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Emma Dean



Last Updated: 12/15/2009

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Status: Single
City: Brisbane
State: Queensland
Country: AU
Signup Date: 12/13/2005

Who Gives Kudos:


Sunday, November 01, 2009 

Current mood:  sneezy
Category: Music
Hello lil' lovers,

Here are two reviews from the UK. I can't believe people from the other side of the world are listening to my album. Such a weird feeling. Good weird. :)

1. From Allgigs.co.uk

Real Life Computer Game - Emma Dean Album Review

Emma Dean - Photo: Ricky Sullivan www.rickysullivan.com.au
Emma Dean
Photo: Ricky Sullivan link

Album Review

Emma Dean is a Brisbane based multi instrumentalist that has followed up the quick release of two very promising E.P's with her debut long player and it is certainly an attention grabbing album. Curious, funny, astute and above all, weird. She could well stake a good claim to be the new Millennium's Kate Bush with her theatrical approach to music.
Opening track 'Waiting Room' is all performance theatre with her emphatic vocals on display and intricate piano and guitar licks. It's a very fun song to lead into the title track, which is a perfectly constructed pop song that would make a fantastic single. Her voice is enough on it's own, her yips and yelps adding great dimensions to the sound. 'Most Of The Time' is a good piano led ballad with great string arrangements and 'Sorry' is a song that builds in intensity with every passing sentence and grows to a great finale. 'Get What You Paid For' is a fantastic track pulsating with wicked energy and then 'Orange Red' is again a great string soaked song with a beautiful vocal. Short track 'Addicted To' uneasily leads into 'Cocaine' is pure energy and theatrics as she kicks through a fantastic response to false rumours she was on the white powder. 'Henry' starts with a wonderfully dark cello and violin, which sets the tone for a very sombre piece of music. 'End Of The Table' is slightly stuttering in its approach but nothing cannot be taken from the vocals, yet again pristine. 'Dry Land' is again a rather stretched song, which is a shame. The final track (you can read the title in the listing) picks the album up from what could have been a disappointing finale. It is the embodiment of the attitude with which this album was produced, sounding almost like a song from a Musical. The vocal is the best from a great choice of strong performances.
Emma Dean is deserving of greatness with her dedication to making music as wide screen as possible and this album continues her standard of high quality releases. A minor lull towards the end does not overshadow the fantastic show put on throughout.



2. From SUBBA-CULTURE
Quirky and super talented; Emma Dean wows us with her amazing blend of elastic pop theatre.

Off the back of her debut EP 'Face Painter', the sensual and sultry Emma Dean returns with band of Dane Pollock (guitar), John Turnbull (bass), Rachel Meredith (cello) and Anthony Dean (drums) in toe to release her first full length album. Produced by Ben Stewart (Hot Sex Liquid, The Boat People); 'Real Life Computer Game' draws on her extensive training and background, as a theatre performer, music teacher, songwriter, and multi-instrumentalist to create a dangerously catchy and dramatic piece of work; that many will agree is her best to date


Every song on the album is a wonderfully crafted; whether it be the highly theatrical yet slightly off kilt opening track 'Waiting Room' starting of peacefully before exploding into a theatrical rocker or the tear jerking and doleful 'Henry' or the harrowing lead song and release 'Cocaine' with it’s frantic piano thrashing; she combines elements of classical and cabaret to create an all together fresh and organic sound. Her vocals are undoubtedly captivating, but this album does more than to just showcase Dean as an accomplished singer but better yet prove her to be an equally adept song writer too.

 

Falling somewhere on the radar between Florence Welshe and Regina Spektor, The Brisbane native creates her own sound that is self described as a blend of “Elastic Pop Theatre”, result, not only because of its infectious nature but through the manner in which it dips, soars and evolves like a stage musical. Whatever you want to call it, with 12 enchanting and larger than life tracks of such varied yet high calibre, Real Life Computer is an awesome debut from an awesome artist. 

By: Michael Ajayi


Thanks for reading,

Em x


Currently reading:
A Long Way Down
By Nick Hornby
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Ben Stewart

 
fuckin sweet reviews x

 
Posted by Ben Stewart on Sunday, November 01, 2009 - 7:36 AM
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Emma Dean

 
Thanks babe xxx

 
Posted by Emma Dean on Sunday, November 01, 2009 - 7:47 AM
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kate

 
I think they would be crazy NOT to love it. So proud of you! xoxoxo
 
Posted by kate on Sunday, November 01, 2009 - 9:19 AM
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Laissez-Fayre

 
Nice to see the British are warming to you, Miss Dean.  They love anything that is different and off-kilter musically, probably more than other countries that I know of (seeing that I'm a native Pom myself!) 
 
Posted by Laissez-Fayre on Monday, November 02, 2009 - 5:07 AM
[Reply to this
Liv
Liv Fisher

 
nice! well done my beautiful girl.
 
Posted by Liv on Wednesday, November 11, 2009 - 10:22 PM
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Sam Hayes
Sam Hayes

 
You're gonna take over the UK soon, Miss Dean! And we all want front row tickets. Love ya loads. Hugs and xxxxx from us all xxxxxxxxxxxxxxxxxxx

 
Posted by Sam Hayes on Thursday, November 12, 2009 - 7:28 PM
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