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Last Updated: 11/17/2009

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Status: Single
City: New York
State: New York
Country: US
Signup Date: 4/26/2005

Who Gives Kudos:


Sunday, September 14, 2008 

Current mood:weird
Category: Food and Restaurants
today is my wife's birthday, which makes it sort of a holiday in the house—no work (which is unusual and great) and, theoretically, a gathering of people blah blah blah, mirth, good cheer, etc. but i woke up to an note from a friend that david foster wallace had been found dead friday night—in fact, had hung himself and been discovered by his wife.
by coincidence, i happen to be in close to finishing his book "infinite jest" for the second time, and have been laughing out loud a lot reading it. it's really been a good thing for me lately... there's a lot to explain.

i read "infinite jest" soon after it came out, mainly because i was a big pynchon and gaddis fan--but i was one of those jerks who went around calling delillo "bullshit" and rolled his eyes at people who put "white noise" in the same category as "crying of lot 49" (a comparison i had made maybe a year and a half before, but had since come to believe was absolutely craven, because i was a self-important, ridiculous undergraduate douche from a small town taking graduate courses in new york CITY) so i felt the need to think "infinite jest" was "lightweight". this was not helped by the following facts:
- a creeping sense of the window of opportunity to be the young, great writer that blew everyone's mind because he was, like, 19 or something, was closing rapidly, and nothing i'd written above 15 pages even resembled completion, let alone a novel.
- the picture of wallace on the back of "infinite jest" looked shockingly and disturbingly like myself, down to the terrible choices of long hair, head hankie and little beard, and the non-choices of small mouth on round face, and completely inexpressive eyes.
- wallace was only 8 years older than me, and i figured, even if i got a running start RIGHT FUCKING NOW i wouldn't get award-winning-1000+page-novel published in that time.

essentially, i bailed on what was the closest thing to my contemporary, mainly out of self-hate. no one my age or near could make something as good as people in the magical past where i.q.s were higher, people were shorter, and civilizations huddled to the banks of rivers and oceans. i was a generation-traitor. mainly because it seemed ignorant to think new things were as good as old ones (maybe later we can get into the concept of "seeming" vs. "being", though i've been quoted at some half-assed length on the subject elsewhere) as that would mean i would have to hold myself to a much much higher standard, which i wasn't up to—clearly.

