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Current mood:weird Category: Food and Restaurants
today is my wife's birthday, which makes it sort of a holiday in the house—no work (which is unusual and great) and, theoretically, a gathering of people blah blah blah, mirth, good cheer, etc. but i woke up to an note from a friend that david foster wallace had been found dead friday night—in fact, had hung himself and been discovered by his wife. by coincidence, i happen to be in close to finishing his book "infinite jest" for the second time, and have been laughing out loud a lot reading it. it's really been a good thing for me lately... there's a lot to explain.
i read "infinite jest" soon after it came out, mainly because i was a big pynchon and gaddis fan--but i was one of those jerks who went around calling delillo "bullshit" and rolled his eyes at people who put "white noise" in the same category as "crying of lot 49" (a comparison i had made maybe a year and a half before, but had since come to believe was absolutely craven, because i was a self-important, ridiculous undergraduate douche from a small town taking graduate courses in new york CITY) so i felt the need to think "infinite jest" was "lightweight". this was not helped by the following facts: - a creeping sense of the window of opportunity to be the young, great writer that blew everyone's mind because he was, like, 19 or something, was closing rapidly, and nothing i'd written above 15 pages even resembled completion, let alone a novel. - the picture of wallace on the back of "infinite jest" looked shockingly and disturbingly like myself, down to the terrible choices of long hair, head hankie and little beard, and the non-choices of small mouth on round face, and completely inexpressive eyes. - wallace was only 8 years older than me, and i figured, even if i got a running start RIGHT FUCKING NOW i wouldn't get award-winning-1000+page-novel published in that time.
essentially, i bailed on what was the closest thing to my contemporary, mainly out of self-hate. no one my age or near could make something as good as people in the magical past where i.q.s were higher, people were shorter, and civilizations huddled to the banks of rivers and oceans. i was a generation-traitor. mainly because it seemed ignorant to think new things were as good as old ones (maybe later we can get into the concept of "seeming" vs. "being", though i've been quoted at some half-assed length on the subject elsewhere) as that would mean i would have to hold myself to a much much higher standard, which i wasn't up to—clearly.
i'm 38 now, and a younger friend of mine let slip that he had written a novel, so i asked if i could read it, and did. it was really very good. funny and pathetic and all the other things i like. so i decided to puff myself up and offer to do some editing--some "hey, dude, why don't you try blah blah blah and a little mmmrrr mmrrr mrrr--i mean take it from ME, because i dropped out of an undergraduate english and writing program in 1993" etc., and my friend graciously and politely let me ramble--even took some of my advice--which woke something up in me that had passed out sometime in 1997, wasted, half-in and half-out of the bathroom, pants around it's ankles, $1 bills by the fistfull falling out of it's pockets, and got it sitting up and talking a lot to me over coffee while all i wanted to do was pick through disco 12"s and check my email. i started thinking about writing again, and started feeling a very familiar funny feeling that i liked, which stems probably from thinking books are smart (which comes from living in a town where people read erma bombeck and "shogun") and, therefore, if i make them, i must be smart, too. it's a silly feeling, but i like it. feeling-wise it's the intellectual equivalent to one perfectly cold beer on a mostly empty stomach in the sun. so i started thinking again about "infinite jest", the closest thing i had to a my-generation book that i had overlooked a little, and started reading it again. and it was really good. and funny. since i read it the first time, my life has become very different. i've had several terrible careers that flopped (and several terrible relationships that also flopped) and have landed at an absurdly nice place where i can do things i find funny and good, and then get asked good and bad questions about those things, and even make a living, traveling around repeating those things, and this led me to realize "hey--this guy must have done some interviews", which led me to the amazing "youtube". watching interviews with wallace, and reading a few, was heartening and disheartening at the same time. i recognized the never-ending explanation-spiral that my wife makes fun of me for--the clarification of X, then the qualification of the clarification, followed by the modulation of the qualification, which requires the nuanced deconstruction of the modulation of the qualification of the clarification of the original, and now obviously flawed, statement "X", that had left my mouth as a means to get-to-the-heart-of something that will insist on another endless logic-tree of circuitous blathering, whilst apologizing for said blathering... (the character CT is a good, extreme, example, as is the nicholas fehn "political satire comedian" on SNL's weekend update this week) basically, i felt for the guy. i make music, and so i'm not that alone. i have a band, and i go dj and perform. i meet other musicians etc that i like--sometimes as people more than as musicians--and we talk about stuff, like food and airports and hotels and dj mixers. i am distracted a lot. when i go make a record, however, i am not very distracted. and even surrounded by people (an assistant, an engineer, a studio manager, maybe some other musicians) the job (yeah yeah, i know--i know... i'm complaining about "how hard my life is" blah blah. save that comment, as i fucking get it, ok? i'm not complaining here--just illustrating a point, so don't bother commenting about it because, just this once, i will totally