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March 23, 2009 - Monday
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The executive report from a wonderful week-long stay in Austin, Texas for the 2009 South By Southwest assemblage. This has been distilled from various accounts my several subconsciouses filed with my overtaxed primary conscious. I am aware that "subconsciouses" does not spell-check.
1. Janeane Garofalo babysat my kids.
Sort of. And only for about two minutes.
As I understand it (I was elsewhere), my wife and kids were at a shop on South Congress in Austin. Comedienne Janeane Garofalo was also in the shop. I don't know if you know my daughter Lucie, but she is the most aggressively and pleasantly social 4-year-old in the history of 4-year-olds. So when she sees Janeane in line, she says to Janeane what she says with just about everybody she meets in that situation: "Hello, I'm Lucie, and I'm 4 years old!"
At that point, Kate got in line to buy something, and Lucie sort of gravitated over to Janeane, along with Hank, who's one year old. Janeane apparently, very graciously, kept my kids occupied while Kate completed her purchase.
Lucie emerged from the meeting with a development deal which Janeane will exec-produce.
While this was happening,
2. I rode in an elevator with Mark Mothersbaugh from DEVO.
I wouldn't have noted this experience – encounters like this are pretty common at SX – except for Mark's presence at the time, which I thought made a fairly poignant commentary on something or another. He was dressed in 21st-century DEVO workman uniform, and was carrying the upturned plastic flowerpot hat his group is of course famous for. He had some personal belongings stashed in the hat, including a giant wad of money, the top-most bill of which was a very crisp, obviously new-issue $5 bill.
I dunno, that image said something to me. No words were exchanged.
3. The best meal of the trip was the first one, at Perico's Mexican Café in Houston.
If you have never had Tex-Mex Enchiladas, go to southern Texas and have several, preferably at an establishment frequented by local Latin Americans, like Perico's. If you are a vegetarian, lapse for half an hour. 
4. The second best meal of the trip was at Sam's BBQ on East 12th Avenue in Austin.
This is a shack of an establishment favored by Stevie Ray Vaughan when he was alive. Generous portions of insanely tender ribs and brisket for under ten dollars, and my favorite counterperson ever: Kay, the matronly overseer who fawned over Lucie and Hank the whole time.
5. Green Mesquite BBQ is fine.
The sauce was rippin' but they forgot my potato salad.
6. I had Frito Pie at Joe's with Garann and Nathan.
Nice portions, but the sauce was too sweet.
7. All food in Austin is good-to-excellent so I'll shut up about the food.
The best is usually, coincidentally, the cheapest.
8. I agonize over artist interviews with far more dread or concern than the final experience actually entails.
In particular, the New York Dolls interview, in which David & Sylvain were remarkably thoughtful, intelligent, reflective and forgiving of any shortcomings the interviewer might have displayed. After seeing Johansen's pure joy at the Rachael Ray showcase, I could see why: They're really happy to be there. I think they leave the cynicism on record. That's hard to separate.
9. Oh, yeah, speaking of Rachael Ray:
She was tanked.
I don't mean to go on about it – frankly it's of some reassurance that the reigning queen of suburban cuisine needs to get her drink on, since frequently I have to in order to watch her shows or hear her utterances of "EVOO" – but it was a rather unabashed, probably unconscious display of hoarse enthusiasm ("NEW YORK DOLLS! POSSIVLY THE GREATETH BAND – EV – ahhh…. AH!")
10. I love the Ettes, and so does my son Hank, who displayed his affection by drooling on lead singer Coco's breast.
She took it as a very primal compliment.
11. The Avett Brothers are avowed Hall & Oates fans.
Not that I needed to justify it, but, there you go.
12. I don't know who the best band I saw at SXSW was because I wasn't really in evaluation mode by the time I got to them.
But I'll guess it was The Woggles.
13. Headhunters on Red River is my favorite bar in Austin.
That's of course the one where I feel the least safe. But if any of you Rodeo Kill or Dirty Birds types are lookin' to hit the Southern circuit, this is where you will be loved and nurtured.
14. Nobody I know saw Metallica's secret show at Stubb's.
And there was scant evidence the morning after that it had taken place at all. I think they made it up like the moon landing.
15. Yeah, I tweeted.
I kinda get it now.
16. We came in under budget.
Which is nice, 'cause now I can afford to rent a nice tux for Merwyn and Tammy's wedding. Or maybe a clown suit. We haven't settled yet.
See you next year, Texas.
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March 15, 2009 - Sunday
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March 11, 2009 - Wednesday
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(from my personal blog at paul-pearson dot blogspot dot com, which Myspace seems to believe is some unholy portal for the undead:) It's a convenience store. It's supposed to be convenient.
I hold that this convenience not only pertains to being able to purchase staple items like fake Slurpees and minty chewing tobacco without going through the rigmarole of steering a shopping cart with a bum wheel. It also pertains to the notion that the actual exchange of cash for purchaseable items should, likewise, be quick and convenient.
In that paradigm, consider the cashier's station as a shrine, one which you pay your penance to very, very quickly. The god of this shrine repays you in heaven for your promptness. It's an altar to convenience. Because it's a convenience store.
So, darling, the point of this preamble is this: Don't dally at the point of worship.
Meaning, in your specific case, ma'am, don't blockade your front space in the cashier line, and then go retrieve as many bargain-brand, artificially-colored, highly-sweetened corn syrup candies and cheap beers as you can.
Then, while at the cashier's spot, don't get into an argument with your friend over what you have and don't have to get. It will befuddle the cashier, and possibly antagonize the person waiting behind you. This is no time for high-spirited debate about just how many feet of licorice rope you require for whatever activities you have planned for the evening. You need no more than three feet. I promise. Whatever it is. Three feet, max.