i'm 38 now, and a younger friend of mine let slip that he had written a novel, so i asked if i could read it, and did. it was really very good. funny and pathetic and all the other things i like. so i decided to puff myself up and offer to do some editing--some "hey, dude, why don't you try blah blah blah and a little mmmrrr mmrrr mrrr--i mean take it from ME, because i dropped out of an undergraduate english and writing program in 1993" etc., and my friend graciously and politely let me ramble--even took some of my advice--which woke something up in me that had passed out sometime in 1997, wasted, half-in and half-out of the bathroom, pants around it's ankles, $1 bills by the fistfull falling out of it's pockets, and got it sitting up and talking a lot to me over coffee while all i wanted to do was pick through disco 12"s and check my email. i started thinking about writing again, and started feeling a very familiar funny feeling that i liked, which stems probably from thinking books are smart (which comes from living in a town where people read erma bombeck and "shogun") and, therefore, if i make them, i must be smart, too. it's a silly feeling, but i like it. feeling-wise it's the intellectual equivalent to one perfectly cold beer on a mostly empty stomach in the sun. so i started thinking again about "infinite jest", the closest thing i had to a my-generation book that i had overlooked a little, and started reading it again. and it was really good. and funny.
since i read it the first time, my life has become very different. i've had several terrible careers that flopped (and several terrible relationships that also flopped) and have landed at an absurdly nice place where i can do things i find funny and good, and then get asked good and bad questions about those things, and even make a living, traveling around repeating those things, and this led me to realize "hey--this guy must have done some interviews", which led me to the amazing "youtube".
watching interviews with wallace, and reading a few, was heartening and disheartening at the same time. i recognized the never-ending explanation-spiral that my wife makes fun of me for--the clarification of X, then the qualification of the clarification, followed by the modulation of the qualification, which requires the nuanced deconstruction of the modulation of the qualification of the clarification of the original, and now obviously flawed, statement "X", that had left my mouth as a means to get-to-the-heart-of something that will insist on another endless logic-tree of circuitous blathering, whilst apologizing for said blathering... (the character CT is a good, extreme, example, as is the nicholas fehn "political satire comedian" on SNL's weekend update this week) basically, i felt for the guy.
i make music, and so i'm not that alone. i have a band, and i go dj and perform. i meet other musicians etc that i like--sometimes as people more than as musicians--and we talk about stuff, like food and airports and hotels and dj mixers. i am distracted a lot. when i go make a record, however, i am not very distracted. and even surrounded by people (an assistant, an engineer, a studio manager, maybe some other musicians) the job (yeah yeah, i know--i know... i'm complaining about "how hard my life is" blah blah. save that comment, as i fucking get it, ok? i'm not complaining here--just illustrating a point, so don't bother commenting about it because, just this once, i will totally delete it) can be totally, soul-smashingly brutal. it can be very lonely and very sad, and filled with fear and self-doubt, which can hit hard if you've spent your life working towards being good at doing something that you don't know exactly how you DO--that you only have the vague knowledge that you need to get-out-of-your-own-way, and hopefully have enough technical tricks to keep you moving forward and not staring at blank pieces of paper, etc. but writing: it's all blank pieces of paper. i don't know that you can start a novel with a drum machine pattern that you know you'll get rid of later after you play bass and live drums. nor do i think you can "wait on all the dialogue until the day they're doing the typesetting". and i don't know that there's an assistant who can cut up your last paragraph while you go for a walk and try not to think about what you're doing.
basically, it seems very hard.
recently, i had some of my music used in a fashion show of a big designer, and then met the designer who, much to my total surprise, was a fan of lcd. (understand, there are people who marry music to fashion shows for a living, and i am friends with one of the best who happened to put together the music for this show, so i assumed the designer may have "liked" it, but didn't care too much, or maybe didn't even know who it was, and that my friend had simply played it for him and he'd said "fine", etc.). i was blown away by the clothes (as was everyone else, including, but not limited to, my wife) and wanted to meet him. i was a little starstruck, and assumed he wouldn't know who i was, even after someone had said "oh, he'd love to meet you". i have been around these types of scenes a million times, and no one usually cares one way or the other if they meet you, to be perfectly honest, and meeting someone under these circumstances, with everyone telling everyone else by proxy how enthralled the person they represent will be to meet the other proxy's other usually makes for a stilted, and (heavily) observed affair--a study in awkwardness and how-do-i-end-this-politely?-ness that makes for bad first impressions and even poor reality television, so i fucked off (he was being hounded by better-heeled folks anyway). a few days later, wasted at a party, some completely blotto euro-jerk was smoking right in my face while i was dj'ing, so i politely asked him to smoke somewhere else ("um, hey dude? could you, like, not totally smoke right IN MY FUCKING NOSE? since i can't go anywhere because this is where the fucking TURNTABLES are??" was, i think, the quote) to which he made a hissing grunt, not unlike louis winthorp III dressed as santa fucking off with the salmon, and stumbled away. later that night as i was leaving, the same guy was brought up to me by a slightly-less-wasted guy and introduced to me as the designer i was so psyched about, and we met. he was so incredibly sweet and complimentary, and i, similarly, but just slightly less, smashed, was swept off my feet. he said something very special to me, which was that he was listening to some of my music while working, and thought he was always surrounded by good people, everyone had to do this or that, running and asking questions, and that the music had made him feel "not alone"--that someone out there made something that he connected to, and he thanked me.
since then we've met a few times, and i'd consider him on that line between acquaintance and friend (only because i wouldn't want to be presumptuous) and have talked a little about this very feeling, which blew me away, and that i totally understood. that there were different ways of listening or seeing or reading. you could love something, and be in awe of it, or you could feel like something makes you feel at home. you could think something is cool and fun, or you could recognize the quality. but the other thing, where you felt that you yourself struggle to make things and recognize how compromised and strange the very act is, and that you see that same aspiration and struggle in the made things of someone else--this, i think, is different than identifying with a singer or song, or character, which is another strong feeling, but reserved for other people--this feeling of a very direct thru line to someone else's "work" (it's a terrible term that makes me shiver with pretentiousness, but what else do you say?) can make you feel, in a very adult way "not alone".

this long-winded story or whatever is what i was thinking about w/r/t wallace. that i'd like to meet him. maybe interview him for one of those silly "artist v artist" things that myspace has, or that embarrassing tv show where people like renee zellweger interview people like christiane amanpour or whatever, because this second reading of "infinite jest" had made me feel that same feeling of being "not alone". i felt that reading my friend's first draft as well, but, well, i KNOW him, so it's different. this was someone i did not know, who might like to know that this happens. and who might feel very alone as well, and, in turn, if he didn't hate the yelling-over-dry-drums music i made, could possible feel something similar.

