Status: Single
City: Baltimore
State: Maryland
Country: US
Signup Date: 8/1/2006
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Wednesday, December 02, 2009
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Current mood:  chipper
Category: Music
En Route, the second album from singer/songwriter Cameron Blake,
is a refreshingly unique masterpiece. Although the Baltimore musician
has his master’s in violin performance, he is clearly a man of many
talents. With fantastic orchestrations from the young musician, the
album will take you on a journey paved not only with violin, but
beautiful vocals, piano, harmonica, cello, and acoustic guitar, to name
a few. In the beginning of your listening experience, you may find
yourself struggling to pin him down under one genre. The album is a
smooth combination of acoustic, pop, blues, and largely folk sound. It
would do him an injustice to not give him credit for his wide range of
appeal. Let’s just label him as this: “talented.”
It’s hard to compare Blake to any one other artist, but fans of
everyone from Dave Matthews to The Swell Season will surely enjoy this
record. The album opens with “This is All,” a track that instantly
makes you feel like you are listening to a rebellious poet in the
bottom of a dark jazz club. Farther along on the record is “On the Way
to Jordan,” which is more than suitable for a pub set in the heart of
Dublin. A favorite is “Interlude,” a slower-paced song that would be
fantastic on the soundtrack of an indie flick. The piano and delicate
harmonies will chill you to the bone in the same way as the painfully
beautiful songs written by Damien Rice.
Blake provides fascinating vocals through out the album, sometimes
emanating a similar sound to Ben Gibbard from Death Cab for Cutie.
There is a pleasant clarity in his vocals that allows the listener to
enjoy his unique lyrics. In “Lonely Rooms” he writes, “I held her
marigold smile-apple scent rain through slanting silver-lines/ I am the
prince and the fool-survived by a breath, a thread, a single room.”
Pure poetry.
If you decide to check out one independent artist this year, make
sure it’s Cameron Blake. With excellent musicianship, thoughtful
writing, and exceptional vocals, you won’t be disappointed.
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Tuesday, November 10, 2009
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Current mood:  animated
Category: Music
Photo By: Michael Faulkner (from "Fit Right In"- The Music Video) Greetings Friends, On Saturday and Sunday, Michael Faulkner (Director) and I filmed a music video for my song Fit Right In. We had more fun than a 'barell of monkeys' and after going through the footage last night, it looks like it's going to be a great show! Special thanks to the twelve friends that gave up their Saturday to act in the film (including a dog named Benny) and to Michael for your wonderful directing. More news to come as we head into post production!
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Monday, September 14, 2009
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Hey Friends, I hope you guys are enjoying life and having a great fall so far. The weather in Baltimore has been beautiful, but I’m also excited to travel back to Michigan next month to meet my new nephew and enjoy the changing of the leaves for a few days. There’s just something about the Midwest in the fall. Last Thursday, Gabe Finck (BSO French horn), Dave Hadley (Pedal Steel) and Chris Pierorazio (percussion) and I performed a daring set of new arrangements of my songs, a few covers, and even premiered some new material. It has all the energy, excitement, and jitters of an opening night and we delivered some especially powerful performances of Where The Blossoms Fall, Hudson Line, and The Love Song Never Died. It was all recorded beautifully by Matthew Leffler-Schulman at Mobtown Studios and the entire concert (raw and uncut) can be found here: http://mobtownstudios.com/cameron-blake-microshow/#more-1399Please stop by and leave a comment! We have two big shows coming up at the end of this month. First, I’ve compiled an awesome group of musicians that I like to call The Fortune Wheelers for Cirque Des Oreilles (or “Circus of the Ears”) at Joe2 on Friday, September 25th. We will be performing Circus arrangements of my songs and will have bagpipes, banjo, upright bass, accordion, trumpet, and even some pots and pans. There may even be a few more surprises, so come on out!! On Tuesday, September 29th, Geoff and Cat will be back from their honeymoon (Congratulations!!) and we’ll be back to our normal line-up for a show at the Ottobar (a club that I’ve always wanted to play!) opening for the french singer/songstress Marianne Dissard. And finally (man, I feel rather long winded today), Dan Matheson at wrecked.org wrote a nice, lengthy review of En Route here: http://arts.wrecked.org/?filename=music-by-cameron-blake-a-review So Thankful For All Of You, Cameron Blake
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Tuesday, August 25, 2009
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Music By Cameron Blake: A Review Posted in arts by Dan Matheson on 8/25/2009 Cameron Blake – En Route (2009) This Is All The Love Song Never Died Fit Right In Change Of Pace Hudson Line Harness On My Way To Jordan Interlude Lonely Towns When It Comes Down To It Monarch Hospital
Reviewed by Dan Matheson. Singer/Songwriter Cameron Blake's sophomore album "En Route" is a moving piece of art house folk rock. The Baltimore musician lays down 12 tracks of passionate, eclectic and melodic folk music with hints of the more experimental side of the Beatles and even The Doors.
