Gender: Female
Status: Single
Age: 100
Sign: Gemini
State: Berlin
Country: DE
Signup Date: 8/25/2007
|
|
|
|
Monday, September 28, 2009
 |
OCTOBER 2 @RAUM 18 Ziegrastraße 11 DOORS OPEN 21.30 CONCERTS START 22 UHR SHARP
OCTOBER 3 @WALLYWOODS, Kulturhaus Peter Edel (Seiteneingang), Berliner Allee 125, Weissensee DOORS OPEN 21.30 CONCERTS START 22 UHR SHARP
S-Bahn Greifswalder Strasse / Trams M4 (je 5 minuten von Alex) M13, 12 bis Berliner Allee/Albertinenstrasse
f r i d a y 2 o c t o b e r @
"These are dreams, dreamed by dreamers, who are awake"
TROUM is a duo located in Bremen, Germany, established in early 1997. The two members "GlitcH" and "Baraka[H]" were active before in the influental ambient industrial group MAËROR TRI (which existed from 1988 to 1996). TROUM is the old german word for "DREAM". The dream seen as a central manifestation of the unconscious symbolizes the aim of TROUM to lead the listener into a hypnotizing dream-state of mind, a pre-verbal and primal consciousness sphere. TROUM uses music as the direct path to the Unconscious, pointing to the archaic "essence" of the humans inner psyche. TROUM tries to create music that works like a direct transformation of unconscious matter.
TROUM's creations are influenced by post-industrial, minimal and drone-music. Both members use guitar, bass, voice, accordion, balalaika, flute, mouth-organ, melodica, gong, field recordings, pre-recorded-tapes and a diversity of sound-objects to build a kind of multi-layered and highly atmospheric dreaming-muzak. Their sound could be described as "dark atmospheric ambient industrial", "transcendental noise" or just "Tiefenmusik". TROUM doesn't work with synths, samplers or computer-soundsources, the sounds are created "by hand" to reach a broader sensibility. TROUM uses a spiral as their logo, expressing the trance-inducing potential of the music and the wish to reach inner, deeper spheres of the mind with it. Music as a door to unknown & alien dimensions. Music as an expression of the mystery of existence itself.
The dead sons of the sun are roaming the Earth, choosing the musical weapon to convince the human so-called intelligence to fight if they can’t love each other. After conquiring Mars and Pluton, they choosed the East Coast of the Usa to land and start their crusade. Their Head Quarters is now established in Brussel. They will emblind the audience with raw rays of unseen light, and preach thrue distorted music clichés. The absurdity of human being needs to be shown by pointing its most obvious form : religion, drugs, love etc… After been reprogrammed, human will be able to save their planet.
Solar Skeletons is a duet consisting of Tzii and Ripit. They recorded several anthems ranging from psychedelic dub to heavy booty bass, from dark acid techno to distorted electro punk, from decadent blues, to drilling black metal, from power electronic to sinking drone. Their live shows consist of an entire world of ivideos, costumes and sounds. They also recorded numerous collaboration work with diverse musicians from around the globe as Error (Latvia), Cochlea (Japan), Koonda Holaa (Cz/usa), 1997EV (Italy), HHY (Portugal), Le Dernier Cri (France), Bombyx (Belgium) and released on numerous labels like Radon Uropa, Night On Earth, Le Dernier Cri, Aïnu, Amertume, Produck, BTK, Bruits de Fond, Marasm and more!!!
Luna Dopa is one of the several metamorphosis of Gabriel Luis B. also founder of Neue Kultur. Constantly thinking a union of arts & ritualism through the energies of the new aeon. Unconscious drones, black soundscapes, repetitive mysterious spoken-words, everything close with out-of-body experiences is a potential adjective for his own work. The present of music has a connection with ambient music, which is a gate to hidden energies of the universe and the unconscious mysterious stuff of being. The next step of ambient music will be MAGICK AMBIENT, a gate to extra-sensorial world, a connection with different states of mind, primary will power, astral metamorphosis. Music of the next future won't be made by musicians but from magicians, celestial intelligencers.
Bex is the solo project of Frenchman Benjamin Bex, who uses guitar, loops and voice to generate the kind of heavily synthetized cartoon environments that would balance laminal constructs of overlapping melodies,rythms and drones with hissy vocal mantras.
