yo tom....

since you asked, and i've watched the fucker several times, here's my best guess at m.h. drive...

after the title sequence, the first two thirds of the film (until they open the blue box) is a dream from which the dreamer (the blonde girl) wakes up, and you, as the viewer, realise that she is a 'success' only in her dream, and not in 'reality'. However, since the film itself opens and closes with extremely 'dream like' sequences, this does not explain everything. My last best guess is that the film seems to be about the 'problem(?)' of working out whether, from the perspective of a 'storyteller', you are 'telling a story' or you are 'stuck inside' the story.....fucking freaky, huh?

x
 

if you ever come to texas, you'd better fucking play pacifically.
 

there's no such thing as "brighton rules"... there's the correct rules (as often played in brighton and the rest of the world) and then the wrong rules (i.e. as played in tunbridge wells). that's just the way it is and i shan't hear another word on it.
 

Brighton rules were always safer than Hastings rules that is all I know on the subject.

And vans/cars to all over the shop are always good to drive until Ash starts debating on whether The Beach Boys were the greatest band in the world.

N.B They're not/were not
Go Bear Go were *chuckles with wit