"Somebody To Love."
The song raced through my head as I reached out to shake her hand.
Royal and I had gone to an art gallery to see Grace Slick's artwork,
and to meet the woman in person. Her eyes looked just like the
hundreds of pictures and interviews that I've seen over the years. At
69, Grace still had the beauty. As I stood in the line of people
wanting to talk briefly with her, I was nervous.
What would I say?
Back in the late 70s, documentaries on rock music were just starting to
become the norm. Invariably, the subject of the late 1960s rock scene
was the topic, and "Somebody To Love" by the Jefferson Airplane would
pop up in the soundtrack. I don't remember the first time I heard the
song - it's like it was embedded into my DNA. I bought the re-issued
single 12 years after it first appeared in early '67. Backed with
"White Rabbit," Grace's signature song, I thought that I knew all there
was to know about the woman and the band.
Not so.
As I got older and the music of the 80s grew more artificial with
synths and electronic gadgets, I headed back to the music of the 60s
and started collecting Airplane records. After the "Somebody To Love"
single, I purchased my first copy of the Airplane's second album,
Surrealistic
Pillow. I was blown away by the material that appeared on that
album. Grace's vocals were a large part of the sound that captured my
ears. Hers was the voice of a siren that shone brightly through the
instruments and the two male vocalists. Besides her soaring lead
vocals on "Somebody To Love" and "White Rabbit," check out her counter
melody vocal lines on "D.B.C.A. 25," and "She Has Funny Cars." And she
sings wonderfully, and plays the recorder, on the beautiful and folky
"How Do You Feel," as well as the beautiful "Coming Back To Me."
How cool is that? Only very, that's all.
Grace was partially responsible for the experimental sound on the
band's next album,
After Bathing At Baxter's. The album took
some time to grow on me; it was a big departure from their first 2
albums, and was a purely psychedelic experience from the opening guitar
wails. I found Grace's tunes "Two Heads" and "Rejoyce" were the
perfect portals for me to go through to arrive at the heart of this
album. The following album,
Crown of Creation, contained
Grace's wistful "Lather," as well as my favorite Grace song of all,
"Greasy Heart." Filled with her clever wordplay and a great vibe
provided by the band, it struck a chord in my young musical mind. I
just could not stop playing it.
You are your own best toy to play with
Remote control hands
Made for each other
Made in Japan
Woman with a greasy heart
Automatic man
Don't ever change, people
Your face will hit the fan
I am standing in front of Grace Slick!!!
After hemming and hawing, I said hello and stated out loud, "This is
just too surreal for me." I told her that I wasn't rich enough to
afford any of her wonderful artwork yet. I just wanted to tell her
thanks for her inspiring work. I told her that she inspired me to
write, to sing, and to draw. I stuck my hand out to shake hers, and
was struck by the warm in her grip. She smiled at me.
I walked away as giddy as a 14-year-old girl who just met an idol. I
grinned from ear to ear as I turned to Royal and whispered loudly "Wow,
Grace Slick." And I do mean "WOW!"
Grace, if you should ever read this one day I just want to say that I'm
getting closer to buying my favorite pictures from the night my friend
and I met you at your art show in Vegas. The full impact of the
distinction between idol and friend registered when I viewed your
painting and drawings. I realized then that some of your art
subjects
are not just my musical idols; they are your friends and your history.
Please keep being creative as long as you can. You may not want to
sing anymore; that's fine. You inspire in more ways than one. Thank
you.
(Lex Neon is also known as Alex Oliver, the quirky and often eccentric musical genius of "sunshine pop / rock" band Poppermost. Check out their music and Lex's rock rantings at
http://www.poppermost.com/).
Note: Original release date of the 'currently listening' album below is listed as September, 1968.