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Karl Blau



Last Updated: 11/17/2009

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Status: Single
City: Anacortes
State: Washington
Country: US
Signup Date: 12/6/2005

Who Gives Kudos:


Tuesday, September 30, 2008 
My friend Kyle from Westminster, Maryland has been setting up incredible shows in his tiny home town (population something like 16,000) that I had the privilege of seeing in its hay day this past year(what I perceive as its hay day). The Deal With the Pine Trees is what he calls the shows. Usually they're in the park (Deer Park I believe), so they're outside in the warmer months, but it was January or so when I was there with Steve Moore. The show of ours was at a coffee shop -- but a good sized room -- and I couldn't believe it walking into this place, it was packed wall to wall: over 100 kids there to see the show. At the door they were taking money and had hand made all the tickets, so it felt very official and yet fun.
Anyways, it's not all ice cream and limos putting on shows, it's often headache and pay out of your own pocket. It's tons of work: postering/flyering, alerting friends, getting the papers' attentions-- not to mention then who's gonna run sound, run the door, general security (so the cops don't bust the under-age drinkers and shut you down, etc); not to mention where is this show gonna be in the first place...
I have been exchanging emails with Kyle now after he's been setting up shows in his li'l town of Westminster, MD for over a year now. He's tired, he's broke--worse, in debt. We can hypothesize why he did it: to get his town exposed to bands happening outside the mainstream. What's in it for him? It's good experience, it's actually really fun at times and you can see the effects it has on your peers: it's infectious seeing other people express themselves in a way that they make the music theirs.
There is a lot of energy going into Myspace for example, people seem to have a lot of energy, but what about in their local scenes? Do people know that their energy is needed to pitch in and help out? There is a thriving house venue scene in Seattle now, I'm curious if they can chime in with their recent experiences, I'll try to look up some folks and ask them how it's going...
If you're going to respond to this, please no bashing.
The following is from this Kyle I speak of:

"kb-
yeah... it seems that many of the people around here just expect to be able to show up to an event and not have to pay anything. i'm left in the position of being "too business-like" by really pushing them to pay to come into the shows because there have been far too many cases of me having to cover the difference to meet a guarantee, or sometimes (if the person didn't really ask for a specific amount) i put in some of my money b/c i can tell they haven't been eating much, etc.

and people seem to think i've been making money. i've had to live in a car for a few months, and now am living with a friend's family because i can't even begin to afford a place myself. over the past year, i have spent well over $3,000 putting on these shows and getting equipment.

the fact that you have a family and have been able to care for them is incredible and very inspiring to me. some people have a hard time understanding how hard it is to be involved in the music business and actually provide for yourself and a family. i've worked hundreds of hours on this festival, skipped college, lived without health care (and i'm an intense asthmatic), etc. the only other job i've been able to continue to show up to is a part time job at record and tape traders (a music store!) and that's only after a year of booking shows..."

one message later:

"if everyone in each town and small city where there are shows helped a bit, the shows in their area would improve beyond everyone's wildest dreams. when volunteerism increased around here, more bands were able to come from out of state, there was more diversity in both musical acts and people in the crowd... we were able to begin to purchase better equipment...
then fast forward a few months where one or two people are left promoting the shows, running the events (sound, money collection at the show, housing bands, paying for guarantees unmet, paying for food for traveling bands, etc.)
pretty soon those few folks are losing money, getting frustrated and so on. at that point, it's up to the community to salvage everything. and that's where we are now here in westminster. i don't know if people will step up, or if this community will let it die. it is all up to them..."
Bruise Banter

 
As a guy who ran a small venue that hosted Karl Blau as well as a bunch of other amazing underground musicians, I feel for you Kyle. Our venue closed about six months ago leaving my wife and I in debt to the tune of $35,000. We worked our butts off for over a year without health insurance, pay and, oftentimes, sleep...

Just know that everything you've put into your community will come back to you, trust me. I'm not trying to be spiritual and invoke karma but every ounce of enrichment you put into your community can and will come back to you in ways that will bring a tear to your eye.

Thanks for all of your hard work!
 
Posted by Bruise Banter on Monday, September 29, 2008 - 11:38 PM
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RYLAND BOUCHARD

 
hi karl,

miss seeing you. i hope all is well in anacortes.

the same could be said of bands who start doing well no longer playing venues that are community oriented. bands will start to make $3,000 a night and laugh at the venues that supported them before they broke out in to popular culture. Some bands, like TV on the Radio, came back to the DOS even though they had at that point been doing well, but others which I won't name felt like they outgrew the space - instead of viewing it as an opportunity to pay back the communities that helped them get where they are....

