A review of our first ep, from the October 2009 issue of Performer Magazine:

New Hampshire trio Graph make a big impact in a matter of only four songs on their latest self-titled EP, which finds them solving a complex musical equation: melding the frenzied technicality of math rock, the erratic precision of jazz and the melodic sensibility of pop. Some bands may falter in their genre-bending experiments, but not only does Graph have the instrumental and vocal chops to carry out its many headed sound seamlessly, it also pulls it off with enthusiasm and sincerity.

It’s a delicate balance, but vocalist/guitarist Matt Robidoux, bassist/keyboardist Ry Amidon and drummer Brian St. Pierre (Andy Kivela now plays drums for the band) give the songs plenty of room to breathe. Tracks like “New Place” and “The Banquet” offer mini movements of sound, incorporating manic guitar jams that find Robidoux employing loops into a rocking oblivion, with jazzed-up breaks of bass and drum grooves; experimental touches, like the self-destructing digital blips that close “The Tragedy of Places”; and melodic interludes that allow the songs to catch their breath.

Robidoux’s smooth voice provides the perfect finishing touch. Graph could easily be an impressive instrumental band, but Robidoux softens any sharp edges with the genuineness
that carries through in his vocals, perhaps most evident on the optimistic, jangly pop of “Girl Eating Bird.” A poetic dark side also surfaces in lyrics, such as on the “The Tragedy of Places: “The gods are departing/but we should speak of levity/walking under street lights/smokes a pack a day/black lung/and all is.”

The music changes directions often, but listeners can trust the instruments are in good hands.
(self-released)
Julia Cooper