Appearing on stage with his double-neck guitar,2 meters long FX pedal racks and 70's clothe and hair dressing style to deliver a unique -yet sentimental- wave of drony doomy psychedelic black metal.
s a t u r d a y 3 o c t o b e r@
After 11 years in the bleak realm of magick electronics. Moonchild Erik(ex-HIS DIVINE GRACE) moves to the desolate woods of ambient post-black-metal. The new project is called DE GRÂCE, featuring LaMort (aka Laszlo P.S. de WERMUT, ICH WOLLTE ICH KÖNNTE, NOTRE DESSEIN) on guitars and vocals. The first LP, a split between the old project HIS DIVINE GRACE and the new one DE GRÂCE, is planned to be released in time for the KALYUG Festival on LaMort's post-black-metal label JUST ANOTHER WINTER joining forces with REUE UM REUE to celebrate the transition between the dying and
the newly-born.
LISERGIC AND CALEIDOSCOPICAL SONIC CYBER TRIPS IN OUTER AND
INNER SPACE ... A TIME-BETWEEN CHRONOLOGY THROUGH THE
ABSENCE-DISTANCE OF THE PRIMORDIAL HYEROGLIPH MOTHERDRONE UP
TO THE NOISE_MIRRORING MORPHOLOGY OF THE WETSUN ...
Beyond the venefic nuclear miasmas of "dead.ends.sinful",
bound to the outer steps of the trans-futurist suite-song
are the links to a physiological post psychedelic junction
into way far glacial and poliphormic abysses, between
ebephrenical stasis , asphyctic compressions, subliminal
disturbs, astral irradiations... falling in the wait of a
self dyacronic-exponential reiteration. Days of absences, of
essences in the methaphisical precarious equilibrium between
auroral and aseptic emotional states left in permanent
hybridization. Days of post-organic lullabyes for androids,
technocratical mantras, globular nenias and neural
labyrinths. Days of abrasive disharmonies and scismic
melodies, eonic distances painting cosmic vaults in the
indeterminable fields of enthropy or the atomic inflation...
::: Egon Key for 1997EV anno 2253 previous the age of
Capricorn :::
1997EV, "dead.ends.sinful"
A visionary ritualist and psychedelic post-atomic voyage among the ruins of technology, an exploration journey-report in the frost of existential sand .
Subliminal melodies and thorny distortions, spread over hammering cadenzas and iridescent drones,
wave hypnotical within the out-of-time hedigipack CDart-rending and lashed outer limits of the desert .
Futurist premonitions and turmoils of abstract noises, instrumental trances guided by galley rythms over a claustrophobic non-oxygen soundscape filtered by surrealist lyrics thrown-wards about a cathatonic void .
Fresco-mosaic of a degenerated waste land...haze more than landscape.
Since more than ten years Tzii, music composer and videast, spreads his magickal corrosive frequencies all over the world through touring from eastern and western europe to Australia, passing by USA, Canada, Japan and Africa, where he played hundreds of shows..… Spreading cinematic dark ambient and raw power electronic anger, His aim is to enclose you into a abusive spiral leading you to an impossible redemption. He created his own label NIGHT ON EARTH in 2001, releasing vinyls.
Collaboration is his priority and played on stage or in studio with these musicians: Ripit, Gamaboy, Steve MacKay (The Stooges), Mike Watt (Minutemen, The Stooges), Marshall Allen (Sun-Ra Arkestra), Sikhara, Rko, Hop-Frog, Jason Lafarge, Temple Of Bonmatin, Sam Lohman, Alveols, Nevroz, D’incise, Klstr, Najah, Koonda Holaa, Stalker, Otto von Schirasch, DJ Urine, Error, Felakkkzion, Cochlea, Pilami, Synoxys, 1997EV, Company Fuck…..and more !
In spite of all their growing differences, there are still hidden places, elusive dimensions where East and West meet… For instance in the highly introspective music of the Marseille/Berlin based solo project NIEDOWIERZANIE, presenting here its first official album in the shape of five long instrumental pieces of neo-classical sound sculptures. Flirting both with IDM and contemporary music, mixing organic compositions (using a wide range of string, wind and self-made instruments) with electronic cut-ups and field recordings from the artist’s native Marseille and his extensive journeys through India, these intense, complex and luminous crescendos evoke the works of artists as diverse as COIL, MIRROR, MIASTO NIE SPALO and ARVO PÄRT.
live stream of concert 10pm onwards cest listen
7:07 PM
Powered by  | | English | | Albanian | | Arabic | | Bulgarian | | Catalan | | Chinese | | Croatian | | Czech | | Danish | | Dutch | | Estonian | | Filipino | | Finnish | | French | | Galician | | German | | Greek | | Hebrew | | Hindi | | Hungarian | | Indonesian | | Italian | | Japanese | | Korean | | Latvian | | Lithuanian | | Maltese | | Norwegian | | Polish | | Portuguese | | Romanian | | Russian | | Serbian | | Slovak | | Slovenian | | Spanish | | Swedish | | Thai | | Turkish | | Ukrainian | | Vietnamese |
|
|
|