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ok, this is from a spanish blog and it’s really nice and also funny because it was translated by a computer...
translation:
Chapel Hill (North Carolina), never has been a too excellent enclave in the electronic panorama, until in 2004 a group of hardened collectors of vinyls, DJ..s, producers, promoters, writers and musicians of the zone decided to unite their forces and to fight by a common objective, the one to create a local scene that allowed the cultural development of that part of America where all the electronic one usually is quickly defenestrado. For it they created an artistic platform by means of which to make celebrations of course and, a seal to the use, FrequeNC, where the limited edition vinyl would be the used means and defendant to show all an restlessness trowel that went from post punk more falsified folk more synthetic, hip hop, pop, techno experimental or down tempo. Until this 12"in charge of a stranger of Durham removed from the sleeve, maxi of electro that or could have published in Is It or in the very same heart of Detroit. Zeke Serious aka Datahata a long time ago it came being interested in the electronics as a result of his passage by Coldsides, a local band that gained certain reputation between the villagers and who filtreaba between the Emo and the Indie Rock without too many pretensions. But the restlessness of the good one of Zeke included many fields to part of the rock, from dub and the experimentation by the space of people like Augutus Pablo or King Tubby, electro of Is it, disc, people of krautrock like Can or Neu! happening through the industrial sounds of Volteire Night club, DAF or Chris & Cosey, the legacy of Mr Fingers, ambient of Brian milimalistas Eno or to praxis of Robert Hood.
original (for the lucky spanish speakers):
Chapel Hill (North Carolina), nunca ha sido un enclave demasiado relevante en el panorama electrónico, hasta que en 2004 un grupo de empedernidos coleccionistas de vinilos, DJ..s, productores, promotores, escritores y músicos de la zona decidieron unir sus fuerzas y luchar por un objetivo común, el de crear una escena local que permitiera el desarrollo cultural de esa parte de América donde todo lo electrónico suele ser rapidamente defenestrado. Para ello crearon una plataforma artística mediante la que realizar fiestas y por supuesto, un sello al uso, FrequeNC, donde el vinilo en ediciones limitadas sería el medio utilizado y defendido para mostrar toda una paleta de inquietudes que iba desde el post punk más sofisticado al folk más sintético, el hip hop, el pop, techno experimental o el down tempo. Hasta que se sacaron de la manga este 12? a cargo de un desconocido de Durham, un maxi de electro que bien podría haberse publicado en La Haya o en el mismísimo corazón de Detroit.Zeke Graves aka Datahata hacía tiempo que venía interesándose por la electrónica a raíz de su paso por Coldsides, una banda local que se ganó cierta reputación entre los lugareños y que filtreaba entre el Emo y el Indie Rock sin demasiadas pretensiones. Pero las inquietudes del bueno de Zeke abarcaban muchos campos a parte del rock, desde el dub y la experimentación por el espacio de gente como Augutus Pablo o King Tubby, electro de la Haya, disco, gente del krautrock como Can o Neu! pasando por los sonidos industriales de Cabaret Volteire, DAF o Chris & Cosey, el legado de Mr Fingers, el ambient de Brian Eno o a las praxis milimalistas de Robert Hood.
1:09 AM
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