There's this writer named Garth Ennis ...
I've enjoyed a lot of his work. His initial twelve issue run on
Punisher is one of the most defining runs on the character in my mind. His
Preacher at Vertigo is one of the art form's most compelling accomplishments.
Even with all of that, I am now officially done reading the work of Garth Ennis, and I'll probably move to sell any comics written by him that I still own. Why? Well, I have something of a problem with a white writer from the UK being cavalier in his usage of a certain racial slur in his work ...
The first blacked out word here is the aforementioned slur. The second I just blurred for general purposes, a curse word that I'm cautious about publishing under my own name (but will surely say in every day life if no kids are around). Sorry for the resolution, used my phone camera because I was so torked.
It all started with a storyline of his on
Punisher called "Kitchen Irish," looking at IRA expatriates and mobsters living in the New York neighborhood called Hell's Kitchen. One faction was headed by a Black Irishman with dreadlocks, and characters used the aforementioned racial slur (which, fun fact, I virtually never use in reference to people the race it's normally associated with, and I'm a member of that ethnicity) in reference to him as well as him using it in reference to himself.
Now, I know the old artist's argument. Can a white writer write a Black character who says that word? I've seen it in comics through the likes of Brian Azzarello, Brian K. Vaughan and others. My personal belief? F**k no. You bloody well cannot. I don't feel comfortable calling my Jewish friends any slurs I know they're called, nor do I feel the desire to (even when they do annoying things). I don't use slurs for my Italian friends, my Asian friends, or anybody. If I need to insult somebody, I am perfectly qualified to find a personal detail worth insulting without resorting to race baiting. I don't even casually use those terms amongst "my friends."
Does my barber? Yes. My fiancee? Yes. Friends, associates, business relations? Sure. Do I like it? No. Do I tolerate it? I consider the struggle of African people to be both extraordinary and overwhelming, so I tend to cut Black people some slack, just making sure they don't use the term about me.
However, people of other races? Especially
white people, who collectively can count more incidents of genocide, more atrocities (from Auschwitz to Tasmania with the Middle Passage as the capstone) than any other single populace? Naw, dawg. We can be cool, you individually may not have done anything (then again, maybe you did), but you will
never be okay using that word. That goes for televised bounty hunters, comic book writers and any other non-Black person.
"That's not fair!" Boo freakin' hoo. Was it fair when a USC executive turned me down for a job and hired a less qualified person because she didn't intimidate him, professionally and physically (he was a short ruddy gay man and the person he hired was a soft spoken and generally pliant Latina)? How about the hundreds of times I've been followed by law enforcement and private security when I wasn't committing any actual crimes (not counting the few dozen times nobody noticed me actually committing crimes -- screw you, I've been persecuted, I'm owed)? Ooh, I know, how about the hundreds of times my ethnic-sounding name came across a hiring manager's desk and they reached past it for an Anglo sounding name? I don't get a level playing field, and neither do you. Suck it up and enjoy your higher likelihood of getting loans and ease at avoiding notice by the police.
Have I seen any white writers use the word in their work and it not piss me off? Rarely. Which is why despite the fact I dropped
Y: The Last Man I'm still willing to read titles by Brian K. Vaughan, and why despite the fact that characters are a bit too Tarantino in its use in
100 Bullets that I still found Brian Azzarello's Batman run to be freakin' brilliant. It's not a knee jerk reaction I'm having here. Whenever I see it from Ennis, he's going for cheap shock value -- and to be honest, there's so little story in
The Boys (where the latest slight is from, issue 12 on Dynamite Entertainment, which delivered the wholly needless example on this page) that if you took out the cheap gags looking for shock value, you'd have almost no comic left.
So as a comics reviewer, this is my way of saying "enough." I won't allow it to be used as a hot button to excite giggles from zit faced fanboys reading it by the light of flashlights in an upper room of their parents' house. This will be the last, the absolute last thing I write about Garth Ennis or any, repeat
any comics project he works on. Hope it was worth it, chuckles. On to something better ...
Reading (Comics): Fables: 1001 Nights of Snowfall