Art house rock is not my usual choice of music so you'll have to pardon my simplicity. I am, however, familiar with folk music and that influence is prominent on most songs on "En Route" thanks to the frequent, yet not overdone, use of violins performed by Hollis Roberts and Cameron Blake himself. I find the violin tends to bring all the various styles together like a warm blanket of melodies.
I found it interesting that when I loaded "En Route" into iTunes that the album was listed as unclassifiable, but I have to admit that I found myself agreeing with that classification (or lack thereof) while I listened to the album. There is no set format to the CD - unlike any Kiss or AC/DC album, where you pretty much know exactly what you'll get. Cameron Blake mixes things up with each song so you're never sure what'll be next.
This is by no means saying that the album is disjointed. There is still a flow and consistency throughout the music that keeps it from sounding like a compilation of various artists. I believe, as I mentioned earlier, the violin and Cameron's vocals are what keeps this album focused.
"En Route" starts off with one of the best songs on the album - "This Is All". It is a moving song that builds on its folk base with jazzy keyboards and some electric guitars. The melody is super catchy. "The Love Song Never Died" is similar though not as rocky, but more upbeat in a melancholy way. And "Harness" stays mellow with a more straight forward folk approach.
"Change Of Pace" is an upbeat number that reminds me of the experimental side of the Beatles mixed with the Eels. It's catchy and passionate. "When It Comes Down To It" is a slower, sombre piece that has a Beatlesesque feel. The album closer "Hospital" is a foot-stomping rocker that reminds me in part of The Doors as well as The Replacements. It has a raw edge which is different than the rest of the album.
Some of the standout songs for me are "Lonely Towns" with its haunting atmosphere and moving choirs. A unique tune that's both quiet and eclectic, "On My Way To Jordan" has a country gospel sound that works well with thought-provoking lyrics. "Hudson Line" is a heart-breaking tune that's poetic and melodic, honest and heartfelt. My favourite song is "Fit Right In". The twinkling piano is super catchy, the music is uplifting and is lyrically inspiring.
Cameron Blake has put together a collection of unique and special songs that are honest, passionate and fun. He is a solid musician and a confident songwriter and I look forward to future releases.
Dan is an avid music lover and a metalhead at heart. Dan is Canadian and brother to fellow reviewer Jody. In his spare time from his Marketing &Sales job, he blogs about his extensive CD collection.
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Wednesday, August 12, 2009
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Hey Guys,
If you are living in the Baltimore area and you'd like to pick up a physical copy of my album En Route, it is now available at Sound Garden in Fells Point. Support your local music and your local record shop!
