Artist: Phaeleh / Geiom / Vaccine
Title: Lounge / Geiomix / Atrium Phaeleh rmx
Format: 12" Vinyl, Digital
Cat #: STNSN003
Release Date: out now!!!
Distribution: Z-Audio
Mastering@ Shane "The Cutter" Finyl Tweek
A. Lounge (Original)
B1. Lounge (Geiomix)
B2. Vaccine - Atrium (Phaeleh mix)
Available at:
Boomkat,
Chemical Records,
Juno,
Triple Vision,
Redeye Records and
Deejay.De
In more stores soon! :)
Boomkat ReviewTime for the return of Bristol's Phaeleh, conjuring up his own brand of
yacht-garage on 'Lounge' backed with opulently jazzy mixes from Geiom
and Vaccine. The man undoubtedly has some high production values and
puts them to effect with crisp and streamlined garage rhythms anchored
by that Yachtbass slickness. Geiom's sick mix toughens up the rhythm
and adds extraneous jazz fills and electronica ornamentation, while
Vaccine finishes with a heavy half-stepping version for the slow dance
at the end of the night. Big!
ATM ReviewAfter his sensational debut on Surface Tension, Bristol based producer Phaeleh is back for the follow up, with a remix by Berkane Sol boss Geoim as well as a remix of Vaccine’s ‘Atrium’. As soon as ‘Lounge’ begins, Phaeleh’s meticulous attention to detail is apparent. Each separate element sits perfectly with the others that surround it, which combine to build an unmistakable musical energy hard to better. In Geoim’s interpretation, the track has a classic garage edge to it and carries a completely different vibe to the original. Lastly, Phaeleh gives Vaccine’s ‘Atrium’ a re-lick and brings his trademark skills to bring a classic piano sample to life. This is an essential purchase of a producer clearly on the up.
Sonic Router ReviewDespite the amount of times you’ll have surely read that
“Bristol is like a ‘small London’ in terms of forward thinking bass music,”
it doesn’t make it any less true each and every time the overworked
sentence is used. In fact, I never tire of hearing it, possibly due to
the fact that I am jealous as hell that I've never been. Yes that’s
right, like a speng, I have never been. It doesn’t stop me from
enjoying the sonic progression emanating from there though, oh no, not
one little bit; especially when the likes of Phaeleh arrive
in my inbox. He’s carved out the next plate on Surface Tension
Recordings, his 2nd for the label it includes his brand new tune
'Lounge,' and its accompanying Geiomix, and his (Phaeleh's) remix of Vaccine's
'Atrium.'
Putting the whereabouts of producer’s aside, as it is completely
irrelevant when it comes to this release (as the label owner is from
America alongside Vaccine, Phaeleh is from Bristol & Geiom is from
Nottingham) one vibrancy that brings them all together is garage.
Nobody
can disagree with the fact that Garage, (2-step, speed, 4x4 or
otherwise) albeit banal in some ways, was never really explored in its
entirety, which is a shame as it is considered by a lot of producers to
be either their 1st contact with dance music, or even their favourite
genre. Examining today’s progression, it’s easy to see how it's
sexiness, dance-ability and general vibe has allowed dubstep to claw
back a bit of 'musical' credibility and has inspired a generation of
producers to push past the aforementioned genre and into a world of
moody-but-sexy, swung to fuck drones, with endless possibilities for
exploration.
Many producer's, I believe, have used Dubstep as a
canvas, adding each genre as a colour to make these hybrid's into
something unique and genuinely engaging each time. None so other than
the artist's featured on this latest release. Phaeleh’s
‘Lounge’
is an out and out roller, with a tiny little stream of hope included in
the shape of the flute featured within, which keeps the progression up
nicely; the Geiomix is fantastic, and really does re-carve the
original, turning the bumpiness up and out under the kind of melodic
progressions grime music harnesses so well. The
‘Atrium’
remix does is for me though, keeping to the OG structure, Phaeleh
delivers, driving his smooth sine waves under the loose piano rolls,
airy vocals and percussion perfectly.
Words: Alex McQuillan