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Last Updated: 12/1/2009

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Status: Single
City: RICHMOND
State: Virginia
Country: US
Signup Date: 3/17/2005

Who Gives Kudos:


Monday, August 24, 2009 
After talking to a few colleagues and family members, I realized that it is imperative to open a dialogue with the representatives of Centerstage. I have been considering the most appropriate way to approach Centerstage to discuss how they plan to effectively collaborate with our local grassroots arts community and how we can hold them accountable for doing so. I need your help!.

As they mentioned in response to Don Harrison's 20 Questions for Centerstage, "CenterStage will continue to look for ways to partner with the local arts community to promote a vibrant arts and nightlife downtown, and we encourage input on these efforts."

I would be interested to learn what they mean by "collaboration" (and I will not automatically assume that they got that word mixed up with "capitalizing") and what restrictions/guidelines will be set for them to do so. Will they only support "grassroots" initiatives that can showcase their organization in a marketable way? "CenterStage also was a major sponsor of the Broad Appétit event last year and this year, is a partner in the 2009 Folk Festival and both the 2008 and 2009 InLight celebration." ....Or do they truly have plans to engage themselves in their surrounding artistic grassroots community?

If so, then how?

As much as we despise the bureaucracy and misrepresentation behind Centerstage, they are undoubtedly here to stay and we have no choice but (if we chose to remain in the City of Richmond) to support them. (As if we had a choice, and if we did, my taxpaying money's would not be going for another arts organization with no plan of making the future of Richmond's creative community flourish and sustainable).

For example: I would assume that since Centerstage had no original programming for their arts education (and seem to have been more interested in pulling already-established and funded organization's into their space to fill those empty gaps), then it would be beneficial for our area educational arts organization's to figure out an appropriate way to join their efforts. Unfortunately, this joining is necessary for the sustainability of our arts programs, especially now since they do not have the same opportunity to local city and community funding as they once had. (I wonder where it all went?)

Isn't it funny that the movers and shakers involved in the planning of Centerstage all have very close and personal ties to our city and community arts funding and have the authority to decide where and how the arts funding will be allocated? Isn't Centerstage such a cute pet-project for our city elite? (Do a little research on this, you will be very amused at the convenient relationships existing within the deciding committees for our community arts funding).

Now that our community funding is tied up in this pet-project for a very long time, and if we want to remain active participants within our artistic community, then we must figure out what is necessary to build this relationship that will not only help our local organizations reap some of the benefits that would have been earned by our blood, sweat and tears, but to hold Centerstage accountable for their promises made to our community.

Please help in creating these questions for Centerstage and build that necessary dialogue. Hopefully, we can better educate ourselves on what appropriate measures should be taken to ensure that our cultural future is solid, honest and accountable.

I will start this:

1. Centerstage, do you currently have or plan to create a committee that will collaborate with surrounding arts organizations?

2. What is your criteria for working with and accepting idea and program proposals from the local arts organizations/groups? If you do not have a set criteria, (which I doubt that you do), who will be responsible for creating it?

3. How do you plan to financially support the First Friday initiative? How to you plan to physically support the First Friday initiative?

4.Since there is still no Centerstage Director, how will you insure the credibility, accountability and overall productivity of your programs? Who will be responsible for overseeing that the use of public funds will be allocated to programs that are not only beneficial, innovative and engaging for our artistic community, but are vital and accessible for our low-income/general population that will help to strengthen them during these economic times?

5. What types of educational programming to you have in order? What school systems, after-school programs, homes, groups, and arts programs are you currently planning to partner with or are interested in partnering with? How do you plan to assist our low-income families and inner-city school children? How much time does your building schedule allocate for educational arts programming?

6. Do you have plans to create a volunteer program that will help to assist with downtown arts-related festivals, events and programs and be a data-base for area non-profits? Do you have plans for student involvement (grade school, high school and college/universities)? If so, then how?

7. Do you plan to work with non-profits and arts organizations on programs outside of the Centerstage complex? (This does not include event sponsorship and marketing campaigns.)

8. How do you envision the relationship between Parks and Recreation and Centerstage? Financially, do you know how the city plans to allocate funds to this joint effort, or relationships like these?

