The oldest tradition of tying a can to each edge of a long thin wire has been lost in this day and age. And yet, using guitar and a number of effects, Nobuto Suda seems to communicate with us using such a medium, the sounds travelling a great distance through the wire, adding up the resonances and echoes of its surroundings. “zUnya” is what you hear at your end of the thin wire, delicate frequencies and slices of feedback and wandering tones, scaffolding into a sense of timelessness.

The oldest tradition of tying a can to each edge of a long thin wire has been lost in this day and age. And yet, using guitar and a number of effects, Nobuto Suda seems to communicate with us using such a medium, the sounds travelling a great distance through the wire, adding up the resonances and echoes of its surroundings. “zUnya” is what you hear at your end of the thin wire, delicate frequencies and slices of feedback and wandering tones, scaffolding into a sense of timelessness.Te oldest tradition of tying a can to each edge of a long thin wire has

been lost in this day and age. And yet, using guitar and a number of

effects, Nobuto Suda seems to communicate with us using such a medium, the

sounds travelling a great distance through the wire, adding up the

resonances and echoes of its surroundings. “zUnya” is what you hear at your

end of the thin wire, delicate frequencies and slices of feedback and

wandering tones, scaffolding into a sense of timelessness.