i woke up this morning, walked my dog (who took a tremendous shit that seemed to defy physics, which in my half-asleep state made me think both that perhaps her intestines were some form of shit "tardis", AND, that anyone using the term "tardis" clearly betrays a certain geekiness), made coffee for myself and my wife (happy birthday), delivered said coffee, settled in and read some of my book, then took a second to check my email, book in my lap, to discover that the author of the book i was holding and was so happily reading and identifying with had hung himself 2 days before, and that he was married, and that his wife had discovered him. i was kind of stunned and totally confused about what i should do, until my wife came out of the bedroom, asked me what was wrong, and to my total surprise and no small embarrassment, i sat at my desk and cried.
Walks with a Soundtrack

 
Okay, I normally (ever) don't comment on posts written by people I don't know personally, but I have to make an exception here, especially since no one had commented! This was quite possible the best post I have ever read on MySpace. Thank you thank you thank you.


..and The Tardis of Shit was definitely a bonus.

 
Posted by Walks with a Soundtrack on Monday, September 15, 2008 - 6:27 PM
[Reply to this
Nigel L Bevan
Nigel Bevan

 
Sorry, to hear the terrible news about David Foster Wallace. I'm sure his work will bring pleasure to lots of people for many years to come..

I'm glad that the designer made you realise that he "connected" with your music. Truth be told James, I know I certainly connected with your work and likewise for millions(?) more..

Keep on keepin on
 
Posted by Nigel L Bevan on Monday, September 15, 2008 - 6:27 PM
[Reply to this
MIRKO POPOV
mirko popov

 
No embarrassment to cry man. Its more like purifying thing, especialy when u get struck by a complex psychological turnaround (along with this guys sad death). Purifying and good.

Now i will check out this book he wrote :)
I find myself enjoying your blog (writting) as much as your music (i find lcd most relevant band making music in the last 5 years, especialy after the 2nd album), so pls keep on with this blogs :)
And, needless to say....you're not alone (as u know it:)
 
Posted by MIRKO POPOV on Monday, September 15, 2008 - 6:27 PM
[Reply to this
lcd soundsystem

 
just saying: not embarrassed to cry in general. i think it was just embarrassing to be so upset by something without really understanding why. and on my wife's birthday, when THAT'S what i should be focused on. shitty writing, as i didn't make it clear WHAT i was embarrassed about.
 
Posted by lcd soundsystem on Wednesday, September 17, 2008 - 1:30 PM
[Reply to this
Ian

 
Wow- that was a powerful read, and I'm not saying it just to blow smoke up your ass, either, turntable-bound or not! Obviously, I am unaware of the ins and outs of the work involved with making music (and to a lesser extent, creative writing), but I was really blown away by your explanation of the weird, special conduit that can exist between people who are lost in the pangs of creation. As a statistics lecturer, I usually make my points standing on the backs of generations of brilliant people before me, but funnily enough, I find it can be a creative outlet with the way things are presented and the types of examples (my students are sick to death of examples about Prince), and I understand.


Now, my posting on your blog indicates that I am little more than a smitten fanboy of your music (and Sound of Silver was, much to my absolute suprise, one of those "my-generation" statements that you mention), but that overarching canopy of striving to discover the best ways to make something work is something I hadn't considered too deeply before, but totally understand. You lost a kindred spirit in David Foster Wallace, and that's tough to take, no matter how direct the relation may be.
So thanks, once again, for your moving words!
 
Posted by Ian on Monday, September 15, 2008 - 6:29 PM
[Reply to this
lcd soundsystem

 
oh--and to get a little creepier, the statistician joke about the duck hunt came straight out of "infinite jest" a few days before this.
 
Posted by lcd soundsystem on Wednesday, September 17, 2008 - 1:32 PM
[Reply to this
Marianna B.

 
Wow. I wish I had something wise or witty to write about right now, but I haven't. On the other hand, it is kinda "comforting" to see that I'm not the only one that feels that confusing when it comes to know what's gonna do with life (concerning of "what to do", like choosing to work with what you like and find out that sometimes doing what you want can also be a bit... disappointing) or when you feel connected to someone else's work and you just don't know exactely how it happens... it just does!

Well, don't know if it makes any sense in English. Just tried my best here.


Take care, James.


Love from Brazil.

