2LPs in box with book with exclusive photographs of the singers and musicians, complete
lyrics of all songs both in the original Greek and in English
translations, discographical data, and extensive information on the
artists, on the instruments, and on several other aspects of the music..
The artists represented here span from those well-known at
the time, such as the ’Patriarch of the Bouzouki’, Markos Vamvakaris,
Rita Abádzi, one of the finest Greek singers of all time, and Jack
Halikiás, bouzouki recording pioneer, to more obscure musicians such as
Frangískos Zouridákis or the mysterious figure known as ’Kostis’.
The lyrics are particularly worth studying for their raw,
direct quality. They touch on typical underworld themes such as drugs,
theft, murder and prison, but also on such general themes as unrequited
love and having a good time.
As well as fantastic singing you will hear many different
instruments: bouzouki, baglamas, mandolin, mandola, accordion, violin,
guitar, and santouri; and even worry-beads against an ouzo-glass.
"The word 'mortis' in Greek underworld slang refers to a person who is both tough and elegant, as it were the cool bearer of a knife and suit, a counterpart tot he 'Apache' of Paris. Mortika simply means songs about male 'mortes' and female 'mortisses.' These LPs hold a collection of urban songs and instrumentals centered on this theme, recorded commercially between 927 and 1946 [with two exceptions].
All might be considered as belonging to the 'rembetica' genre, but we who have compiled and produced this record would rather see them emancipated from the strightjacket of genre catagorisation. Apart from the intrinsic, moving musical quality of the performances, this compilation is distinguished by the rarity, and often excellent condition of the originals, and by the quality of Ted Kendall's remastering. Listening through these LPs, you will make the acquaintance of some of the central figuresof the period [...] becoming familiar with some of their variety of vocal styles and techniques, their idiomatic use of various plucked, hammered and bowed string instruments and accordion, and also with their song lyrics, which treat of typical 'underworld' themes such as drugs, love, theft, murder, prison, and having a good time. All this music is associated one way or another, with subcultures of outsiders, where at home or in imposed or self-chosen exile, and where they represent the urban musical culture of Asia Minor and Istanbul/Constantinople, the local tradition of Pireaus subcultural music, or the Greek music of the Greek-American population."
-Tony Klein, from the notes.
"A shade over 74 minutes' worth of superbly remastered
– and therefore sonically stunning – recordings from the 1920s to the
1950s, recorded in Athens, the US, and, in one case, Weimar Republic
Berlin, offer just about the single most cohesive portrait of this
extraordinarily tough and beautiful music. Rebetika is often compared
to the blues, and while that offers a useful comparison to set novices
upon the right path, rebetika has its own sound and feel. It belongs
completely to the Greek underworld experience, a history of
displacement, social isolation, suffering and truculent reaction to it
all that is well-documented in the extraordinary 50-page book that
cohabits the elegant digipak with this CD.
Of the music, I can tell you that the 21 well-chosen performances
present the listener with a superbly balanced variety of the sub-styles
within rebetika, and offer not only the heroines and heroes like Rita
Abadzi, Rosa Eskanazi, Markos Vamvakaris and Andonis Dalgas, but lesser
known, inner-sanctum figures that include the stunning loannis Halikias
and the utterly obscure but fabulous Pol-Meraklis, singing his hashish
ditty in a doomed 1929 Berlin. But perhaps the most astonishing
recording here is the most recent, a hackle-raising performance by
Nikos Vrachnas, recorded in 2000. It's a superb live time-warp
performance, packed with tough energy and as the final tour de force of
well over an hour’s worth of muscular history, it provides a most
satisfying end-note. The production values are extraordinary; Charles
Howard, the project's director, is probably the world's foremost expert
on the genre, and producer Tony Klein has written a wonderfully
succinct history of the genre, its meanings, its instruments and its
raison d’etre. There's also a well-researched glossary of underworld
terms, complete lyric transcriptions in Greek and English, full
recording details and two dozen well-chosens photos of artists,
instruments and ephemera. If you wanted just one rebetika CD, this is
it. Those of you who quietly gather everything Mangas will immediately
see the value of this, perhaps the best of all rebetika anthologies.
Utterly wonderful." - Paul Vernon, fRoots
"Hash-fuelled music from the 1920s and ‘30s that gets deep under my
skin. The best selection of rebetika music I’ve found. Given to me very
kindly by Ian Nagoski, a fanatic collector of amazing music himself and
a contributor to the Dust-to-Digital label. This CD was compiled by
Charles Howard, who also compiled the Rembetika Rounder series that
until very recently was my favorite rembetika collection. The beauty of
this music is that the melodies are mostly melancholy but always with
some amazing catchy hook that lifts them out of their own misery. The
songs are made by Greek refugees who returned from Turkey to the Athens
port of Piraeus, where they set up an underground community and
introduced these dark, sad trance-like songs mostly about lost love,
prison, drug addiction and tuberculosis. The word 'Mortis' is Greek
underworld slang for someone who is tough and elegant, the cool bearer
of a knife and suit. These songs are about these type of people. The
song titles tell everything: the hash smokers, heroin and hashish,
hash-smoking chicks, the lifer... oh mother, I can’t stand it. The
musicians on this really come from the best period of Rembetika --
the mid ‘20s to the mid-’40s, including Markos Vamvakaris, whose rough,
growling voice is trademark stuff, and Rita Abatzi, my favorite woman
singer of rembetika. It’s great music to play when youre eating,
smoking and drinking..." - Andy Moore (the Ex), Dusted
"
Just
when you think Mississippi Records releases can't get any cooler, along
comes this deluxe 2lp boxset of Greek underground folk music...

These
two lps contain an incredible selection of sounds from this important
movement in Greek folk music, some of the songs are intricate and
dramatic, others simple and stripped down, others festive and jubilant,
the sound is a twangy gypsy folk, lilting and haunting and lyrical, the
vocals are deep and crooned typically, but can slip into something much
more keening, or even operatic, the music too is quite varied, often
skeletal and spare, but can get quite intense and complex, but always
melodic and quite beautiful and emotional.
The
two lps come housed in a printed box, and includes a bit booklet filled
with photos, lyrics, as well as a history of the music and the
musicians. So cool!!" - Aquarius Records