9. Do you have a vision as to the type of businesses to be brought into the downtown Broad/Grace St area?

10. Who is currently responsible for deciding what diverse visual and performing arts will be brought to Centerstage?

Please comment with additional questions as you see fit.
Smokey B’s Ministry of Love

 
WAIT!!!

Stop the presses, as it were.

I DID manage to find a list of shows ON the Centerstage website. It was not too deeply buried, but nor was it as obvious and intuitive as it needs to be. There is no link from the pages about the venues, or from the descriptions of each venue, and there remains no way to buy tickets for 99% of shows.

BUT IT GETS WORSE!!!! Dig it:

Having found the schedules I now see that the Carpenter Theatre is, indeed, crammed to the gills until May of 2010 with operas, ballets, and all sorts of things no one I know ever goes to.

Meanwhile, over at the state-of-the-art Gottwald Playhouse, there is exactly, eh.... ONE show for October 1. That's it.

And at the Rhythm Hall, my own hope fro proletarian entertainment, which the Centerstage website promises "will be buzzing day and night with activity for audiences of every age," there is absolutely nothing

It says :
"Currently no events are available" .

And in the Showcase Gallery: "Currently no events are available"

Hello? DUH? Did anyone think to book some shit ahead of time? You got three out of four venues that will seemingly sit idle for MONTHS! Thank god my tax dollars went to fund those empty shells....

It seems as if they think a big building solves all woes. They truly seem to think people wil swarm in and do it all themselves....

fuck it.

-b.


 
Posted by Smokey B’s Ministry of Love on Friday, September 25, 2009 - 9:07 PM
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Smokey B’s Ministry of Love

 
HOLY GODDAMN SHIT!

I just erased a lengthy invective about how i did not even know what centerstage was until i read your blog BUT, that based on their own website, it seems absolutely like a big communal jack off for clueless rich people.

My main point was that on the Centerstage website right now THEY DO NOT HAVE THE SCHEDULES POSTED FOR THEIR OWN VENUES, and they have only ONE, WELL-HIDDEN link to ticketmaster.

Anyone with any goddamn common sense (not marketing brilliance or financial savvy) would know to make this a prominent, almost inescapable, part of the website. And one must assume that the website copy was read and approved by many Centerstage people, yet apparently not one single person at Centerstage had the bright idea to post their own schedules on their website! (Or even a link to them!)

Right now, click on "Carpenter Theatre" (with its pretentious English spelling) and you get a paragraph and three pictures of stuff rich white people would go to. You do NOT get a link that says "Click here to see schedule and buy tickets."

It would seem that this project is controlled by people with little idea how to make it succeed.

This huge, gluttonous cash gobbler seems symptomatic of Richmond's "Big Shiny Buildings Will Revitalize Downtown" Disease, which causes us to waste tons of money on things that work great in Austin (or wherever) but are totally unsuited to the practical and financial realities of Richmond.

ANYHOW, mon ami. The only questions I might ask, though I'd not phrase them so tartly, are:

1. I see only expensive stuff for rich white people on your site. Will there be cheap / free shows for the rest of us? It looked like that might happen in the Rhythm Hall, but I can't tell because you goddamn morons didn't post a schedule!

2. To what extent will you feature local acts in your booking? (I would hope they at least book local openers at the Carpenter Center, which I don't think they do.)

3. MOST IMPORTANTLY, I would press them like hell to make sure they have promoters and p.r. people that are competent and know how to draw a crowd in the 21st century. Right now, it seems, they do not. I do not want to pay for this place if it can't turn a profit.

I might ask:

"Who handles promotion and p.r., and what is their background and record of success?"

4. I would also ask to see their numbers, and if they did any studies or projections on the sustainability of this thing. I would ask for detailed info on where they expect to get their money in the next few years.

I am not pleased at all by this thing. It looks like a huge waste of time and money for the sake of a gleaming palace where nattily dressed rick folks can drink wine, feign elegance, and try to feel good about themselves.

Maybe there's more there for the rest of us but we won't know till somebody posts the schedule....

Big hugs to Azadeh!

I'm comin' by the gallery later today, actually....

-b.

 
Posted by Smokey B’s Ministry of Love on Friday, September 25, 2009 - 9:07 PM
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