SIGNAL TO NOISE Review by Stuart Boomer
June 3, 2009

Testing rather than jettisoning conventions, Tetterapadequ is a young
European band that’s genuinely exploratory, willing to test approaches
from a jazz-based rhythmic concentration to solo interludes and even a
period of extended silence. It consists of two Italians (tenor
saxophonist Daniele Martini and pianist Giovanni di Domenico) and two
Portuguese (bassist Gonçalo Almeida and drummer João Lobo), but the key
geographical point is the Netherlands. The band’s name is a
near-anagram of De Patter Quartet, named for a favourite jazz club the
quartet attended while students at a Dutch conservatory. Each is a
player of substance, with Martini possessing a marked vocal force and
rhythmic imagination and Di Domenico, showing a marked classicism that
extends to Satie-like reflections. Almeida presses extended techniques
while Lobo adds consistent interest with alternately dense and sparse
sonic fields. Tetterapadequ’s eclectic wit suggests the Dutch scene in
which they met, while the textures may recall the early work of Giorgio
Gaslini, thanks largely to Di Domenico’s ironic classicism.