 
Posted by Marianna B. on Tuesday, September 16, 2008 - 12:02 AM
[Reply to this
Nina
Nina Keneally

 
start the novel.


never stop crying when you grieve.

never stop loving.

never stop finding the good people.

never stop walking the dog.


start the novel.


xnina
 
Posted by Nina on Wednesday, September 17, 2008 - 1:43 AM
[Reply to this
d1jezek

 
sorry if i ramble here, but i also had a strong reaction to the news that David Foster Wallace was dead (and by suicide apparently). i'm just a few years older than you but i think i felt a sort of generational kinship with his work that maybe you can also relate to. Infinite Jest came along at a point at which i was afraid that my age group would only be seen as contributing a sort of lazy ironic cynicism to the history of pop culture. all the whiny-bitch singers and pathetic-aesthetic was going on in the art world. it was depressing. this guy's work absolutely included both irony and cynicism, but also manged to capture something that i think is a unique part of our perspective on the world. the baby bust grew up as the last children with mostly low-tech childhoods and saw a future come to pass that was both not at all what we were led to expect, and yet in so many ways more than we would have expected. pop culture of our time has never been aimed at us but mostly at the groups ahead, and then later, behind us. much of the humor in Wallace's work comes form taking pop culture convention and extending it to some absurd lengths that i don't think a baby-boomer would have envisioned. he's both incredibly brainy and lowbrow at the same time and i think much of the most successful work coming from our age group comes from this kind of playful, mostly non-ironic use of familiarity combined with an undermining of the expectations that familiarity brings out in the audience. Think Matthew Barney or Stereolab.

Does that make sense? I thought Wallace was so much better a candidate for 'voice of a generation' than Curt Kobain and i wonder how he'll be remembered.

 
Posted by d1jezek on Wednesday, September 17, 2008 - 1:25 PM
[Reply to this
lcd soundsystem

 
good point, i think. his "irony" (such a dirty word now, used to mean "wearing t-shirt of a shitty band") is(was) pretty multi-layered, which makes it great. it's not cheap at all. and he uses his language to balance the brainy shit, which is great for sneaking in big ideas and big emotions, like a li'l uppercut.

he won't be remembered like curt c, mainly because his hair sucked.
 
Posted by lcd soundsystem on Wednesday, September 17, 2008 - 1:35 PM
[Reply to this
shandreezy

 
I think that this is one of the greatest things I've ever read.

I wish I had something more profound and deep and whatever to say, but I've really got nothing.

Thank you for writing this.

 
Posted by shandreezy on Saturday, September 20, 2008 - 8:34 PM
[Reply to this
BILL

 
you mention having never written a book. well with this engaging blog entry and the way you can connect with people, you definitely could if you wanted. and a lot of people wouldn't be alone in reading it. all the best.

 
Posted by BILL on Tuesday, September 23, 2008 - 4:20 PM
[Reply to this
lcd soundsystem

 
just saying--writing a book is about 99% will and discipline.
 
Posted by lcd soundsystem on Friday, November 14, 2008 - 4:54 AM
[Reply to this
Sunday Monday Morning

 
Be a writer.

 
Posted by Sunday Monday Morning on Friday, October 31, 2008 - 12:26 AM
[Reply to this
Jo

 
..very strange also..
normally skim read blogs half distracted whilst eating lunch, but this had me glued (eyes a little blurry 3/4 way through) to every word.. and at the end, sat at my desk, i cried too!..

as nina says.. (and with great starting words i might add) write the novel!
 
Posted by Jo on Friday, November 14, 2008 - 4:50 AM
[Reply to this
jeff

 
i believe your description of making music applies to making any kind of art - writing, painting, etcetra. gather together a sound, an image and then revise and try to pull out that something that keeps you thinking about it, listening to it, reading it.

i don't know if it fits exactly, but this has been on my mind most of today: are most people scared all the time, or just half the time?
the unknown can be terrifying and artists certainly struggle with the unknown. it is always easier to approach with someone by your side.

 
Posted by jeff on Sunday, December 21, 2008 - 5:35 PM
[Reply to this
Joe

 
hey i've been a fan of your music for a while now (which translates to really probably not all that long compared to other people), and i must say this post was probably the most real and substantial thing i've ever had the pleasure of reading on myspace. that being said, you didn't like white noise?? geez that was a good book. although when delillo's style doesn't work, it REALLY doesn't work. He has this habit of all of the characters in any given book talking in exactly the same voice, and all discussing some really grave, hyper-intellectual topic, even little kids. but white noise is good. stay away from mao II though. couldn't finish that one.

 
Posted by Joe on Sunday, January 04, 2009 - 3:34 AM
[Reply to this
lcd soundsystem

 
woah now. i'm just saying i got stupid about white noise. i liked it when i read it, but then got snooty after i read some other poop.
 
