Take Love Easy
Sophie Milman |
E1 Records (2009)
It's just a darn shame so many budget-conscious Hollywood movies save a few bucks by using snippets of a classic rock oldie instead of actually using vocalists to sing theme songs. If they did, the cool groove of Sophie Milman's vocals would be the perfect accompaniment for a montage of lovers walking in the rain, looking soulfully in each other's eyes over a table in a restaurant and "long, slow, deep, soft, wet kisses that last three days."
A vocalist in the tradition of
Ella Fitzgerald and
Nat King Cole, Milman has one of those voices that has both range and power, but she knows how to caress a lyric and tap into the emotional depths of the song. Like many artists who can make singing the telephone book sound good, Milman is dependent upon both good material and complimentary production to get the most bang for the buck. She's blessed with both on
Take Love Easy.
An example can be found in "Be Cool" as Milman creamy voice purrs and gently strokes fellow Canadian import
Joni Mitchell's lyrics. Songs written and/or performed by
Paul Simon,
Bonnie Raitt, and
Bruce Springsteen all come in for the Sophie Milman Treatment which means she croons, the band cooks, and the listener reaps the benefits.
Simon's light-hearted, but sardonic "50 Ways to Leave Your Lover" was practically made for a jazzy interpretation that doesn't take itself too seriously, but it's Springsteen's "I'm On Fire" and Bonnie Raitt's hit, "I Can't Make You Love Me," that benefit most from Milman's take. They become soulful serenades as Steven MacKinnon's impeccable production exacts the best out of Milman's capabilities.
Milman also knows her way around expected songwriters such as
Duke Ellington ("Take Love Easy"),
Cole Porter ("Love For Sale" and "I Concentrate On You"), and
Antonio Carlos Jobim ("Triste") are among the old standards that are lovingly rendered on
Take Love Easy.
If Milman strutted around in her underwear and sang sugary pop music she'd be a superstar (though she'd probably have to change her name for being too ethnic). She won't have to do any of those things to get recognition if her designated audience supports Take Love Easy as enthusiastically as the fans of Britney, Fergie, or other one-name pop tarts.