delete it) can be totally, soul-smashingly brutal. it can be very lonely and very sad, and filled with fear and self-doubt, which can hit hard if you've spent your life working towards being good at doing something that you don't know exactly how you DO--that you only have the vague knowledge that you need to get-out-of-your-own-way, and hopefully have enough technical tricks to keep you moving forward and not staring at blank pieces of paper, etc. but writing: it's all blank pieces of paper. i don't know that you can start a novel with a drum machine pattern that you know you'll get rid of later after you play bass and live drums. nor do i think you can "wait on all the dialogue until the day they're doing the typesetting". and i don't know that there's an assistant who can cut up your last paragraph while you go for a walk and try not to think about what you're doing. basically, it seems very hard. recently, i had some of my music used in a fashion show of a big designer, and then met the designer who, much to my total surprise, was a fan of lcd. (understand, there are people who marry music to fashion shows for a living, and i am friends with one of the best who happened to put together the music for this show, so i assumed the designer may have "liked" it, but didn't care too much, or maybe didn't even know who it was, and that my friend had simply played it for him and he'd said "fine", etc.). i was blown away by the clothes (as was everyone else, including, but not limited to, my wife) and wanted to meet him. i was a little starstruck, and assumed he wouldn't know who i was, even after someone had said "oh, he'd love to meet you". i have been around these types of scenes a million times, and no one usually cares one way or the other if they meet you, to be perfectly honest, and meeting someone under these circumstances, with everyone telling everyone else by proxy how enthralled the person they represent will be to meet the other proxy's other usually makes for a stilted, and (heavily) observed affair--a study in awkwardness and how-do-i-end-this-politely?-ness that makes for bad first impressions and even poor reality television, so i fucked off (he was being hounded by better-heeled folks anyway). a few days later, wasted at a party, some completely blotto euro-jerk was smoking right in my face while i was dj'ing, so i politely asked him to smoke somewhere else ("um, hey dude? could you, like, not totally smoke right IN MY FUCKING NOSE? since i can't go anywhere because this is where the fucking TURNTABLES are??" was, i think, the quote) to which he made a hissing grunt, not unlike louis winthorp III dressed as santa fucking off with the salmon, and stumbled away. later that night as i was leaving, the same guy was brought up to me by a slightly-less-wasted guy and introduced to me as the designer i was so psyched about, and we met. he was so incredibly sweet and complimentary, and i, similarly, but just slightly less, smashed, was swept off my feet. he said something very special to me, which was that he was listening to some of my music while working, and thought he was always surrounded by good people, everyone had to do this or that, running and asking questions, and that the music had made him feel "not alone"--that someone out there made something that he connected to, and he thanked me. since then we've met a few times, and i'd consider him on that line between acquaintance and friend (only because i wouldn't want to be presumptuous) and have talked a little about this very feeling, which blew me away, and that i totally understood. that there were different ways of listening or seeing or reading. you could love something, and be in awe of it, or you could feel like something makes you feel at home. you could think something is cool and fun, or you could recognize the quality. but the other thing, where you felt that you yourself struggle to make things and recognize how compromised and strange the very act is, and that you see that same aspiration and struggle in the made things of someone else--this, i think, is different than identifying with a singer or song, or character, which is another strong feeling, but reserved for other people--this feeling of a very direct thru line to someone else's "work" (it's a terrible term that makes me shiver with pretentiousness, but what else do you say?) can make you feel, in a very adult way "not alone".
this long-winded story or whatever is what i was thinking about w/r/t wallace. that i'd like to meet him. maybe interview him for one of those silly "artist v artist" things that myspace has, or that embarrassing tv show where people like renee zellweger interview people like christiane amanpour or whatever, because this second reading of "infinite jest" had made me feel that same feeling of being "not alone". i felt that reading my friend's first draft as well, but, well, i KNOW him, so it's different. this was someone i did not know, who might like to know that this happens. and who might feel very alone as well, and, in turn, if he didn't hate the yelling-over-dry-drums music i made, could possible feel something similar.
i woke up this morning, walked my dog (who took a tremendous shit that seemed to defy physics, which in my half-asleep state made me think both that perhaps her intestines were some form of shit "tardis", AND, that anyone using the term "tardis" clearly betrays a certain geekiness), made coffee for myself and my wife (happy birthday), delivered said coffee, settled in and read some of my book, then took a second to check my email, book in my lap, to discover that the author of the book i was holding and was so happily reading and identifying with had hung himself 2 days before, and that he was married, and that his wife had discovered him. i was kind of stunned and totally confused about what i should do, until my wife came out of the bedroom, asked me what was wrong, and to my total surprise and no small embarrassment, i sat at my desk and cried.
8:06 PM
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