Posted by lcd soundsystem on Sunday, January 04, 2009 - 3:48 AM
[Reply to this
John-Henry

 
Good post. Use black & white though. The green gets burned into your retina and you see it on the wall afterward. or maybe that's your point. Also, learn how to finish a sentence, Mr ADD Soundsystem. We get that your mind is a stream of thoughts, but maybe breath a little bit and give each thought it's own sentence.

 
Posted by John-Henry on Wednesday, January 14, 2009 - 3:54 AM
[Reply to this
lcd soundsystem

 
stop telling me what to do.
 
Posted by lcd soundsystem on Wednesday, January 14, 2009 - 3:55 AM
[Reply to this
John-Henry

 
Just found this. Apparently David Foster Wallace gave the commencement speech at my alma mater, Kenyon College in 2005. A bit strange (and prescient) indeed, given his exit. But then, maybe not.....Transcription of the 2005 Kenyon Commencement Address - May 21, 2005....(If anybody feels like perspiring [cough], I'd advise you to go ahead, because I'm sure going to. In fact I'm gonna [mumbles while pulling up his gown and taking out a handkerchief from his pocket].) Greetings ["parents"?] and congratulations to Kenyon's graduating class of 2005. There are these two young fish swimming along and they happen to meet an older fish swimming the other way, who nods at them and says "Morning, boys. How's the water?" And the two young fish swim on for a bit, and then eventually one of them looks over at the other and goes "What the hell is water?"....This is a standard requirement of US commencement speeches, the deployment of didactic little parable-ish stories. The story ["thing"] turns out to be one of the better, less bullshitty conventions of the genre, but if you're worried that I plan to present myself here as the wise, older fish explaining what water is to you younger fish, please don't be. I am not the wise old fish. The point of the fish story is merely that the most obvious, important realities are often the ones that are hardest to see and talk about. Stated as an English sentence, of course, this is just a banal platitude, but the fact is that in the day to day trenches of adult existence, banal platitudes can have a life or death importance, or so I wish to suggest to you on this dry and lovely morning.....Of course the main requirement of speeches like this is that I'm supposed to talk about your liberal arts education's meaning, to try to explain why the degree you are about to receive has actual human value instead of just a material payoff. So let's talk about the single most pervasive cliché in the commencement speech genre, which is that a liberal arts education is not so much about filling you up with knowledge as it is about quote teaching you how to think. If you're like me as a student, you've never liked hearing this, and you tend to feel a bit insulted by the claim that you needed anybody to teach you how to think, since the fact that you even got admitted to a college this good seems like proof that you already know how to think. But I'm going to posit to you that the liberal arts cliché turns out not to be insulting at all, because the really significant education in thinking that we're supposed to get in a place like this isn't really about the capacity to think, but rather about the choice of what to think about. If your total freedom of choice regarding what to think about seems too obvious to waste time discussing, I'd ask you to think about fish and water, and to bracket for just a few minutes your skepticism about the value of the totally obvious.....Here's another didactic little story. There are these two guys sitting together in a bar in the remote Alaskan wilderness. One of the guys is religious, the other is an atheist, and the two are arguing about the existence of God with that special intensity that comes after about the fourth beer. And the atheist says: "Look, it's not like I don't have actual reasons for not believing in God. It's not like I haven't ever experimented with the whole God and prayer thing. Just last month I got caught away from the camp in that terrible blizzard, and I was totally lost and I couldn't see a thing, and it was fifty below, and so I tried it: I fell to my knees in the snow and cried out 'Oh, God, if there is a God, I'm lost in this blizzard, and I'm gonna die if you don't help me.'" And now, in the bar, the religious guy looks at the atheist all puzzled. "Well then you must believe now," he says, "After all, here you are, alive." The atheist just rolls his eyes. "No, man, all that was was a couple Eskimos happened to come wandering by and showed me the way back to camp."....It's easy to run this story through kind of a standard liberal arts analysis: the exact same experience can mean two totally different things to two different people, given those people's two different belief templates and two different ways of constructing meaning from experience. Because we prize tolerance and diversity of belief, nowhere in our liberal arts analysis do we want to claim that one guy's interpretation is true and the other guy's is false or bad. Which is fine, except we also never end up talking about just where these individual templates and beliefs come from. Meaning, where they come from INSIDE the two guys. As if a person's most basic orientation toward the world, and the meaning of his experience were somehow just hard-wired, like height or shoe-size; or automatically absorbed from the culture, like language. As if how we construct meaning were not actually a matter of personal, intentional choice. Plus, there's the whole matter of arrogance. The nonreligious guy is so totally certain in his dismissal of the possibility that the passing Eskimos had anything to do with his prayer for