Papers-Scores, Textural-approach & recordings manners ,
"Objets sonores" and derivative positions ,
Chamber-orchestra (about papers-scores / improvisations and collaborations).
a Sculpted area with silence in sounds :
This musical-pieces are composed about created "Objets Sonores" ,
processing-machines (V.A.S.T & Synthesis environements, Sampler ,
Differents & several sources papers-writing) ,
instruments & vocals , and others textural approach into
the sounds-veins of each recordings and Papers-scores ,
also based on improvisations and freedom of interpretation
for woods -winds- strings-Voices and others materials.
The "Sampling" area here , is not a traditional Sampling of external materials from records or sources ,
but from the own "writing and recordings" of this music and her roots , microphones and original writing-musical lines, external life sounds .
the collaborations could exist through "distance" and "proximity",
across the internet sometimes and in "flesh & bones" for others times.
Some many differents musicians-interpreter can take part to this music to re-born into her-self.
this musicians have their own project and poetry also (see the list below)
and read for the sing the "writings" of C.G or their own.
after the recordings roots , C.G re-harmonize and construct towards the end of the linen.
about his own scores and interpretations/collaborations on it.
Passionnate by dances and percussions-harmonies when he was a
child,he started to learn drums and harmony. Drummer in
rockbands for several years. He played in «Spoonful»,a formation
blending influences from 70's rock,jazz-extrem and Pop-noise.
Then he played in «Dogma»,a hand peering at noiser lands and on
heavy and mighty layering of harmonies.Raising from a wearyness
of the «rock spirit»,he equidistantly leads is researches on sound
colours and physical pressures drawing closer image and
improvisations
centered on jazz,concrete-music's spirit and manners,and
electronica. Ensue the creation of a recording studio/experiences
centered on sounds and mix. An activity that allows him to discover
and clear his yearnings and musical orientations through diverses
elements of modulation,ranging from the sensuality of analogic and
the confused logic of digital.
In 2003,Christophe Guiraud creates his own project «Tellemake»,
a logical following to his research on sensuality and infection and
irritation of masses of sound.His first EP «Moorning» was released
in 2003 on AngstrÖm.It introduces a musical hybride between
sound and rhythm radicalism and an emotionally complex sense of
melody and Harmony.
Tellemake is a project in constant evolution/modulation.For his first
LP « Scarbo » the distortion is substituted by space where the
result of his researches in harmony and texture clatters.The
boundaries between jazz, electronica, pop, experimental music
disappear into an atypical music.An antagonistic musical universe
where the complexity of compositions reverberates a sincere and
touching emotions.
He is also half of the electronica duet « Maeko », the first LP «
Geode » was released on prarisian label « Tsuku Boshi », and as a
remixer for Lamb, VLAD,Lodz. Half of the Themes-curves-sonic
project «Côme» with Lodz,they are currently working on a new
album and finished a Live-session. Half of the Opera-project «Day
of anger» with maile Colbert, they are currently working on a new
release, an experimental opera on millennialism and apocalyptic
thought and theory, with acclaimed opera singer Gabriela Crowe,
singer Jessica Constable, and the Poetry of Ian Colbert.
Christophe Guiraud is currently working on some new musical-
pieces (Matador), a sort of Opera and Compositions mixing
the Folk-songs's spirit and the childrens's scream,
mothers's gazes and the harmonic-Compositions towards
silences/breathes and vocals sentences.
Woods,Strings,breathes,electronics-process,textural-
Scores and recordings,Poetic Brass-section singing for a call, an
answer to the anger...
With the sensitive singer Jessica Constable,
the Whisper-singer Lodz (Pauline Nadrigny),
Cellist-interpreter Eugenie Ursch,
Offret Strings Quintet ,
Clarinetist-interpreter Stephane Mallé, Victor Sequi ,
Christian vasseur (Guitar tweaks and sounds) ,
...............until now....
This «Matador» is work in progress.
Discographies:
V/A Collexotic (Nocturne 2002).
Tellemake " Moorning EP " (Angstrom 2003).
Lamb " remixed ", 1 remix, aka Lento (Mercury 2005).
VLAD " D'rmxs ", 1 remix (Angstrom 2005).
Domo_kun " Small ", 1 remix (Modulo 2006).
Maeko " Geode " (Tsuku Boshi 2006).
Tellemake " Scarbo " (Angstrom 2006).
Tellemake with maile Colbert " Day of anger " Opera (...search label..2008).
Tellemake with m.Colbert "a Fluid Dawn" (TwentyHertz--Resonnant ember Compilation 2008).
LentO---project (...Search a label...2008).
Christophe.g /Tellemake & Lodz "Côme" (Album in progress....2009).
Christophe.g /Tellemake "Cloches augen ende (Matador)" (9.12 records "maea" compilation for War-child 2008).
Christophe.g /Tellemake "Les 3 Histrions (Matador)" (Mandorla Autumn-project Compil 2008).
Tellemake "Etudes & muses between 2006-2007" Album (Full and Free Download , Search for an editing-Label....).
Christophe.g /Tellemake "Matador" (in progress.......Search Label...2008).
__CREDITS :
Jessica Constable
Jessica Constable has been collaborating,
composing melodies and singing the poetry of C.G , on :
__En mara , et ses yeux elle me dit , memoires a demain .
__Cloches augen ende--Part 2 .
__Tear one's gaze away .
__the Bark .
Lodz
Lodz (Pauline Nadrigny) has been collaborating,
and singing her own poetry for C.G , on :
__Les 3 Histrions .
__Tear one's gaze away ( sketchs and choral about scores of C.G) .
__Elegies aux murmures .
__Cloches augen ende--Part 1 .
Eugenie Ursch
Eugenie Ursch has been collaborating
about Paper-Scores (as interpreter) and improvisations as a Soloist for C.G , on:
__Mend Son .
__Cloches augen ende--Part 1 & 2 .
__a Egon .
__Les 3 Histrions .
__Sosel ( Live Sept 2006 ) .
__Sel et Lumieres ( Live Sept 2006 ) .
Offret Quintet
Offret Quintet has been collaborating
about Paper-Scores (as interpreters) and improvisations, of C.G , on :
__Fosses à Oiseaux (Trinité_fouilles_Tympan Voix), Musical-piece in the longer of timbers and breathes, as String-Quintet .
__Cloches augen ende as String-trio .
__Les 3 Histrions as String-trio .
__Mend son as String-Duo .
__"I came from the hidden earth"'s music, as String-Quintet .
__"Le Chant des 10 Pas".....à venir (Soon) .
Eugenie Ursch.
Si tu as une belle envie de te prolonger dans le temps, dis toi que de tous les êtres
qui disparaissent pour retourner au sein de la nature , d'ou il sont venus , et d'ou
ils sortiront bientôt encore , aucun ne s'anéantit.
Tout cela finit mais ne périt pas.
La mort , dont nous nous effrayons, contre laquelle nous regimbons, interrompt notre existence , elle ne nous l'arrache point.
De
nouveau viendra un jour qui nous remettra dans le monde, et contre qui
beaucoup regimberaient , si la mémoire n'était abolie chez ceux qu'il
ramène .
__Sénèque, Lettre XXXVI__
Et je finirai après cette seule remarque : ni le petit enfant , ni le pauvre d'esprit ne
craignent la mort.
C'est la pire des hontes , si la raison ne nous garantit pas une sérénité ou la stupidité mène tout droit .
.