Peace, -CB
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Tuesday, August 04, 2009
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Current mood:  excited
Cameron BlakeEn Route Release date: July 23 (Unsigned)
Cameron Blake has found his musical
niche. The classically trained violinist turned bandleader went from playing classical solos, to finding a place in the Baltimore music scene – thanks in part to his graduate studies at the prestigious Peabody Conservatory. Blake, who is originally from Rockford, Mich., creates stories from his experiences and travels, and prefers to play his new album live. He manages to work a perfect balance of folk, pop and rock with profound lyrics that have a deeper meaning than your run of the mill love song. Blake sings with passion about life’s journeys and the perils of the working class, and even employed 13 musicians – including some from the Baltimore Symphony Orchestra – to help out on the album. –LPC
Key tracks: “The Love Song Never Died”, "On My Way to Jordan"
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Tuesday, August 04, 2009
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Current mood:  excited
Cameron Blake Turns the 13th Floor Stage Into a Clown Car City Paper Night Vision Cam Cameron Blake By Al Shipley | Posted 8/3/2009The first time I saw the Cameron Blake Band perform at the 13th Floor at the Belvedere Hotel last year, it was a six-piece band that occasionally displayed flashes of brilliance. Returning to the same venue to see the same band nine months later, last Thursday night, at the release party for its debut album, En Route, not much had changed. But the singer/songwriter had expanded his band to a septet, joking this time that the venue's small stage felt like a "clown car." And both the band and its frontman seemed to take a step up in confidence, while the added slide guitar added a lovely new texture to a sound that was already rich with violin and piano. Blake's catchiest hooks on En Route, such as the bluesy singalong "Hospital" (which apparently some of the band members have come to refer to as "popsicle"), and the funky electric piano of "The Love Song Never Died," were expected highlights. But the band was able to bring even some of the more downtempo tunes to life onstage, such as "Fit Right In," which Blake introduced by explaining the lyrics, an ode to Baltimore as a place full of people who'd be misfits anywhere else. The bassist popped a few slap bass notes here and there that were a bit too Seinfeld for Blake's somber chamber pop, but for the most part the large band gelled beautifully.
Opening for Blake was the underrated local quartet E. Joseph and the Phantom Heart. While I enjoy frontman Ed Neenan's songs and energetic (read: sweaty) stage presence, I always kind of feel like the band's polished power pop could use a little more power and a little less polish. Neenan's guitar was too low in the mix for most of the show, although it finally became more audible in the band's last few songs. Still, songs such as "10mg" from last year's All the Medicine in the World sounded as good as ever, as did promising new material like "The Ghosts Around You," from the recent EP of the same name.
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Tuesday, June 23, 2009
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Current mood:  thoughtful
Last night, I started my vacation by driving from Baltimore to upstate New York. I passed the massive city that looked frightening in the distant (making the Catskills look like child’s play) and I began to think of all of the creation and destruction that has happened in those miles of asphalt, street lights, and neighborhoods. I also thought of my home in Baltimore and how I’ve become comfortable with poverty, distant from crime, and entertained by the mental effects a city seems to have on a person. I am a country boy through and through - a tree with roots, but I now grow in between row houses with internet cables choking my branches, and business has become a rocky soil. I want simplicity but I’m tied to industry- “Promote your music, tell people about yourself, force people to fall in love with you from a distance. This keeps them coming back for more!” Maybe I sing because I have to right now- I have news to share and I am not afraid….. I had a wise person tell me once that the most horrifying thing a person can ever see is a glimpse of their own potential. Maybe I won’t sing forever, my leaves will dry up, and my new goal will be to simply wake up, inhale, and exhale. I have heard that Rabbis teach that the word “breath” in Hebrew is intimately tied with the word “Yahweh” and perhaps when we breathe correctly (deeply and clearly) we are actually saying the very name of G-d. This week I hope to breathe again and bury my roots so that a better song will surface– loving my creator, loving my neighbor, and re-learning to love myself. The record is finished. It’s a moment of time and my song for now. I am taking a nap!
