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THROBBING GRISTLE



Last Updated: 10/15/2009

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Status: Single
Country: UK
Signup Date: 12/9/2004

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Wednesday, October 22, 2008 

Category: Music

Industrial Records Statement
Re: product pricing and availability.

When the Framed & Numbered Limited-Edition of The Thirty-Second Annual Report of Throbbing Gristle record is released on November 4th 2008 we are also making the music component and associated PDFs available in various digital download formats starting at £7.77 (the same number as the pressing). It has always been our intention to also make this release available as a digital download, so those interested will have a choice: to own and to add to their collections a reasonably priced original Throbbing Gristle limited-edition Artwork, or the chance to hear the music alone.



Industrial Records Limited takes pride in releasing all kinds of non-'industry-standard' products. This strategy began in the late 1970s' when Industrial Records released a limited-edition boxed-set of cassettes of Throbbing Gristle live performances. The price of that boxed-set translated to the current 'cost of living' index would now cost in excess of £270. Just as at the inception of Industrial Records some 30 years ago, we plan to continue to challenge preconceptions about the nature of Art, Music and Entertainment.



We do not expect all those interested to be be able to afford all our products, some of which are (and will be) expensive, not only to manufacture but also to distribute. However, at the same time we do not want anyone to feel obligated to buy high priced Artifacts simply for the music they include.

We intend to continue this trend and, in time, manufacture units or boxes, artifacts and installations for home, shop or gallery that have a TG-style audio generating element to them. This work has already begun with an installation (titled A=p=p=a=r=i=t=i=o=n) presently at the 2008 Yokohama Art Biennial, which features Throbbing Gristle's collaboration with renowned White Cube artist Cerith Wynn Evans.




We are constantly surprised by the prices paid for old, second-hand Throbbing Gristle and Industrial Records items sold in collector stores, and particularly from one collector to another on auction sites such as ebay. But we are mystified as to why that practice should be acceptable, but it is not acceptable to pay those kinds of sums to the original Artist whose imagination, effort and many, many hours of work created the product in the first place. This Framed Edition is priced in relation to its production cost and NOT as a high priced elitist Art item. Pre-orders for the Framed Edition are already extensive, and so, even if bought purely as an investment, it seems likely to be a good one, even in these turbulent financial times.



Peter Christopherson, Cosey Fanni Tutti, Chris Carter & Genesis P-Orridge

for and on behalf of Industrial Records Limited - October 2008.

Post-druidism, Inc.

 
I suppose you got some negative remarks then? Just shove 'em aside and be proud of what you've done so far and will do in the future. I'll never be able to afford this and I've been a TG fan since 1980 ... no big deal to me! Respect to the 4 of U for remaining true to your artistic values!!! All the best from France.

 
Posted by Post-druidism, Inc. on Wednesday, October 22, 2008 - 7:15 PM
[Reply to this
elektrolad

 
I'd still like to buy the lp by itself. I don't like digital downloads. Cds are ok.


True collectors want to have an original item over a reissue. That's why they pay the high prices.


I bought TG24 on cd when first released. I was dissapointed when you decided to issue another pressing.
(I see a copy on ebay going for $899 so perhaps now is the time for another reissue?)

I truly appreciate what you do and am very supportive, but cost keeps me from buying all of your releases.


Thank you,
elektrolad

p.s. Part Two The Endless Not (Original Totem Edition) can still be obtained from MuteBank US. I bought three copies.

 
Posted by elektrolad on Wednesday, October 22, 2008 - 7:15 PM
[Reply to this
A.D.Hitchin
A.D Hitchin

 
I agree.


I am very HAPPY with a download and the fact that you are giving this option nullifies any concerns of so-called 'elitism.
'

What major supporter of 'TG' with the available money would not like a framed-set? Why not produce 'special' non-conformist items?

To be honest I do not feel 'TG' have been properly credited or fully renumerated for their influence.


And yes, material is selling on ebay and through bootleggers for much more. Personally, I feel fortunate 'TG' are giving us anything. It is not as if they are 'forced' to or that their position in music history is not assured.

 
Posted by A.D.Hitchin on Wednesday, October 22, 2008 - 7:16 PM
[Reply to this
smylex

 
Sounds reasonable to me. My only problem is actually finding these items when they're released AND having the funds at the same time.

 
Posted by smylex on Wednesday, October 22, 2008 - 7:16 PM
[Reply to this
Jimmy Jaygus

 
Whenz u doing the long player with Daniel O' Donald.

