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Richard Taylor - New Zealand Poet and Chess Player

Richard

Richard Taylor


Last Updated: 12/5/2009

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Gender: Male
Status: Single
Age: 61
Sign: Aquarius

State: Auckland
Country: NZ
Signup Date: 3/19/2007

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Saturday, May 03, 2008 

Category: Writing and Poetry
                              The Question of Entrance

to understand what things meant would be tragic. A failure
of nervousness. I can't gesticulate enough. Ape me you. Thus I.
Disastrous. A bolt. About this time the green and blue music
entered on harrying tip toe to a grandstand cacophony
as if a nation had been slaughtered. Reality kept on: we
couldn't fix that, but there were pressing intrusions. I want you: you
want. He wants, she wants, they want. Everyone wants. There is a heaviness
blacks the land. What is it with you? It's...Christ it's getting hot. Plant something. Are they caming? Will they be caming? What's that? Who's this? And so on as a thousand vermilion vermin settled in. Ours of course to laud and chuckle over as the chairs rock unattended and vacant of personas. The wind, apropos of nowt, whips the air and all become involved in the drama with the chilling fingers and maybe the Laocoon. The death that young men yearn for. They keep wandering. A hundred thousand died last week and things are everywhere. And they flash or wink in a violent opposition of clangs, bangs, and clashes of shatter-light. All this and more: and still more, setting store and we are thus bereft to consider the clammy cells and the days of April: the days of yore when petrol pingle pangled out of Big Tree Cans until you fucked with various heads, fucker.

But all this is much more than it is. In fact it is much more than more than what it is. Much much more you whore. All this being more: I being you and you seeking me and us as we seek you and indeed ever shall into endless edges. The great sea turns white. And why shouldn't it? Nothing is. And yet the Thing playing about his frontage had sleight. Some sort of lusty legerdemain. Les Main Sales. They are. It all started with: "You dirty boy." The house leaked like a palindrome; but never completely as if a savage and incomprehensible music (nationality or race unknown or irrelevant) was and did deep-guide her quick hand, and the subject of gluttony shifted, till one, flicking back a strand of hair, scraped back her chair and vanished by virtue of defaulted surprise. We linguists. I, by the way, am that to be and verify.


Richard Taylor


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Juan Israel Español

 
cheers
 
Posted by Juan Israel Español on Monday, May 05, 2008 - 6:37 PM
[Reply to this
Richard
Richard Taylor

 
Juan. Thanks for looking.
Cheers, Richard
 
Posted by Richard on Tuesday, November 25, 2008 - 10:37 AM
[Reply to this
Richard
Richard Taylor

 
Thanks for your comment and visit. These are mostly old poems I drop on here - I might just go through them all and put them up. My main thing is my project EYELIGHT. (See link).

It is quite cold here in NZ at the moment. I don't use a heater - power (and food) prices are too high - so I am looking to long johns etc! (Getting old!)

(Not even sure if I can continue to use the internet.)

After all at one stage people didn't even have radios let alone TVs (we had no TV when I was a boy) and telephones...!

I don't know why I wrote that poem (or most of the poems I write)...no idea...no idea what it "means"...just some subconscious method I use... and some techniques such as irony, alliteration, internal rhyme, ambiguities, "difficulty", some surrealism, language play, and starting in"media res" etc...

Thanks again, Richard
 
Posted by Richard on Tuesday, May 06, 2008 - 1:29 AM
[Reply to this
Richard
Richard Taylor

 
"All this and more: and still more, setting store and we are thus bereft to consider the clammy cells and the days of April: the days of yore when petrol pingle pangled out of Big Tree Cans until you fucked with various heads, fucker."

The above "quotes" from two poets - one "setting store [and we are thus bereft to consider the] clammy cells" (Keats of "Ode to Autumn"

And: Alan Curnow: "[when petrol] pingle pangled out of Big Tree Cans"

Big Tree was a brand of "petrol" years ago and "pingle pangle" is the NZ poet's term -the sounds he remembered as his father poured petrol (gas) into his old car...or it was new when he heard the sound! in about 1920 or so I suppose...

Les Main Sales. This is play by Sartre - l've never read it - I have sold a copy (in French) to a young student (who told me what the title meant! (The dirty hands)) when I had a book stall once...

Laocoon - this you may know - is a book by a German critic - his name evades me just now -but it is also sculpture depicting a "terrible" revenge incident in Homer's Illiad (like lot of Homer it seems almost heartlessly gratuitous) - but also in John Barth's book "The End of the Road" one of the "main protagonists" keeps fiddling with a small model of it - the book is 'about' a strange menage a trois (or some symbolic representation of one) so perhaps that is what it signifies -I recall when we studied the book at UNI my lecturer on Modern Lit Brian Boyd (expert on Nabokov etc) asked students why he was fiddling constantly with his small model of the Laocoon (!) - to this day I don't know the "answer"! But there is replica of the sculpture in the Auckland museum... fascinating the weird detritus of the mind!

"The death that young men yearn for." This is a straight quote from a poem by Jack Spicer - except he sues "hope" instead of "yearn" ...

More trivia!!

Perhaps the poetic = valent of Joseph Cornell's "collections" or whatever...

Cheers. Richard
 
Posted by Richard on Tuesday, May 06, 2008 - 1:53 AM
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L-J Stockman

 
Hi Richard, I read this when you first posted it...I was effected by it, but I think much of it passed over me. Now I have come to read it again, and interesting to read your comments - for me adds adimension previously lacking. Makes me so aware of the power of context. This All seems appropriate in light of your title...
Sorry to hear you are cold, it's been icy down here (chch)
regards, Lisa-jane
 
Posted by L-J Stockman on Sunday, May 11, 2008 - 8:35 AM
[Reply to this
Richard
Richard Taylor

 
I messaged you - thought you were in Aussie! - sorry. Thanks for this. Regards, Richard.
 
Posted by Richard on Sunday, May 11, 2008 - 9:56 AM
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Side Stream

 
Your poetry always intrigues me...a fight to bend my mind in just the right way...what gymnastics you put me through! I love it. And the sub-text is fabulous...all these references...say so much without saying too much. Awesome.
 
Posted by Side Stream on Tuesday, May 13, 2008 - 5:32 AM
[Reply to this
Richard
Richard Taylor

 
Hi thanks Side Stream - I used to write these things very rapidly - usually with no revisions -in kind of trance... (!) - "instanter on instanter" -one doesn't need to know the references" - the Keats I knew as we studied it in high school and so on - in fact 'Ode To Autumn' is a wonderful poem that
I immediately connected to... so there are these semi-ironic connections to the Romantics - I don't always know what I am "saying" myself..sometimes I write while music is being played and I am thing of a book as with my poem "Gareth Farr's Wasp Factory" - which is like a kind of music itself ad combines the "feel" of the book "The Wasp factory"by Ian Banks. But I am notsure why these two (a NZ Composer and a Scottish writer's novel!) are combined...some associative thing.

Even this is a "quote" from "Prufrock " by T S Eliot - modified. But these are usually from poems I knew almost by heart learnt often prior to 1969 when I stopped writing for about 20 years!

Kind regards, Richard
 
Posted by Richard on Tuesday, May 13, 2008 - 6:37 AM
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