MY SH!T? GIVE ME THE REAL SH!T! THATS SOME REAL GOOD SH!T I REALLY LIKE YOUR SH!T!" (YOU COULD EVEN SAY THAT BLACK MERDA PLAYS SOME REAL COOL "BLACK SH!T!") HOPEFULLY, WE'VE CLEARED THIS SH!T UP FOR THOSE OF YOU WHO DIDNT KNOW, SO THAT YOU NOW KNOW, THE TRUE MEANING OF THE MURDER IN BLACK MERDA 
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Monday, October 09, 2006
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Current mood:  cheerful
Category: Music
A collection of ultra rare material from the mighty Black Merda and affilliates -- including early work credited to The Soul Agents (a pre-cursor to Merda) and solo credits for lead singer VC L. Veasey! Psych Funk is a very apt description to pretty much all of the music in the set -- with that sinister guitar groove, funky bass and rollicking drums. The vocals range from the soul funk school -- especially the couple of tracks sung by Linnie Walker (the sister of Black Merda members Charles and Anthony Hawkins) -- to more psychedelia-learned phrasings -- not unlike early Parliament! Tracks include an alternate versions of the Black Merda tunes "Cynthy-Ruth" and "Reality", "People Let Me Know" and "Darn Well" featuring vocals by Linnie Walker, the Soul Agents excellent funk version of "Foxy Lady", and the VC Veasey tracks "Do Nothing Wrong" and "Original Man". (Dusty Groove)
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Monday, October 09, 2006
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Category: Music
Ear fuzz review Tuesday, January 31, 2006 STONE COLD MERDA! One of the most depressingly familiar phrases you hear when investigating bands that slipped under the radar is "They were ahead of their time". Often used as an excuse for bands that didn't sell well this cliche can also sometimes hit the nail right on the head. One of these select groups where the statement runs true is Black Merda. Cropping up in between the fall of Hendrix and the rise of Funkadelic, Black Merda were, in their own words, the "1st Black Rock Band". Heavier than the average group of the time with a mixture of Hendrix influenced funk and Pink Floyd-esque instrumentals the band were simply not got by the buying public. You wonder how they would have been received if they had appeared on the scene after Funkadelic had broken down the expectations and perceptions of what Black rock could sound like. Anyway, being ahead of your time is pointless if you don't have the music to make a lasting impression and this band certainly have it. The Prophet kicks off their debut album with some bluesy funk, VC L.Veasey's vocals reminiscent of Hendrix as the band combine the bass heavy guitar work with soulful, political, vocals to powerful effect. I love the gritty, muffled production on these tracks, adding to the overall feel. Good luck features even more heavily dirty guitar, once again check out the harmonising the group bring over the groove. It may not be the most obvious of comparisons but the band's vocal style reminds me of Stark Reality in the way that they bring their harmonies over and outside of the basic melody structure. I can't believe this was slept on on initial release; this is deeper than deep funk rock and it's fucking fantastic. Oh yeah, almost forgot, the band have their own website and are still going strong. You can read more about them here. http://www.blackmerda.com
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Monday, October 09, 2006
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Current mood:  bouncy
Category: Music
Black Merda LP All Music Guide Review 2006 Usually linked in with the brief explosion of "black rock" bands that followed Jimi Hendrix in the late '60s and early '70s, Black Merda's formula was a good bit more complicated than most, and their debut album blends elements of hard rock, blues, soul, folk, and embryonic funk with a tough and uncompromising political consciousness that makes the disc at once a product of its time and not quite like anything else around back in the day. The guitar work from Anthony Hawkins and Charles Hawkins is tough and organic, whether they're stretching out on extended blues jams such as "Over and Over" and "Windsong" or cutting some hard R&B-accented rock on "Cynthy-Ruth" and "Prophet." Bassist Vessee L. Veasy (who also contributes most of the lead vocals) and percussionist Tyrone Hite generate a lean but effective groove throughout as they jump from the streetwise soul of "Reality" to the acoustic meditation of "Think of Me." But as good as the music is on this album (and despite bland production from someone named Swan, most of it is very good indeed), what really sets it apart is the dark vibe reflected in the minor-key tenor of the melodies and the bitter realities of the lyrics. Grinding poverty, racism, political and social inequality, the ongoing nightmare of Vietnam, the growing schism between youth culture and the establishment, and the absence of any easy answers to the dilemmas of a nation spinning out of control dominate songs such as "Reality," "Ashamed," and "That's the Way It Goes," and the grim but wholly appropriate fable of "I Don't Want to Die" ends this album as if a lid were being slammed shut on a coffin. Black Merda anticipates the grim consciousness-raising session of Sly & the Family Stone's There's a Riot Goin' On, which wouldn't arrive in stores until a year after this album, and if it isn't the stark masterpiece that Sly's album was, it's good enough that this group deserves to be regarded as much more than a footnote in the black music scene of the early '70s. ~ Mark Deming, All Music Guide
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