help. True, there are plenty of religious people who seem arrogant and certain of their own interpretations, too. They're probably even more repulsive than atheists, at least to most of us. But religious dogmatists' problem is exactly the same as the story's unbeliever: blind certainty, a close-mindedness that amounts to an imprisonment so total that the prisoner doesn't even know he's locked up.....The point here is that I think this is one part of what teaching me how to think is really supposed to mean. To be just a little less arrogant. To have just a little critical awareness about myself and my certainties. Because a huge percentage of the stuff that I tend to be automatically certain of is, it turns out, totally wrong and deluded. I have learned this the hard way, as I predict you graduates will, too.....Here is just one example of the total wrongness of something I tend to be automatically sure of: everything in my own immediate experience supports my deep belief that I am the absolute center of the universe; the realest, most vivid and important person in existence. We rarely think about this sort of natural, basic self-centeredness because it's so socially repulsive. But it's pretty much the same for all of us. It is our default setting, hard-wired into our boards at birth. Think about it: there is no experience you have had that you are not the absolute center of. The world as you experience it is there in front of YOU or behind YOU, to the left or right of YOU, on YOUR TV or YOUR monitor. And so on. Other people's thoughts and feelings have to be communicated to you somehow, but your own are so immediate, urgent, real.....Please don't worry that I'm getting ready to lecture you about compassion or other-directedness or all the so-called virtues. This is not a matter of virtue. It's a matter of my choosing to do the work of somehow altering or getting free of my natural, hard-wired default setting which is to be deeply and literally self-centered and to see and interpret everything through this lens of self. People who can adjust their natural default setting this way are often described as being "well-adjusted", which I suggest to you is not an accidental term.....Given the triumphant academic setting here, an obvious question is how much of this work of adjusting our default setting involves actual knowledge or intellect. This question gets very tricky. Probably the most dangerous thing about an academic education -- least in my own case -- is that it enables my tendency to over-intellectualize stuff, to get lost in abstract argument inside my head, instead of simply paying attention to what is going on right in front of me, paying attention to what is going on inside me.....As I'm sure you guys know by now, it is extremely difficult to stay alert and attentive, instead of getting hypnotized by the constant monologue inside your own head (may be happening right now). Twenty years after my own graduation, I have come gradually to understand that the liberal arts cliché about teaching you how to think is actually shorthand for a much deeper, more serious idea: learning how to think really means learning how to exercise some control over how and what you think. It means being conscious and aware enough to choose what you pay attention to and to choose how you construct meaning from experience. Because if you cannot exercise this kind of choice in adult life, you will be totally hosed. Think of the old cliché about quote the mind being an excellent servant but a terrible master.....This, like many clichés, so lame and unexciting on the surface, actually expresses a great and terrible truth. It is not the least bit coincidental that adults who commit suicide with firearms almost always shoot themselves in: the head. They shoot the terrible master. And the truth is that most of these suicides are actually dead long before they pull the trigger.....And I submit that this is what the real, no bullshit value of your liberal arts education is supposed to be about: how to keep from going through your comfortable, prosperous, respectable adult life dead, unconscious, a slave to your head and to your natural default setting of being uniquely, completely, imperially alone day in and day out. That may sound like hyperbole, or abstract nonsense. Let's get concrete. The plain fact is that you graduating seniors do not yet have any clue what "day in day out" really means. There happen to be whole, large parts of adult American life that nobody talks about in commencement speeches. One such part involves boredom, routine, and petty frustration. The parents and older folks here will know all too well what I'm talking about.....By way of example, let's say it's an average adult day, and you get up in the morning, go to your challenging, white-collar, college-graduate job, and you work hard for eight or ten hours, and at the end of the day you're tired and somewhat stressed and all you want is to go home and have a good supper and maybe unwind for an hour, and then hit the sack early because, of course, you have to get up the next day and do it all again. But then you remember there's no food at home. You haven't had time to shop this week because of your challenging job, and so now after work you have to get in your car and drive to the supermarket. It's the end of the work day and the traffic is apt to be: very bad. So getting to the store takes way longer than it should, and when you finally get there, the supermarket is very crowded, because of course it's the time of day when all the other people with jobs also try to squeeze in some grocery shopping. And the store is hideously lit and infused with soul-killing muzak or corporate pop and it's pretty much the last