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Eric Ostrowski



Last Updated: 11/23/2009

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Status: Single
City: SEATTLE
State: Washington
Country: US
Signup Date: 3/4/2006

Who Gives Kudos:


Friday, January 11, 2008 

Michael Griffen, my longtime friend and also companion in Noggin passed away January 7, 2008. It has been hard for me to come to post anything that would sum up his life, and I also felt like this e-world wasn’t real to him and wasn’t really a good place to speak about this. But, after much thought, I decided that this is how people are getting their info these days, so below is by no means all I have to say, but it is the best I can do for now:



Michael Griffen was perhaps best known as the violinist in the 90’s hardcore band Behead the Prophet NLSL and also in the noise duo of Noggin. He was also in Artie Smudges Trio, Weehuggum, and too many other bands to mention. He was a musician much of his life –starting his journey playing in country bands in Whatcom County, WA while in high school and college in the 1950’s. He was a visual artist through the mid-late sixties and into the eighties. In the late 80’s, he moved more towards music as a way to connect with others rather than being isolated painting. Music was a social activity, and he enjoyed meeting people through playing music. He opened his living room to bands as a practice pad, which is how he met many people who were deeply touched by him. Free-improvisation and noise attracted him musically the most as it readily allowed him to get to know others through music. While the sounds that he generated in many of his projects could be considered ’avant-garde’ he considered himself more of a folk musician. He wasn’t trying to elevate himself and become a rock star, he mostly wanted to connect with people and perhaps his highest goal was to help others find their path through art. Many people who had little or no musical ability would play with him, at his house, or while he was on tour, and come away realizing ’oh, I guess I can play music.’



He had a love for almost every imaginable discipline in the arts. In addition to music, he also was active in theater, film, dance, visual arts and literature. Over the last year or so of his life, he worked on a novel Me, Jane. He also worked on writing a stage play with Danielle Morgan that she will be turning into a screenplay and producing a feature-length film of in the coming years.



He is survived by his children Adam, Aral, Christopher, Shaun and his life friend and companion Terry Newberg.

Vesica Piscis

 
So sorry to hear about this. Michael will be missed. We'll be listening to Noggin in his memory.
 
Posted by Vesica Piscis on Friday, January 11, 2008 - 8:58 PM
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Crayon

 
Those are some lovely words Eric ...

Crayon probably would never had existed had it not been for Michael. We pretty much formed and developed in his living room. Some of our best times in practice were the breaks we would take to chat with Michael in the kitchen. He was always 100 percent supportive, kind and gracious. I know we were not the only people to have benefited by knowing this wonderful man. Everyone who knew him will continue to be inspired by his life. Thank you so much Michael!
 
Posted by Crayon on Saturday, January 12, 2008 - 4:39 AM
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Jordan Rain/YOGOMAN

 
Yeay, I kind of new that in the back of my mind, but it joys me to think of Crayon praticing and coming together in the Griffinshire music room. Crayon, undoubtebly the creme of geekpop in my world; I love!!!
 
Posted by Jordan Rain/YOGOMAN on Monday, January 14, 2008 - 10:18 PM
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Dead Air Fresheners

 
I'm glad you took the courage and time to write this Eric. You are correct that people use this cyberstuff to communicate, and now when they do google searches of Michael, they can at least find the words of one of his closest friends.

I can only barely fathom how you must feel with this loss, though my life is currently surrounded with this type of thing (my grandmother is on the verge and two of my volunteer staff at work have each faced cancer and heart surgery in the past couple of weeks).

I wrote a bit in the Dead Air Fresheners blog about how much impact Michael had on me/us as a musician and inspiration. One of my fondest memories playing music was to get to play an impromptu set with Michael at one of the Oly Experimental Music Fests. I've suggested dedicating this years to him, and I'm sure that will be an accepted concept. Honestly, who has done more for what we consider the "experimental music", noise, or whatever you want to call it scene in the NW? He was a pioneer, in all of his groups and all of his efforts to bring people together, and your playing with him was an example for the rest of us to learn from.

I haven't heard yet from Aaron, but I'm sure the news will be hitting him like an avalanche when he gets back from his travels (I think he's in China).

I'm really happy that I had you on What's This Called? last month and got that great interview where you went into detail about playing Michael's violin and your effort to keep him active in your latest album by having him title the songs.I've got a live guest on my show tomorrow, but they'll have to wait a bit while I play a few Noggin songs at the start of the show. I wish I had a more extensive representation of all of his groups, but for me as a fan, your work together really is the apex of the experience of Michael's music. Yeah, I know, "work" is not exactly the appropriate word - more like "play", eh?
 
Posted by Dead Air Fresheners on Saturday, January 12, 2008 - 4:26 PM
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Eric Ostrowski

 
thanks for commenting. i just re-read this post and then thought - ugh, it just sounds like an obituary. well, of course it is; but i like reading corey and jordan's blog posts on him because they are very personal and are really sweet, and i'll have to check out the dead air fresheners.
 
Posted by Eric Ostrowski on Saturday, January 12, 2008 - 4:29 PM
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artie smudges trio

 
we're gathering thoughts at

[url]http://wordisafourletter.wordpress.com/[/url]

aloha,
-adam
 
Posted by artie smudges trio on Monday, January 14, 2008 - 9:10 PM
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Jordan Rain/YOGOMAN

 
So Awesome Eric. I remember being on tour with Behead the Prophet and Noggin on our first tour down the west coast. That is how I met you and first heard Noggin. The socialite and social slut that I am, I was all titalated by the concept alone of Noggin and offered to play drums if you and Michael ever wanted that or would permit me to, during the tour or anytime. You were like "Well, why don't you give it a listen tonight (Eugene, OR), kind of digest it and we'll go from there." I was like "Cool. Allright." So Noggin sets up to play and regardless, I already dig how open-minded you and Michael are as humans so I was pretty much saying to myself, "I don't care what it sounds like, it's gonna be fucking awesome." It was. And I was like "sign me up." We played the next night together and I felt totally liberated and blessed, not only to be playing with you and Michael (two masters of a masterless craft, or rather an ability to be completely present while playing, which for many does not come easy), but to be able to play outside the box and that you two invited me to play (in the childlike sense of the word) with you in a live setting. Every time I played with Noggin after that was an exercise in freedom, total bliss and inspiration for me. I hadn't thought of this before, but when I broke it off with Behead the Prophet because i felt we were stagnant and stuck in a formula, I probably owe that need I felt to break free and into a new realm because of playing with Noggin. Noggin is free-improv noise. Free-Improv Noise is happening right now and though Michael's body is gone, I imagine him to be liberated making his tapestries of visual and auditory kaleidescopic webs throughout the universe. Just open your ears and hear, he's there. Thank you both for being brave enough to play the music that is so intrinsicly WITH the universe.
 
Posted by Jordan Rain/YOGOMAN on Monday, January 14, 2008 - 10:37 PM
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Eric Ostrowski

 
Thanks Jordan.
And I still remember that being the tour you smashed your finger in the car door.

We can still play together sometime of course. I remember there was that one time at the show off in bellingham too, and it went really well. I don't remember what year that was.
 
Posted by Eric Ostrowski on Monday, January 14, 2008 - 10:39 PM
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