From Houston's Chron.com:
blink-182 mends fences, back on tour
By MIKE DAMANTE For the Chronicle
Sept. 23, 2009, 3:52PM
Blink-182
has come a long way since going from ruling skate parks to becoming the
SoCal kings of pop-punk. After Green Day and the Rancid/Epitaph Records
explosion carried punk rock back to the mainstream in 1994, blink-182's
1999 release, Enema of the State, introduced a new wave of youth to catchy, angst-driven music.
On Enema,
the band — Tom DeLonge, Mark Hoppus and Travis Barker — embraced the
pop side of pop-punk, scoring its biggest hits and becoming a household
name outside the Warped Tour crowd.
In 2004, at the
height of the band's popularity and artistic execution, guitarist
DeLonge quit the band, claiming he was burned out. After Barker
survived a 2008 plane crash, DeLonge reached out to his estranged
bandmates. The rest is reunion history. Following five years of being
apart as a band and friends, the three have begun to mend their
relationship.
“It has been easy …
organic,” DeLonge said. “I think we had initial conversations and right
away put everything in perspective, and everyone was instantly fine
with the years that have passed. The best thing for us to do was to get
on our instruments and start playing because that is where we felt the
chemistry (would) come right back out again.”
Numerous rehearsal
sessions and high-profile late-night TV gigs have the power trio
gearing up for a return to being a fully functional band. While initial
performances appeared off, the band is slowly hitting its stride as a
live act once again.
“I think that, to
be honest, in many ways, it comes so naturally. ... Getting us in front
of an audience is the truest way to get the band firing on all
cylinders,” DeLonge said.
The highly
anticipated reunion tour spans more than 50 North American dates and
features an elaborate stage setup, put together by the same team that
worked on Kanye West's acclaimed Glow in the Dark tour. The band hopes
to release new single Up All Night sometime after the tour.
“(Up All Night)
sounds like the missing track of our last ‘untitled' album,” DeLonge
said. “It has elements of Pink Floyd, Rush and even Boxcar Racer and
Quicksand all in the same song. I think people are going to love it.”
DeLonge's post-blink endeavor, the ambitious arena-rock opus, Angels and Airwaves, will still function as a band even though blink-182 is the priority.
“(Angels and
Airwaves) is my life; blink is being written into it,” DeLonge said.
“(Angels and Airwaves) will pick up full speed after the blink tour. I
mean, there is still a whole future to be written with blink, we just
don't know exactly what it is and how it works yet. I'm just trying to
get this blink tour to be the best it can be first.”
After the blink-182 tour, DeLonge plans to release a new Angels and Airwaves album, Love, to coincide with the documentary/movie of the same name, which will all be released for free on Valentine's Day 2010.
“It is the work of
my life, absolutely, and I think people are going to freak out when
they see the film and what it is all about, and it is definitely worth
the wait,” DeLonge said. “No band does this. No band has ever done
this; I think it is very revolutionary. I'm excited.”
In his time off the
stage, DeLonge formed Modlife, an online subscription service that
allows bands and other multi-media artists their own user sites to
connect with fans, stream live concerts and post their own music.
DeLonge's shoe company, Macbeth footwear, has also grown its line of
artist-inspired vegan-friendly shoes.
“We just released a
shoe from Mike Dirnt of Green Day, we having stuff coming up from Davey
Havok of AFI, Frankie from My Chemical Romance, a special shoe from
Muse and a lot of rad stuff,” DeLonge said. “It has taken a few years
for people to realize Macbeth is a really good shoe company, and we are
trying to work with the coolest bands possible. The shoes are awesome,
and I think people are finally catching on, and it is doing better than
it has ever done. We are securing a place in shoe history.”
The tour stops at
the Cynthia Woods Mitchell Pavilion at 6:30 p.m. Thursday and fans can
expect a setlist rich in the band's catalog.
“We have so many singles, we are going to power through those,” said DeLonge.
As the blink-182 matures to even more of a power trio, the band still looks forward to playing the older songs like Carousel and Josie that made them staples in the SoCal punk scene.
“It super brings
back memories and sounds really good, like power-pop punk,” said
DeLonge. “It's rad, really powerful, and it just brings back all the
memories you have of being young and wanting to break something.”
DeLonge has his
hands full with two functioning bands, a family, Macbeth, Modlife and
the ongoing blink-182 tour. Taking on such a huge undertaking would be
a daunting task for DeLonge circa-2004, but the guitarist is ready to
take on the challenge.
“Fifty dates is a
lot, and no matter how bored or burned out you get it all changes for
that period we are on stage,” DeLonge said. “The biggest thing that
would hurt a tour is if tickets aren't selling and you feel like you
are stuck and you don't know what you did wrong. But this isn't the
case with this tour; it is the biggest tour of my life.”
http://www.chron.com/disp/story.mpl/ent/music/6633009.html