Then, and for some reason I consider this key, perhaps because it's so incomprehensible: Don't proceed to comparison-shop every single impulse-buy-oriented item at the cashier stand itself, including but not limited to cigarette lighters, individually-wrapped bubblegum, trading cards, nail clippers, and yet more candies. For this point-of-purchase inspiration only results in more hypotheses and postulations with your shopping companion.
Please, girls, work out the worst-case scenarios in advance. Decide your issues at home.You are not filling out a goddamn loan application. You are at a convenience store. You are supposed to hit it and quit it, much like your paramours who are probably waiting for you to come home with your bounty of candy and gum, which you may yet release to them once you and your shopping companion decide whether to hand it to them or toss it to them. Take the road more travelled in this case, toots. Whatever it is.
Just figure it all out before you get to the counter.
(Sigh.)
Also: Paying in all pennies, while quaint and thorough, may be construed as time-intensive by the person in fucking line behind you.
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March 10, 2009 - Tuesday
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March 9, 2009 - Monday
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Facebook does not.
This is another compelling reason why I do not come to MySpace that much anymore.
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March 9, 2009 - Monday
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March 8, 2009 - Sunday
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March 6, 2009 - Friday
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March 5, 2009 - Thursday
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February 20, 2009 - Friday
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February 16, 2009 - Monday
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Well, I missed the cut. I got a quicker-than-expected bit of feedback from the editor of the series:
"I thought your Todd Rundgren proposal was really well put together, in terms of its structure and content. But for some reason I just didn't quite get the spirit of it - I like the idea of having some comedy in the series, but the proposal itself didn't strike a chord with me, on that level."
This was essentially my main concern with the proposal. A few weeks after I submitted the proposal I thought I might not have conveyed the comic spirit of the book in the best possible manner, and the editor confirmed that. So at least my misgivings about the proposal were on target.
I think I backed off on making the proposal too funny because I'd never done a proposal before and wasn't sure how to strike the balance between content and humor. I wanted to convey most of all that I knew the subject, and did so perhaps at the expense of the selling point of the book.
Anyway, that's that for this round. I'm actually pretty okay with this. Now that this is off the plate I can go back to the blogs, and there's another idea that I've been trying to mold for about six months that I'm starting to get some clarity on. And it's not as if I ain't busy in other respects either.
That's all. Thanks for playing. Here's a home version of the game.
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February 9, 2009 - Monday
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With Myspace being kind of on the outs and Facebook not really offering a viable blogging application, I'm just gonna say everything of great (or little) import over at Blogger.com. The personal blog will be http://paul-pearson.blogspot.com. We'll still have the Museum of Pop Archaeology at http://museumpoparch.blogspot.com. At some point The Benign Comedy will have something meaningful too at http://www.benigncomedy.com. The Myspace blog will be maintained strictly to direct you to one of the other blogs, or if I want to promote my performance art pieces or gallery showings or BBQ's or whatever. Yes, my life's meaning is defined by my making these little administrative announcements. Adios.
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February 7, 2009 - Saturday
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Oh my God the octuplet story is just about the most phenomenally important story in our lifetime/screw the economy screw the president I need all the information about OCTUPLETS/what are their names/what are they gonna wear/who is gonna be their pediatrician/OCTUPLETS oh my God OCTUPLETS OCTUPLETS OCTUPLETS/where are they gonna house them all/are they all getting their own cell phones/if they ever decide to do a remake of the TV series Eight Is Enough starring these OCTUPLETS will the dramatic arc be a little boring if they're all the same age/what about being on the same basketball team/can we just give them numbers for names like the dudez in Slipknot/I NEED TO KNOW/I'm gonna bug their house or their apartment/I'm gonna put hidden cameras in the refrigerator because I can't miss a minute of these OCTUPLETS/oooooooooooh my God let's go now.
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February 2, 2009 - Monday
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Go see The Benign Comedy to find out.
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January 31, 2009 - Saturday
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I gotta question: Is it just me? Or is this recession making everyone feel obsolete?
A'ight, so our guy got into the Oval Office. The procession's in the scrapbooks. If nothing else the dude's shown that he's trying to lead, he's being realistic, and he's not sugar-coating anything.
But do you feel as I feel sometimes? That the recession will curtail what we middle-aged crazies can offer to the economy if we haven't yet made our first million?
Seattle's economy is hemhorraging. I was spared in the MS layoffs but it still feels like now I have to invent some entries into my skill set just to stay afloat. To top it all off I've had a major malaise that I can only contribute to fear, uncertainty and doubt. Whether what I was put on the planet to do will keep me fiscally relevant. And then, in the end, whether I can still do what I was put here to do. Or if I even know what that is. Last summer I knew; these days you have to hum a few bars to me first.
In times like these creativity is hit hard. The business can't afford to take any chances, so I wonder if I can invent something, and whether it will be of value tomorrow.
How do we all justify invention of the soul in times like these? How do our best creators persist in these conditions?
In the act of creation I've usually found it works best if you allow yourself to go into a trance of some sort -- you tune excess noise out of your head and follow the muse. But when survival becomes part of your motivation, it can feel like the muse has been sent to its bunker to wait it out. So you're left with the quills and your inkwell is overbudget by virtue of its mere existence. Brian Williams tells you that you might not be able to afford dependable inkwells for another handful of years.
There's nothing like an economic downturn to make you wonder if the dreams you have are something that will pay off for you, and others, down the line. It's mitigating our talents, compromising our drive. Or maybe that's just me: too uncertain to throw myself out there, too scared of rejection or becoming archaic. And despondent over the possibility that in order for everyone to do their best work people are gonna have to buy a lot more Quarter Pounders with cheese.
Do you feel this way too?
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