-CB
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Tuesday, March 24, 2009
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I’m in one of those in-between moments where you’re exhausted and relaxed at the same time- it would be a shame to sleep it off, because it’s nice to sit and watch the rain, listen to the cars go by, and drink a cup of tea. We had another late night session (8 – 1:30) and I guess now is as good of time as any to announce that we’re making a new album. It’s been going well, but I’m learning that I can’t always trust my own ears and it’s not good to listen to your progress the morning after a session. Sleep depravation. Blah! Sometimes it’s better than you thought and other times it leaves you with a giant question mark and you’re tempted to scrap the song and re-do everything. Either way, a moment’s a moment and I set out to create something more human, more intimate, and more warm than my last record. Plus, we’re recording in many different locations; my favorite being some old Baptist churches in Hampden and Federal Hill that have creaking and cracking pews and heaters. I’m especially excited about the musicians we’ve been working with. I am so blessed to have such a giving and talented regular band (thanks Geoff, Cat, Hollis, Chris R., and Chris P.) Dave Hadley will be adding some steel guitar next week and we’ve also recorded my friend Gabrielle Finck (Associate horn of the Baltimore Symphony).
I’ve been listening to a lot of Tom Waits recently (Orphans) to get over my Lentin Dylan fast (though Gabrielle told me that listening to Waits is more of a feast if anything) and his influence has definitely found its way into some of the sound engineering and producing of this record. It’s refreshing to find artists that haven’t compromised and can turn just about anything into an instrument. We will be recording drain pipes soon.
-CB
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Monday, March 02, 2009
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Well, I can’t give up food! My metabolism is so high that I’m not able to quit eating for any substantial period of time. I waste away- but perhaps that’s the point?
Bob Dylan is very important to me. He’s freed up my mind and showed me that there’s hope for the American vernacular and pop music. I think his voice is beautiful because it feels like home to me- always a pain, always a story, and always a place of comfort. It's ironic that he's so polarizing.
My fat Tuesday this year consisted of traveling to The Bitter End in NYC’s Greenwich Village, a famous Dylan/beat/folk hangout in the ‘60’s. A cultural renaissance was happening there and it seems to be only 3 ½ blocks long (MacDougal and Bleecker). Now, The Bitter End has a $5 cover and a two drink minimum, which equals about $16 a person. Business as usual…
I walked into an amazing record shop down the street called Generation Records. They had some rare and unusual stuff and they specialized in underground punk music- like Bad Brains. I saw the singer of Bad Brains late one night in an art loft/apartment building in Baltimore called The Copy Cat. They were going to be playing later that evening. They used to be so big and probably still are. Why they were playing at the Copy Cat, I don’t know but I couldn’t stick around- too many hipsters with 40’s and felines in heat.
Maybe a renaissance will happen again but for now, I’m looking for another artist that can keep me going until Easter. Any recommendations? I think I like Joni Mitchell's Both Sides Now is a masterpiece (the orchestrated version) and I think Bon Iver has a lot of power. Maybe I’m mellowing out. I’ve heard that’s what happens when you get older, there’s an acceptance of things...
I’m kind of enjoying my current 8-year old babysitting employment this weekend (which is why I’m able to even write this blog) and I’ll be in bed before midnight.
Cabaret
(Diamonds and Pearls)
-Cameron Blake
Matchsticks lined up in order of height like her diamonds and pearls.
A look through her jewelry box, lipstick and tights finds you part of their world.
Lightning blinds you and fire refines you, a mouse in a maze- pathetic parade. Well, I’ll tell you one thing- I can’t keep up this pace.
I’ve cut corners to figure it out- carving diamonds and pearls.
Underneath brilliance of scarlet and lace is a blue little girl.
Clichés ring true. Feelings- damn you! A zipper is stuck, a buckle for luck.
Well, I’ll tell you what’s up. I’m so out of touch.
Storehouse basements host carnival games played for diamonds and pearls. Men with their chins up all call out her name- starry eyed while she twirls.
I swear I’ll change and I’ll keep starving. Our fig plant has rot with fever and cough. Well, I’ll tell you I’m not the man that you thought.
Find me
hiding…
I know
I need you…
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