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Category: Music
Industrial Records Statement Re: product pricing and availability.
When the Framed & Numbered Limited-Edition of The Thirty-Second Annual Report of Throbbing Gristle record is released on November 4th 2008 we are also making the music component and associated PDFs available in various digital download formats starting at £7.77 (the same number as the pressing). It has always been our intention to also make this release available as a digital download, so those interested will have a choice: to own and to add to their collections a reasonably priced original Throbbing Gristle limited-edition Artwork, or the chance to hear the music alone.
Industrial Records Limited takes pride in releasing all kinds of non-'industry-standard' products. This strategy began in the late 1970s' when Industrial Records released a limited-edition boxed-set of cassettes of Throbbing Gristle live performances. The price of that boxed-set translated to the current 'cost of living' index would now cost in excess of £270. Just as at the inception of Industrial Records some 30 years ago, we plan to continue to challenge preconceptions about the nature of Art, Music and Entertainment.
We do not expect all those interested to be be able to afford all our products, some of which are (and will be) expensive, not only to manufacture but also to distribute. However, at the same time we do not want anyone to feel obligated to buy high priced Artifacts simply for the music they include.
We intend to continue this trend and, in time, manufacture units or boxes, artifacts and installations for home, shop or gallery that have a TG-style audio generating element to them. This work has already begun with an installation (titled A=p=p=a=r=i=t=i=o=n) presently at the 2008 Yokohama Art Biennial, which features Throbbing Gristle's collaboration with renowned White Cube artist Cerith Wynn Evans.
We are constantly surprised by the prices paid for old, second-hand Throbbing Gristle and Industrial Records items sold in collector stores, and particularly from one collector to another on auction sites such as ebay. But we are mystified as to why that practice should be acceptable, but it is not acceptable to pay those kinds of sums to the original Artist whose imagination, effort and many, many hours of work created the product in the first place. This Framed Edition is priced in relation to its production cost and NOT as a high priced elitist Art item. Pre-orders for the Framed Edition are already extensive, and so, even if bought purely as an investment, it seems likely to be a good one, even in these turbulent financial times.
Peter Christopherson, Cosey Fanni Tutti, Chris Carter & Genesis P-Orridge
for and on behalf of Industrial Records Limited - October 2008.
10:03 PM
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