This isn't to discourage people from helping out in their communities, just to point out that it goes both ways. All the best,

ryland
 
Posted by RYLAND BOUCHARD on Tuesday, September 30, 2008 - 12:05 AM
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Karl Blau

 
Good point about bands taking the high road. Who can blame them? That said, it seems obvious that we people need to concentrate on the zone around us...
 
Posted by Karl Blau on Thursday, October 02, 2008 - 4:43 PM
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jef!

 
i book the shows in panama city,fl...
i have been doing this since 1999 or so.....
i can relate to this....
keep with it ,everything will get better!
i promise!
 
Posted by jef! on Tuesday, September 30, 2008 - 12:44 AM
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Chad
Chad Heile

 
Its really hard to explain to my friends why I attempt to set up shows. They look at me like I'm crazy when I tell them that I lost money doing it, and never once even thought that I'd make any.

I just get great satisfaction in knowing that a band or artist that I really like is playing a show here in Eugene and, if I try really hard, that someone else will get turned on to the band because the saw a flyer, heard about it on the radio, or read about the show in the paper. Also it feels like a way to return the favor to the artist for all the great music they've put out.

I just like the karma will make its way back to me someday, in some way or another.
 
Posted by Chad on Wednesday, October 01, 2008 - 10:04 PM
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Karl Blau

 
One thing you do well, it appears to me, Chad, is you don't bite off too much, you focus on a few shows at a time, then your shows are fashioned very well and it's a pleasure for all...
 
Posted by Karl Blau on Thursday, October 02, 2008 - 4:44 PM
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Chad
Chad Heile

 
Well, that's really swell of you to say!
 
Posted by Chad on Friday, October 03, 2008 - 4:19 AM
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1985 (is still alive www.masarecords.com)

 
oh, man... what a story to be-hold, i mean, -told...

we just need to keep up. and kep it up... i did see a progression of kids willing to chip in less and less at house and underground shows (as I travelled the country and, when home, put such events on a several times a month) as the only other rate progressed seemed to be consumption of alcohol....

i have many lyrics (from others) and some melodies derived for an ep of songs about how the fuck hard it is to tour and have appreciate yet non-contributing fans...

as a long-term underground venue operator (at least 8 of them over 10 years) and a touring musician for 5 years, i totally understand a lot of this...

but we need these spaces! and we need these artists travelling to our communities!
please folks, if you arrive, derive. contribute to the sustainablity of our New American Underground.... it is all we can cling through...
 
Posted by 1985 (is still alive www.masarecords.com) on Sunday, October 12, 2008 - 7:32 AM
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c
c anderson

 
Karl and other friends,

I signed up for MySpace after years of avoiding it just so I could reply to this post.

I spent 6 wonderful years of my life in Waco, TX. I would consider Waco a 'small' town with a bad rap (David Koresh, the Baylor basketball murder, the recent lynch rope hanging from a tree after Obama was elected). However, there are some of the most amazing people there and I will never forget them.

During those years, the group of friends I had was much like the DoS/Anacortes crowd. Everyone was in a band, loved music, and often more bands were created by simply mixing up members of the current bands. Waco had a small scene, mostly made up of high school punk rockers. This evolved into a rather impressive music scene thanks to a few key bands (Quiet, Lovely) that showed Waco had more to offer. Everyone believed in the possibilities, no matter what the sacrifice. Across the span of three years, three individual venues opened for a few months, but closed soon after they opened. In my personal life, history was made at these venues. I'll never forget the great times I had with friends, listening and performing to a crowd we never imagined possible in a city like Waco (some shows brought in 100s of kids from the woodworks!). There was obviously a need that was being satisfied, but it could not be sustained financially.
This is why more 'official' co-ops and groups emerged to support their fellow artists (the Waco Co-Op). This helped keep spirits up, but didn't generate any money.

I recently visited Waco and things have changed...for the best. The music scene in Waco is exploding. There are bands performing beyond the level I ever imagined for this town. Why did this happen? Why were there now 30 bands instead of 3? It's because we got the ball rolling. It was difficult to get the boulder over the hill, but there's no stopping it now. Even though it was a sacrifice, we proved to the next generation that it was possible. Very possible. All they had to do was follow our trail and build build build.

Do it for someone else if you can't do it for yourself. But why not have a great time while you're struggling through those early days? Appreciate the struggles and know you are making a difference in the community that will be valued for decade to come. You never know what talent will pop up thanks to your efforts.
 
Posted by c on Wednesday, December 17, 2008 - 10:24 PM
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Karl Blau

 
Seriously. I totally agree. We have no way of knowing how our influence trickles out into the community and through the years. Most likely it's a big boulder to roll over the hill, like you say, to get your town to appreciate local groups and touring artists. And definitely worth it.
Thank you for writing this and giving some balance to this blog!
C, I would love to hear more about playing in Waco.
 
Posted by Karl Blau on Friday, December 26, 2008 - 8:27 PM
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