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Last Updated: 5/7/2009

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Gender: Female
Status: Single
Age: 16
Sign: Aries

City: BROOKLYN
State: New York
Country: US
Signup Date: 7/23/2007

Who Gives Kudos:


Friday, September 14, 2007 
It ain't easy what we have asked these performers to do each night. Loop Diver is not a pleasurable piece to perform. It is physically demanding, obliviously repetitive and (perhaps) emotionally numbing. I don't know what the physical or emotional sensations are but I know it's not "fun". I know it because I feel it from the performers when they are not performing. When they show up at the theater each day, I feel a kind of fatigue? Hesitance? Disappointment? Not sure exactly what – and this is not a critical statement just an observation. But I sense that it takes a very different kind of preparation to perform this work (one of the dancers told me so tonight). Another of the dancers asked me a few days ago what I thought this piece was about, for me. I told him that it was about my life. I said it in a kind of glib way and laughed and walked away. I laughed because it's scary for me. I realized a few days later that, while that answer is true, it is useless to the performers. They don't know my life really. So, to put it in a more universal frame, I told them tonight that the work is about " the emotional repercussions of being caught in a loop, a pattern, a cycle with the intention of transcendence". Transcendence can be escape, or acceptance. It can be resistance or comfort. It can be and already is, actually, a personal response by each performer to the imposition of the loop, pattern and cycle. So, while the imposition of the structure is me, the journey and response is theirs. And they are doing a PHENOMINAL job of embodying the subtle responses to this imposition as set upon them. Everyone that gives me feedback on this work talks about the performers and how committed and precise and intense and involved they are. I know this. I know that this work IS the performers. Their interpretation is what makes it powerful for me. And personal for me. Isn't that funny that a piece about my life can be so beautifully expressed by people who aren't me.

So, while we are still working to make the personal and the theatrical fit together, and work on details and intonation, I am deeply moved by these performers willingness to go through a not so pleasurable experience each night. Of course, I am making an assumption that it's not pleasurable. I may be wrong. I do hope there is a kind of pleasure in the process and discoveries that can be made on stage in the moment – an exquisite pain? And, I have to say it isn't easy for me either. Last night I had the sensation that I have seen the work too many times and have lost all connection to the decisions that were made along the way. That's normal. But, tonight I sat in a different place in the audience and was again refreshed. Phew.

Well, in closing I will say thank you JJ, Ben, Rob, Johanna, Lucia, Daniel for inhabiting my personal space and seeking to find the you in it. I will continue to help of course But you're doing a good job already. And it hasn't gone unnoticed.

Good night,
Dawn
Felicity

 
Hi Dawn,

I enjoyed reading your reflections on the dancers' experiences inside your work. I have directed a company of the same size (6 dancers, usually 3 men and 3 women) for the past four years in Perth, Western Australia (you and Mark met our General Manager Rick earlier this year), and working with an ensemble of dedicated performers is a remarkable and highly dynamic experience.

A new work always feels like it is the aggregate, or composite effect of the thousands and thousands of small decisions made en route during the rehearsals: some made collectively, some informed by a particular dancer's artistry, physicality, personality or thoughts; some made by me at 5am in the morning while I harvest the information gathered from rehearsals the day before in preparation for the day ahead; some informed by limitations in resources (time, money, techology, capacity). Consequently the company and the work we make always feels like a living, breathing entity - responsive, ever-changing, ever-evolving or devolving (sometimes these two are indistinguishable), and being a part of it more often than not feels like riding a roller coaster: coasting occasionally but, mostly, rolling between extremes. It sounds as if your dancers have created and perfomed with the sort of passion, unrelenting hard work and committment that is particular to professional contemporary dancers and I wish you, Mark and all the artists you gather around you all the best with the rest of the season. Also, I hope your party (which may be happening as I write this on Sunday morning in AUstralia) was an excellent celebration of LOOP DIVER, a work that from this side of the world reads as if it has been very successful on a number of levels - YAY!!

Regards,

Felicity
Buzz Dance Theatre
 
Posted by Felicity on Saturday, December 29, 2007 - 4:16 AM
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