I cannot take credit for this. I am only re-posting what I
thought to be a fantastic blog by soul artist,
Anthony David, of what is going
on with the radio stations vs. the performance royalties in Congress right now.
Please get informed! If you've been on the radio at all, you've probably heard
the shock antics "SAVE RADIO" and such. Below is what is going on in layman's terms
and as an artist, I completely support
performance royalties.
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I'm late on getting into the nuts and bolts of this issue, but I'm on it now, and I have to say my piece real quick.
I
don't actually listen to the radio, but the buzz that came around
recently was this whole thing about how personalities were making a big
fuss on "urban" radio stations, hollerin about how "they are trying to
destroy Black radio stations". It was presented as some ol "fight for
your rights" scenario, and me being in the music industry,and well,
being Black, I decided to look more into it, wondering how it would
effect me as an artist.
Well, lo and behold, it's a total lie.
There IS a bill out there, proposed by Rep John Conyers, that proposes
that broadcasters pay a performance royalty to artists and labels.
Different personalities in many cities, got on the air and pushed it to
the public as a "tax", which is a total lie.
A tax goes to a government entity of some sort. This royalty goes to artists and record companies. Let me explain:
You
ever wonder if Luther, or his family get paid, every time "Superstar"
gets played on the radio? Well, NO. That song was written by the
Carpenters back in the day. It was a minor hit for them, but because of
how Luther arranged it and sang it, it was a huge hit for him. It plays
all the time, and the only people who get paid for it are the publisher
and the writer. Luther's voice made the difference, and people tune
into the "classic soul" station, in whatever city to hear Luther sing
it. This bill proposes that he gets some change for that. Many artists
are not writers, but if they are the "performers" of a classic, they
should be compensated, maybe not as much, but somewhat like the writers
are. This has been on the table since at least 1979, and America is the
only industrialized nation to not support this-- well, China, North
Korea, and the CONGO agree with America, so that counts for something
huh?
What makes it worse is that in countries like, Canada, UK,
and Japan, where our music is played-- American artists don't get paid
performance royalites from them, because they refuse to pay if the US
won't reciprocate, so American artists get cheated Worldwide.
We
all know that many artists who performed classic songs, may not be
fortunate enough to have lasting careers. Not many do. It's good that
writers, like myself, can continue to make money, for as long as we
control our copyrights. It would also be nice to know that the singer
of an epic tune, is seeing SOMETHING for their work.
That's
what this bill proposes. The only reason it hasn't passed in all this
time is because of the power that lobbyists for the Broadcasting
companies have been exerting.
The broadcasters would have
you believe that the evil record company's came up with this idea
yesterday, just because they aren't selling many records any more. A
total untruth. Again, it's been issue since well before the boom they
all enjoyed in the 80' and 90's. I have issues with labels, no
question, but that aint one of em.
What I find even more
despicable about their message is this whole thing about how it's
really for the small independent stations, like that's who they are
really fighting for.
Check this out. I need to mention that
there is actually a segment of radio that DOES have to pay this
performance right already. A segment who isn't covered by the lobbyists
so they had to pay outright. Satellite, Internet, and digital radio-
the real independents, who are the enemy of the am/fm stations. Funny
how that bill passed a few years ago, yet no one shouted about it on
the radio- yet they claim to be fighting for the "little man".Really?
Look,
it probably looks like I may be cutting my own throat by bringing this
up, because afterall, I'm supposed to get played on the radio for you
to hear my song, know who I am, and maybe buy my music right? Well, I'm
not the only artist who agrees with this proposal, matter of fact, I'm
extremely late in getting hip to it, and more than likely the smallest
fish to fry in this. The seeds for this HR were sown by artists much
more famous than me, including the Dixie Chicks, Brian Wilson, Aimee
Mann, Los Lonely Boys, Judy Collins, Don Henley, Tony Bennett, and John
Legend.
With this blog, I'm just announcing my support for such
a cause, and I have the radio stations to thank for bringing the matter
to my attention. Whaddyaknow? They are useful in disseminating
information.
I don't even wanna get into what I like or dislike
about radio. That aint even important, and like I said, I've found so
many other ways to get new music and info, I'm not even mad about that
anymore- I just don't like the lie they are telling folk, and the
racial spin, which is irrelevant in my opinion. If you wanna know more
about the bill and what it actually is, I suggest a quick google search
on HR848 or the term "performance royalties".
I wish all
radio stations, whatever the genre, the best of luck in surviving when
they have to start paying performance royalties.