INTERVIEW WITH TORBEN TILLY

1. Could you talk about The Garbage & The Flowers and how your experiences with that band relate (if at all) to what you are doing in Minit now?

In The Garbage & The Flowers (TGATF) there's this crystalline structure of a song with its architecture of chords and idiomatic vocal melody. It's something quite arcane and folkloric, owing a lot to Helen and Yuri Frusin's song-writing and Helen Johnstones' sapphirine voice. Being a part of this 5-pronged entity has been something I have really enjoyed and has definitely been influential on my approaches to making music. If all the musical parts work together in an almost mechanical kind of way to create a song it can be really satisfying. Sometimes however, through our own hazardous doing as a band, or an anomalous black star, a schnoollee, these songs would become unhinged and collapse into fractured shards of noise and disunion, leaning heavily like wine. This was especially the case when playing live, even if it was intentional (the drugs and alcohol) or accidental (the drugs and alcohol). Part of its beauty was that almost at the same instant that it was falling apart it was beginning to fall back together again, creating a counterpoint of melancholy and joy. I quite like it when it is so chaotic and entangled. Somehow it feeds the imagination and the music takes on a life of its own, revealing secret patterns and ghosts in the recordings.

Excerpt from Minut interview wwww.sigmaedtions