))))))))))))))))))))))))))oo)))))))))))))))))))))))))))):>)~
 
Posted by Jimmy Jaygus on Friday, October 24, 2008 - 11:13 AM
[Reply to this
Black Mountain Transmitter

 
I personally think it is a disgrace that TG should be put into the position where they feel they have to justify the pricing of a limited special edition, and I'm sure there are people out there complaining about the cost of this release who would, without question, splash out more than £120 on a pair of ridiculous looking trainers/random fashion accessory or even piss the equivalent amount of cash up the wall on an average Friday/Saturday night out on the lash...do these people go into shops and complain to the retailers about all the expensive merchandise on display that they are too poor to buy? I think not. Has music (or art) been so devalued to the point where fans expect independent musicians like TG to just give away special releases like this for free? Obviously it has.

 
Posted by Black Mountain Transmitter on Friday, October 24, 2008 - 11:13 AM
[Reply to this
WIREWORKS

 
In regard to the 32nd annual report debate it would seem the current blog posts and statements from Industrial Records and TG are in reference to a personal message I posted to the TG MySpace in protest at the price of this and other items.

No member or representative of Industrial Records or TG replied directly to my message.

The new statement issued on the subject covers every point I made. However, if TG intended a cheaper download of this material it was never stated on any of the websites. In fact, although TG now promise a digital download version available on day of release then exactly how and where can ordinary TG fans purchase this? There is still now way of ordering the item as a download.

I feel that this announcement is due to a volume of true TG fans who were outraged at the price and TG have only now decided to release a cheaper download version.

If TG had intended a multi format release to suit all pockets why was this not mentioned in the promotion of the release. There's still no way of ordering a cheaper version.

Surely an ordinary CD release would have been a fairer option for all TG fans.

I have a problem with your remarks that to buy the disc in a frame for 120 pounds is a good investment. TG fans follow your work because we LOVE your musick. We are not INVESTORS.

I fail to see how making something expensive makes it better art. It is MUSICK.

The framed edition IS an elitist art item that very few people can afford.

I'm sure the majority of TG fans agree.


Yours faithfully.

Colin
TG fan for 32 years
 
Posted by WIREWORKS on Friday, October 24, 2008 - 11:14 AM
[Reply to this
MEAT DOUGLAS

 
^agreed

just make some fucking music, release it like any normal band. THEN make a special addition for all the rich elitists to stroke off too.

 
Posted by MEAT DOUGLAS on Monday, November 03, 2008 - 9:29 PM
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Mobilization.com

 
2nd Annual Report remains one of my all time favorite albums (even though my first copy was backwards). I had to record it to 2-track tape, flip the tape, and re-record it. I also had to slow down United several 1000% through multiple tape passes to hear the single version. No "DSP plugins" back then.
:)

It will be nice to hear the new interpretation of this historically significant work.
I'm sorry I could not make it to the live event itself!

If you make the music accessible, I don't see any harm also selling alternative artwork. I agree it is fully in keeping with your tradition of exploring new avenues and vehicles of expression.


-Ethan
 
Posted by Mobilization.com on Monday, November 03, 2008 - 9:30 PM
[Reply to this
TCTL

 
Yes it is true that original articles bear unmistakable authenticity, people will go out of their way to experience authenticity. Take the Body Worlds exhibit for instance.
Who could resist seeing real human bodies? It was a resounding success in Philadelphia!

The older original stuff will pull more from some folks.


It's super great that TG is still amoung us.
I've known them since the beginning ( at least in the US )
Charge On Industrial Records, I'll be by to check out your offerings!
 
Posted by TCTL on Monday, November 03, 2008 - 9:30 PM
[Reply to this
josh
Josh Parrish

 
i think TG should charge as much as they want, music is taken to commonly as just another cd for 15 dollars that your gonna listen to every once in a while and not even fully appreciate. i love that they are challenging peoples preconceptions of music/art/entertainment.

 
Posted by josh on Tuesday, February 03, 2009 - 10:46 AM
[Reply to this
Stacey And Jason
stacey haza

 
Gotta admit I have mixed feelings here. I think special items such as the gold totem and the framed addition of the thirty-second annual report are interesting ways of changing peoples perception of things and possibly reclaiming music as a high art form. I'm not going to lose any sleep over not owning any of those items, especially when there is a music download. What DOES bother me is that the majority of your fans will never get to hear or watch a good percentage of your music/performances due to sets such as TG24 and TGV. I have been waiting over a decade to find a video of your performances, but it is simply unaffordable. What I feel would have been a good idea is to sell each video separate, but still sell TGV as a special item which may have come with some rare items available nowhere else, such as pins, COUM posters, or a t-shirt. Same should have went for TG24. PS- A tad off the subject, but do you have recordings of COUM performances? Another thing I have been waiting for for years...
 
Posted by Stacey And Jason on Monday, February 16, 2009 - 6:19 PM
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