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Anyone who follows my blog posts (all
two of you!) will know that I'm extremely ambivalent about vampires.
On the one hand, I resonate with a well-told tale of the undead. I
read Bram Stoker, breathless, when I was in high school. I still have
a copy of the first paperback edition of Anne Rice's Interview with a
Vampire. At the same time, these days I sometimes feel as though one
more vampire story is all I need to make me crack and run naked
through the streets screaming, "Enough! Enough already!"
Still, Stephanie Meyers continues to sell millions of books and
publishers continue to issue calls for vampire romance and erotica.
The reading public, it appears, is even more insatiable than than the
legendary Count.
I recently submitted a story for
Total-E-Bound's planned Halloween series, Voracious Vamps. Fire in
the Blood is not your typical vampire tale. The hero is a black
ex-slave in Jamaica, turned by his cruel mistress. He lives alone on
a ruined plantation, struggling to suppress his blood-lust and avoid
falling into evil, but the heroine and her boyfriend seriously
undermine his resolve.
I had a revelation while I was writing
this tale. One of the things that attracts me to vampiric fiction is
the close relationship between vampires and BDSM. Most of my
readers--the full half-dozen of you!--know that I have an enduring
fascination with D/s relationships. The most thrilling vampire tales
derive their impact from the same emotional dynamics.
I'm not talking about surface stuff.
True, many vampires dress like Doms, or vice versa: black leather or
silk or spandex with the occasional blood red accent, capes and
gloves and maybe a silver-headed cane. Some literary vampires I've
encountered, notably Angela Cameron's vampire mafia, actually have a
penchant for bondage and similar fetish activities. One might argue
that vampires are natural dominants. After all, they have real power
(although one of my favorite vampire stories, Kathleen Bradean's "Red
By Any Other Name", features a male vampire submissive visiting
his human Domme).
For me, though, the essence of the
vampiric power exchange (if one can use such a term) is the victim's
willing surrender. Before vampires became so eroticized, they were
inhuman monsters, ugly, vicious and untidy, inflicting only pain,
taking what they required without consent or cooperation. Anne Rice
gave us beautiful, seductive vampires. She pioneered the concept that
the drinking of blood could be a kind of communion, a brief but
transcendent ecstasy for both the vampire and his victim. Vampire
romance had whole-heartedly adopted this convention. The victim gives
herself to the vamp, intoxicated by his power, perversely tempted by
the nearness of death and subsequent immortality. This is remarkably
similar to the surrender of a submissive, who willingly places
herself in the possibly cruel hands of her Master even though she
knows she may suffer for it.
In the few vampire stories I've
written, I've tried to overturn the stereotypes as thoroughly as I
can. The hero of "Vampires, Limited" is a blond-haired,
blue-eyed college boy vampire who has only been undead for a couple
of years. "Prey" features a vampire couple and explores how
love and sex change when you and your partner are both ancient and
undying. "Fourth World" presents an amoral female vampire
without fangs who really just wants to have fun. Somehow, though, I
always end up writing a surrender scene--where the human victim,
swept away by the vamp's beauty and power, willingly offers what the
vampire desires. (For more information on the titles above, visit my website, http://www.lisabetsarai.com.)
This happened in Fire in the Blood. I
did not intend this to be a BDSM story. Yet I couldn't help myself.
Echoes of surrender, the thrill of submission, infiltrated the tale
despite my intentions. Here's an unedited excerpt from the tale:
Before
she could recover, he was on top of her, his cock nudging against her
still-quaking opening, his face inches from hers. His eyes glowed
with a fierce, wild light. His lips stretched wide in a grimace of
triumph, exposing the pointed teeth of an animal. Blood smeared those
lips—her blood. Its rusty scent mingled with his aura of roses.
She shuddered, even as her pussy wept tears of new desire. “Do you
still want me, cherie?” he growled. “Now that you know
what I am?” He ground his rock-hard erection against the softness
at her centre, striking sparks that burned away her fear. “Yes,”
she had time to whisper, before he fastened his gore-stained lips on
hers.
She
tasted iron, mingled with the crystal freshness of new fallen snow.
His tongue snaked into her mouth, savouring her as though she were
some exotic delicacy to be consumed. His teeth raked across her lip.
The metallic flavour grew stronger. One hand cupped the back of her
head, bringing her face to his. The other traced a ghostly path down
the side of her neck, from her earlobe to her collarbone. The
feathery touch made her nipples throb and her pussy clench.
His
fingertips came to rest against just below her jaw. Her heartbeat
quickened as she realised he was seeking her pulse.
He
broke the kiss, rearing back and locking his eyes on hers. Raw power
burned in those eyes, naked and inhuman. Madeleine had no choice but
to surrender. She did so gladly.
Etienne
held her in his gaze for a moment longer as if sensing the release of
her will. Then he dove for her throat. His fangs pricked the skin
his fingers had so recently caressed. At the same time, he jerked his
hips and drove his cock into her depths.
He
filled her, stretched her, woke such a riot of sensation in her pussy
that she scarcely noticed his bite. She was loose and wet enough
from her previous climax to take his whole massive bulk into her body
on the first thrust. He slid easily along her well-lubricated
channel, stretching her to the edge of pain but not beyond.
His
rod was hard as steel, and metal-cold too, an icicle inside a thin
sheath of flesh. It was a cold that burned. He pulled back then sank
himself deeper into her welcoming sex. Delicious chills spiralled
through her. Wisps of frost kissed her aching nipples. Her clit was
hot and heavy. When his icy cock swept over that swollen nub, every
muscle tightened at the exquisite contrast.
His
lips locked to her throat, sealing the connection between them. He
thrust and sucked in time, ramming his cock into her quivering folds
at the exact moment that he drew a new mouthful of her blood.
Madeleine was rocked in the savage rhythm, a fragile boat on a
turbulent sea of scarlet. Wave after wave of delight shimmered
through her helpless body, doubly pinned by his cock and his fangs.
Every stroke triggered a new climax, until nothing remained but
non-stop ecstasy.
A
red mist rose around her. Her thoughts grew hazy. Hardness, wetness,
above and below—these were her only realities. Her pussy was
molten, hot juices bathing the chill rod that pistoned in and out of
her hole. Blood surged from her torn throat, pumping out onto his
tongue. The tides of life ebbed as he took more of what she so
willingly offered.
I
guess I've fallen wholeheartedly into this cliche, at least, because
it pushes my personal buttons. Give me a seriously dominant vampire
and I'll melt into a submissive puddle of lust. I wonder to what
extent this connection between vampires and BDSM explains the
popularity of the genre. I'd love to hear what readers think about
this.
Anyway, I've got some good news and some bad news about Fire in the Blood. The bad news is that it won't be coming out at Halloween after all. The Voracious Vamps collection has been cut back from eight to six stories, and mine was dropped. The good news is that it will be released as a single title, probably some time in April 2010, and that it will be longer (and sexier) than the 14K I was limited to for Voracious Vamps. I'll let you all know!