MySpace
myspace music


Curtis Macdonald



Last Updated: 11/22/2009

Send Message
Instant Message
Email to a Friend
Subscribe

Status: Single
City: Thousand Oaks - Westlake Village
State: California
Country: US
Signup Date: 10/17/2005

Who Gives Kudos:


Friday, May 25, 2007 

Current mood:  productive
Category: Music

You want to be recognized by your peers and friends that you have a talent and have something to offer and share with the world. You want to become immortal, even after you are gone your art lives forever. Here is what you can do:

..:namespace prefix = o ns = "urn:schemas-microsoft-com:office:office" /> 

1. Research the distributors and find out which independent labels use each distributor.

Find the indie that caters to your genre

 

2. Solicit that indie with this proposition:

 

A. They can have your finished master without re imbursement for the cost to create it.

 

B. All you want is for them to pay for the manufacturing of the CD (including images)

 

C. Have them add it to their catalog and have it distribute by their distributor.

 

D. No up front money, your royalties begin after the recoup of the manufacturing cost.

 

E. Make them aware that YOU will be responsible and pay for promotion (radio, print, videos, digital distribution, direct marketing, web presence) [Yes, this will become your job to do this as well as go gig your ass off, take the cost of promotion as a tax deduction]

 

This is how you can get "signed" by a label, the object is to have the labels cost be as LOW as possible. They don't have the dollars anymore to develop the artist. With bedroom technology, you can record, mix and master your own project and deliver an evaluation promo on your own, THEY KNOW THIS, so they won't pay or reimburse for this anymore. They just want finished masters, but if they believe in your product, the next step is convincing the distributor that your product is worth it to them (The distributor).

 

Now, you can bypass all of this and start your own label, pay for the manufacturing (Down to the shrink-wrap) [Again, a tax deduction] and go DIRECTLY to the distributor and pitch the project. Inform the distributor with a One Sheet (a single sheet of pertinent information about the project), let them be aware YOU will be responsible for promotion and maybe they will take a chance.

 

OR, you become a label and BYPASS traditional distribution and only distribute your music digitally. (iTunes, Rhapsody, ZUNE, Sony Connect, etc) Do this by using CDBaby or any other outfit that offers to get your music to the digital distributors and get you a nice piece of the royalties. [Again all costs become a tax deduction] And, you will be responsible for promotion. 

 

There you go, now all you have to have is a decent recording of your passion.

 

[If the IRS recognizes you has a WORKING musician, composer, label owner, or in the entertainment industry, then you can take off the manufacturing and promotion costs]

 

© 2007 Curtis S.D. Macdonald

 

 

 

[bRiFo]

 
a rather sad but pretty down-to-earth (and efficient) approach... i said sad cos being a musician is a full-time job, as being a producer, a promoter, A&R, PR, accountant or else...
if a musician is supposed to do everything by himself, i reckon he should get more money out of it... not less... one-man-label is it really the future of music? on one hand worldwide super-mega-star marketed like just another brand product, and on the other very small indie structures struggling for survival... yukkk
i appreciate the fact that your trying to help by sharing this anyway. thx for sharing.
 
Posted by [bRiFo] on Saturday, June 02, 2007 - 3:38 PM
[Reply to this
Liqube

 
thanks for sharing your personal insight on this topic!
 
Posted by Liqube on Saturday, June 02, 2007 - 8:13 PM
[Reply to this
Stevie Lyall

 
Thankyou for this information Curtis. Extremely valuable knoweledge. I swear if I knew this earlier I would be ahead of the game by now - Your a good friend, Peace to one and all. Steve Lyall
 
Posted by Stevie Lyall on Sunday, June 03, 2007 - 10:10 PM
[Reply to this
kiddk8

 
Good realistic info you put here. I have to say though, I tried my hand at some independent dance music 12" singles back in 1988 and my personal opinion is that it is actually far more easy now than ever to make something of an independent project.

In '88 at the New Music Seminar we were told that the labels were going to want to see you sell 100k units if you were working up from indie markets. That's 100k units of vinyl - not dandy digital you mastered at the house. And that's beating feet and trying to make friends with club and radio mix DJ's - internet wasn't what it is now.

My only point to all that - I think rather than feel overwhelmed or disheartened by the way things are that musical artists should feel excited that they have some of the best chances to prove themselves without initial fostering from the corporate machine than ever before. Yes it puts alot of emphasis on the artist wearing many hats, but I would have to say that it has been that way all the way back to the days of Motown. You just have alot more media and networking tools now.

Thanks for the thought-provoking blog. cheers
 
Posted by kiddk8 on Monday, June 04, 2007 - 4:08 PM
[Reply to this
Nataliya Medvedovskaya

 
Hi,CurtiS!I'm a composer and songwriter ,and I'm going to be a self-publisher.Is it possible if I have low income?How much approximatelly should I pay for manufacturing expences and promotion?
I'll be very glad to got your advice.Thank you.
Nataliya
 
Posted by Nataliya Medvedovskaya on Thursday, June 07, 2007 - 2:37 AM
[Reply to this
Nataliya Medvedovskaya

 
Hi,CurtiS!I'm a composer and songwriter ,and I'm going to be a self-publisher.Is it possible if I have low income?How much approximatelly should I pay for manufacturing expences and promotion?
I'll be very glad to got your advice.Thank you.
Nataliya
 
Posted by Nataliya Medvedovskaya on Thursday, June 07, 2007 - 2:37 AM
[Reply to this