COMPROMISING CHARACTERS
Barefoot in the Park, Steeple Players
05 May 2009
In
BAREFOOT IN THE PARK, Neil Simon presents a few characters who have
outlooks on life that are poles apart. He mingles characters that are
free-thinking and generous or conventional and unadventurous, and then
forces them to act out their differences. It is in these actions the
audience finds the laughs as these completely different people interact
with one another.
The
story centers on Paul and Corie Bratter, two young newlyweds who have
just moved into their first New York apartment. It is a small studio
with a leaky skylight, faulty heating, and much to Paul's chagrin, no
bathtub. Director Victoria Lamberth creates a wonderful 1960's
atmosphere for this show with her light brown walls, cool periiod
tunes, a perfectly hippie set, and corresponding costumes. Lambreth
blocks the show by using the entire playing area, and includes activity
over the busted skylight on the roof of the apartment. Lambreth, along
with Jill Dunlap, must be a hard-working set design team and their
multitude of props are handled by a very capable stage crew.
For
the most part, the actors do a good job of delivering the laughs. The
leading players in this show are played by real life married couple,
Bryan and Aubree Gentry. Bryan takes on the part of Paul, a sedate,
conventional young lawyer who doesn’t handle his wife with a
button-down restraint, rather with little patience. Alongside him,
Aubree's Corie is the innocent, spunky, and high-maintenance
hippie-girl. She is clearly having fun with this character. However,
as Corie, this actress has the correct, bubbly energy, but she
repeatedly sounds as if she’s yelling to be heard over others,
therefore a steady one-note performance ensues. Hopefully, she can mix
in more vocal and emotional colour as the production continues. The
crazy upstairs neighbour, Victor Velasco is preciously played by Joe
Brennan, who is opposite in temperament, yet attractive in personality
to Paul and his mother-in-law. Other comic notables are Michael
Pickering at the brash, Jersey-accented Telephone Repair Man and
Clayton Cabron as The Delivery Man.
The
biggest scene stealer in this show is Ginny Cavin as Corie's mother,
Ethel Banks. She is side-splittingly funny whether she is climbing up
six (five? nine?) flights of stairs, delivering rapid-fire one liners,
or popping pink pills so she won't puke the exotic gourmet food.
Cavin's comic timing is that of a seasoned actor who knows how to take
Simon's lines either as they are scripted or with clever interpretation
and keep it at the author's intended comedic level. It was clear that
my audience’s spirits lifted quickly whenever she came back on stage
with quip-packed dialogue that is Mr. Simon's signature.
TRUDY'S TRUTH IN THEATRE:
One
important lesson learned at the end of this consistently popular play
is that set attitudes in life can inspire relationships to go south.
The characters have very obvious differences at the end of the show
than those they portray when it opens, whether becoming more cautious
in marriage, walking barefoot in the park, vowing to calm down, or
traipsing outside in a nightie. In real life, it is always refreshing
to see “characters,” be it friends or family, going from one end of the
spectrum to somewhere in the middle in order to make an important
relationship work. Through compromises, every person can find a
different kind of happiness in each other, and most likely, a sweeter
one.