place you want to be but you can't just get in and quickly out; you have to wander all over the huge, over-lit store's confusing aisles to find the stuff you want and you have to maneuver your junky cart through all these other tired, hurried people with carts (et cetera, et cetera, cutting stuff out because this is a long ceremony) and eventually you get all your supper supplies, except now it turns out there aren't enough check-out lanes open even though it's the end-of-the-day rush. So the checkout line is incredibly long, which is stupid and infuriating. But you can't take your frustration out on the frantic lady working the register, who is overworked at a job whose daily tedium and meaninglessness surpasses the imagination of any of us here at a prestigious college.....But anyway, you finally get to the checkout line's front, and you pay for your food, and you get told to "Have a nice day" in a voice that is the absolute voice of death. Then you have to take your creepy, flimsy, plastic bags of groceries in your cart with the one crazy wheel that pulls maddeningly to the left, all the way out through the crowded, bumpy, littery parking lot, and then you have to drive all the way home through slow, heavy, SUV-intensive, rush-hour traffic, et cetera et cetera.....Everyone here has done this, of course. But it hasn't yet been part of you graduates' actual life routine, day after week after month after year.....But it will be. And many more dreary, annoying, seemingly meaningless routines besides. But that is not the point. The point is that petty, frustrating crap like this is exactly where the work of choosing is gonna come in. Because the traffic jams and crowded aisles and long checkout lines give me time to think, and if I don't make a conscious decision about how to think and what to pay attention to, I'm gonna be pissed and miserable every time I have to shop. Because my natural default setting is the certainty that situations like this are really all about me. About MY hungriness and MY fatigue and MY desire to just get home, and it's going to seem for all the world like everybody else is just in my way. And who are all these people in my way? And look at how repulsive most of them are, and how stupid and cow-like and dead-eyed and nonhuman they seem in the checkout line, or at how annoying and rude it is that people are talking loudly on cell phones in the middle of the line. And look at how deeply and personally unfair this is.....Or, of course, if I'm in a more socially conscious liberal arts form of my default setting, I can spend time in the end-of-the-day traffic being disgusted about all the huge, stupid, lane-blocking SUV's and Hummers and V-12 pickup trucks, burning their wasteful, selfish, forty-gallon tanks of gas, and I can dwell on the fact that the patriotic or religious bumper-stickers always seem to be on the biggest, most disgustingly selfish vehicles, driven by the ugliest [responding here to loud applause] (this is an example of how NOT to think, though) most disgustingly selfish vehicles, driven by the ugliest, most inconsiderate and aggressive drivers. And I can think about how our children's children will despise us for wasting all the future's fuel, and probably screwing up the climate, and how spoiled and stupid and selfish and disgusting we all are, and how modern consumer society just sucks, and so forth and so on.....You get the idea.....If I choose to think this way in a store and on the freeway, fine. Lots of us do. Except thinking this way tends to be so easy and automatic that it doesn't have to be a choice. It is my natural default setting. It's the automatic way that I experience the boring, frustrating, crowded parts of adult life when I'm operating on the automatic, unconscious belief that I am the center of the world, and that my immediate needs and feelings are what should determine the world's priorities.....The thing is that, of course, there are totally different ways to think about these kinds of situations. In this traffic, all these vehicles stopped and idling in my way, it's not impossible that some of these people in SUV's have been in horrible auto accidents in the past, and now find driving so terrifying that their therapist has all but ordered them to get a huge, heavy SUV so they can feel safe enough to drive. Or that the Hummer that just cut me off is maybe being driven by a father whose little child is hurt or sick in the seat next to him, and he's trying to get this kid to the hospital, and he's in a bigger, more legitimate hurry than I am: it is actually I who am in HIS way.....Or I can choose to force myself to consider the likelihood that everyone else in the supermarket's checkout line is just as bored and frustrated as I am, and that some of these people probably have harder, more tedious and painful lives than I do.....Again, please don't think that I'm giving you moral advice, or that I'm saying you are supposed to think this way, or that anyone expects you to just automatically do it. Because it's hard. It takes will and effort, and if you are like me, some days you won't be able to do it, or you just flat out won't want to.....But most days, if you're aware enough to give yourself a choice, you can choose to look differently at this fat, dead-eyed, over-made-up lady who just screamed at her kid in the checkout line. Maybe she's not usually like this. Maybe she's been up three straight nights holding the hand of a husband who is dying of bone cancer. Or maybe this very lady is the low-wage clerk at the motor vehicle department, who just yesterday helped your spouse resolve a horrific, infuriating, red-tape problem through some small act of bureaucratic kindness. Of course, none of this is likely, but it's also not impossible. It just depends what you what to consider. If you're automatically sure that you know what reality is, and you are operating on your default setting, then you, like me, probably won't consider possibilities that aren't annoying and miserable. But if you really learn how to pay attention, then you will know there are other options. It will actually be within your power to experience a crowded, hot, slow, consumer-hell type situation as not only meaningful, but sacred, on fire with the same force that made the stars: love, fellowship, the mystical oneness of all things deep down.....Not that that mystical stuff is necessarily true. The only thing that's capital-T True is that you get to decide how you're gonna try to see it.....This, I submit, is the freedom of a real education, of learning how to be well-adjusted. You get to consciously decide what has meaning and what doesn't. You get to decide what to worship.....Because here's something else that's weird but true: in the day-to day trenches of adult life, there is actually no such thing as atheism. There is no such thing as not worshipping. Everybody worships. The only choice we get is what to worship. And the compelling reason for maybe choosing some sort of god or spiritual-type thing to worship -- be it JC or Allah, bet it YHWH or the Wiccan Mother Goddess, or the Four Noble Truths, or some inviolable set of ethical principles -- is that pretty much anything else you worship will eat you alive. If you worship money and things, if they are where you tap real meaning in life, then you will never have enough, never feel you have enough. It's the truth. Worship your body and beauty and sexual allure and you will always feel ugly. And when time and age start showing, you will die a million deaths before they finally grieve you. On one level, we all know this stuff already. It's been codified as myths, proverbs, clichés, epigrams, parables; the skeleton of every great story. The whole trick is keeping the truth up front in daily consciousness.....Worship power, you will end up feeling weak and afraid, and you will need ever more power over others to numb you to your own fear. Worship your intellect, being seen as smart, you will end up feeling stupid, a fraud, always on the verge of being found out. But the insidious thing about these forms of worship is not that they're evil or sinful, it's that they're unconscious. They are default settings.....They're the kind of worship you just gradually slip into, day after day, getting more and more selective about what you see and how you measure value without ever being fully aware that that's what you're doing.....And the so-called real world will not discourage you from operating on your default settings, because the so-called real world of men and money and power hums merrily along in a pool of fear and anger and frustration and craving and worship of self. Our own present culture has harnessed these forces in ways that have yielded extraordinary wealth and comfort and personal freedom. The freedom all to be lords of our tiny skull-sized kingdoms, alone at the center of all creation. This kind of freedom has much to recommend it. But of course there are all different kinds of freedom, and the kind that is most precious you will not hear much talk about much in the great outside world of wanting and achieving and [unintelligible -- sounds like "displayal"]. The really important kind of freedom involves attention and awareness and discipline, and being able truly to care about other people and to sacrifice for them over and over in myriad petty, unsexy ways every day.....That is real freedom. That is being educated, and understanding how to think. The alternative is unconsciousness, the default setting, the rat race, the constant gnawing sense of having had, and lost, some infinite thing.....I know that this stuff probably doesn't sound fun and breezy or grandly inspirational the way a commencement speech is supposed to sound. What it is, as far as I can see, is the capital-T Truth, with a whole lot of rhetorical niceties stripped away. You are, of course, free to think of it whatever you wish. But please don't just dismiss it as just some finger-wagging Dr. Laura sermon. None of this stuff is really about morality or religion or dogma or big fancy questions of life after death.....The capital-T Truth is about life BEFORE death.....It is about the real value of a real education, which has almost nothing to do with knowledge, and everything to do with simple awareness; awareness of what is so real and essential, so hidden in plain sight all around us, all the time, that we have to keep reminding ourselves over and over:...."This is water."...."This is water."....It is unimaginably hard to do this, to stay conscious and alive in the adult world day in and day out. Which means yet another grand cliché turns out to be true: your education really IS the job of a lifetime. And it commences: now.....I wish you way more than luck.

 
Posted by John-Henry on Thursday, February 26, 2009 - 3:07 AM
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lcd soundsystem

 
yeah--read this before. really great. bummer. thanks for this.
 
Posted by lcd soundsystem on Thursday, February 26, 2009 - 3:09 AM
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The Dude
Aleks Herrscher

 
Well, OK, two things...

First, you opened me up to some new reading.

Second, and totally random, what kind of dog do you have? I'm not sure why that popped into my head, but the whole shit "tardis" thing just got my mind wandering, and I'm curious I guess....

 
Posted by The Dude on Tuesday, June 02, 2009 - 8:50 AM
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